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Best Famous Horrifying Poems

Here is a collection of the all-time best famous Horrifying poems. This is a select list of the best famous Horrifying poetry. Reading, writing, and enjoying famous Horrifying poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of horrifying poems.

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Written by Sharon Olds | Create an image from this poem

1954

 Then dirt scared me, because of the dirt
he had put on her face. And her training bra
scared me—the newspapers, morning and evening,
kept saying it, training bra,
as if the cups of it had been calling
the breasts up—he buried her in it,
perhaps he had never bothered to take it
off. They found her underpants
in a garbage can. And I feared the word
eczema, like my acne and like
the X in the paper which marked her body,
as if he had killed her for not being flawless.
I feared his name, Burton Abbott,
the first name that was a last name,
as if he were not someone specific.
It was nothing one could learn from his face.
His face was dull and ordinary,
it took away what I’d thought I could count on
about evil. He looked thin and lonely,
it was horrifying, he looked almost humble.
I felt awe that dirt was so impersonal,
and pity for the training bra,
pity and terror of eczema.
And I could not sit on my mother’s electric
blanket anymore, I began to have a 
fear of electricity—
the good people, the parents, were going to
fry him to death. This was what
his parents had been telling us:
Burton Abbott, Burton Abbott,
death to the person, death to the home planet.
The worst thing was to think of her,
of what it had been to be her, alive,
to be walked, alive, into that cabin,
to look into those eyes, and see the human


Written by Elizabeth Bishop | Create an image from this poem

In the waiting Room

In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic 
(I could read) and carefully 
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
Osa and Martin Johnson 
dressed in riding breeches,
laced boots, and pith helmets.
A dead man slung on a pole
"Long Pig," the caption said.
Babies with pointed heads
wound round and round with string;
black, naked women with necks
wound round and round with wire
like the necks of light bulbs.
Their breasts were horrifying.
I read it right straight through.
I was too shy to stop.
And then I looked at the cover:
the yellow margins, the date.
Suddenly, from inside,
came an oh! of pain
--Aunt Consuelo's voice--
not very loud or long.
I wasn't at all surprised;
even then I knew she was 
a foolish, timid woman.
I might have been embarrassed,
but wasn't. What took me
completely by surprise
was that it was me:
my voice, in my mouth.
Without thinking at all
I was my foolish aunt,
I--we--were falling, falling,
our eyes glued to the cover
of the National Geographic,
February, 1918.

I said to myself: three days
and you'll be seven years old.
I was saying it to stop
the sensation of falling off
the round, turning world.
into cold, blue-black space.
But I felt: you are an I,
you are an Elizabeth,
you are one of them.
Why should you be one, too?
I scarcely dared to look
to see what it was I was.
I gave a sidelong glance
--I couldn't look any higher--
at shadowy gray knees,
trousers and skirts and boots
and different pairs of hands
lying under the lamps.
I knew that nothing stranger
had ever happened, that nothing
stranger could ever happen.

Why should I be my aunt,
or me, or anyone?
What similarities 
boots, hands, the family voice
I felt in my throat, or even
the National Geographic
and those awful hanging breasts 
held us all together
or made us all just one?
How I didn't know any
word for it how "unlikely". . .
How had I come to be here,
like them, and overhear
a cry of pain that could have
got loud and worse but hadn't?

The waiting room was bright
and too hot. It was sliding
beneath a big black wave,
another, and another.

Then I was back in it.
The War was on. Outside,
in Worcester, Massachusetts,
were night and slush and cold,
and it was still the fifth 
of February, 1918.
Written by William Topaz McGonagall | Create an image from this poem

Calamity in London

 'Twas in the year of 1897, and on the night of Christmas day,
That ten persons' lives were taken sway,
By a destructive fire in London, at No. 9 Dixie Street,
Alas! so great was the fire, the victims couldn't retreat. 

In Dixie Street, No. 9, if was occupied by two families,
Who were all quite happy, and sitting at their ease;
One of these was a labourer, David Barber and his wife,
And a dear little child, he loved as his life. 

Barber's mother and three sisters were living on the ground floor,
And in the upper two rooms lived a family who were very poor,
And all had retired to rest, on the night of Christmas day,
Never dreaming that by ~e their lives would be taken away. 

Barber got up on Sunday morning to prepare breakfast for his family,
And a most appalling sight he then did see;
For he found the room was full of smoke,
So dense, indeed, that it nearly did him choke. 

Then fearlessly to the room door he did creep,
And tried to aronse the inmates, who were asleep;
And succeeded in getting his own family out into the street,
And to him the thought thereof was surely very sweet. 

And by this time the heroic Barber's strength was failing,
And his efforts to warn the family upstairs were unavailing;
And, before the alarm was given, the house was in flames,
Which prevented anything being done, after all his pains. 

Oh! it was a horrible and heart-rending sight
To see the house in a blaze of lurid light,
And the roof fallen in, and the windows burnt out,
Alas! 'tis pitiful to relate, without any doubt. 

Oh, Heaven! 'tis a dreadful calamity to narrate,
Because the victims have met with a cruel fate;
Little did they think they were going to lose their lives by fire,
On that night when to their beds they did retire. 

It was sometime before the gutted house could be entered in,
Then to search for the bodies the officers in charge did begin;
And a horrifying spectacle met their gaze,
Which made them stand aghast in a fit of amaze. 

Sometime before the firemen arrived,
Ten persons of their lives had been deprived,
By the choking smoke, and merciless flame,
Which will long in the memory of their relatives remain. 

Oh, Heaven! if was a frightful and pitiful sight to see
Seven bodies charred of the Jarvis' family;
And Mrs Jarvis was found with her child, and both carbonised,
And as the searchers gazed thereon they were surprised. 

And these were lying beside the fragments of the bed,
And in a chair the tenth victim was sitting dead;
Oh, Horrible! Oh, Horrible! what a sight to behold,
The charred and burnt bodies of young and old. 

Good people of high and low degree,
Oh! think of this sad catastrophe,
And pray to God to protect ye from fire,
Every night before to your beds ye retire.

Book: Reflection on the Important Things