10 Best Famous Hollywood Poems

Here is a collection of the top 10 all-time best famous Hollywood poems. This is a select list of the best famous Hollywood poetry. Reading, writing, and enjoying famous Hollywood poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hollywood poems.

• All Famous Hollywood Poems

 The only thing I miss about Los Angeles

is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing

--pimps, surplus stores, footprints of the stars

--descending through the city
 fast as the law would allow

through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep

 and you on top; the air
 now clean, for a moment weightless

 without memories, or
 need for a past.



The need for the past

is so much at the center of my life
I write this poem to record my discovery of it,
my reconciliation.

 It was in Bishop, the room was done
in California plush: we had gone into the coffee shop, were told
you could only get a steak in the bar:
 I hesitated,
not wanting to be an occasion of temptation for my father

but he wanted to, so we entered

a dark room, with amber water glasses, walnut
tables, captain's chairs,
plastic doilies, papier-mâché bas-relief wall ballerinas,
German memorial plates "bought on a trip to Europe,"
Puritan crosshatch green-yellow wallpaper,
frilly shades, cowhide 
booths--

I thought of Cambridge:

 the lovely congruent elegance
 of Revolutionary architecture, even of

ersatz thirties Georgian

seemed alien, a threat, sign
of all I was not--

to bode order and lucidity

as an ideal, if not reality--

not this California plush, which

 also

I was not.

And so I made myself an Easterner,
finding it, after all, more like me
than I had let myself hope.

 And now, staring into the embittered face of 
 my father,

again, for two weeks, as twice a year,
 I was back.

 The waitress asked us if we wanted a drink.
Grimly, I waited until he said no...



Before the tribunal of the world I submit the following
document:

 Nancy showed it to us,
in her apartment at the model,
as she waited month by month
for the property settlement, her children grown
and working for their father,
at fifty-three now alone, 
a drink in her hand:

 as my father said,
"They keep a drink in her hand":

 Name Wallace du Bois
 Box No 128 Chino, Calif.
 Date July 25 ,19 54

Mr Howard Arturian
 I am writing a letter to you this afternoon while I'm in the
mood of writing. How is everything getting along with you these
fine days, as for me everything is just fine and I feel great except for 
the heat I think its lot warmer then it is up there but I don't mind
it so much. I work at the dairy half day and I go to trade school the
other half day Body & Fender, now I am learning how to spray
paint cars I've already painted one and now I got another car to
paint. So now I think I've learned all I want after I have learned all
this. I know how to straighten metals and all that. I forgot to say
"Hello" to you. The reason why I am writing to you is about a job,
my Parole Officer told me that he got letter from and that you want
me to go to work for you. So I wanted to know if its truth. When
I go to the Board in Feb. I'll tell them what I want to do and where
I would like to go, so if you want me to work for you I'd rather have
you sent me to your brother John in Tonapah and place to stay for
my family. The Old Lady says the same thing in her last letter that 
she would be some place else then in Bishop, thats the way I feel
too.and another thing is my drinking problem. I made up my mind
to quit my drinking, after all what it did to me and what happen.
 This is one thing I'll never forget as longs as I live I never want
to go through all this mess again. This sure did teach me lot of things
that I never knew before. So Howard you can let me know soon
as possible. I sure would appreciate it.

P.S From Your Friend
I hope you can read my Wally Du Bois
writing. I am a little nervous yet

--He and his wife had given a party, and
one of the guests was walking away
just as Wallace started backing up his car.
He hit him, so put the body in the back seat
and drove to a deserted road.
There he put it before the tires, and
ran back and forth over it several times.

When he got out of Chino, he did,
indeed, never do that again:
but one child was dead, his only son,
found with the rest of the family
immobile in their beds with typhoid,
next to the mother, the child having been
dead two days:

he continued to drink, and as if it were the Old West
shot up the town a couple of Saturday nights.

"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet."

It seems to me
an emblem of Bishop--



For watching the room, as the waitresses in their
back-combed, Parisian, peroxided, bouffant hairdos,
and plastic belts,
moved back and forth

I thought of Wallace, and
the room suddenly seemed to me
 not uninteresting at all:

 they were the same. Every plate and chair

 had its congruence with

 all the choices creating

 these people, created

 by them--by me,

for this is my father's chosen country, my origin.

Before, I had merely been anxious, bored; now,
I began to ask a thousand questions...




He was, of course, mistrustful, knowing I was bored,
knowing he had dragged me up here from Bakersfield

after five years

of almost managing to forget Bishop existed.

But he soon became loquacious, ordered a drink,
and settled down for 
an afternoon of talk...

He liked Bishop: somehow, it was to his taste, this
hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond."

And he was: when they came to shoot a film,
he entertained them; Miss A--, who wore
nothing at all under her mink coat; Mr. M--,
good horseman, good shot.

"But when your mother 
let me down" (for alcoholism and
infidelity, she divorced him)
"and Los Angeles wouldn't give us water any more,
I had to leave.

We were the first people to grow potatoes in this valley."

When he began to tell me
that he lost control of the business
because of the settlement he gave my mother,

because I had heard it 
many times,

in revenge, I asked why people up here drank so much.

He hesitated. "Bored, I guess.
--Not much to do."

And why had Nancy's husband left her?

In bitterness, all he said was:
"People up here drink too damn much."

And that was how experience
had informed his life.

"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet."



Yet, as my mother said,
returning, as always, to the past,

"I wouldn't change any of it.
It taught me so much. Gladys
is such an innocent creature: you look into her face
and somehow it's empty, all she worries about
are sales and the baby.
her husband's too good!"

It's quite pointless to call this rationalization:
my mother, for uncertain reasons, has had her
bout with insanity, but she's right:

the past in maiming us,
makes us,
fruition
 is also
destruction:

 I think of Proust, dying
in a cork-linked room, because he refuses to eat
because he thinks that he cannot write if he eats
because he wills to write, to finish his novel

--his novel which recaptures the past, and
with a kind of joy, because
in the debris
of the past, he has found the sources of the necessities

which have led him to this room, writing

--in this strange harmony, does he will
for it to have been different?

 And I can't not think of the remorse of Oedipus,

who tries to escape, to expiate the past
by blinding himself, and
then, when he is dying, sees that he has become a Daimon

--does he, discovering, at last, this cruel
coherence created by 
 "the order of the universe"

--does he will 
anything reversed?



 I look at my father:
as he drinks his way into garrulous, shaky
defensiveness, the debris of the past
is just debris--; whatever I reason, it is a desolation
to watch...

must I watch?
He will not change; he does not want to change;

every defeated gesture implies
the past is useless, irretrievable...
--I want to change: I want to stop fear's subtle

guidance of my life--; but, how can I do that
if I am still
afraid of its source?

 Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight 
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering, 
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore) 
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is 
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in 
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its 
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others, 
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited 
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better 
For him we ought to be! And how little, finally, 
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our 
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination. 
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself. 
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the 
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we 
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind 
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us, 
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.

 Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.

 In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds
And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in '92,
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.

And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,
Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.

I was a little boy, at home with strangers.   
I liked my playmates, and knew well,   
Whence all their parents came; 
From England, Scotland, royal France   
From Germany and oft by chance 
The humble Emerald Isle. 

But my brown skin and close-curled hair 
Was alien, and how it grew, none knew; 
Few tried to say, some dropped a wonderful word or stray; 
Some laughed and stared. 

And then it came: I dreamed.   
I placed together all I knew 
All hints and slurs together drew.   
I dreamed. 

I made one picture of what nothing seemed   
I shuddered in dumb terror 
In silence screamed, 
For now it seemed this I had dreamed; 

How up from Hell, a land had leaped 
A wretched land, all scorched and seamed   
Covered with ashes, chained with pain   
Streaming with blood, in horror lain   
Its very air a shriek of death 
And agony of hurt. 

Anon I woke, but in one corner of my soul   
I stayed asleep. 
Forget I could not, 
But never would I remember   
That hell-hoist ghost   
Of slavery and woe. 

I lived and grew, I worked and hoped 
I planned and wandered, gripped and coped   
With every doubt but one that slept   
Yet clamoured to awaken. 
I became old; old, worn and gray;   
Along my hard and weary way 
Rolled war and pestilence, war again;   
I looked on Poverty and foul Disease   
I walked with Death and yet I knew 
There stirred a doubt: Were all dreams true?   
And what in truth was Africa? 

One cloud-swept day a Seer appeared,   
All closed and veiled as me he hailed 
And bid me make three journeys to the world   
Seeking all through their lengthened links   
The endless Riddle of the Sphinx. 

I went to Moscow; Ignorance grown wise taught me Wisdom; 
I went to Peking: Poverty grown rich 
Showed me the wealth of Work 
I came to Accra. 

Here at last, I looked back on my Dream;   
I heard the Voice that loosed 
The Long-looked dungeons of my soul 
I sensed that Africa had come 
Not up from Hell, but from the sum of Heaven’s glory. 

I lifted up mine eyes to Ghana 
And swept the hills with high Hosanna; 
Above the sun my sight took flight   
Till from that pinnacle of light 
I saw dropped down this earth of crimson, green and gold 
Roaring with color, drums and song. 

Happy with dreams and deeds worth more than doing   
Around me velvet faces loomed   
Burnt by the kiss of everlasting suns 
Under great stars of midnight glory   
Trees danced, and foliage sang; 

The lilies hallelujah rang 
Where robed with rule on Golden Stool   
The gold-crowned Priests with duty done   
Pour high libations to the sun 
And danced to gods. 

Red blood flowed rare ’neath close-clung hair   
While subtle perfume filled the air   
And whirls and whirls of tiny curls   
Crowned heads. 

Yet Ghana shows its might and power   
Not in its color nor its flower   
But in its wondrous breadth of soul   
Its Joy of Life 
Its selfless role 
Of giving. 
School and clinic, home and hall   
Road and garden bloom and call   
Socialism blossoms bold 
On Communism centuries old. 

I lifted my last voice and cried   
I cried to heaven as I died: 
O turn me to the Golden Horde   
Summon all western nations   
Toward the Rising Sun. 

From reeking West whose day is done,   
Who stink and stagger in their dung   
Toward Africa, China, India’s strand   
Where Kenya and Himalaya stand   
And Nile and Yang-tze roll: 
Turn every yearning face of man. 

Come with us, dark America: 
The scum of Europe battened here   
And drowned a dream 
Made fetid swamp a refuge seem: 

Enslaved the Black and killed the Red   
And armed the Rich to loot the Dead;   
Worshipped the whores of Hollywood   
Where once the Virgin Mary stood 
And lynched the Christ. 

Awake, awake, O sleeping world   
Honor the sun; 

Worship the stars, those vaster suns   
Who rule the night 
Where black is bright 
And all unselfish work is right   
And Greed is Sin. 

And Africa leads on:   
Pan Africa!

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's 
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican."
I have a nine months' daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear. 

These are the tranquilized Fifties,
and I am forty. Ought I to regret my seedtime?
I was a fire-breathing Catholic C.O.,
and made my manic statement,
telling off the state and president, and then
sat waiting sentence in the bull pen
beside a ***** boy with curlicues
of marijuana in his hair.

Given a year,
I walked on the roof of the West Street Jail, a short
enclosure like my school soccer court,
and saw the Hudson River once a day
through sooty clothesline entanglements
and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz,
a jaundice-yellow ("it's really tan")
and fly-weight pacifist,
so vegetarian,
he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown,
the Hollywood pimps, to his diet.
Hairy, muscular, suburban,
wearing chocolate double-breasted suits,
they blew their tops and beat him black and blue.

I was so out of things, I'd never heard
of the Jehovah's Witnesses.
"Are you a C.O.?" I asked a fellow jailbird.
"No," he answered, "I'm a J.W."
He taught me the "hospital tuck,"
and pointed out the T-shirted back
of Murder Incorporated's Czar Lepke,
there piling towels on a rack,
or dawdling off to his little segregated cell full
of things forbidden to the common man:
a portable radio, a dresser, two toy American
flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized,
he drifted in a sheepish calm,
where no agonizing reappraisal
jarred his concentration on the electric chair
hanging like an oasis in his air
of lost connections. . . .

 The witch that came (the withered hag)
To wash the steps with pail and rag,
Was once the beauty Abishag,

The picture pride of Hollywood.
Too many fall from great and good
For you to doubt the likelihood.

Die early and avoid the fate.
Or if predestined to die late,
Make up your mind to die in state.

Make the whole stock exchange your own!
If need be occupy a throne,
Where nobody can call you crone.

Some have relied on what they knew;
Others on simply being true.
What worked for them might work for you.

No memory of having starred
Atones for later disregard,
Or keeps the end from being hard.

Better to go down dignified
With boughten friendship at your side
Than none at all. Provide, provide!

 When she goes to Hollywood
she is an angel.

She writes in red red lipstick
on the window of her body,
long for me, oh need me!
Parts her lips like a lotus.

Opening night she stands, poised
on her carpet, luminescent,
young men humming
all around her. She is flying.
Her high heels are wands, her
furs electric. Her bracelets
flashing. How completely
dazzling her complexion,
how vibrant her hair and eyes,
how brilliant the glow that spreads
four full feet around her.

She is totally self conscious
self contained
self centered,
caught in the blazing central eye
of our attention.

We infuse her.
Fans, we wave at her
like handmaids, unabashedly,
we crowd on tiptoe pressed together
just to feel the fission of the star
that lives on earth,
the bright, the angel sun
the luminescent glow of someone
other than we.
Look! Look! She is different.
Medium for all our energy
as we pour it through her.
Vessel of light,
Her flesh is like flax,
a living fiber.
She is the symbol of our dreams and fears
and bloody visions, all
our metaphors for living in America.

Harlowe, Holiday, Monroe

Helen
When she goes to Hollywood
she is the fire for all purposes.

Her flesh is like dark wax, a candle.
She is from any place or class.
"That's the one," we say in instant recognition,
because our breath is taken by her beauty,
or what we call her beauty.

She is glowing from every pore.
we adore her. we imitate and rob her
adulate envy
admire neglect
scorn. leave alone
invade, fill
ourselves with her.
we love her, we say
and if she isn't careful
we may even kill her.

Opening night
she lands on her carpet,
long fingered hands
like divining rods
bobbing and drawing the strands
of our attention,
as limousine drivers in blue jackets
stand on the hoods of their cars
to see the angel, talking

Davis, Dietrich, Wood
Tyson, Taylor, Gabor
Helen, when she goes to Hollywood
to be a walking star,
to be an actor

She is far more that a product
of Max Factor,
Max Factor didn't make her
though the make-up helps us
see what we would like
to take her for

her flesh is like glass,
a chandelier
a mirror

Harlowe, Holiday, Monroe
Helen
when she went to Hollywood
to be an angel

And it is she and not we
who is different

She who marries the crown prince
who leads the processional dance,
she who sweeps eternally
down the steps
in her long round gown.
A leaping, laughing leading lady,
she is our flower.
It is she who lies strangled
in the bell tower;
she who is monumentally drunk and suicidal
or locked waiting in the hightower,
she who lies sweating with the vicious jungle fever,
who leaps from her blue window
when he will, if he will, leave her

it is she and not we
who is the lotus

It is she with the lilies in her hair
and a keyboard beside her,
the dark flesh glowing

She whose wet lips nearly swallow
the microphone, whose whiskey voice
is precise and sultry and overwhelming,
she who is princess and harlequin,
athlete and moll and whore and lady,
goddess of the silver screen
the only original American queen

and Helen
when she was an angel
when she went to Hollywood

 she was a short one
getting fat and she had once been
beautiful and
she drank the wine
she drank the wine in bed and
talked and screamed and cursed at
me
and i told her 
please, I need some
sleep. 
-sleep? sleep? ya son of a
*****, ya never sleep, ya
don't need any
sleep! 
I buried her one morning early
I carried her down the sides of the Hollywood Hills
brambles and rabbits and rocks
running in front of me
and by the time I'd dug the ditch
and stuck her in
belly down
and put the dirt back on
the sun was up and it was warm
and the flies were lazy and
I could hardly see anything out of my eyes
everything was so
warm and yellow. 
I managed to drive home and I got into bed and I
slept for 5 days and 4
nights. 
from "poems written before jumping out of an 8 story window" - 1966

 Behold I bring you tidings of great joy-”
especially now that the snow & gale are still-”
for Henry is delivered.
Not only is he delivered from the gale
but he has a little one. He's out of jail
also. It is a boy.

Henry's pleasure in this unusual event
reminds me of the extra told at Hollywood & Vine
that TV cameras
were focussed on him personally then & there
and 'Just a few words . . . Is it what you meant?
Was there a genuine sign?'

Couvade was always Henry's favourite custom,
better than the bride biting off the penises, pal,
remember? All the brothers
marrying her in turn & dying mutilated
until the youngest put in instead a crowbar, pal,
and pulled out not only her teeth but also his brothers' dongs & no
 doubt others'.