10 Best Famous Horrid Poems

Here is a collection of the top 10 all-time best famous Horrid poems. This is a select list of the best famous Horrid poetry. Reading, writing, and enjoying famous Horrid poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of horrid poems.

• All Famous Horrid Poems

Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness
of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,
everything that groans
or rolls
or sings,
everything that speaks,
ask what time it is;
and the wind,
the wave,
the star,
the bird,
the clock
will answer you:
"Time to get drunk!
Don't be martyred slaves of Time,
Get drunk!
Stay drunk!
On wine, virtue, poetry, whatever!"

Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you'll find
Only your picture in my mind.

Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant's cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.

But, on the other side, thou'rt drawn
Like to Aurora in the dawn;
When in the east she slumb'ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.

Like an enchantress here thou show'st,
Vexing thy restless lover's ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw'st away,
To be the greedy vulture's prey.

But, against that, thou sit'st afloat
Like Venus in her pearly boat.
The halcyons, calming all that's nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.

These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous colony;
And a collection choicer far
Than or Whitehall's, or Mantua's were.

But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.

 A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would kill him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

Taormina, 1923

 At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.

Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.

Father Homer, thee,
Thee also I forgive thy sandy wastes
Of prose and catalogue, thy drear harangues
That tease the patience of the centuries,
Thy sleazy scrap of story, -- but a rogue's
Rape of a light-o'-love, -- too soiled a patch
To broider with the gods.

Thee, Socrates,
Thou dear and very strong one, I forgive
Thy year-worn cloak, thine iron stringencies
That were but dandy upside-down, thy words
Of truth that, mildlier spoke, had mainlier wrought.

So, Buddha, beautiful! I pardon thee
That all the All thou hadst for needy man
Was Nothing, and thy Best of being was
But not to be.

Worn Dante, I forgive
The implacable hates that in thy horrid hells
Or burn or freeze thy fellows, never loosed
By death, nor time, nor love.

And I forgive
Thee, Milton, those thy comic-dreadful wars
Where, armed with gross and inconclusive steel,
Immortals smite immortals mortalwise
And fill all heaven with folly.

Also thee,
Brave Aeschylus, thee I forgive, for that
Thine eye, by bare bright justice basilisked,
Turned not, nor ever learned to look where Love
Stands shining.

So, unto thee, Lucretius mine
(For oh, what heart hath loved thee like to this
That's now complaining?), freely I forgive
Thy logic poor, thine error rich, thine earth
Whose graves eat souls and all.

Yea, all you hearts
Of beauty, and sweet righteous lovers large:
Aurelius fine, oft superfine; mild Saint
A Kempis, overmild; Epictetus,
Whiles low in thought, still with old slavery tinct;
Rapt Behmen, rapt too far; high Swedenborg,
O'ertoppling; Langley, that with but a touch
Of art hadst sung Piers Plowman to the top
Of English songs, whereof 'tis dearest, now,
And most adorable; Caedmon, in the morn
A-calling angels with the cow-herd's call
That late brought up the cattle; Emerson,
Most wise, that yet, in finding Wisdom, lost
Thy Self, sometimes; tense Keats, with angels' nerves
Where men's were better; Tennyson, largest voice
Since Milton, yet some register of wit
Wanting; -- all, all, I pardon, ere 'tis asked,
Your more or less, your little mole that marks
You brother and your kinship seals to man.

But Thee, but Thee, O sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What `if' or `yet', what mole, what flaw, what lapse,
What least defect or shadow of defect,
What rumor, tattled by an enemy,
Of inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's, --
Oh, what amiss may I forgive in Thee,
Jesus, good Paragon, thou Crystal Christ?"

 In my dream, 
drilling into the marrow 
of my entire bone, 
my real dream, 
I'm walking up and down Beacon Hill 
searching for a street sign -- 
namely MERCY STREET. 
Not there. 

I try the Back Bay. 
Not there. 
Not there. 
And yet I know the number. 
45 Mercy Street. 
I know the stained-glass window 
of the foyer, 
the three flights of the house 
with its parquet floors. 
I know the furniture and 
mother, grandmother, great-grandmother, 
the servants. 
I know the cupboard of Spode 
the boat of ice, solid silver, 
where the butter sits in neat squares 
like strange giant's teeth 
on the big mahogany table. 
I know it well. 
Not there. 

Where did you go? 
45 Mercy Street, 
with great-grandmother 
kneeling in her whale-bone corset 
and praying gently but fiercely 
to the wash basin, 
at five A.M. 
at noon 
dozing in her wiggy rocker, 
grandfather taking a nap in the pantry, 
grandmother pushing the bell for the downstairs maid, 
and Nana rocking Mother with an oversized flower 
on her forehead to cover the curl 
of when she was good and when she was... 
And where she was begat 
and in a generation 
the third she will beget, 
me, 
with the stranger's seed blooming 
into the flower called Horrid. 

I walk in a yellow dress 
and a white pocketbook stuffed with cigarettes, 
enough pills, my wallet, my keys, 
and being twenty-eight, or is it forty-five? 
I walk. I walk. 
I hold matches at street signs 
for it is dark, 
as dark as the leathery dead 
and I have lost my green Ford, 
my house in the suburbs, 
two little kids 
sucked up like pollen by the bee in me 
and a husband 
who has wiped off his eyes 
in order not to see my inside out 
and I am walking and looking 
and this is no dream 
just my oily life 
where the people are alibis 
and the street is unfindable for an 
entire lifetime. 

Pull the shades down -- 
I don't care! 
Bolt the door, mercy, 
erase the number, 
rip down the street sign, 
what can it matter, 
what can it matter to this cheapskate 
who wants to own the past 
that went out on a dead ship 
and left me only with paper? 

Not there. 

I open my pocketbook, 
as women do, 
and fish swim back and forth 
between the dollars and the lipstick. 
I pick them out, 
one by one 
and throw them at the street signs, 
and shoot my pocketbook 
into the Charles River. 
Next I pull the dream off 
and slam into the cement wall 
of the clumsy calendar 
I live in, 
my life, 
and its hauled up 
notebooks.

 This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.

A man once aimed that my life be shamed, and wrought me a deathly wrong;
I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth,
Till I fled in fright from his peerless spite to the bleak, bald-headed North.

And there I lay, and for many a day I hatched plan after plan,
For a golden haul of the wherewithal to crush and to kill my man;
And there I strove, and there I clove through the drift of icy streams;
And there I fought, and there I sought for the pay-streak of my dreams.

So twenty years, with their hopes and fears and smiles and tears and such,
Went by and left me long bereft of hope of the Midas touch;
About as fat as a chancel rat, and lo! despite my will,
In the weary fight I had clean lost sight of the man I sought to kill.

'Twas so far away, that evil day when I prayed to the Prince of Gloom
For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago;
My youth was gone and my memory wan, and I willed it even so.

It fell one night in the waning light by the Yukon's oily flow,
I smoked and sat as I marvelled at the sky's port-winey glow;
Till it paled away to an absinthe gray, and the river seemed to shrink,
All wobbly flakes and wriggling snakes and goblin eyes a-wink.

'Twas weird to see and it 'wildered me in a *****, hypnotic dream,
Till I saw a spot like an inky blot come floating down the stream;
It bobbed and swung; it sheered and hung; it romped round in a ring;
It seemed to play in a tricksome way; it sure was a merry thing.

In freakish flights strange oily lights came fluttering round its head,
Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate;
In the silver snakes that the water makes it gleamed like a dinner-plate.

It gurgled near, and clear and clear and large and large it grew;
It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat,
With the witless roll of a sodden soul it wantoned to my feet.

And here I swear by this Cross I wear, I heard that "floater" say:
"I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet',
In the grit and grime of the river's slime I am rotting at your feet.

"The ill we rue we must e'en undo, though it rive us bone from bone;
So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live;
And now you're found, though I'm dead and drowned, I beg you to forgive."

So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore;
And it lapped and lay in a weary way, and its hands met to implore;
That I gently said: "Poor, restless dead, I would never work you woe;
Though the wrong you rue you can ne'er undo, I forgave you long ago."

Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore;
It dipped and sank by a hollow bank, and I never saw it more.

This was the tale he told to me, that man so warped and gray,
Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way--
That crystal eye that raked the sky in the weird Auroral ray.

 Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!

Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!

But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!

The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.

The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.

As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.

O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.

Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.

But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.

Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.

The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!

A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!

Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.

The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.

The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.

The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.

The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.

The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.

Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.

Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.

For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!

Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”

Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.

The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.

One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.

 Isabel met an enormous bear,
Isabel, Isabel, didn't care;
The bear was hungry, the bear was ravenous,
The bear's big mouth was cruel and cavernous.
The bear said, Isabel, glad to meet you,
How do, Isabel, now I'll eat you!
Isabel, Isabel, didn't worry.
Isabel didn't scream or scurry.
She washed her hands and she straightened her hair up,
Then Isabel quietly ate the bear up.
Once in a night as black as pitch
Isabel met a wicked old witch.
the witch's face was cross and wrinkled,
The witch's gums with teeth were sprinkled.
Ho, ho, Isabel! the old witch crowed,
I'll turn you into an ugly toad!
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry,
She showed no rage and she showed no rancor,
But she turned the witch into milk and drank her.
Isabel met a hideous giant,
Isabel continued self reliant.
The giant was hairy, the giant was horrid,
He had one eye in the middle of his forhead.
Good morning, Isabel, the giant said,
I'll grind your bones to make my bread.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She nibled the zwieback that she always fed off,
And when it was gone, she cut the giant's head off.
Isabel met a troublesome doctor,
He punched and he poked till he really shocked her.
The doctor's talk was of coughs and chills
And the doctor's satchel bulged with pills.
The doctor said unto Isabel,
Swallow this, it will make you well.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She took those pills from the pill concocter,
And Isabel calmly cured the doctor.

'O WHAT can ail thee knight-at-arms  
Alone and palely loitering? 
The sedge is wither'd from the lake  
And no birds sing. 

'O what can ail thee knight-at-arms 5 
So haggard and so woe-begone? 
The squirrel's granary is full  
And the harvest 's done. 

'I see a lily on thy brow 
With anguish moist and fever dew; 10 
And on thy cheeks a fading rose 
Fast withereth too.' 

'I met a lady in the meads  
Full beautiful¡ªa faery's child  
Her hair was long her foot was light 15 
And her eyes were wild. 

'I made a garland for her head  
And bracelets too and fragrant zone; 
She look'd at me as she did love  
And made sweet moan. 20 

'I set her on my pacing steed 
And nothing else saw all day long  
For sideways would she lean and sing 
A faery's song. 

'She found me roots of relish sweet 25 
And honey wild and manna dew  
And sure in language strange she said  
I love thee true!  

'She took me to her elfin grot  
And there she wept and sigh'd fill sore; 30 
And there I shut her wild wild eyes 
With kisses four. 

'And there she lull¨¨d me asleep  
And there I dream'd¡ªAh! woe betide! 
The latest dream I ever dream'd 35 
On the cold hill's side. 

'I saw pale kings and princes too  
Pale warriors death-pale were they all; 
They cried¡ª"La belle Dame sans Merci 
Hath thee in thrall!" 40 

'I saw their starved lips in the gloam 
With horrid warning gap¨¨d wide  
And I awoke and found me here  
On the cold hill's side. 

'And this is why I sojourn here 45 
Alone and palely loitering  
Though the sedge is wither'd from the lake  
And no birds sing.' 

 The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and look?d in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.

Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.

Fancy returns, and now she thinks of bones
And grinning skulls, and corruptible death
Wrapp'd in his shroud; and now fancies she hears
Deep sighs, and sees pale sickly ghosts gliding.

At length, no fancy but reality
Distracts her. A rushing sound, and the feet
Of one that fled, approaches--Ellen stood
Like a dumb statue, froze to stone with fear.

The wretch approaches, crying: `The deed is done;
Take this, and send it by whom thou wilt send;
It is my life--send it to Elenor:--
He's dead, and howling after me for blood!

`Take this,' he cried; and thrust into her arms
A wet napkin, wrapp'd about; then rush'd
Past, howling: she receiv'd into her arms
Pale death, and follow'd on the wings of fear.

They pass'd swift thro' the outer gate; the wretch,
Howling, leap'd o'er the wall into the moat,
Stifling in mud. Fair Ellen pass'd the bridge,
And heard a gloomy voice cry `Is it done?'

As the deer wounded, Ellen flew over
The pathless plain; as the arrows that fly
By night, destruction flies, and strikes in darkness.
She fled from fear, till at her house arriv'd.

Her maids await her; on her bed she falls,
That bed of joy, where erst her lord hath press'd:
`Ah, woman's fear!' she cried; `ah, curs?d duke!
Ah, my dear lord! ah, wretched Elenor!

`My lord was like a flower upon the brows
Of lusty May! Ah, life as frail as flower!
O ghastly death! withdraw thy cruel hand,
Seek'st thou that flow'r to deck thy horrid temples?

`My lord was like a star in highest heav'n
Drawn down to earth by spells and wickedness;
My lord was like the opening eyes of day
When western winds creep softly o'er the flowers;

`But he is darken'd; like the summer's noon
Clouded; fall'n like the stately tree, cut down;
The breath of heaven dwelt among his leaves.
O Elenor, weak woman, fill'd with woe!'

Thus having spoke, she rais?d up her head,
And saw the bloody napkin by her side,
Which in her arms she brought; and now, tenfold
More terrifi?d, saw it unfold itself.

Her eyes were fix'd; the bloody cloth unfolds,
Disclosing to her sight the murder'd head
Of her dear lord, all ghastly pale, clotted
With gory blood; it groan'd, and thus it spake:

`O Elenor, I am thy husband's head,
Who, sleeping on the stones of yonder tower,
Was 'reft of life by the accurs?d duke!
A hir?d villain turn'd my sleep to death!

`O Elenor, beware the curs?d duke;
O give not him thy hand, now I am dead;
He seeks thy love; who, coward, in the night,
Hir?d a villain to bereave my life.'

She sat with dead cold limbs, stiffen'd to stone;
She took the gory head up in her arms;
She kiss'd the pale lips; she had no tears to shed;
She hugg'd it to her breast, and groan'd her last.