Written by
Alfred Lord Tennyson |
I
Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?
II
I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
Low adown, low adown,
From under my starry sea-bud crown
Low adown and around,
And I should look like a fountain of gold
Springing alone
With a shrill inner sound
Over the throne
In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.
III
But at night I would wander away, away,
I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
|
Written by
John Betjeman |
Kind o’er the kinderbank leans my Myfanwy,
White o’er the playpen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap scented fingers I long to caress.
Were you a prefect and head of your dormit'ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?
Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.
Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the avenue, back to the pottingshed,
Back to the house on the fringe of the park.
Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger marked pages of Rackham's Hans Anderson,
Time for the children to come down to tea.
Oh! Fullers angel-cake, Robertson’s marmalade,
Liberty lampshade, come shine on us all,
My! what a spread for the friends of Myfanwy,
Some in the alcove and some in the hall.
Then what sardines in half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ring leader, tom-boy, and chum to the weak.
|
Written by
Henry Van Dyke |
Home, for my heart still calls me;
Home, through the danger zone;
Home, whatever befalls me,
I will sail again to my own!
Wolves of the sea are hiding
Closely along the way,
Under the water biding
Their moment to rend and slay.
Black is the eagle that brands them,
Black are their hearts as the night,
Black is the hate that sends them
To murder but not to fight.
Flower of the German Culture,
Boast of the Kaiser's Marine,
Choose for your emblem the vulture,
Cowardly, cruel, obscene!
Forth from her sheltered haven
Our peaceful ship glides slow,
Noiseless in flight as a raven,
Gray as a hoodie crow.
She doubles and turns in her bearing,
Like a twisting plover she goes;
The way of her westward faring
Only the captain knows.
In a lonely bay concealing
She lingers for days, and slips
At dusk from her covert, stealing
Thro' channels feared by the ships.
Brave are the men, and steady,
Who guide her over the deep,--
British mariners, ready
To face the sea-wolf's leap.
Lord of the winds and waters,
Bring our ship to her mark,
Safe from this game of hide-and-seek
With murderers in the dark!
|
Written by
Vachel Lindsay |
Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.
To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,
We vowed our love was boundless,
Eternal as the sea.
She banished from her kingdom
The mortal boy I grew —
So tall and crude and noisy,
I killed grasshoppers too.
I threw big rocks at pigeons,
I plucked and tore apart
The weeping, wailing daisies,
And broke my lady's heart.
At length I grew to manhood,
I scarcely could believe
I ever loved the lady,
Or caused her court to grieve,
Until a dream came to me,
One bleak first night of Spring,
Ere tides of apple blossoms
Rolled in o'er everything,
While rain and sleet and snowbanks
Were still a-vexing men,
Ere robin and his comrades
Were nesting once again.
I saw Mab's Book of Judgment —
Its clasps were iron and stone,
Its leaves were mammoth ivory,
Its boards were mammoth bone, —
Hid in her seaside mountains,
Forgotten or unkept,
Beneath its mighty covers
Her wrath against me slept.
And deeply I repented
Of brash and boyish crime,
Of murder of things lovely
Now and in olden time.
I cursed my vain ambition,
My would-be worldly days,
And craved the paths of wonder,
Of dewy dawns and fays.
I cried, "Our love was boundless,
Eternal as the sea,
O Queen, reverse the sentence,
Come back and master me!"
The book was by the cliff-side
Upon its edge upright.
I laid me by it softly,
And wept throughout the night.
And there at dawn I saw it,
No book now, but a door,
Upon its panels written,
"Judgment is no more."
The bolt flew back with thunder,
I saw within that place
A mermaid wrapped in seaweed
With Mab's immortal face,
Yet grown now to a woman,
A woman to the knee.
She cried, she clasped me fondly,
We soon were in the sea.
Ah, she was wise and subtle,
And gay and strong and sleek,
We chained the wicked sword-fish,
We played at hide and seek.
We floated on the water,
We heard the dawn-wind sing,
I made from ocean-wonders,
Her bridal wreath and ring.
All mortal girls were shadows,
All earth-life but a mist,
When deep beneath the maelstrom,
The mermaid's heart I kissed.
I woke beside the church-door
Of our small inland town,
Bowing to a maiden
In a pansy-velvet gown,
Who had not heard of fairies,
Yet seemed of love to dream.
We planned an earthly cottage
Beside an earthly stream.
Our wedding long is over,
With toil the years fill up,
Yet in the evening silence,
We drink a deep-sea cup.
Nothing the fay remembers,
Yet when she turns to me,
We meet beneath the whirlpool,
We swim the golden sea.
|
Written by
Barry Tebb |
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her ****,
Her ****, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money, I am counting the stars in your
Hair, bound with a cheap plastic comb.
9
You have no idea of my need for you
A lifetime long, every wrong decision
I made betrayed my need; forty years on
Hear my song and take my hand and move
Us to the house of love where we belong.
10
Margaret we sat in the cinema dark
Warm with the promise of a secret kiss
The wall lights glowed amber on the
Crumbling plaster, we looked with longing
At the love seats empty in the circle,
Vowing we would share one.
11
There is shouting and echoes
Of wild splashing from York
Road baths; forty years on
It stirs my memory and
Will not be gone.
12
The ghosts of tramtracks
Light up lanes
To nowhere
In Leeds Ten.
Every road
Leads nowhere
In Leeds Nine.
Motorways have cut
The city’s heart
In two; Margaret,
Our home lies buried
Under sixteen feet
Of stone.
13
Our families moved
And we were lost
I was not there to hear
The whispered secret
Of your first period.
14
God is courage’s infinite ground
Tillich said; God, give me enough
To stand another week without her
Every day gets longer, every sleep
Less deep.
15
Why can’t I find you,
Touch you,
Bind your straw-gold hair
The colour of lank
February grass?
16
Under the stone canopy
Of the Grand Arcade
I pass Europa Nightclub;
In black designer glass
I watch the faces pass
But none is like your’s,
No voice, no eyes,
No smile at all
Like your’s.
17
From Kirkstall Lock
The rhubarb crop
To Knostrop’s forcing sheds
The roots ploughed up
Arranged in beds
Of perfect darkness
Where the buds burst
With a pip, rich pink
Stalks and yellow leaves
Hand-picked by
Candle-light to
Keep the colour right
So every night the
Rhubarb train
Could go from Leeds
To Covent Garden.
18
The smell of Saturday morning
Is the smell of freedom
How the bounds may grow
Slowly slowly as I go.
“Rag-bone rag-bone
White donkey stone”
Auntie Nellie scoured
Her door step, polished
The brass knocker
Till I saw my face
Bunched like a fist
Complete with goggles
Grinning like a monkey
In a mile of mirrors.
19
Every door step had a stop
A half-stone iron weight
To hold it back and every
Step was edged with donkey
Stone in yellow or white
From the ragman or the potman
With his covered cart jingling
Jangling as it jerked hundreds
Of cups on hooks pint and
Half pint mugs and stacks of
Willow-patterned plates
From Burmantofts.
20
We heard him a mile off
Nights in summer when
He trundled round the
Corner over the cobbles
Jamming the wood brake
Blocks whoaing the horses
With their gleaming brasses
And our mams were always
Waiting where he stopped.
21
Double summer-time made
The nights go on for ever
And no-one cared any more
How long we played what
Or where and we were left
Alone and that’s all I wanted
Then or now to be left alone
Never to be called in from
The Hollows never to be
Called from Margaret.
22
City of back-to-backs
From Armley Heights
Laid out in rows
Like trees or grass
I watch you pass.
23
The Aire is slow and almost
Still
In the Bridgefield
The Joshua Tetley clock
Over the Atkinson Grimshaw
Print
Is stopped at nineteen fifty
Four
The year I left.
24
Grimshaw’s home was
Half a mile away
In Knostrop Hall
Margaret and I
Climbed the ruined
Walls her hair was
Blowing in the wind
Her eyes were stars
In the green night
Her hands were holding
My hands.
25
Half a century later
I look out over Leeds Nine
What little’s left is broken
Or changed Saturday night
Is silent and empty
The paths over the Hollows
Deserted the bell
Of St. Hilda’s still.
26
On a single bush
The yellow roses blush
Pink in the amber light
Night settles on the
Fewstons and the Copperfields
No mothers’ voices calling us.
Lilac and velvet clover
Grew all over the Hollows
It was all the luck
We knew and when we left
Our luck went too.
27
Solid black
Velvet basalt
Polished jet
Millstone grit
Leeds Town Hall
Built with it
Soaks up the fog
Is sealed with smog
Battered buttressed
Blackened plinths
White lions’ paws
Were soft their
Smiles like your’s.
28
Narrow lanes, steep inclines,
Steps, blank walls, tight
And secret openings’
The lanes are your hips
The inclines the lines
Of your thighs, the steps
Your breasts, blank walls
Your buttocks, tight and
Secret openings your
Taut vagina’s lips.
29
There is a keening and a honing
And a winnowing in the wind
I am the surge and flow
In Winwaed’s water the last breath
Of Elmete’s King.
I am Penda crossing the Aire
Camping at Killingbeck
Conquered by Aethalwald
Ruler of Deira.
30
Life is a bird hovering
In the Hall of the King
Between darkness and darkness flickering
The stone of Scone at last lifted
And borne on the wind, Dunedin, take it
Hold it hard and fast its light
Is leaping it is freedom’s
Touchstone and firestone.
31
Eir, Ayer or Aire
I’ll still be there
Your wanderings off course
Old Ea, Old Eye, Dead Eye
Make no difference to me.
Eg-an island - is Aire’s
True source, names
Not places matter
With the risings
Of a river
Ea land-by-water
I’ll make my own way
Free, going down river
To the far-off sea.
32
Poetry is my business, my affair.
My cri-de-coeur, jongleur
Of Mercia and Elmete, Margaret,
Open your door I am heaping
Imbroglios of stars on the floor
Meet me by the Office Lock
At midnight or by the Town Hall Clock.
33
Nennius nine times have I knocked
On the door of your grave, nine times
More have I made Pilgrimage to Elmete’s
Wood where long I lay by beck and bank
Waiting for your tongue to flame
With Pentecostal fire.
34
Margaret you rode in the hollow of my hand
In the harp of my heart, searching for you
I wandered in Kirkgate Market’s midnight
Down avenues of shuttered stalls, our secrets
Kept through all the years.
From the Imperial on Beeston Hill
I watch the city spill glass towers
Of light over the horizon’s rim.
35
The railyard’s straights
Are buckled plates
Red bricks for aggregate
All lost like me
Ledsham and Ledston
Both belong to Leeds
But Ledston Luck
Is where Aire leads.
36
Held of the Crown
By seven thanes
In Saxon times
‘In regione Loidis’
Baeda scripsit
Leeds, Leeds,
You answer
All my needs.
37
A horse shoe stuck for luck
Behind a basement window:
Margaret, now we’ll see
What truth there is
In dreams and poetry!
I am at one with everyone
There is poetry
Falling from the air
And you have put it there.
38
The sign for John Eaton Street
Is planted in the back garden
Of the transport caf? between
The strands of a wire mesh fence
Straddling the cobbles of a street
That is no more, a washing line
And an abandoned caravan.
39
‘This open land to let’
Is what you get on the Hollows
Thousands of half-burned tyres
The rusty barrel of a Trumix lorry
Concrete slabs, foxgloves and condoms,
The Go-Kart Arena’s signboards,
Half the wall of Ellerby Lane School.
40
There is a mermaid singing
On East Street on an IBM poster
Her hair is lack-lustre
Her breasts are facing the camera
Her tail is like a worn-out brush.
Chimney stacks
Blind black walls
Of factories
Grimy glass
Flickering firelight
In black-leaded grates.
41
Hunslet de Ledes
Hop-scotch, hide and seek,
Bogies-on-wheels
Not one tree in Hunslet
Except in the cemetery
The lake filled in
For fifty years,
The bluebell has rung
Its last perfumed peal.
42
I couldn’t play out on Sunday
Mam and dad thought us a cut
Above the rest, it was another
Test I failed, keeping me and
Margaret apart was like the Aztecs
Tearing the heart from the living flesh.
43
Father, your office job
Didn’t save you
From the drugs
They never gave you.
44
Isaiah, my son,
You made it back
From Balliol to Beeston
At a run via the
Playing fields of Eton.
There is a keening and a honing
And a winnowing in the wind
Winwaed’s water with red bluid blent.
|
Written by
Carl Sandburg |
Sling me under the sea.
Pack me down in the salt and wet.
No farmer's plow shall touch my bones.
No Hamlet hold my jaws and speak
How jokes are gone and empty is my mouth.
Long, green-eyed scavengers shall pick my eyes,
Purple fish play hide-and-seek,
And I shall be song of thunder, crash of sea,
Down on the floors of salt and wet.
Sling me . . . under the sea.
|
Written by
Edwin Arlington Robinson |
Well, Bokardo, here we are;
Make yourself at home.
Look around—you haven’t far
To look—and why be dumb?
Not the place that used to be,
Not so many things to see;
But there’s room for you and me.
And you—you’ve come.
Talk a little; or, if not,
Show me with a sign
Why it was that you forgot
What was yours and mine.
Friends, I gather, are small things
In an age when coins are kings;
Even at that, one hardly flings
Friends before swine.
Rather strong? I knew as much,
For it made you speak.
No offense to swine, as such,
But why this hide-and-seek?
You have something on your side,
And you wish you might have died,
So you tell me. And you tried
One night last week?
You tried hard? And even then
Found a time to pause?
When you try as hard again,
You’ll have another cause.
When you find yourself at odds
With all dreamers of all gods,
You may smite yourself with rods—
But not the laws.
Though they seem to show a spite
Rather devilish,
They move on as with a might
Stronger than your wish.
Still, however strong they be,
They bide man’s authority:
Xerxes, when he flogged the sea,
May’ve scared a fish.
It’s a comfort, if you like,
To keep honor warm,
But as often as you strike
The laws, you do no harm.
To the laws, I mean. To you—
That’s another point of view,
One you may as well indue
With some alarm.
Not the most heroic face
To present, I grant;
Nor will you insure disgrace
By fearing what you want.
Freedom has a world of sides,
And if reason once derides
Courage, then your courage hides
A deal of cant.
Learn a little to forget
Life was once a feast;
You aren’t fit for dying yet,
So don’t be a beast.
Few men with a mind will say,
Thinking twice, that they can pay
Half their debts of yesterday,
Or be released.
There’s a debt now on your mind
More than any gold?
And there’s nothing you can find
Out there in the cold?
Only—what’s his name?—Remorse?
And Death riding on his horse?
Well, be glad there’s nothing worse
Than you have told.
Leave Remorse to warm his hands
Outside in the rain.
As for Death, he understands,
And he will come again.
Therefore, till your wits are clear,
Flourish and be quiet—here.
But a devil at each ear
Will be a strain?
Past a doubt they will indeed,
More than you have earned.
I say that because you need
Ablution, being burned?
Well, if you must have it so,
Your last flight went rather low.
Better say you had to know
What you have learned.
And that’s over. Here you are,
Battered by the past.
Time will have his little scar,
But the wound won’t last.
Nor shall harrowing surprise
Find a world without its eyes
If a star fades when the skies
Are overcast.
God knows there are lives enough,
Crushed, and too far gone
Longer to make sermons of,
And those we leave alone.
Others, if they will, may rend
The worn patience of a friend
Who, though smiling, sees the end,
With nothing done.
But your fervor to be free
Fled the faith it scorned;
Death demands a decency
Of you, and you are warned.
But for all we give we get
Mostly blows? Don’t be upset;
You, Bokardo, are not yet
Consumed or mourned.
There’ll be falling into view
Much to rearrange;
And there’ll be a time for you
To marvel at the change.
They that have the least to fear
Question hardest what is here;
When long-hidden skies are clear,
The stars look strange.
|
Written by
Chris Jones |
We sat in the belly of the aeroplane
and held out for sirens to swerve across the grass;
men with cutting gear and masks. No-one came.
On a back seat, Mr. Phillips bandied jokes to pass
the time; the dark air cooling our arms
and scents like burrs stitched in hair, clothes.
In the distance we swore we heard alarms
before HQ radioed the fire-drill’s close,
and we emerged still feigning breaks and scrapes
led by teacher bandaged and bad at the hip,
attentive to this miraculous escape.
Our shadows thin creatures from the Mother Ship.
*
That view of Bob Phillips’ dance down the steps
comes back when I think of him alone
on the fairway, trailing scarves of breath
as he lugs clubs beyond the lake-side ninth for home,
and feels sharp tingles, then a rip-tide through his arm
that swells to pains across his chest.
To stand there, cry out above the calm,
and wait for hands, a touch – but Bob is destined
to collapse in thick grass, lie wide for the day
in a hide and seek open to everyone.
No-one for miles comes close to play.
His big face surprised the world is taking so long.
|
Written by
George William Russell |
ALL the morn a spirit gay
Breathes within my heart a rhyme,
’Tis but hide and seek we play
In and out the courts of time.
Fairy lover, when my feet
Through the tangled woodland go,
’Tis thy sunny fingers fleet
Fleck the fire dews to and fro.
In the moonlight grows a smile
Mid its rays of dusty pearl—
’Tis but hide and seek the while,
As some frolic boy and girl.
When I fade into the deep
Some mysterious radiance showers
From the jewel-heart of sleep
Through the veil of darkened hours.
Where the ring of twilight gleams
Round the sanctuary wrought,
Whispers haunt me—in my dreams
We are one yet know it not.
Some for beauty follow long
Flying traces; some there be
Seek thee only for a song:
I to lose myself in thee.
|
Written by
Emily Dickinson |
Although I put away his life --
An Ornament too grand
For Forehead low as mine, to wear,
This might have been the Hand
That sowed the flower, he preferred --
Or smoothed a homely pain,
Or pushed the pebble from his path --
Or played his chosen tune --
On Lute the least -- the latest --
But just his Ear could know
That whatsoe'er delighted it,
I never would let go --
The foot to bear his errand --
A little Boot I know --
Would leap abroad like Antelope --
With just the grant to do --
His weariest Commandment --
A sweeter to obey,
Than "Hide and Seek" --
Or skip to Flutes --
Or all Day, chase the Bee --
Your Servant, Sir, will weary --
The Surgeon, will not come --
The World, will have its own -- to do --
The Dust, will vex your Fame --
The Cold will force your tightest door
Some February Day,
But say my apron bring the sticks
To make your Cottage gay --
That I may take that promise
To Paradise, with me --
To teach the Angels, avarice,
You, Sir, taught first -- to me.
|