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Best Famous Horse Poems

Here is a collection of the all-time best famous Horse poems. This is a select list of the best famous Horse poetry. Reading, writing, and enjoying famous Horse poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of horse poems.

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Written by Nazim Hikmet | Create an image from this poem

Things I Didnt Know I Loved

 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves.
.
.
they call me The Knife.
.
.
lover like a young tree.
.
.
I blow stately mansions sky-high" in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief to a pine bough for luck I never knew I loved roads even the asphalt kind Vera's behind the wheel we're driving from Moscow to the Crimea Koktebele formerly "Goktepé ili" in Turkish the two of us inside a closed box the world flows past on both sides distant and mute I was never so close to anyone in my life bandits stopped me on the red road between Bolu and Geredé when I was eighteen apart from my life I didn't have anything in the wagon they could take and at eighteen our lives are what we value least I've written this somewhere before wading through a dark muddy street I'm going to the shadow play Ramazan night a paper lantern leading the way maybe nothing like this ever happened maybe I read it somewhere an eight-year-old boy going to the shadow play Ramazan night in Istanbul holding his grandfather's hand his grandfather has on a fez and is wearing the fur coat with a sable collar over his robe and there's a lantern in the servant's hand and I can't contain myself for joy flowers come to mind for some reason poppies cactuses jonquils in the jonquil garden in Kadikoy Istanbul I kissed Marika fresh almonds on her breath I was seventeen my heart on a swing touched the sky I didn't know I loved flowers friends sent me three red carnations in prison I just remembered the stars I love them too whether I'm floored watching them from below or whether I'm flying at their side I have some questions for the cosmonauts were the stars much bigger did they look like huge jewels on black velvet or apricots on orange did you feel proud to get closer to the stars I saw color photos of the cosmos in Ogonek magazine now don't be upset comrades but nonfigurative shall we say or abstract well some of them looked just like such paintings which is to say they were terribly figurative and concrete my heart was in my mouth looking at them they are our endless desire to grasp things seeing them I could even think of death and not feel at all sad I never knew I loved the cosmos snow flashes in front of my eyes both heavy wet steady snow and the dry whirling kind I didn't know I liked snow I never knew I loved the sun even when setting cherry-red as now in Istanbul too it sometimes sets in postcard colors but you aren't about to paint it that way I didn't know I loved the sea except the Sea of Azov or how much I didn't know I loved clouds whether I'm under or up above them whether they look like giants or shaggy white beasts moonlight the falsest the most languid the most petit-bourgeois strikes me I like it I didn't know I liked rain whether it falls like a fine net or splatters against the glass my heart leaves me tangled up in a net or trapped inside a drop and takes off for uncharted countries I didn't know I loved rain but why did I suddenly discover all these passions sitting by the window on the Prague-Berlin train is it because I lit my sixth cigarette one alone could kill me is it because I'm half dead from thinking about someone back in Moscow her hair straw-blond eyelashes blue the train plunges on through the pitch-black night I never knew I liked the night pitch-black sparks fly from the engine I didn't know I loved sparks I didn't know I loved so many things and I had to wait until sixty to find it out sitting by the window on the Prague-Berlin train watching the world disappear as if on a journey of no return 19 April 1962 Moscow


Written by Rabindranath Tagore | Create an image from this poem

The Hero

 Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a red horse.
It is evening and the sun goes down.
The waste of Joradighi lies wan and grey before us.
The land is desolate and barren.
You are frightened and thinking-"I know not where we have come to.
" I say to you, "Mother, do not be afraid.
" The meadow is prickly with spiky grass, and through it runs a narrow broken path.
There are no cattle to be seen in the wide field; they have gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell where we are going.
Suddenly you call me and ask me in a whisper, "What light is that near the bank?" Just then there bursts out a fearful yell, and figures come running towards us.
You sit crouched in your palanquin and repeat the names of the gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny bush.
I shout to you, "Don't be afraid, mother.
I am here.
" With long sticks in their hands and hair all wild about their heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are dead men.
" They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep away from them.
" I say, "Mother, just you watch me.
" Then I spur my horse for a wild gallop, and my sword and buckler clash against each other.
The fight becomes so fearful, mother, that it would give you a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the fight is over now.
" You come out and kiss me, pressing me to your heart, and you say to yourself, "I don't know what I should do if I hadn't my boy to escort me.
" A thousand useless things happen day after day, and why couldn't such a thing come true by chance? It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was so delicate!" Our village people would all say in amazement, "Was it not lucky that the boy was with his mother?"
Written by Anne Kingsmill Finch | Create an image from this poem

A Nocturnal Reverie

In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.
Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage Puts all heaven in a rage.
A dove-house filled with doves and pigeons Shudders hell through all its regions.
A dog starved at his master's gate Predicts the ruin of the state.
A horse misused upon the road Calls to heaven for human blood.
Each outcry of the hunted hare A fibre from the brain does tear.
A skylark wounded in the wing, A cherubim does cease to sing.
The game-cock clipped and armed for fight Does the rising sun affright.
Every wolf's and lion's howl Raises from hell a human soul.
The wild deer wandering here and there Keeps the human soul from care.
The lamb misused breeds public strife, And yet forgives the butcher's knife.
The bat that flits at close of eve Has left the brain that won't believe.
The owl that calls upon the night Speaks the unbeliever's fright.
He who shall hurt the little wren Shall never be beloved by men.
He who the ox to wrath has moved Shall never be by woman loved.
The wanton boy that kills the fly Shall feel the spider's enmity.
He who torments the chafer's sprite Weaves a bower in endless night.
The caterpillar on the leaf Repeats to thee thy mother's grief.
Kill not the moth nor butterfly, For the Last Judgment draweth nigh.
He who shall train the horse to war Shall never pass the polar bar.
The beggar's dog and widow's cat, Feed them, and thou wilt grow fat.
The gnat that sings his summer's song Poison gets from Slander's tongue.
The poison of the snake and newt Is the sweat of Envy's foot.
The poison of the honey-bee Is the artist's jealousy.
The prince's robes and beggar's rags Are toadstools on the miser's bags.
A truth that's told with bad intent Beats all the lies you can invent.
It is right it should be so: Man was made for joy and woe; And when this we rightly know Through the world we safely go.
Joy and woe are woven fine, A clothing for the soul divine.
Under every grief and pine Runs a joy with silken twine.
The babe is more than swaddling bands, Throughout all these human lands; Tools were made and born were hands, Every farmer understands.
Every tear from every eye Becomes a babe in eternity; This is caught by females bright And returned to its own delight.
The bleat, the bark, bellow, and roar Are waves that beat on heaven's shore.
The babe that weeps the rod beneath Writes Revenge! in realms of death.
The beggar's rags fluttering in air Does to rags the heavens tear.
The soldier armed with sword and gun Palsied strikes the summer's sun.
The poor man's farthing is worth more Than all the gold on Afric's shore.
One mite wrung from the labourer's hands Shall buy and sell the miser's lands, Or if protected from on high Does that whole nation sell and buy.
He who mocks the infant's faith Shall be mocked in age and death.
He who shall teach the child to doubt The rotting grave shall ne'er get out.
He who respects the infant's faith Triumphs over hell and death.
The child's toys and the old man's reasons Are the fruits of the two seasons.
The questioner who sits so sly Shall never know how to reply.
He who replies to words of doubt Doth put the light of knowledge out.
The strongest poison ever known Came from Caesar's laurel crown.
Nought can deform the human race Like to the armour's iron brace.
When gold and gems adorn the plough To peaceful arts shall Envy bow.
A riddle or the cricket's cry Is to doubt a fit reply.
The emmet's inch and eagle's mile Make lame philosophy to smile.
He who doubts from what he sees Will ne'er believe, do what you please.
If the sun and moon should doubt, They'd immediately go out.
To be in a passion you good may do, But no good if a passion is in you.
The whore and gambler, by the state Licensed, build that nation's fate.
The harlot's cry from street to street Shall weave old England's winding sheet.
The winner's shout, the loser's curse, Dance before dead England's hearse.
Every night and every morn Some to misery are born.
Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
We are led to believe a lie When we see not through the eye Which was born in a night to perish in a night, When the soul slept in beams of light.
God appears, and God is light To those poor souls who dwell in night, But does a human form display To those who dwell in realms of day.
Written by Barry Tebb | Create an image from this poem

MY PERFECT ROSE

 At ten she came to me, three years ago,

There was ‘something between us’ even then;

Watching her write like Eliot every day,

Turn prose into haiku in ten minutes flat,

Write a poem in Greek three weeks from learning the alphabet;

Then translate it as ‘Sun on a tomb, gold place, small sacred horse’.
I never got over having her in the room, though Every day she was impossible in a new way, Stamping her foot like a naughty Enid Blyton child, Shouting "Poets don’t do arithmetic!" Or drawing caricatures of me in her book.
Then there were the ‘moments of vision’, her eyes Dissolving the blank walls and made-up faces, Genius painfully going through her paces, The skull she drew, the withered chrysanthemum And scarlet rose, ‘Descensus averno’, like Virgil, I supposed.
Now three years later, in nylons and tight skirt, She returns from grammar school to make a chaos of my room; Plaiting a rose in her hair, I remember the words of her poem - ‘For love is wrong/in word, in deed/But you will be mine’ And now her promise to come the last two days of term, "But not tell them", the diamond bomb exploding In her eyes, the key left ‘Accidentally’ on my desk And the faint surprise.


Written by John Trumbull | Create an image from this poem

The Owl And The Sparrow

 In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble, Worse than ten labourers of Babel.
Along the street, perhaps you'd see A Post disputing with a Tree, And mid their arguments of weight, A Goose sit umpire of debate.
Each Dog you met, though speechless now, Would make his compliments and bow, And every Swine with congees come, To know how did all friends at home.
Each Block sublime could make a speech, In style and eloquence as rich, And could pronounce it and could pen it, As well as Chatham in the senate.
Nor prose alone.
--In these young times, Each field was fruitful too in rhymes; Each feather'd minstrel felt the passion, And every wind breathed inspiration.
Each Bullfrog croak'd in loud bombastic, Each Monkey chatter'd Hudibrastic; Each Cur, endued with yelping nature, Could outbark Churchill's[2] self in satire; Each Crow in prophecy delighted, Each Owl, you saw, was second-sighted, Each Goose a skilful politician, Each Ass a gifted met'physician, Could preach in wrath 'gainst laughing rogues, Write Halfway-covenant Dialogues,[3] And wisely judge of all disputes In commonwealths of men or brutes.
'Twas then, in spring a youthful Sparrow Felt the keen force of Cupid's arrow: For Birds, as Æsop's tales avow, Made love then, just as men do now, And talk'd of deaths and flames and darts, And breaking necks and losing hearts; And chose from all th' aerial kind, Not then to tribes, like Jews, confined The story tells, a lovely Thrush Had smit him from a neigh'bring bush, Where oft the young coquette would play, And carol sweet her siren lay: She thrill'd each feather'd heart with love, And reign'd the Toast of all the grove.
He felt the pain, but did not dare Disclose his passion to the fair; For much he fear'd her conscious pride Of race, to noble blood allied.
Her grandsire's nest conspicuous stood, Mid loftiest branches of the wood, In airy height, that scorn'd to know Each flitting wing that waved below.
So doubting, on a point so nice He deem'd it best to take advice.
Hard by there dwelt an aged Owl, Of all his friends the gravest fowl; Who from the cares of business free, Lived, hermit, in a hollow tree; To solid learning bent his mind, In trope and syllogism he shined, 'Gainst reigning follies spent his railing; Too much a Stoic--'twas his failing.
Hither for aid our Sparrow came, And told his errand and his name, With panting breath explain'd his case, Much trembling at the sage's face; And begg'd his Owlship would declare If love were worth a wise one's care.
The grave Owl heard the weighty cause, And humm'd and hah'd at every pause; Then fix'd his looks in sapient plan, Stretch'd forth one foot, and thus began.
"My son, my son, of love beware, And shun the cheat of beauty's snare; That snare more dreadful to be in, Than huntsman's net, or horse-hair gin.
"By others' harms learn to be wise," As ancient proverbs well advise.
Each villany, that nature breeds, From females and from love proceeds.
'Tis love disturbs with fell debate Of man and beast the peaceful state: Men fill the world with war's alarms, When female trumpets sound to arms; The commonwealth of dogs delight For beauties, as for bones, to fight.
Love hath his tens of thousands slain, And heap'd with copious death the plain: Samson, with ass's jaw to aid, Ne'er peopled thus th'infernal shade.
"Nor this the worst; for he that's dead, With love no more will vex his head.
'Tis in the rolls of fate above, That death's a certain cure for love; A noose can end the cruel smart; The lover's leap is from a cart.
But oft a living death they bear, Scorn'd by the proud, capricious fair.
The fair to sense pay no regard, And beauty is the fop's reward; They slight the generous hearts' esteem, And sigh for those, who fly from them.
Just when your wishes would prevail, Some rival bird with gayer tail, Who sings his strain with sprightlier note, And chatters praise with livelier throat, Shall charm your flutt'ring fair one down, And leave your choice, to hang or drown.
Ev'n I, my son, have felt the smart; A Pheasant won my youthful heart.
For her I tuned the doleful lay,[4] For her I watch'd the night away; In vain I told my piteous case, And smooth'd my dignity of face; In vain I cull'd the studied phrase, And sought hard words in beauty's praise.
Her, not my charms nor sense could move, For folly is the food of love.
Each female scorns our serious make, "Each woman is at heart a rake.
"[5] Thus Owls in every age have said, Since our first parent-owl was made; Thus Pope and Swift, to prove their sense, Shall sing, some twenty ages hence; Then shall a man of little fame, One ** **** sing the same.
Written by Alfred Lord Tennyson | Create an image from this poem

The Lady of Shalott

ON either side the river lie

Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
To many-tower'd Camelot; 5 
And up and down the people go, 
Gazing where the lilies blow 
Round an island there below, 
The island of Shalott.
Willows whiten, aspens quiver, 10 Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot.
Four gray walls, and four gray towers, 15 Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.
By the margin, willow-veil'd, Slide the heavy barges trail'd 20 By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? 25 Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly 30 From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers ''Tis the fairy 35 Lady of Shalott.
' PART II There she weaves by night and day A magic web with colours gay.
She has heard a whisper say, A curse is on her if she stay 40 To look down to Camelot.
She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
45 And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear.
There she sees the highway near Winding down to Camelot: 50 There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott.
Sometimes a troop of damsels glad, 55 An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue 60 The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott.
But in her web she still delights To weave the mirror's magic sights, 65 For often thro' the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; 70 'I am half sick of shadows,' said The Lady of Shalott.
PART III A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, 75 And flamed upon the brazen greaves Of bold Sir Lancelot.
A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, 80 Beside remote Shalott.
The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy.
The bridle bells rang merrily 85 As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott.
90 All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot.
95 As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100 On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot.
From the bank and from the river 105 He flash'd into the crystal mirror, 'Tirra lirra,' by the river Sang Sir Lancelot.
She left the web, she left the loom, She made three paces thro' the room, 110 She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot.
Out flew the web and floated wide; The mirror crack'd from side to side; 115 'The curse is come upon me!' cried The Lady of Shalott.
PART IV In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, 120 Heavily the low sky raining Over tower'd Camelot; Down she came and found a boat Beneath a willow left afloat, And round about the prow she wrote 125 The Lady of Shalott.
And down the river's dim expanse¡ª Like some bold seer in a trance, Seeing all his own mischance¡ª With a glassy countenance 130 Did she look to Camelot.
And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott.
135 Lying, robed in snowy white That loosely flew to left and right¡ª The leaves upon her falling light¡ª Thro' the noises of the night She floated down to Camelot: 140 And as the boat-head wound along The willowy hills and fields among, They heard her singing her last song, The Lady of Shalott.
Heard a carol, mournful, holy, 145 Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darken'd wholly, Turn'd to tower'd Camelot; For ere she reach'd upon the tide 150 The first house by the water-side, Singing in her song she died, The Lady of Shalott.
Under tower and balcony, By garden-wall and gallery, 155 A gleaming shape she floated by, Dead-pale between the houses high, Silent into Camelot.
Out upon the wharfs they came, Knight and burgher, lord and dame, 160 And round the prow they read her name, The Lady of Shalott.
Who is this? and what is here? And in the lighted palace near Died the sound of royal cheer; 165 And they cross'd themselves for fear, All the knights at Camelot: But Lancelot mused a little space; He said, 'She has a lovely face; God in His mercy lend her grace, 170 The Lady of Shalott.
'
Written by Alfred Lord Tennyson | Create an image from this poem

The Charge of the Light Brigade

Half a league, half a league, 
Half a league onward, 
All in the valley of Death 
Rode the six hundred.
"Forward, the Light Brigade! Charge for the guns!" he said: Into the valley of Death Rode the six hundred.
"Forward, the Light Brigade!" Was there a man dismayed? Not though the soldier knew Some one had blundered: Their's not to make reply, Their's not to reason why, Their's but to do and die: Into the valley of Death Rode the six hundred.
Cannon to right of them, Cannon to left of them, Cannon in front of them Volleyed and thundered; Stormed at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred.
Flashed all their sabres bare, Flashed as they turned in air Sabring the gunners there, Charging an army, while All the world wondered: Plunged in the battery-smoke Right through the line they broke; Cossack and Russian Reeled from the sabre-stroke Shattered and sundered.
Then they rode back, but not, Not the six hundred.
Cannon to right of them, Cannon to left of them, Cannon behind them Volleyed and thundered; Stormed at with shot and shell, While horse and hero fell, They that had fought so well Came through the jaws of Death Back from the mouth of Hell, All that was left of them, Left of six hundred.
When can their glory fade? O the wild charge they made! All the world wondered.
Honour the charge they made! Honour the Light Brigade, Noble six hundred!
Written by Walt Whitman | Create an image from this poem

Respondez!

 RESPONDEZ! Respondez! 
(The war is completed—the price is paid—the title is settled beyond recall;) 
Let every one answer! let those who sleep be waked! let none evade! 
Must we still go on with our affectations and sneaking? 
Let me bring this to a close—I pronounce openly for a new distribution of roles;
Let that which stood in front go behind! and let that which was behind advance to the
 front and
 speak; 
Let murderers, bigots, fools, unclean persons, offer new propositions! 
Let the old propositions be postponed! 
Let faces and theories be turn’d inside out! let meanings be freely criminal, as well
 as
 results! 
Let there be no suggestion above the suggestion of drudgery!
Let none be pointed toward his destination! (Say! do you know your destination?) 
Let men and women be mock’d with bodies and mock’d with Souls! 
Let the love that waits in them, wait! let it die, or pass stillborn to other spheres! 
Let the sympathy that waits in every man, wait! or let it also pass, a dwarf, to other
 spheres!

Let contradictions prevail! let one thing contradict another! and let one line of my poems
 contradict another!
Let the people sprawl with yearning, aimless hands! let their tongues be broken! let their
 eyes
 be discouraged! let none descend into their hearts with the fresh lusciousness of love! 
(Stifled, O days! O lands! in every public and private corruption! 
Smother’d in thievery, impotence, shamelessness, mountain-high; 
Brazen effrontery, scheming, rolling like ocean’s waves around and upon you, O my
 days! my
 lands! 
For not even those thunderstorms, nor fiercest lightnings of the war, have purified the
 atmosphere;)
—Let the theory of America still be management, caste, comparison! (Say! what other
 theory
 would you?) 
Let them that distrust birth and death still lead the rest! (Say! why shall they not lead
 you?)

Let the crust of hell be neared and trod on! let the days be darker than the nights! let
 slumber bring less slumber than waking time brings! 
Let the world never appear to him or her for whom it was all made! 
Let the heart of the young man still exile itself from the heart of the old man! and let
 the
 heart of the old man be exiled from that of the young man!
Let the sun and moon go! let scenery take the applause of the audience! let there be
 apathy
 under the stars! 
Let freedom prove no man’s inalienable right! every one who can tyrannize, let him
 tyrannize to his satisfaction! 
Let none but infidels be countenanced! 
Let the eminence of meanness, treachery, sarcasm, hate, greed, indecency, impotence, lust,
 be
 taken for granted above all! let writers, judges, governments, households, religions,
 philosophies, take such for granted above all! 
Let the worst men beget children out of the worst women!
Let the priest still play at immortality! 
Let death be inaugurated! 
Let nothing remain but the ashes of teachers, artists, moralists, lawyers, and
 learn’d and
 polite persons! 
Let him who is without my poems be assassinated! 
Let the cow, the horse, the camel, the garden-bee—let the mudfish, the lobster, the
 mussel, eel, the sting-ray, and the grunting pig-fish—let these, and the like of
 these, be
 put on a perfect equality with man and woman!
Let churches accommodate serpents, vermin, and the corpses of those who have died of the
 most
 filthy of diseases! 
Let marriage slip down among fools, and be for none but fools! 
Let men among themselves talk and think forever obscenely of women! and let women among
 themselves talk and think obscenely of men! 
Let us all, without missing one, be exposed in public, naked, monthly, at the peril of our
 lives! let our bodies be freely handled and examined by whoever chooses! 
Let nothing but copies at second hand be permitted to exist upon the earth!
Let the earth desert God, nor let there ever henceforth be mention’d the name of God!

Let there be no God! 
Let there be money, business, imports, exports, custom, authority, precedents, pallor,
 dyspepsia, smut, ignorance, unbelief! 
Let judges and criminals be transposed! let the prison-keepers be put in prison! let those
 that
 were prisoners take the keys! Say! why might they not just as well be transposed?) 
Let the slaves be masters! let the masters become slaves!
Let the reformers descend from the stands where they are forever bawling! let an idiot or
 insane person appear on each of the stands! 
Let the Asiatic, the African, the European, the American, and the Australian, go armed
 against
 the murderous stealthiness of each other! let them sleep armed! let none believe in good
 will! 
Let there be no unfashionable wisdom! let such be scorn’d and derided off from the
 earth! 
Let a floating cloud in the sky—let a wave of the sea—let growing mint, spinach,
 onions, tomatoes—let these be exhibited as shows, at a great price for admission! 
Let all the men of These States stand aside for a few smouchers! let the few seize on what
 they
 choose! let the rest gawk, giggle, starve, obey!
Let shadows be furnish’d with genitals! let substances be deprived of their genitals!

Let there be wealthy and immense cities—but still through any of them, not a single
 poet,
 savior, knower, lover! 
Let the infidels of These States laugh all faith away! 
If one man be found who has faith, let the rest set upon him! 
Let them affright faith! let them destroy the power of breeding faith!
Let the she-harlots and the he-harlots be prudent! let them dance on, while seeming lasts!
 (O
 seeming! seeming! seeming!) 
Let the preachers recite creeds! let them still teach only what they have been taught! 
Let insanity still have charge of sanity! 
Let books take the place of trees, animals, rivers, clouds! 
Let the daub’d portraits of heroes supersede heroes!
Let the manhood of man never take steps after itself! 
Let it take steps after eunuchs, and after consumptive and genteel persons! 
Let the white person again tread the black person under his heel! (Say! which is trodden
 under
 heel, after all?) 
Let the reflections of the things of the world be studied in mirrors! let the things
 themselves
 still continue unstudied! 
Let a man seek pleasure everywhere except in himself!
Let a woman seek happiness everywhere except in herself! 
(What real happiness have you had one single hour through your whole life?) 
Let the limited years of life do nothing for the limitless years of death! (What do you
 suppose
 death will do, then?)
Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.

Book: Shattered Sighs