Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering. Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
Elinor Wylie |
1
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
|
Written by
Dylan Thomas |
If I were tickled by the rub of love,
A rooking girl who stole me for her side,
Broke through her straws, breaking my bandaged string,
If the red tickle as the cattle calve
Still set to scratch a laughter from my lung,
I would not fear the apple nor the flood
Nor the bad blood of spring.
Shall it be male or female? say the cells,
And drop the plum like fire from the flesh.
If I were tickled by the hatching hair,
The winging bone that sprouted in the heels,
The itch of man upon the baby's thigh,
I would not fear the gallows nor the axe
Nor the crossed sticks of war.
Shall it be male or female? say the fingers
That chalk the walls with greet girls and their men.
I would not fear the muscling-in of love
If I were tickled by the urchin hungers
Rehearsing heat upon a raw-edged nerve.
I would not fear the devil in the loin
Nor the outspoken grave.
If I were tickled by the lovers' rub
That wipes away not crow's-foot nor the lock
Of sick old manhood on the fallen jaws,
Time and the crabs and the sweethearting crib
Would leave me cold as butter for the flies
The sea of scums could drown me as it broke
Dead on the sweethearts' toes.
This world is half the devil's and my own,
Daft with the drug that's smoking in a girl
And curling round the bud that forks her eye.
An old man's shank one-marrowed with my bone,
And all the herrings smelling in the sea,
I sit and watch the worm beneath my nail
Wearing the quick away.
And that's the rub, the only rub that tickles.
The knobbly ape that swings along his sex
From damp love-darkness and the nurse's twist
Can never raise the midnight of a chuckle,
Nor when he finds a beauty in the breast
Of lover, mother, lovers, or his six
Feet in the rubbing dust.
And what's the rub? Death's feather on the nerve?
Your mouth, my love, the thistle in the kiss?
My Jack of Christ born thorny on the tree?
The words of death are dryer than his stiff,
My wordy wounds are printed with your hair.
I would be tickled by the rub that is:
Man be my metaphor.
|
Written by
William Butler Yeats |
Come round me, little childer;
There, don't fling stones at me
Because I mutter as I go;
But pity Moll Magee.
My man was a poor fisher
With shore lines in the say;
My work was saltin' herrings
The whole of the long day.
And sometimes from the Saltin' shed
I scarce could drag my feet,
Under the blessed moonlight,
Along thc pebbly street.
I'd always been but weakly,
And my baby was just born;
A neighbour minded her by day,
I minded her till morn.
I lay upon my baby;
Ye little childer dear,
I looked on my cold baby
When the morn grew frosty and clear.
A weary woman sleeps so hard!
My man grew red and pale,
And gave me money, and bade me go
To my own place, Kinsale.
He drove me out and shut the door.
And gave his curse to me;
I went away in silence,
No neighbour could I see.
The windows and the doors were shut,
One star shone faint and green,
The little straws were turnin round
Across the bare boreen.
I went away in silence:
Beyond old Martin's byre
I saw a kindly neighbour
Blowin' her mornin' fire.
She drew from me my story -
My money's all used up,
And still, with pityin', scornin' eye,
She gives me bite and sup.
She says my man will surely come
And fetch me home agin;
But always, as I'm movin' round,
Without doors or within,
Pilin' the wood or pilin' the turf,
Or goin' to the well,
I'm thinkin' of my baby
And keenin' to mysel'.
And Sometimes I am sure she knows
When, openin' wide His door,
God lights the stats, His candles,
And looks upon the poor.
So now, ye little childer,
Ye won't fling stones at me;
But gather with your shinin' looks
And pity Moll Magee.
|
Written by
Robert William Service |
Is it not strange? A year ago to-day,
With scarce a thought beyond the hum-drum round,
I did my decent job and earned my pay;
Was averagely happy, I'll be bound.
Ay, in my little groove I was content,
Seeing my life run smoothly to the end,
With prosy days in stolid labour spent,
And jolly nights, a pipe, a glass, a friend.
In God's good time a hearth fire's cosy gleam,
A wife and kids, and all a fellow needs;
When presto! like a bubble goes my dream:
I leap upon the Stage of Splendid Deeds.
I yell with rage; I wallow deep in gore:
I, that was clerk in a drysalter's store.
Stranger than any book I've ever read.
Here on the reeking battlefield I lie,
Under the stars, propped up with smeary dead,
Like too, if no one takes me in, to die.
Hit on the arms, legs, liver, lungs and gall;
Damn glad there's nothing more of me to hit;
But calm, and feeling never pain at all,
And full of wonder at the turn of it.
For of the dead around me three are mine,
Three foemen vanquished in the whirl of fight;
So if I die I have no right to whine,
I feel I've done my little bit all right.
I don't know how -- but there the beggars are,
As dead as herrings pickled in a jar.
And here am I, worse wounded than I thought;
For in the fight a bullet bee-like stings;
You never heed; the air is metal-hot,
And all alive with little flicking wings.
But on you charge. You see the fellows fall;
Your pal was by your side, fair fighting-mad;
You turn to him, and lo! no pal at all;
You wonder vaguely if he's copped it bad.
But on you charge. The heavens vomit death;
And vicious death is besoming the ground.
You're blind with sweat; you're dazed, and out of breath,
And though you yell, you cannot hear a sound.
But on you charge. Oh, War's a rousing game!
Around you smoky clouds like ogres tower;
The earth is rowelled deep with spurs of flame,
And on your helmet stones and ashes shower.
But on you charge. It's odd! You have no fear.
Machine-gun bullets whip and lash your path;
Red, yellow, black the smoky giants rear;
The shrapnel rips, the heavens roar in wrath.
But on you charge. Barbed wire all trampled down.
The ground all gored and rent as by a blast;
Grim heaps of grey where once were heaps of brown;
A ragged ditch -- the Hun first line at last.
All smashed to hell. Their second right ahead,
So on you charge. There's nothing else to do.
More reeking holes, blood, barbed wire, gruesome dead;
(Your puttee strap's undone -- that worries you).
You glare around. You think you're all alone.
But no; your chums come surging left and right.
The nearest chap flops down without a groan,
His face still snarling with the rage of fight.
Ha! here's the second trench -- just like the first,
Only a little more so, more "laid out";
More pounded, flame-corroded, death-accurst;
A pretty piece of work, beyond a doubt.
Now for the third, and there your job is done,
So on you charge. You never stop to think.
Your cursed puttee's trailing as you run;
You feel you'd sell your soul to have a drink.
The acrid air is full of cracking whips.
You wonder how it is you're going still.
You foam with rage. Oh, God! to be at grips
With someone you can rush and crush and kill.
Your sleeve is dripping blood; you're seeing red;
You're battle-mad; your turn is coming now.
See! there's the jagged barbed wire straight ahead,
And there's the trench -- you'll get there anyhow.
Your puttee catches on a strand of wire,
And down you go; perhaps it saves your life,
For over sandbag rims you see 'em fire,
Crop-headed chaps, their eyes ablaze with strife.
You crawl, you cower; then once again you plunge
With all your comrades roaring at your heels.
Have at 'em lads! You stab, you jab, you lunge;
A blaze of glory, then the red world reels.
A crash of triumph, then . . . you're faint a bit . . .
That cursed puttee! Now to fasten it. . . .
Well, that's the charge. And now I'm here alone.
I've built a little wall of Hun on Hun,
To shield me from the leaden bees that drone
(It saves me worry, and it hurts 'em none).
The only thing I'm wondering is when
Some stretcher-men will stroll along my way?
It isn't much that's left of me, but then
Where life is, hope is, so at least they say.
Well, if I'm spared I'll be the happy lad.
I tell you I won't envy any king.
I've stood the racket, and I'm proud and glad;
I've had my crowning hour. Oh, War's the thing!
It gives us common, working chaps our chance,
A taste of glory, chivalry, romance.
Ay, War, they say, is hell; it's heaven, too.
It lets a man discover what he's worth.
It takes his measure, shows what he can do,
Gives him a joy like nothing else on earth.
It fans in him a flame that otherwise
Would flicker out, these drab, discordant days;
It teaches him in pain and sacrifice
Faith, fortitude, grim courage past all praise.
Yes, War is good. So here beside my slain,
A happy wreck I wait amid the din;
For even if I perish mine's the gain. . . .
Hi, there, you fellows! won't you take me in?
Give me a *** to smoke upon the way. . . .
We've taken La Boiselle! The hell, you say!
Well, that would make a corpse sit up and grin. . . .
Lead on! I'll live to fight another day.
|
Written by
Craig Raine |
Divorced, but friends again at last,
we walk old ground together
in bright blue uncomplicated weather.
We laugh and pause
to hack to bits these tiny dinosaurs,
prehistoric, crenelated, cast
between the tractor ruts in mud.
On the green, a junior Douglas Fairbanks,
swinging on the chestnut's unlit chandelier,
defies the corporation spears--
a single rank around the bole,
rusty with blood.
Green, tacky phalluses curve up, romance
A gust--the old flag blazes on its pole.
In the village bakery
the pastry babies pass
from milky slump to crusty cadaver,
from crib to coffin--without palaver.
All's over in a flash,
too silently...
Tonight the arum lilies fold
back napkins monogrammed in gold,
crisp and laundered fresh.
Those crustaceous gladioli, on the sly,
reveal the crimson flower-flesh
inside their emerald armor plate.
The uncooked herrings blink a tearful eye.
The candles palpitate.
The Oistrakhs bow and scrape
in evening dress, on Emi-tape.
Outside the trees are bending over backwards
to please the wind : the shining sword
grass flattens on its belly.
The white-thorn's frillies offer no resistance.
In the fridge, a heart-shaped jelly
strives to keep a sense of balance.
I slice up the onions. You sew up a dress.
This is the quiet echo--flesh--
white muscle on white muscle,
intimately folded skin,
finished with a satin rustle.
One button only to undo, sewn up with shabby thread.
It is the onion, memory,
that makes me cry.
Because there's everything and nothing to be said,
the clock with hands held up before its face,
stammers softly on, trying to complete a phrase--
while we, together and apart,
repeat unfinished festures got by heart.
And afterwards, I blunder with the washing on the line--
headless torsos, faceless lovers, friends of mine.
|
Written by
Mother Goose |
The man in the wilderness Asked meHow many strawberries Grew in the sea.I answered him As I thought good,As many as red herrings Grew in the wood.
|