Written by
D. H. Lawrence |
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
|
Written by
Walt Whitman |
SCENTED herbage of my breast,
Leaves from you I yield, I write, to be perused best afterwards,
Tomb-leaves, body-leaves, growing up above me, above death,
Perennial roots, tall leaves—O the winter shall not freeze you, delicate leaves,
Every year shall you bloom again—out from where you retired, you shall emerge again;
O I do not know whether many, passing by, will discover you, or inhale your faint
odor—but
I
believe a few will;
O slender leaves! O blossoms of my blood! I permit you to tell, in your own way, of the
heart
that
is under you;
O burning and throbbing—surely all will one day be accomplish’d;
O I do not know what you mean, there underneath yourselves—you are not happiness,
You are often more bitter than I can bear—you burn and sting me,
Yet you are very beautiful to me, you faint-tinged roots—you make me think of Death,
Death is beautiful from you—(what indeed is finally beautiful, except Death and
Love?)
—O I think it is not for life I am chanting here my chant of lovers—I think it
must
be for
Death,
For how calm, how solemn it grows, to ascend to the atmosphere of lovers,
Death or life I am then indifferent—my Soul declines to prefer,
I am not sure but the high Soul of lovers welcomes death most;
Indeed, O Death, I think now these leaves mean precisely the same as you mean;
Grow up taller, sweet leaves, that I may see! grow up out of my breast!
Spring away from the conceal’d heart there!
Do not fold yourself so in your pink-tinged roots, timid leaves!
Do not remain down there so ashamed, herbage of my breast!
Come, I am determin’d to unbare this broad breast of mine—I have long enough
stifled
and
choked:
—Emblematic and capricious blade, I leave you—now you serve me not;
Away! I will say what I have to say, by itself,
I will escape from the sham that was proposed to me,
I will sound myself and comrades only—I will never again utter a call, only their
call,
I will raise, with it, immortal reverberations through The States,
I will give an example to lovers, to take permanent shape and will through The States;
Through me shall the words be said to make death exhilarating;
Give me your tone therefore, O Death, that I may accord with it,
Give me yourself—for I see that you belong to me now above all, and are folded
inseparably
together—you Love and Death are;
Nor will I allow you to balk me any more with what I was calling life,
For now it is convey’d to me that you are the purports essential,
That you hide in these shifting forms of life, for reasons—and that they are mainly
for
you,
That you, beyond them, come forth, to remain, the real reality,
That behind the mask of materials you patiently wait, no matter how long,
That you will one day, perhaps, take control of all,
That you will perhaps dissipate this entire show of appearance,
That may-be you are what it is all for—but it does not last so very long;
But you will last very long.
|
Written by
Sylvia Plath |
(Rock Lake, Canada)
In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.
No gesture of yours or mine could catch their attention,
No word make them carry water or fire the kindling
Like local trolls in the spell of a superior being.
Well, one wearies of the Public Gardens: one wants a vacation
Where trees and clouds and animals pay no notice;
Away from the labeled elms, the tame tea-roses.
It took three days driving north to find a cloud
The polite skies over Boston couldn't possibly accommodate.
Here on the last frontier of the big, brash spirit
The horizons are too far off to be chummy as uncles;
The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions
And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people:
They are conceiving a dynasty of perfect cold.
In a month we'll wonder what plates and forks are for.
I lean to you, numb as a fossil. Tell me I'm here.
The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas;
The pines blot our voices up in their lightest sighs.
Around our tent the old simplicities sough
Sleepily as Lethe, trying to get in.
We'll wake blank-brained as water in the dawn.
|
Written by
Andrew Barton Paterson |
The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.
A land where silence lies so deep that sound itself is dead
And a gaunt grey bird, like a homeless soul, drifts, noiseless, overhead
And the world's great story is left untold, and the message is left unsaid.
The Plains
A land as far as the eye can see, where the waving grasses grow
Or the plains are blackened and burnt and bare, where the false mirages go
Like shifting symbols of hope deferred -- land where you never know.
Land of plenty or land of want, where the grey Companions dance,
Feast or famine, or hope or fear, and in all things land of chance,
Where Nature pampers or Nature slays, in her ruthless, red, romance.
And we catch a sound of a fairy's song, as the wind goes whipping by,
Or a scent like incense drifts along from the herbage ripe and dry
-- Or the dust storms dance on their ballroom floor, where the bones of the cattle lie.
|
Written by
Victor Hugo |
("Vieux lierre, frais gazon.")
{XXXVIII., 1840.}
Brown ivy old, green herbage new;
Soft seaweed stealing up the shingle;
An ancient chapel where a crew,
Ere sailing, in the prayer commingle.
A far-off forest's darkling frown,
Which makes the prudent start and tremble,
Whilst rotten nuts are rattling down,
And clouds in demon hordes assemble.
Land birds which twit the mews that scream
Round walls where lolls the languid lizard;
Brine-bubbling brooks where fishes stream
Past caves fit for an ocean wizard.
Alow, aloft, no lull—all life,
But far aside its whirls are keeping,
As wishfully to let its strife
Spare still the mother vainly weeping
O'er baby, lost not long, a-sleeping.
|
Written by
Jean Ingelow |
My heart is sick awishing and awaiting:
The lad took up his knapsack, he went, he went his way;
And I looked on for his coming, as a prisoner through the grating
Looks and longs and longs and wishes for its opening day.
On the wild purple mountains, all alone with no other,
The strong terrible mountains he longed, he longed to be;
And he stooped to kiss his father, and he stooped to kiss his mother,
And till I said, "Adieu, sweet Sir," he quite forgot me.
He wrote of their white raiment, the ghostly capes that screen them,
Of the storm winds that beat them, their thunder-rents and scars,
And the paradise of purple, and the golden slopes atween them,
And fields, where grow God's gentian bells, and His crocus stars.
He wrote of frail gauzy clouds, that drop on them like fleeces,
And make green their fir forests, and feed their mosses hoar;
Or come sailing up the valleys, and get wrecked and go to pieces,
Like sloops against their cruel strength: then he wrote no more.
O the silence that came next, the patience and long aching!
They never said so much as "He was a dear loved son;"
Not the father to the mother moaned, that dreary stillness breaking:
"Ah! wherefore did he leave us so—this, our only one."
They sat within, as waiting, until the neighbors prayed them,
At Cromer, by the sea-coast, 'twere peace and change to be;
And to Cromer, in their patience, or that urgency affrayed them,
Or because the tidings tarried, they came, and took me.
It was three months and over since the dear lad had started:
On the green downs at Cromer I sat to see the view;
On an open space of herbage, where the ling and fern had parted,
Betwixt the tall white lighthouse towers, the old and the new.
Below me lay the wide sea, the scarlet sun was stooping,
And he dyed the waste water, as with a scarlet dye;
And he dyed the lighthouse towers; every bird with white wing swooping
Took his colors, and the cliffs did, and the yawning sky.
Over grass came that strange flush, and over ling and heather,
Over flocks of sheep and lambs, and over Cromer town;
And each filmy cloudlet crossing drifted like a scarlet feather
Torn from the folded wings of clouds, while he settled down.
When I looked, I dared not sigh:—In the light of God's splendor,
With His daily blue and gold, who am I? what am I?
But that passion and outpouring seemed an awful sign and tender,
Like the blood of the Redeemer, shown on earth and sky.
O for comfort, O the waste of a long doubt and trouble!
On that sultry August eve trouble had made me meek;
I was tired of my sorrow—O so faint, for it was double
In the weight of its oppression, that I could not speak!
And a little comfort grew, while the dimmed eyes were feeding,
And the dull ears with murmur of water satisfied;
But a dream came slowly nigh me, all my thoughts and fancy leading
Across the bounds of waking life to the other side.
And I dreamt that I looked out, to the waste waters turning,
And saw the flakes of scarlet from wave to wave tossed on;
And the scarlet mix with azure, where a heap of gold lay burning
On the clear remote sea reaches; for the sun was gone.
Then I thought a far-off shout dropped across the still water—
A question as I took it, for soon an answer came
From the tall white ruined lighthouse: "If it be the old man's daughter
That we wot of," ran the answer, "what then—who's to blame?"
I looked up at the lighthouse all roofless and storm-broken:
A great white bird sat on it, with neck stretched out to sea;
Unto somewhat which was sailing in a skiff the bird had spoken,
And a trembling seized my spirit, for they talked of me.
I was the old man's daughter, the bird went on to name him;
"He loved to count the starlings as he sat in the sun;
Long ago he served with Nelson, and his story did not shame him:
Ay, the old man was a good man—and his work was done."
The skiff was like a crescent, ghost of some moon departed,
Frail, white, she rocked and curtseyed as the red wave she crossed,
And the thing within sat paddling, and the crescent dipped and darted,
Flying on, again was shouting, but the words were lost.
I said, "That thing is hooded; I could hear but that floweth
The great hood below its mouth:" then the bird made reply.
"If they know not, more's the pity, for the little shrew-mouse knoweth,
And the kite knows, and the eagle, and the glead and pye."
And he stooped to whet his beak on the stones of the coping;
And when once more the shout came, in querulous tones he spake,
"What I said was 'more's the pity;' if the heart be long past hoping,
Let it say of death, 'I know it,' or doubt on and break.
"Men must die—one dies by day, and near him moans his mother,
They dig his grave, tread it down, and go from it full loth:
And one dies about the midnight, and the wind moans, and no other,
And the snows give him a burial—and God loves them both.
"The first hath no advantage—it shall not soothe his slumber
That a lock of his brown hair his father aye shall keep;
For the last, he nothing grudgeth, it shall nought his quiet cumber,
That in a golden mesh of HIS callow eaglets sleep.
"Men must die when all is said, e'en the kite and glead know it,
And the lad's father knew it, and the lad, the lad too;
It was never kept a secret, waters bring it and winds blow it,
And he met it on the mountain—why then make ado?"
With that he spread his white wings, and swept across the water,
Lit upon the hooded head, and it and all went down;
And they laughed as they went under, and I woke, "the old man's daughter."
And looked across the slope of grass, and at Cromer town.
And I said, "Is that the sky, all gray and silver-suited?"
And I thought, "Is that the sea that lies so white and wan?
I have dreamed as I remember: give me time—I was reputed
Once to have a steady courage—O, I fear 'tis gone!"
And I said, "Is this my heart? if it be, low 'tis beating
So he lies on the mountain, hard by the eagles' brood;
I have had a dream this evening, while the white and gold were fleeting,
But I need not, need not tell it—where would be the good?
"Where would be the good to them, his father and his mother?
For the ghost of their dead hope appeareth to them still.
While a lonely watch-fire smoulders, who its dying red would smother,
That gives what little light there is to a darksome hill?"
I rose up, I made no moan, I did not cry nor falter,
But slowly in the twilight I came to Cromer town.
What can wringing of the hands do that which is ordained to alter?
He had climbed, had climbed the mountain, he would ne'er come down.
But, O my first, O my best, I could not choose but love thee:
O, to be a wild white bird, and seek thy rocky bed!
From my breast I'd give thee burial, pluck the down and spread above thee;
I would sit and sing thy requiem on the mountain head.
Fare thee well, my love of loves! would I had died before thee!
O, to be at least a cloud, that near thee I might flow,
Solemnly approach the mountain, weep away my being o'er thee,
And veil thy breast with icicles, and thy brow with snow!
|
Written by
Rudyard Kipling |
God gave all men all earth to love,
But, since our hearts are small
Ordained for each one spot should prove
Beloved over all;
That, as He watched Creation's birth,
So we, in godlike mood,
May of our love create our earth
And see that it is good.
So one shall Baltic pines content,
As one some Surrey glade,
Or one the palm-grove's droned lament
Before Levuka's Trade.
Each to his choice, and I rejoice
The lot has fallen to me
In a fair ground-in a fair ground --
Yea, Sussex by the sea!
No tender-hearted garden crowns,
No bosonied woods adorn
Our blunt, bow-headed, whale-backed Downs,
But gnarled and writhen thorn --
Bare slopes where chasing shadows skim,
And, through the gaps revealed,
Belt upon belt, the wooded, dim,
Blue goodness of the Weald.
Clean of officious fence or hedge,
Half-wild and wholly tame,
The wise turf cloaks the white cliff-edge
As when the Romans came.
What sign of those that fought and died
At shift of sword and sword?
The barrow and the camp abide,
The sunlight and the sward.
Here leaps ashore the full Sou'west
All heavy-winged with brine,
Here lies above the folded crest
The Channel's leaden line,
And here the sea-fogs lap and cling,
And here, each warning each,
The sheep-bells and the ship-bells ring
Along the hidden beach.
We have no waters to delight
Our broad and brookless vales --
Only the dewpond on the height
Unfed, that never fails --
Whereby no tattered herbage tells
Which way the season flies --
Only our close-bit thyme that smells
Like dawn in Paradise.
Here through the strong and shadeless days
The tinkling silence thrills;
Or little, lost, Down churches praise
The Lord who made the hills:
But here the Old Gods guard their round,
And, in her secret heart,
The heathen kingdom Wilfrid found
Dreams, as she dwells, apart.
Though all the rest were all my share,
With equal soul I'd see
Her nine-and-thirty sisters fair,
Yet none more fair than she.
Choose ye your need from Thames to Tweed,
And I will choose instead
Such lands as lie 'twixt Rake and Rye,
Black Down and Beachy Head.
I will go out against the sun
Where the rolled scarp retires,
And the Long Man of Wilmington
Looks naked toward the shires;
And east till doubling Rother crawls
To find the fickle tide,
By dry and sea-forgotten walls,
Our ports of stranded pride.
I will go north about the shaws
And the deep ghylls that breed
Huge oaks and old, the which we hold
No more than Sussex weed;
Or south where windy Piddinghoe's
Begilded dolphin veers,
And red beside wide-banked Ouse
Lie down our Sussex steers.
So to the land our hearts we give
Til the sure magic strike,
And Memory, Use, and Love make live
Us and our fields alike --
That deeper than our speech and thought,
Beyond our reason's sway,
Clay of the pit whence we were wrought
Yearns to its fellow-clay.
God gives all men all earth to love,
But, since man's heart is smal,
Ordains for each one spot shal prove
Beloved over all.
Each to his choice, and I rejoice
The lot has fallen to me
In a fair ground-in a fair ground --
Yea, Sussex by the sea!
|
Written by
Adam Lindsay Gordon |
IN Collins Street standeth a statute tall,
A statue tall, on a pillar of stone,
Telling its story, to great and small,
Of the dust reclaimed from the sand waste lone;
Weary and wasted, and worn and wan,
Feeble and faint, and languid and low,
He lay on the desert a dying man;
Who has gone, my friends, where we all must go.
There are perils by land, and perils by water,
Short, I ween, are the obsequies
Of the landsman lost, but they may be shorter
With the mariner lost in the trackless seas;
And well for him, when the timbers start,
And the stout ship reels and settles below,
Who goes to his doom with as bold a heart,
As that dead man gone where we all must go.
Man is stubborn his rights to yield,
And redder than dews at eventide
Are the dews of battle, shed on the field,
By a nation’s wrath or a despot’s pride;
But few who have heard their death-knell roll,
From the cannon’s lips where they faced the foe,
Have fallen as stout and steady of soul,
As that dead man gone where we all must go.
Traverse yon spacious burial ground,
Many are sleeping soundly there,
Who pass’d with mourners standing around,
Kindred, and friends, and children fair;
Did he envy such ending? ’twere hard to say;
Had he cause to envy such ending? no;
Can the spirit feel for the senseless clay,
When it once has gone where we all must go?
What matters the sand or the whitening chalk,
The blighted herbage, the black’ning log,
The crooked beak of the eagle-hawk,
Or the hot red tongue of the native dog?
That couch was rugged, those sextons rude,
Yet, in spite of a leaden shroud, we know
That the bravest and fairest are earth-worms’ food,
When once they’ve gone where we all must go.
With the pistol clenched in his failing hand,
With the death mist spread o’er his fading eyes,
He saw the sun go down on the sand,
And he slept, and never saw it rise;
’Twas well; he toil’d till his task was done,
Constant and calm in his latest throe,
The storm was weathered, the battle was won,
When he went, my friends, where we all must go.
God grant that whenever, soon or late,
Our course is run and our goal is reach’d,
We may meet our fate as steady and straight
As he whose bones in yon desert bleach’d;
No tears are needed—our cheeks are dry,
We have none to waste upon living woe;
Shall we sigh for one who has ceased to sigh,
Having gone, my friends, where we all must go?
We tarry yet, we are toiling still,
He is gone and he fares the best,
He fought against odds, he struggled up hill,
He has fairly earned his season of rest;
No tears are needed—fill our the wine,
Let the goblets clash, and the grape juice flow,
Ho! pledge me a death-drink, comrade mine,
To a brave man gone where we all must go.
|
Written by
Andrew Barton Paterson |
The roving breezes come and go
On Kiley's Run,
The sleepy river murmurs low,
And far away one dimly sees
Beyond the stretch of forest trees --
Beyond the foothills dusk and dun --
The ranges sleeping in the sun
On Kiley's Run.
'Tis many years since first I came
To Kiley's Run,
More years than I would care to name
Since I, a stripling, used to ride
For miles and miles at Kiley's side,
The while in stirring tones he told
The stories of the days of old
On Kiley's Run.
I see the old bush homestead now
On Kiley's Run,
Just nestled down beneath the brow
Of one small ridge above the sweep
Of river-flat, where willows weep
And jasmine flowers and roses bloom,
The air was laden with perfume
On Kiley's Run.
We lived the good old station life
On Kiley's Run,
With little thought of care or strife.
Old Kiley seldom used to roam,
He liked to make the Run his home,
The swagman never turned away
With empty hand at close of day
From Kiley's Run.
We kept a racehorse now and then
On Kiley's Run,
And neighb'ring stations brought their men
To meetings where the sport was free,
And dainty ladies came to see
Their champions ride; with laugh and song
The old house rang the whole night long
On Kiley's Run.
The station hands were friends I wot
On Kiley's Run,
A reckless, merry-hearted lot --
All splendid riders, and they knew
The `boss' was kindness through and through.
Old Kiley always stood their friend,
And so they served him to the end
On Kiley's Run.
But droughts and losses came apace
To Kiley's Run,
Till ruin stared him in the face;
He toiled and toiled while lived the light,
He dreamed of overdrafts at night:
At length, because he could not pay,
His bankers took the stock away
From Kiley's Run.
Old Kiley stood and saw them go
From Kiley's Run.
The well-bred cattle marching slow;
His stockmen, mates for many a day,
They wrung his hand and went away.
Too old to make another start,
Old Kiley died -- of broken heart,
On Kiley's Run.
. . . . .
The owner lives in England now
Of Kiley's Run.
He knows a racehorse from a cow;
But that is all he knows of stock:
His chiefest care is how to dock
Expenses, and he sends from town
To cut the shearers' wages down
On Kiley's Run.
There are no neighbours anywhere
Near Kiley's Run.
The hospitable homes are bare,
The gardens gone; for no pretence
Must hinder cutting down expense:
The homestead that we held so dear
Contains a half-paid overseer
On Kiley's Run.
All life and sport and hope have died
On Kiley's Run.
No longer there the stockmen ride;
For sour-faced boundary riders creep
On mongrel horses after sheep,
Through ranges where, at racing speed,
Old Kiley used to `wheel the lead'
On Kiley's Run.
There runs a lane for thirty miles
Through Kiley's Run.
On either side the herbage smiles,
But wretched trav'lling sheep must pass
Without a drink or blade of grass
Thro' that long lane of death and shame:
The weary drovers curse the name
Of Kiley's Run.
The name itself is changed of late
Of Kiley's Run.
They call it `Chandos Park Estate'.
The lonely swagman through the dark
Must hump his swag past Chandos Park.
The name is English, don't you see,
The old name sweeter sounds to me
Of `Kiley's Run'.
I cannot guess what fate will bring
To Kiley's Run --
For chances come and changes ring --
I scarcely think 'twill always be
Locked up to suit an absentee;
And if he lets it out in farms
His tenants soon will carry arms
On Kiley's Run.
|
Written by
Andrew Barton Paterson |
Here in my mountain home,
On rugged hills and steep,
I sit and watch you come,
O Riverinia Sheep!
You come from the fertile plains
Where saltbush (sometimes) grows,
And flats that (when it rains)
Will blossom like the rose.
But when the summer sun
Gleams down like burnished brass,
You have to leave your run
And hustle off for grass.
'Tis then that -- forced to roam --
You come to where I keep,
Here in my mountain home,
A boarding-house for sheep.
Around me where I sit
The wary wombat goes --
A beast of little wit,
But what he knows, he knows.
The very same remark
Applies to me also;
I don't give out a spark,
But what I know, I know.
My brain perhaps would show
No convolutions deep,
But anyhow I know
The way to handle sheep.
These Riverina cracks,
They do not care to ride
The half-inch hanging tracks
Along the mountain side.
Their horses shake with fear
When loosened boulders go
With leaps, like startled deer,
Down to the gulfs below.
Their very dogs will shirk,
And drop their tails in fright
When asked to go and work
A mob that's out of sight.
My little collie pup
Works silently and wide;
You'll see her climbing up
Along the mountain side.
As silent as a fox
You'll see her come and go,
A shadow through the rocks
Where ash and messmate grow.
Then, lost to sight and sound
Behind some rugged steep,
She works her way around
And gathers up the sheep;
And, working wide and shy,
She holds them rounded up.
The cash ain't coined to buy
That little collie pup.
And so I draw a screw
For self and dog and keep
To boundary-ride for you,
O Riverina Sheep!
And, when the autumn rain
Has made the herbage grow,
You travel off again,
And glad -- no doubt -- to go.
But some are left behind
Around the mountain's spread,
For those we cannot find
We put them down as dead.
So, when we say adieu
And close the boarding job,
I always find a few
Fresh ear-marks in my mob.
And, what with those I sell,
And what with those I keep,
You pay me pretty well,
O Riverina Sheep!
It's up to me to shout
Before we say good-bye --
"Here's to a howlin' drought
All west of Gundagai!
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