Written by
William Butler Yeats |
I. Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II. Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III. Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV. There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V. Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI. He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.
VII. What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII. Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX. The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X. Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI. A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII. Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
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Written by
Victor Hugo |
("Dors-tu? mère de notre mère.")
{III., 1823.}
"To die—to sleep."—SHAKESPEARE.
Still asleep! We have been since the noon thus alone.
Oh, the hours we have ceased to number!
Wake, grandmother!—speechless say why thou art grown.
Then, thy lips are so cold!—the Madonna of stone
Is like thee in thy holy slumber.
We have watched thee in sleep, we have watched thee at prayer,
But what can now betide thee?
Like thy hours of repose all thy orisons were,
And thy lips would still murmur a blessing whene'er
Thy children stood beside thee.
Now thine eye is unclosed, and thy forehead is bent
O'er the hearth, where ashes smoulder;
And behold, the watch-lamp will be speedily spent.
Art thou vexed? have we done aught amiss? Oh, relent!
But—parent, thy hands grow colder!
Say, with ours wilt thou let us rekindle in thine
The glow that has departed?
Wilt thou sing us some song of the days of lang syne?
Wilt thou tell us some tale, from those volumes divine,
Of the brave and noble-hearted?
Of the dragon who, crouching in forest green glen,
Lies in wait for the unwary—
Of the maid who was freed by her knight from the den
Of the ogre, whose club was uplifted, but then
Turned aside by the wand of a fairy?
Wilt thou teach us spell-words that protect from all harm,
And thoughts of evil banish?
What goblins the sign of the cross may disarm?
What saint it is good to invoke? and what charm
Can make the demon vanish?
Or unfold to our gaze thy most wonderful book,
So feared by hell and Satan;
At its hermits and martyrs in gold let us look,
At the virgins, and bishops with pastoral crook,
And the hymns and the prayers in Latin.
Oft with legends of angels, who watch o'er the young,
Thy voice was wont to gladden;
Have thy lips yet no language—no wisdom thy tongue?
Oh, see! the light wavers, and sinking, bath flung
On the wall forms that sadden.
Wake! awake! evil spirits perhaps may presume
To haunt thy holy dwelling;
Pale ghosts are, perhaps, stealing into the room—
Oh, would that the lamp were relit! with the gloom
These fearful thoughts dispelling.
Thou hast told us our parents lie sleeping beneath
The grass, in a churchyard lonely:
Now, thine eyes have no motion, thy mouth has no breath,
And thy limbs are all rigid! Oh, say, Is this death,
Or thy prayer or thy slumber only?
ENVOY.
Sad vigil they kept by that grandmother's chair,
Kind angels hovered o'er them—
And the dead-bell was tolled in the hamlet—and there,
On the following eve, knelt that innocent pair,
With the missal-book before them.
"FATHER PROUT" (FRANK S. MAHONY).
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Written by
John Wilmot |
Naked she lay, clasped in my longing arms,
I filled with love, and she all over charms;
Both equally inspired with eager fire,
Melting through kindness, flaming in desire.
With arms,legs,lips close clinging to embrace,
She clips me to her breast, and sucks me to her face.
Her nimble tongue, Love's lesser lightening, played
Within my mouth, and to my thoughts conveyed
Swift orders that I should prepare to throw
The all-dissolving thunderbolt below.
My fluttering soul, sprung with the painted kiss,
Hangs hovering o'er her balmy brinks of bliss.
But whilst her busy hand would guide that part
Which should convey my soul up to her heart,
In liquid raptures I dissolve all o'er,
Melt into sperm and, and spend at every pore.
A touch from any part of her had done't:
Her hand, her foot, her very look's a ****.
Smiling, she chides in a kind murmuring noise,
And from her body wipes the clammy joys,
When, with a thousand kisses wandering o'er
My panting bosom, "Is there then no more?"
She cries. "All this to love and rapture's due;
Must we not pay a debt to pleasure too?"
But I, the most forlorn, lost man alive,
To show my wished obedience vainly strive:
I sigh, alas! and kiss, but cannot swive.
Eager desires confound my first intent,
Succeeding shame does more success prevent,
And rage at last confirms me impotent.
Ev'n her fair hand, which might bid heat return
To frozen age, and make cold hermits burn,
Applied to my dead cinder, warms no more
Than fire to ashes could past flames restore.
Trembling, confused, despairing, limber, dry,
A wishing, weak, unmoving lump I lie.
This dart of love, whose piercing point, oft tried,
With virgin blood ten thousand maids have dyed;
Which nature still directed with such art
That it through every **** reached every heart -
Stiffly resolved, 'twould carelessly invade
Woman or man, nor aught its fury stayed:
Where'er it pierced, a **** it found or made -
Now languid lies in this unhappy hour,
Shrunk up and sapless like a withered flower.
Thou treacherous, base deserter of my flame,
False to my passion, fatal to my fame,
Through what mistaken magic dost thou prove
So true to lewdness, so untrue to love?
What oyster-cinder-beggar-common whore
Didst thou e'er fail in all thy life before?
When vice, disease, and scandal lead the way,
With what officious haste dost thou obey!
Like a rude, roaring hector in the streets
Who scuffles, cuffs, and justles all he meets,
But if his king or country claim his aid,
The rakehell villain shrinks and hides his head;
Ev'n so thy brutal valour is displayed,
Breaks every stew, does each small whore invade,
But when great Love the onset does command,
Base recreant to thy prince, thou dar'st not stand.
Worst part of me, and henceforth hated most,
Through all the town a common fucking-post,
On whom each whore relieves her tingling ****
As hogs do rub themselves on gates and grunt,
May'st thou to ravenous chancres be a prey,
Or in consuming weepings waste away;
May strangury and stone thy days attend;
May'st thou ne'er piss, who did refuse to spend
When all my joys did on false thee depend.
And may ten thousand abler pricks agree
To do the wronged Corinna right for thee.
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Written by
Wang Wei |
In a happy reign there should be no hermits;
The wise and able should consult together....
So you, a man of the eastern mountains,
Gave up your life of picking herbs
And came all the way to the Gate of Gold --
But you found your devotion unavailing.
...To spend the Day of No Fire on one of the southern rivers,
You have mended your spring clothes here in these northern cities.
I pour you the farewell wine as you set out from the capital --
Soon I shall be left behind here by my bosomfriend.
In your sail-boat of sweet cinnamon-wood
You will float again toward your own thatch door,
Led along by distant trees
To a sunset shining on a far-away town.
...What though your purpose happened to fail,
Doubt not that some of us can hear high music.
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Written by
Wang Wei |
In a happy reign there should be no hermits;
The wise and able should consult together....
So you, a man of the eastern mountains,
Gave up your life of picking herbs
And came all the way to the Gate of Gold --
But you found your devotion unavailing.
...To spend the Day of No Fire on one of the southern rivers,
You have mended your spring clothes here in these northern cities.
I pour you the farewell wine as you set out from the capital --
Soon I shall be left behind here by my bosomfriend.
In your sail-boat of sweet cinnamon-wood
You will float again toward your own thatch door,
Led along by distant trees
To a sunset shining on a far-away town.
...What though your purpose happened to fail,
Doubt not that some of us can hear high music.
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Written by
Du Fu |
Kong ming temple before be old cypress Branch like green bronze root like stone Frost bark slippery rain 40 spans Black colour meet sky 2000 feet Emperor and minister already with time end meet Tree tree still be man devotion Cloud come air meet Wu gorge long Moon out cold with snow mountain white Remember old road wind brocade pavilion east Former master war lord together hidden temple Towering branch trunk open country ancient Secluded red black door window empty Spread wide coil entrenched although get earth Dark far lofty many violent wind Give support naturally divine strength Upright reason creator skill Big hall if upset want rafter beam 10,000 oxen turn head mountain weight Not reveal hidden meaning world already amazed Without evade cut down who can send Bitter heart how avoid contain mole crickets ants Fragrant leaves all through reside phoenix Aim scholar secluded person not resent sigh Always timber big hard to use Before Kongming's shrine stands an ancient cypress, Its branches are like green bronze, its roots just like stone. The frosted bark, slippery with rain, is forty spans around, Its blackness blends into the sky two thousand feet above. Master and servant have each already reached their time's end, The tree, however, still remains, receiving men's devotion. Clouds come and bring the air of Wuxia gorge's vastness, The moon comes out, along with the cold of snowy mountain whiteness. I think back to the winding road, east of Brocade Pavilion, Where the military master and his lord of old share a hidden temple. Towering that trunk, those branches, on the ancient plain, Hidden paintings, red and black, doors and windows empty. Spreading wide, coiling down, though it holds the earth, In the dim and distant heights are many violent winds. That which gives it its support must be heaven's strength, The reason for its uprightness, the creator's skill. If a great hall should teeter, wanting rafters and beams, Ten thousand oxen would turn their heads towards its mountain's weight. Its potential unrevealed, the world's already amazed, Nothing would stop it being felled, but what man could handle it? Its bitter heart cannot avoid the entry of the ants, Its fragrant leaves have always given shelter to the phoenix. Ambitious scholars, reclusive hermits- neither needs to sigh; Always it's the greatest timber that's hardest to put to use.
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Written by
Vachel Lindsay |
Think not that incense-smoke has had its day.
My friends, the incense-time has but begun.
Creed upon creed, cult upon cult shall bloom,
Shrine after shrine grow gray beneath the sun.
And mountain-boulders in our aged West
Shall guard the graves of hermits truth-endowed:
And there the scholar from the Chinese hills
Shall do deep honor, with his wise head bowed.
And on our old, old plains some muddy stream,
Dark as the Ganges, shall, like that strange tide —
(Whispering mystery to half the earth) —
Gather the praying millions to its side,
And flow past halls with statues in white stone
To saints unborn to-day, whose lives of grace
Shall make one shining, universal church
Where all Faiths kneel, as brothers, in one place.
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Written by
Emile Verhaeren |
And now that the lofty leaves have fallen, that kept our garden sheltered beneath their shade, through the bare branches can be seen beyond them the roofs of the old villages climbing towards the horizon.
So long as summer poured out its gladness, none of us saw them grouped so near our door; but now that the flowers and the leaves are withered, we often brood on them with gentle thoughts.
Other people live there between stone walls, behind a worn threshold protected by a coping, having as sole friends but the wind and the rain and the lamp shining with its friendly light.
In the darkness at the fall of evening, when the fire awakens and the clock in which time swings is hushed, doubtless, as much as we, they love the silence, to feel themselves thinking through their eyes.
Nothing disturbs for them or for us those hours of deep and quiet and tender intimacy wherein the moment that was is blessed for having been, and of which the coming hour is always the best.
Indeed, how they also clench the old happiness, made up of pain and joy, within their trembling hands; they know each other's bodies that have grown old together, and each other's looks worn out by the same sorrows.
The roses of their life, they love them faded, with their dead glory and their last perfume and the heavy memory of their dead brightness falling away, leaf by leaf, in the garden of the years.
Against black winter, like hermits, they stay crouching within their human fervour, and nothing disheartens them and nothing leads them to complain of the days they no longer possess.
Oh! the quiet people in the depths of old villages! Indeed, do we not feel them neighbours of our heart! And do we not find in their eyes our tears and in their courage our strength and ardour!
They are there beneath their roof, seated around fires, or lingering sometimes at their window-sill; and on this evening of spacious, floating wind, perhaps they have thought of us what we think of them.
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Written by
William Butler Yeats |
Three old hermits took the air
By a cold and desolate sea,
First was muttering a prayer,
Second rummaged for a flea;
On a windy stone, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird:
'Though the Door of Death is near
And what waits behind the door,
Three times in a single day
I, though upright on the shore,
Fall asleep when I should pray.'
So the first, but now the second:
'We're but given what we have eamed
When all thoughts and deeds are reckoned,
So it's plain to be discerned
That the shades of holy men
Who have failed, being weak of will,
Pass the Door of Birth again,
And are plagued by crowds, until
They've the passion to escape.'
Moaned the other, 'They are thrown
Into some most fearful shape.'
But the second mocked his moan:
'They are not changed to anything,
Having loved God once, but maybe
To a poet or a king
Or a witty lovely lady.'
While he'd rummaged rags and hair,
Caught and cracked his flea, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird.
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