Written by
Rainer Maria Rilke |
Slowly the west reaches for clothes of new colors
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you
one part climbs toward heaven, one sinks to earth.
leaving you, not really belonging to either,
not so hopelessly dark as that house that is silent,
not so unswervingly given to the eternal as that thing
that turns to a star each night and climbs--
leaving you (it is impossible to untangle the threads)
your own life, timid and standing high and growing,
so that, sometimes blocked in, sometimes reaching out,
one moment your life is a stone in you, and the next, a star.
|
Written by
Laura Riding Jackson |
The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.
When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.
But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.
For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.
Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
|
Written by
Eugene Field |
I cannot eat my porridge,
I weary of my play;
No longer can I sleep at night,
No longer romp by day!
Though forty pounds was once my weight,
I'm shy of thirty now;
I pine, I wither and I fade
Through love of Martha Clow.
As she rolled by this morning
I heard the nurse girl say:
"She weighs just twenty-seven pounds
And she's one year old to-day."
I threw a kiss that nestled
In the curls upon her brow,
But she never turned to thank me--
That bouncing Martha Clow!
She ought to know I love her,
For I've told her that I do;
And I've brought her nuts and apples,
And sometimes candy, too!
I'd drag her in my little cart
If her mother would allow
That delicate attention
To her daughter, Martha Clow.
O Martha! pretty Martha!
Will you always be so cold?
Will you always be as cruel
As you are at one-year-old?
Must your two-year-old admirer
Pine as hopelessly as now
For a fond reciprocation
Of his love for Martha Clow?
You smile on Bernard Rogers
And on little Harry Knott;
You play with them at peek-a-boo
All in the Waller Lot!
Wildly I gnash my new-cut teeth
And beat my throbbing brow,
When I behold the coquetry
Of heartless Martha Clow!
I cannot eat my porridge,
Nor for my play care I;
Upon the floor and porch and lawn
My toys neglected lie;
But on the air of Halsted street
I breathe this solemn vow:
"Though she be false, I will be true
To pretty Martha Clow!"
|
Written by
Kahlil Gibran |
The dark wings of night enfolded the city upon which Nature had spread a pure white garment of snow; and men deserted the streets for their houses in search of warmth, while the north wind probed in contemplation of laying waste the gardens. There in the suburb stood an old hut heavily laden with snow and on the verge of falling. In a dark recess of that hovel was a poor bed in which a dying youth was lying, staring at the dim light of his oil lamp, made to flicker by the entering winds. He a man in the spring of life who foresaw fully that the peaceful hour of freeing himself from the clutches of life was fast nearing. He was awaiting Death's visit gratefully, and upon his pale face appeared the dawn of hope; and on his lops a sorrowful smile; and in his eyes forgiveness.
He was poet perishing from hunger in the city of living rich. He was placed in the earthly world to enliven the heart of man with his beautiful and profound sayings. He as noble soul, sent by the Goddess of Understanding to soothe and make gentle the human spirit. But alas! He gladly bade the cold earth farewell without receiving a smile from its strange occupants.
He was breathing his last and had no one at his bedside save the oil lamp, his only companion, and some parchments upon which he had inscribed his heart's feeling. As he salvaged the remnants of his withering strength he lifted his hands heavenward; he moved his eyes hopelessly, as if wanting to penetrate the ceiling in order to see the stars from behind the veil clouds.
And he said, "Come, oh beautiful Death; my soul is longing for you. Come close to me and unfasten the irons life, for I am weary of dragging them. Come, oh sweet Death, and deliver me from my neighbors who looked upon me as a stranger because I interpret to them the language of the angels. Hurry, oh peaceful Death, and carry me from these multitudes who left me in the dark corner of oblivion because I do not bleed the weak as they do. Come, oh gentle Death, and enfold me under your white wings, for my fellowmen are not in want of me. Embrace me, oh Death, full of love and mercy; let your lips touch my lips which never tasted a mother's kiss, not touched a sister's cheeks, not caresses a sweetheart's fingertips. Come and take me, by beloved Death."
Then, at the bedside of the dying poet appeared an angel who possessed a supernatural and divine beauty, holding in her hand a wreath of lilies. She embraced him and closed his eyes so he could see no more, except with the eye of his spirit. She impressed a deep and long and gently withdrawn kiss that left and eternal smile of fulfillment upon his lips. Then the hovel became empty and nothing was lest save parchments and papers which the poet had strewn with bitter futility.
Hundreds of years later, when the people of the city arose from the diseases slumber of ignorance and saw the dawn of knowledge, they erected a monument in the most beautiful garden of the city and celebrated a feast every year in honor of that poet, whose writings had freed them. Oh, how cruel is man's ignorance!
|
Written by
Eugene Field |
Fisherman Jim lived on the hill
With his bonnie wife an' his little boys;
'T wuz "Blow, ye winds, as blow ye will -
Naught we reck of your cold and noise!"
For happy and warm were he an' his,
And he dandled his kids upon his knee
To the song of the sea.
Fisherman Jim would sail all day,
But, when come night, upon the sands
His little kids ran from their play,
Callin' to him an' wavin' their hands;
Though the wind was fresh and the sea was high,
He'd hear'em - you bet - above the roar
Of the waves on the shore!
Once Fisherman Jim sailed into the bay
As the sun went down in a cloudy sky,
And never a kid saw he at play,
And he listened in vain for the welcoming cry.
In his little house he learned it all,
And he clinched his hands and he bowed his head -
"The fever!" they said.
'T wuz a pitiful time for Fisherman Jim,
With them darlin's a-dyin' afore his eyes,
A-stretchin' their wee hands out to him
An' a-breakin' his heart with the old-time cries
He had heerd so often upon the sands;
For they thought they wuz helpin' his boat ashore -
Till they spoke no more.
But Fisherman Jim lived on and on,
Castin' his nets an' sailin' the sea;
As a man will live when his heart is gone,
Fisherman Jim lived hopelessly,
Till once in those years they come an' said:
"Old Fisherman Jim is powerful sick -
Go to him, quick!"
Then Fisherman Jim says he to me:
"It's a long, long cruise-you understand -
But over beyont the ragin' sea
I kin see my boys on the shinin' sand
Waitin' to help this ol' hulk ashore,
Just as they used to - ah, mate, you know! -
In the long ago."
No, sir! he wuzn't afeard to die;
For all night long he seemed to see
His little boys of the days gone by,
An' to hear sweet voices forgot by me!
An' just as the mornin' sun come up -
"They're holdin' me by the hands!" he cried,
An' so he died.
|
Written by
Eleanor Wilner |
It was a pure white cloud that hung there
in the blue, or a jellyfish on a waveless
sea, suspended high above us; we were
the creatures in the weeds below.
It seemed so effortless in its suspense,
perfectly out of time and out of place
like the ghost of moon in the sky
of a brilliant afternoon.
After a while it seemed to grow, and we
inferred that it was moving, drifting down—
though it seemed weightless, motionless,
one of those things that defy
the ususal forces—gravity, and wind
and the almost imperceptible
pressure of the years. But it was coming
down.
The blur of its outline slowly cleared:
it was scalloped at the lower edge, like a shell
or a child's drawing of a flower, detached
and floating, beauty simplified. That's when
we saw it had a man attached, suspended
from the center of the flower, a kind of human
stamen or a stem. We thought it was
a god, or heavenly seed, sent
to germinate the earth
with a gentler, nobler breed. It might be
someone with sunlit eyes and mind of dawn.
We thought of falling to our knees.
So you can guess
the way we might have felt
when it landed in our field
with the hard thud of solid flesh
and the terrible flutter of the collapsing
lung of silk. He smelled of old sweat, his
uniform was torn, and he was tangled
in the ropes, hopelessly harnessed
to the white mirage that brought him down.
He had a wound in his chest, a red
flower that took its color from his heart.
We buried him that very day, just as he came
to us, in a uniform of soft brown
with an eagle embroidered on the sleeve,
its body made of careful gray stitches,
its eye a knot of gold. The motto
underneath had almost worn away. For days,
watching from our caves, we saw
the huge white shape of silk shifting
in the weeds, like a pale moon
when the wind filled it, stranded,
searching in the aimless way
of unmoored things
for whatever human ballast gave
direction to their endless drift.
|
Written by
D. H. Lawrence |
This is the last of all, this is the last!
I must hold my hands, and turn my face to the fire,
I must watch my dead days fusing together in dross,
Shape after shape, and scene after scene from my past
Fusing to one dead mass in the sinking fire
Where the ash on the dying coals grows swiftly, like heavy moss.
Strange he is, my son, whom I have awaited like a loyer,
Strange to me like a captive in a foreign country, haunting
The confines and gazing out on the land where the wind is free;
White and gaunt, with wistful eyes that hover
Always on the distance, as if his soul were chaunting
The monotonous weird of departure away from me.
Like a strange white bird blown out of the frozen seas,
Like a bird from the far north blown with a broken wing
Into our sooty garden, he drags and beats
From place to place perpetually, seeking release
From me, from the hand of my love which creeps up, needing
His happiness, whilst he in displeasure retreats.
I must look away from him, for my faded eyes
Like a cringing dog at his heels offend him now,
Like a toothless hound pursuing him with my will,
Till he chafes at my crouching persistence, and a sharp spark flies
In my soul from under the sudden frown of his brow,
As he blenches and turns away, and my heart stands still.
This is the last, it will not be any more.
All my life I have borne the burden of myself,
All the long years of sitting in my husband’s house,
Never have I said to myself as he closed the door:
“Now I am caught!—You are hopelessly lost, O Self,
You are frightened with joy, my heart, like a frightened mouse.”
Three times have I offered myself, three times rejected.
It will not be any more. No more, my son, my son!
Never to know the glad freedom of obedience, since long ago
The angel of childhood kissed me and went. I expected
Another would take me,—and now, my son, O my son,
I must sit awhile and wait, and never know
The loss of myself, till death comes, who cannot fail.
Death, in whose service is nothing of gladness, takes me:
For the lips and the eyes of God are behind a veil.
And the thought of the lipless voice of the Father shakes me
With fear, and fills my eyes with the tears of desire,
And my heart rebels with anguish as night draws nigher.
|
Written by
Rg Gregory |
(i) introduction
his home in ruins
his parents gone
frederick seeks
to reclaim his throne
to the golden mountain
he sets his path
the enchantress listening
schemes with wrath
four desperate trials
which she takes from store
to silence frederick
for ever more
(ii) the mist
softly mist suppress all sight
swirling stealthily as night
slur the sureness of his steps
suffocate his sweetest hopes
swirling curling slip and slide
persuasively seduce his stride
from following its essential course
seal his senses at its source
bemuse the soil he stands upon
till power of choice has wholly gone
seething surreptitious veil
across the face of light prevail
against this taciturn and proud
insurgent - o smother him swift cloud
yet if you cannot steal his breath
thus snuffing him to hasty death
at least in your umbrageous mask
stifle his ambitious task
mystify his restless brain
sweep him swirl him home again
(iii) the bog
once more the muffling mists enclose
frederick in their vaporous throes
forcing him with unseeing sway
to veer from his intended way
back they push and back
make him fall
stumble catch
his foot become
emmired snatch
hopelessly at fog
no grip slip further back
into the sucking fingers of the bog
into the slush
squelching and splotch-
ing the marsh
gushes and gurgles
engulfing foot leg
chuckling suckles
the heaving thigh
the plush slugged waist
sucking still and still flushing
with suggestive slurp
plop slap
sluggishly upwards
unctuous lugubrious
soaking and enjoying
with spongy gestures
the swallowed wallowing
body - the succulence
of soft shoulder
squirming
elbow
wrist
then
all.......
but no
his desperate palm
struggling to forsake
the clutches of the swamp
finds one stark branch overhanging
to fix glad fingers to and out of the maw
of the murderous mud safely delivers him
(iv) the magic forest
safely - distorted joke
from bog to twisted forest
gnarled trees writhe and fork
asphixiated trunks - angular branches
hook claw throttle frederick in their creaking
joints
jagged weird
knotted and misshapen
petrified maniacal
figures frantically contorted
grotesque eccentric in the moon-toothed
half-light
tug clutch struggle
with the haggard form
zigzag he staggers
awe-plagued giddy
near-garrotted mind-deranged
forcing his sagging limbs through the mangled danger
till almost beyond redemption beyond self-care
he once again survives to breathe free air
(v) the barrier of thorns
immediately a barrier of thorns
springs up to choke his track
thick brier evil bramble twitch
stick sharp needles in his skin
hag's spite inflicts its bitter sting
frederick (provoked to attack
stung stabbed by jabbing spines
wincing with agony and grief) seeks to hack
a clear way through
picking swinging at
the spiky barricade inch by prickly inch
smarting with anger bristling with a thin
itch and tingling of success - acute
with aching glory the afflicted victim
of a witch's pique frederick
frederick the king snips hews chops
rips slashes cracks cleaves rends pierces
pierces and shatters into pointless pieces
this mighty barrier of barbs - comes through at last
(belzivetta's malignant magic smashed)
to freedom peace of mind and dreamless sleep
|
Written by
Adela Florence Cory Nicolson |
Alas! alas! this wasted Night
With all its Jasmin-scented air,
Its thousand stars, serenely bright!
I lie alone, and long for you,
Long for your Champa-scented hair,
Your tranquil eyes of twilight hue;
Long for the close-curved, delicate lips
—Their sinuous sweetness laid on mine—
Here, where the slender fountain drips,
Here, where the yellow roses glow,
Pale in the tender silver shine
The stars across the garden throw.
Alas! alas! poor passionate Youth!
Why must we spend these lonely nights?
The poets hardly speak the truth,—
Despite their praiseful litany,
His season is not all delights
Nor every night an ecstasy!
The very power and passion that make—
Might make—his days one golden dream,
How he must suffer for their sake!
Till, in their fierce and futile rage,
The baffled senses almost deem
They might be happier in old age.
Age that can find red roses sweet,
And yet not crave a rose-red mouth;
Hear Bulbuls, with no wish that feet
Of sweeter singers went his way;
Inhale warm breezes from the South,
Yet never fed his fancy stray.
From some near Village I can hear
The cadenced throbbing of a drum,
Now softly distant, now more near;
And in an almost human fashion,
It, plaintive, wistful, seems to come
Laden with sighs of fitful passion,
To mock me, lying here alone
Among the thousand useless flowers
Upon the fountain's border-stone—
Cold stone, that chills me as I lie
Counting the slowly passing hours
By the white spangles in the sky.
Some feast the Tom-toms celebrate,
Where, close together, side by side,
Gay in their gauze and tinsel state
With lips serene and downcast eyes,
Sit the young bridegroom and his bride,
While round them songs and laughter rise.
They are together; Why are we
So hopelessly, so far apart?
Oh, I implore you, come to me!
Come to me, Solace of mine eyes!
Come Consolation of my heart!
Light of my senses! What replies?
A little, languid, mocking breeze
That rustles through the Jasmin flowers
And stirs among the Tamarind trees;
A little gurgle of the spray
That drips, unheard, though silent hours,
Then breaks in sudden bubbling play.
Wind, have you never loved a rose?
And water, seek you not the Sea?
Why, therefore, mock at my repose?
Is it my fault I am alone
Beneath the feathery Tamarind tree
Whose shadows over me are thrown?
Nay, I am mad indeed, with thirst
For all to me this night denied
And drunk with longing, and accurst
Beyond all chance of sleep or rest,
With love, unslaked, unsatisfied,
And dreams of beauty unpossessed.
Hating the hour that brings you not,
Mad at the space betwixt us twain,
Sad for my empty arms, so hot
And fevered, even the chilly stone
Can scarcely cool their burning pain,—
And oh, this sense of being alone!
Take hence, O Night, your wasted hours,
You bring me not my Life's Delight,
My Star of Stars, my Flower of Flowers!
You leave me loveless and forlorn,
Pass on, most false and futile night,
Pass on, and perish in the Dawn!
|
Written by
Rabindranath Tagore |
O mad, superbly drunk;
If you kick open your doors and
play the fool in public;
If you empty your bag in a night,
and snap your fingers at prudence;
If you walk in curious paths and
play with useless things;
Reck not rhyme or reason;
If unfurling your sails before the
storm you snap the rudder in two,
Then I will follow you, comrade,
and be drunken and go to the dogs.
I have wasted my days and nights
in the company of steady wise neighbours.
Much knowing has turned my hair
grey, and much watching has made
my sight dim.
For years I have gathered and
heaped up scraps and fragments of
things:
Crush them and dance upon them,
and scatter them all to the winds.
For I know 'tis the height of wisdom
to be drunken and go the dogs.
Let all crooked scruples vanish,
let me hopelessly lose my way.
Let a gust of wild giddiness come
and sweep me away from my anchors.
The world is peopled with worthies,
and workers, useful and clever.
There are men who are easily first,
and men who come decently after.
Let them be happy and prosper,
and let me be foolishly futile.
For I know 'tis the end of all works
to be drunken and go to the dogs.
I swear to surrender this moment
all claims to the ranks of the decent.
I let go my pride of learning and
judgment of right and of wrong.
I'll shatter memory's vessel, scattering
the last drop of tears.
With the foam of the berry-red
wine I will bathe and brighten my
laughter.
The badge of the civil and staid
I'll tear into shreds for the nonce.
I'll take the holy vow to be worthless,
to be drunken and go to the dogs.
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