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Best Famous High Art Poems

Here is a collection of the all-time best famous High Art poems. This is a select list of the best famous High Art poetry. Reading, writing, and enjoying famous High Art poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of high art poems.

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Edna St Vincent Millay | Create an image from this poem

Invocation To The Muses

 Read by the poet at The Public Ceremonial of The Naional Institute 
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.
Great Muse, that from this hall absent for long Hast never been, Great Muse of Song, Colossal Muse of mighty Melody, Vocal Calliope, With thine august and contrapuntal brow And thy vast throat builded for Harmony, For the strict monumental pure design, And the melodic line: Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style— Words obsolete, words obsolescent, It is that for a little while The heart must, oh indeed must from this angry and out-rageous present Itself withdraw Into some past in which most crooked Evil, Although quite certainly conceived and born, was not as yet the Law.
Archaic, or obsolescent at the least, Be thy grave speaking and the careful words of thy clear song, For the time wrongs us, and the words most common to our speech today Salute and welcome to the feast Conspicuous Evil— or against him all day long Cry out, telling of ugly deeds and most uncommon wrong.
Be thou tonight with all beneath these rafters—be with me But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung, Though the great voice be there, no sound from the dry throat across the thickened tongue Comes forth; nor has he heart for it.
Beauty in all things—no, we cannot hope for that; but some place set apart for it.
Here it may dwell; And with your aid, Melpomene And all thy sister-muses (for ye are, I think, daughters of Memory) Within the tortured mind as well.
Reaped are those fields with dragon's-teeth so lately sown; Many the heaped men dying there - so close, hip touches thigh; yet each man dies alone.
Music, what overtone For the soft ultimate sigh or the unheeded groan Hast thou—to make death decent, where men slip Down blood to death, no service of grieved heart or ritual lip Transferring what was recently a man and still is warm— Transferring his obedient limbs into the shallow grave where not again a friend shall greet him, Nor hatred do him harm .
.
.
Nor true love run to meet him? In the last hours of him who lies untended On a cold field at night, and sees the hard bright stars Above his upturned face, and says aloud "How strange .
.
.
my life is ended.
"— If in the past he loved great music much, and knew it well, Let not his lapsing mind be teased by well-beloved but ill- remembered bars — Let the full symphony across the blood-soaked field By him be heard, most pure in every part, The lonely horror of whose painful death is thus repealed, Who dies with quiet tears upon his upturned face, making to glow with softness the hard stars.
And bring to those who knew great poetry well Page after page that they have loved but have not learned by heart! We who in comfort to well-lighted shelves Can turn for all the poets ever wrote, Beseech you: Bear to those Who love high art no less than we ourselves, Those who lie wounded, those who in prison cast Strive to recall, to ease them, some great ode, and every stanza save the last.
Recall—oh, in the dark, restore them The unremembered lines; make bright the page before them! Page after page present to these, In prison concentrated, watched by barbs of bayonet and wire, Give ye to them their hearts' intense desire— The words of Shelley, Virgil, Sophocles.
And thou, O lovely and not sad, Euterpe, be thou in this hall tonight! Bid us remember all we ever had Of sweet and gay delight— We who are free, But cannot quite be glad, Thinking of huge, abrupt disaster brought Upon so many of our kind Who treasure as do we the vivid look on the unfrightened face, The careless happy stride from place to place, And the unbounded regions of untrammelled thought Open as interstellar space To the exploring and excited mind.
O Muses, O immortal Nine!— Or do ye languish? Can ye die? Must all go under?— How shall we heal without your help a world By these wild horses torn asunder? How shall we build anew? — How start again? How cure, how even moderate this pain Without you, and you strong? And if ye sleep, then waken! And if ye sicken and do plan to die, Do not that now! Hear us, in what sharp need we cry! For we have help nowhere If not in you! Pity can much, and so a mighty mind, but cannot all things do!— By you forsaken, We shall be scattered, we shall be overtaken! Oh, come! Renew in us the ancient wonder, The grace of life, its courage, and its joy! Weave us those garlands nothing can destroy! Come! with your radiant eyes! — with your throats of thunder!
Written by Rg Gregory | Create an image from this poem

thirteeners

 18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back

where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away

eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day

29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion

people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone

dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone

42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose

but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)

they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs

65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief

faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed

what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
Written by Richard Crashaw | Create an image from this poem

Prayer

 LO here a little volume, but great Book
A nest of new-born sweets;
Whose native fires disdaining
To ly thus folded, and complaining
Of these ignoble sheets,
Affect more comly bands
(Fair one) from the kind hands
And confidently look
To find the rest
Of a rich binding in your Brest.
It is, in one choise handfull, heavenn; and all Heavn’s Royall host; incamp’t thus small To prove that true schooles use to tell, Ten thousand Angels in one point can dwell.
It is love’s great artillery Which here contracts itself, and comes to ly Close couch’t in their white bosom: and from thence As from a snowy fortresse of defence, Against their ghostly foes to take their part, And fortify the hold of their chast heart.
It is an armory of light Let constant use but keep it bright, You’l find it yeilds To holy hands and humble hearts More swords and sheilds Then sin hath snares, or Hell hath darts.
Only be sure The hands be pure That hold these weapons; and the eyes Those of turtles, chast and true; Wakefull and wise; Here is a freind shall fight for you, Hold but this book before their heart; Let prayer alone to play his part, But ? the heart That studyes this high Art Must be a sure house-keeper And yet no sleeper.
Dear soul, be strong.
Mercy will come e’re long And bring his bosom fraught with blessings, Flowers of never fading graces To make immortall dressings For worthy soules, whose wise embraces Store up themselves for Him, who is alone The Spouse of Virgins and the Virgin’s son.
But if the noble Bridegroom, when he come Shall find the loytering Heart from home; Leaving her chast aboad To gadde abroad Among the gay mates of the god of flyes; To take her pleasure and to play And keep the devill’s holyday; To dance th’sunshine of some smiling But beguiling Spheares of sweet and sugred Lyes, Some slippery Pair Of false, perhaps as fair, Flattering but forswearing eyes; Doubtlesse some other heart Will gett the start Mean while, and stepping in before Will take possession of that sacred store Of hidden sweets and holy ioyes.
Words which are not heard with Eares (Those tumultuous shops of noise) Effectuall wispers, whose still voice The soul it selfe more feeles then heares; Amorous languishments; luminous trances; Sights which are not seen with eyes; Spirituall and soul-peircing glances Whose pure and subtil lightning flyes Home to the heart, and setts the house on fire And melts it down in sweet desire Yet does not stay To ask the windows leave to passe that way; Delicious Deaths; soft exalations Of soul; dear and divine annihilations; A thousand unknown rites Of ioyes and rarefy’d delights; A hundred thousand goods, glories, and graces, And many a mystick thing Which the divine embraces Of the deare spouse of spirits with them will bring For which it is no shame That dull mortality must not know a name.
Of all this store Of blessings and ten thousand more (If when he come He find the Heart from home) Doubtlesse he will unload Himself some other where, And poure abroad His pretious sweets On the fair soul whom first he meets.
O fair, ? fortunate! O riche, ? dear! O happy and thrice happy she Selected dove Who ere she be, Whose early love With winged vowes Makes hast to meet her morning spouse And close with his immortall kisses.
Happy indeed, who never misses To improve that pretious hour, And every day Seize her sweet prey All fresh and fragrant as he rises Dropping with a baulmy Showr A delicious dew of spices; O let the blissfull heart hold fast Her heavnly arm-full, she shall tast At once ten thousand paradises; She shall have power To rifle and deflour The rich and roseall spring of those rare sweets Which with a swelling bosome there she meets Boundles and infinite Bottomles treasures Of pure inebriating pleasures Happy proof! she shal discover What ioy, what blisse, How many Heav’ns at once it is To have her God become her Lover.

Book: Reflection on the Important Things