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Best Famous Homo Poems

Here is a collection of the all-time best famous Homo poems. This is a select list of the best famous Homo poetry. Reading, writing, and enjoying famous Homo poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of homo poems.

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Written by Edna St Vincent Millay | Create an image from this poem

Apostrophe To Man

 (On reflecting that the world 
 is ready to go to war again)

Detestable race, continue to expunge yourself, die out.
Breed faster, crowd, encroach, sing hymns, build bombing airplanes; Make speeches, unveil statues, issue bonds, parade; Convert again into explosives the bewildered ammonia and the distracted cellulose; Convert again into putrescent matter drawing flies The hopeful bodies of the young; exhort, Pray, pull long faces, be earnest, be all but overcome, be photographed; Confer, perfect your formulae, commercialize Bacateria harmful to human tissue, Put death on the market; Breed, crowd, encroach, expand, expunge yourself, die out, *****called sapiens.


Written by Frank Bidart | Create an image from this poem

*****Faber

 Whatever lies still uncarried from the abyss within
me as I die dies with me.
Written by Amy Lowell | Create an image from this poem

Stravinskys Three Pieces

 First Movement
Thin-voiced, nasal pipes
Drawing sound out and out
Until it is a screeching thread,
Sharp and cutting, sharp and cutting,
It hurts.
Whee-e-e! Bump! Bump! Tong-ti-bump! There are drums here, Banging, And wooden shoes beating the round, grey stones Of the market-place.
Whee-e-e! Sabots slapping the worn, old stones, And a shaking and cracking of dancing bones; Clumsy and hard they are, And uneven, Losing half a beat Because the stones are slippery.
Bump-e-ty-tong! Whee-e-e! Tong! The thin Spring leaves Shake to the banging of shoes.
Shoes beat, slap, Shuffle, rap, And the nasal pipes squeal with their pigs' voices, Little pigs' voices Weaving among the dancers, A fine white thread Linking up the dancers.
Bang! Bump! Tong! Petticoats, Stockings, Sabots, Delirium flapping its thigh-bones; Red, blue, yellow, Drunkenness steaming in colours; Red, yellow, blue, Colours and flesh weaving together, In and out, with the dance, Coarse stuffs and hot flesh weaving together.
Pigs' cries white and tenuous, White and painful, White and -- Bump! Tong! Second Movement Pale violin music whiffs across the moon, A pale smoke of violin music blows over the moon, Cherry petals fall and flutter, And the white Pierrot, Wreathed in the smoke of the violins, Splashed with cherry petals falling, falling, Claws a grave for himself in the fresh earth With his finger-nails.
Third Movement An organ growls in the heavy roof-groins of a church, It wheezes and coughs.
The nave is blue with incense, Writhing, twisting, Snaking over the heads of the chanting priests.
`Requiem aeternam dona ei, Domine'; The priests whine their bastard Latin And the censers swing and click.
The priests walk endlessly Round and round, Droning their Latin Off the key.
The organ crashes out in a flaring chord, And the priests hitch their chant up half a tone.
`Dies illa, dies irae, Calamitatis et miseriae, Dies magna et amara valde.
' A wind rattles the leaded windows.
The little pear-shaped candle flames leap and flutter, `Dies illa, dies irae;' The swaying smoke drifts over the altar, `Calamitatis et miseriae;' The shuffling priests sprinkle holy water, `Dies magna et amara valde;' And there is a stark stillness in the midst of them Stretched upon a bier.
His ears are stone to the organ, His eyes are flint to the candles, His body is ice to the water.
Chant, priests, Whine, shuffle, genuflect, He will always be as rigid as he is now Until he crumbles away in a dust heap.
`Lacrymosa dies illa, Qua resurget ex favilla Judicandus *****reus.
' Above the grey pillars the roof is in darkness.
Written by Gaius Valerius Catullus | Create an image from this poem

Iuuentius Cycle

O qui flosculus es Iuuentiorum,
non horum modo sed quot aut fuerunt
aut posthac aliis erunt in annis.
mallem diuitias Midae dedisses isti cui neque seruus est neque arca quam sic te sineres ab illo amari.
`Qui? Non est *****bellus?' inquies.
Est: sed bello huic neque seruus est neque arca.
Hoc tu quam libet abice eleuaque: Nec seruum tamen ille habet neque arcam.
MELLITOS oculos tuos Iuuenti siquis me sinat usque basiare usque ad milia basiem trecenta, Nec mi umquam uidear satur futurus, non si densior aridis aristis sit nostrae seges osculationis.
NEMONE in tanto potuit populo esse, Iuuenti, bellus homo, quem tu deligere inciperes.
Praeterquam iste tuus moribunda ab sede Pisauri hospes inaurata palladior statua, qui tibi nunc cordi est, quem tu praeponere nobis audes.
Et nescis quod facinus facias? SURRIPUI tibi dum ludis, mellite Iuuenti suauiolum dulci dulcius ambrosia.
Verum id non impune tuli, namque amplius horam suffixum in summa me memini esse cruce dum tibi me purgo nec possum fletibus ullis tantillum uestrae demere saeuitiae.
Nam simul id factum est multis diluta labella guttis abstersisti omnibus articulis.
ne quicquam nostro contractum ex ore maneret, tamquam commictae spurca saliua lupae.
praeterea infestum misero me tradere amore non cessasti omni excruciarique modo, ut mi ex ambrosia mutatum iam foret illud suauiolum tristi tristius elleboro.
quam quoniam poenam misero proponis amori numquam iam posthac basia surripiam.

Book: Shattered Sighs