Written by
Lewis Carroll |
I
There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all.
"
Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?
x*x + 7x + 53 = 11/3
But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!"
A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.
Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;
And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.
There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration.
At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such.
There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken.
Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean.
And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors.
And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads.
How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?"
The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow.
II
Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will!
O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above?
And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone!
But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!"
A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?
Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours.
III.
The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day
Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day!
O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day!
IV.
My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned!
My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers.
My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly.
My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended.
My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes -
A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!
|
Written by
Friedrich von Schiller |
Honor to woman! To her it is given
To garden the earth with the roses of heaven!
All blessed, she linketh the loves in their choir
In the veil of the graces her beauty concealing,
She tends on each altar that's hallowed to feeling,
And keeps ever-living the fire!
From the bounds of truth careering,
Man's strong spirit wildly sweeps,
With each hasty impulse veering
Down to passion's troubled deeps.
And his heart, contented never,
Greeds to grapple with the far,
Chasing his own dream forever,
On through many a distant star!
But woman with looks that can charm and enchain,
Lureth back at her beck the wild truant again,
By the spell of her presence beguiled--
In the home of the mother her modest abode,
And modest the manners by Nature bestowed
On Nature's most exquisite child!
Bruised and worn, but fiercely breasting,
Foe to foe, the angry strife;
Man, the wild one, never resting,
Roams along the troubled life;
What he planneth, still pursuing;
Vainly as the Hydra bleeds,
Crest the severed crest renewing--
Wish to withered wish succeeds.
But woman at peace with all being, reposes,
And seeks from the moment to gather the roses--
Whose sweets to her culture belong.
Ah! richer than he, though his soul reigneth o'er
The mighty dominion of genius and lore,
And the infinite circle of song.
Strong, and proud, and self-depending,
Man's cold bosom beats alone;
Heart with heart divinely blending,
In the love that gods have known,
Soul's sweet interchange of feeling,
Melting tears--he never knows,
Each hard sense the hard one steeling,
Arms against a world of foes.
Alive, as the wind-harp, how lightly soever
If wooed by the zephyr, to music will quiver,
Is woman to hope and to fear;
All, tender one! still at the shadow of grieving,
How quiver the chords--how thy bosom is heaving--
How trembles thy glance through the tear!
Man's dominion, war and labor;
Might to right the statue gave;
Laws are in the Scythian's sabre;
Where the Mede reigned--see the slave!
Peace and meekness grimly routing,
Prowls the war-lust, rude and wild;
Eris rages, hoarsely shouting,
Where the vanished graces smiled.
But woman, the soft one, persuasively prayeth--
Of the life that she charmeth, the sceptre she swayeth;
She lulls, as she looks from above,
The discord whose bell for its victims is gaping,
And blending awhile the forever escaping,
Whispers hate to the image of love!
|
Written by
Paul Celan |
Most brightly of all burned the hair of my evening loved one:
to her I send the coffin of lightest wood.
Waves billow round it as round the bed of our dream in Rome;
it wears a white wig as I do and speaks hoarsely:
it talks as I do when I grant admittance to hearts.
It knows a French song about love, I sang it in autumn
when I stopped as a tourist in Lateland and wrote my letters
to morning.
A fine boat is that coffin carved in the coppice of feelings.
I too drift in it downbloodstream, younger still than your eye.
Now you are young as a bird dropped dead in March snow,
now it comes to you, sings you its love song from France.
You are light: you will sleep through my spring till it's over.
I am lighter:
in front of strangers I sing.
|
Written by
Victor Hugo |
("L'enfant chantait.")
{Bk. I. xxiii., Paris, January, 1835.}
The small child sang; the mother, outstretched on the low bed,
With anguish moaned,—fair Form pain should possess not long;
For, ever nigher, Death hovered around her head:
I hearkened there this moan, and heard even there that song.
The child was but five years, and, close to the lattice, aye
Made a sweet noise with games and with his laughter bright;
And the wan mother, aside this being the livelong day
Carolling joyously, coughed hoarsely all the night.
The mother went to sleep 'mong them that sleep alway;
And the blithe little lad began anew to sing...
Sorrow is like a fruit: God doth not therewith weigh
Earthward the branch strong yet but for the blossoming.
NELSON R. TYERMAN.
|
Written by
Robert William Service |
All day long when the shells sail over
I stand at the sandbags and take my chance;
But at night, at night I'm a reckless rover,
And over the parapet gleams Romance.
Romance! Romance! How I've dreamed it, writing
Dreary old records of money and mart,
Me with my head chuckful of fighting
And the blood of vikings to thrill my heart.
But little I thought that my time was coming,
Sudden and splendid, supreme and soon;
And here I am with the bullets humming
As I crawl and I curse the light of the moon.
Out alone, for adventure thirsting,
Out in mysterious No Man's Land;
Prone with the dead when a star-shell, bursting,
Flares on the horrors on every hand.
There are ruby stars and they drip and wiggle;
And the grasses gleam in a light blood-red;
There are emerald stars, and their tails they wriggle,
And ghastly they glare on the face of the dead.
But the worst of all are the stars of whiteness,
That spill in a pool of pearly flame,
Pretty as gems in their silver brightness,
And etching a man for a bullet's aim.
Yet oh, it's great to be here with danger,
Here in the weird, death-pregnant dark,
In the devil's pasture a stealthy ranger,
When the moon is decently hiding.
Hark!
What was that? Was it just the shiver
Of an eerie wind or a clammy hand?
The rustle of grass, or the passing quiver
Of one of the ghosts of No Man's Land?
It's only at night when the ghosts awaken,
And gibber and whisper horrible things;
For to every foot of this God-forsaken
Zone of jeopard some horror clings.
Ugh! What was that? It felt like a jelly,
That flattish mound in the noisome grass;
You three big rats running free of its belly,
Out of my way and let me pass!
But if there's horror, there's beauty, wonder;
The trench lights gleam and the rockets play.
That flood of magnificent orange yonder
Is a battery blazing miles away.
With a rush and a singing a great shell passes;
The rifles resentfully bicker and brawl,
And here I crouch in the dew-drenched grasses,
And look and listen and love it all.
God! What a life! But I must make haste now,
Before the shadow of night be spent.
It's little the time there is to waste now,
If I'd do the job for which I was sent.
My bombs are right and my clippers ready,
And I wriggle out to the chosen place,
When I hear a rustle .
.
.
Steady! .
.
.
Steady!
Who am I staring slap in the face?
There in the dark I can hear him breathing,
A foot away, and as still as death;
And my heart beats hard, and my brain is seething,
And I know he's a Hun by the smell of his breath.
Then: "Will you surrender?" I whisper hoarsely,
For it's death, swift death to utter a cry.
"English schwein-hund!" he murmurs coarsely.
"Then we'll fight it out in the dark," say I.
So we grip and we slip and we trip and wrestle
There in the gutter of No Man's Land;
And I feel my nails in his wind-pipe nestle,
And he tries to gouge, but I bite his hand.
And he tries to squeal, but I squeeze him tighter:
"Now," I say, "I can kill you fine;
But tell me first, you Teutonic blighter!
Have you any children?" He answers: "Nein.
"
Nine! Well, I cannot kill such a father,
So I tie his hands and I leave him there.
Do I finish my little job? Well, rather;
And I get home safe with some light to spare.
Heigh-ho! by day it's just prosy duty,
Doing the same old song and dance;
But oh! with the night -- joy, glory, beauty:
Over the parapet -- Life, Romance!
|
Written by
Eugene Field |
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
|
Written by
Victor Hugo |
("Mon pére, ce héros au sourire.")
{Bk. XLIX. iv.}
My sire, the hero with the smile so soft,
And a tall trooper, his companion oft,
Whom he loved greatly for his courage high
And strength and stature, as the night drew nigh
Rode out together. The battle was done;
The dead strewed the field; long sunk was the sun.
It seemed in the darkness a sound they heard,—
Was it feeble moaning or uttered word?
'Twas a Spaniard left from the force in flight,
Who had crawled to the roadside after fight;
Shattered and livid, less live than dead,
Rattled his throat as hoarsely he said:
"Water, water to drink, for pity's sake!
Oh, a drop of water this thirst to slake!"
My father, moved at his speech heart-wrung,
Handed the orderly, downward leapt,
The flask of rum at the holster kept.
"Let him have some!" cried my father, as ran
The trooper o'er to the wounded man,—
A sort of Moor, swart, bloody and grim;
But just as the trooper was nearing him,
He lifted a pistol, with eye of flame,
And covered my father with murd'rous aim.
The hurtling slug grazed the very head,
And the helmet fell, pierced, streaked with red,
And the steed reared up; but in steady tone:
"Give him the whole!" said my father, "and on!"
TORU DUTT
|
Written by
Robert Burns |
RAVING winds around her blowing,
Yellow leaves the woodlands strowing,
By a river hoarsely roaring,
Isabella stray’d deploring—
“Farewell, hours that late did measure
Sunshine days of joy and pleasure;
Hail, thou gloomy night of sorrow,
Cheerless night that knows no morrow!
“O’er the past too fondly wandering,
On the hopeless future pondering;
Chilly grief my life-blood freezes,
Fell despair my fancy seizes.
“Life, thou soul of every blessing,
Load to misery most distressing,
Gladly how wouldlI resign thee,
And to dark oblivion join thee!”
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