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Best Famous Heartstrings Poems

Here is a collection of the all-time best famous Heartstrings poems. This is a select list of the best famous Heartstrings poetry. Reading, writing, and enjoying famous Heartstrings poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of heartstrings poems.

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Written by Sir Philip Sidney | Create an image from this poem

Sonnet XIX: On Cupids Bow

 On Cupid's bow how are my heartstrings bent, 
That see my wrack, and yet embrace the same? 
When most I glory, then I feel most shame: 
I willing run, yet while I run, repent. 

My best wits still their own disgrace invent: 
My very ink turns straight to Stella's name; 
And yet my words, as them my pen doth frame, 
Avise themselves that they are vainly spent. 

For though she pass all things, yet what is all 
That unto me, who fare like him that both 
Looks to the skies and in a ditch doth fall? 

Oh let me prop my mind, yet in his growth, 
And not in Nature, for best fruits unfit: 
"Scholar," saith Love, "bend hitherward your wit."


Written by Algernon Charles Swinburne | Create an image from this poem

To Walt Whitman In America

 Send but a song oversea for us,
Heart of their hearts who are free,
Heart of their singer, to be for us
More than our singing can be;
Ours, in the tempest at error,
With no light but the twilight of terror;
Send us a song oversea!

Sweet-smelling of pine-leaves and grasses,
And blown as a tree through and through
With the winds of the keen mountain-passes,
And tender as sun-smitten dew;
Sharp-tongued as the winter that shakes
The wastes of your limitless lakes,
Wide-eyed as the sea-line's blue.

O strong-winged soul with prophetic
Lips hot with the bloodheats of song,
With tremor of heartstrings magnetic,
With thoughts as thunders in throng,
With consonant ardours of chords
That pierce men's souls as with swords
And hale them hearing along,

Make us too music, to be with us
As a word from a world's heart warm,
To sail the dark as a sea with us,
Full-sailed, outsinging the storm,
A song to put fire in our ears
Whose burning shall burn up tears,
Whose sign bid battle reform;

A note in the ranks of a clarion,
A word in the wind of cheer,
To consume as with lightning the carrion
That makes time foul for us here;
In the air that our dead things infest
A blast of the breath of the west,
Till east way as west way is clear.

Out of the sun beyond sunset,
From the evening whence morning shall be,
With the rollers in measureless onset,
With the van of the storming sea,
With the world-wide wind, with the breath
That breaks ships driven upon death,
With the passion of all things free,

With the sea-steeds footless and frantic,
White myriads for death to bestride
In the charge of the ruining Atlantic
Where deaths by regiments ride,
With clouds and clamours of waters,
With a long note shriller than slaughter's
On the furrowless fields world-wide,

With terror, with ardour and wonder,
With the soul of the season that wakes
When the weight of a whole year's thunder
In the tidestream of autumn breaks,
Let the flight of the wide-winged word
Come over, come in and be heard,
Take form and fire for our sakes.

For a continent bloodless with travail
Here toils and brawls as it can,
And the web of it who shall unravel
Of all that peer on the plan;
Would fain grow men, but they grow not,
And fain be free, but they know not
One name for freedom and man?

One name, not twain for division;
One thing, not twain, from the birth;
Spirit and substance and vision,
Worth more than worship is worth;
Unbeheld, unadored, undivined,
The cause, the centre, the mind,
The secret and sense of the earth.

Here as a weakling in irons,
Here as a weanling in bands,
As a prey that the stake-net environs,
Our life that we looked for stands;
And the man-child naked and dear,
Democracy, turns on us here
Eyes trembling with tremulous hands

It sees not what season shall bring to it
Sweet fruit of its bitter desire;
Few voices it hears yet sing to it,
Few pulses of hearts reaspire;
Foresees not time, nor forehears
The noises of imminent years,
Earthquake, and thunder, and fire:

When crowned and weaponed and curbless
It shall walk without helm or shield
The bare burnt furrows and herbless
Of war's last flame-stricken field,
Till godlike, equal with time,
It stand in the sun sublime,
In the godhead of man revealed.

Round your people and over them
Light like raiment is drawn,
Close as a garment to cover them
Wrought not of mail nor of lawn;
Here, with hope hardly to wear,
Naked nations and bare
Swim, sink, strike out for the dawn.

Chains are here, and a prison,
Kings, and subjects, and shame;
If the God upon you be arisen,
How should our songs be the same?
How, in confusion of change,
How shall we sing, in a strange
Land, songs praising his name?

God is buried and dead to us,
Even the spirit of earth,
Freedom; so have they said to us,
Some with mocking and mirth,
Some with heartbreak and tears;
And a God without eyes, without ears,
Who shall sing of him, dead in the birth?

The earth-god Freedom, the lonely
Face lightening, the footprint unshod,
Not as one man crucified only
Nor scourged with but one life's rod;
The soul that is substance of nations,
Reincarnate with fresh generations;
The great god Man, which is God.

But in weariest of years and obscurest
Doth it live not at heart of all things,
The one God and one spirit, a purest
Life, fed from unstanchable springs?
Within love, within hatred it is,
And its seed in the stripe as the kiss,
And in slaves is the germ, and in kings.

Freedom we call it, for holier
Name of the soul's there is none;
Surelier it labours if slowlier,
Than the metres of star or of sun;
Slowlier than life into breath,
Surelier than time into death,
It moves till its labour be done.

Till the motion be done and the measure
Circling through season and clime,
Slumber and sorrow and pleasure,
Vision of virtue and crime;
Till consummate with conquering eyes,
A soul disembodied, it rise
From the body transfigured of time.

Till it rise and remain and take station
With the stars of the worlds that rejoice;
Till the voice of its heart's exultation
Be as theirs an invariable voice;
By no discord of evil estranged,
By no pause, by no breach in it changed,
By no clash in the chord of its choice.

It is one with the world's generations,
With the spirit, the star, and the sod;
With the kingless and king-stricken nations,
With the cross, and the chain, and the rod;
The most high, the most secret, most lonely,
The earth-soul Freedom, that only
Lives, and that only is God.
Written by Robert William Service | Create an image from this poem

The Song Of The Mouth-Organ

 (With apologies to the singer of the "Song of the Banjo".)


I'm a homely little bit of tin and bone;
 I'm beloved by the Legion of the Lost;
I haven't got a "vox humana" tone,
 And a dime or two will satisfy my cost.
I don't attempt your high-falutin' flights;
 I am more or less uncertain on the key;
But I tell you, boys, there's lots and lots of nights
 When you've taken mighty comfort out of me.

I weigh an ounce or two, and I'm so small
 You can pack me in the pocket of your vest;
And when at night so wearily you crawl
 Into your bunk and stretch your limbs to rest,
You take me out and play me soft and low,
 The simple songs that trouble your heartstrings;
The tunes you used to fancy long ago,
 Before you made a rotten mess of things.

Then a dreamy look will come into your eyes,
 And you break off in the middle of a note;
And then, with just the dreariest of sighs,
 You drop me in the pocket of your coat.
But somehow I have bucked you up a bit;
 And, as you turn around and face the wall,
You don't feel quite so spineless and unfit--
 You're not so bad a fellow after all.

Do you recollect the bitter Arctic night;
 Your camp beside the canyon on the trail;
Your tent a tiny square of orange light;
 The moon above consumptive-like and pale;
Your supper cooked, your little stove aglow;
 You tired, but snug and happy as a child?
Then 'twas "Turkey in the Straw" till your lips were nearly raw,
 And you hurled your bold defiance at the Wild.

Do you recollect the flashing, lashing pain;
 The gulf of humid blackness overhead;
The lightning making rapiers of the rain;
 The cattle-horns like candles of the dead
You sitting on your bronco there alone,
 In your slicker, saddle-sore and sick with cold?
Do you think the silent herd did not hear "The Mocking Bird",
 Or relish "Silver Threads among the Gold"?

Do you recollect the wild Magellan coast;
 The head-winds and the icy, roaring seas;
The nights you thought that everything was lost;
 The days you toiled in water to your knees;
The frozen ratlines shrieking in the gale;
 The hissing steeps and gulfs of livid foam:
When you cheered your messmates nine with "Ben Bolt" and "Clementine",
 And "Dixie Land" and "Seeing Nellie Home"?

Let the jammy banjo voice the Younger Son,
 Who waits for his remittance to arrive;
I represent the grimy, gritty one,
 Who sweats his bones to keep himself alive;
Who's up against the real thing from his birth;
 Whose heritage is hard and bitter toil;
I voice the weary, smeary ones of earth,
 The helots of the sea and of the soil.

I'm the Steinway of strange mischief and mischance;
 I'm the Stradivarius of blank defeat;
In the down-world, when the devil leads the dance,
 I am simply and symbolically meet;
I'm the irrepressive spirit of mankind;
 I'm the small boy playing knuckle down with Death;
At the end of all things known, where God's rubbish-heap is thrown,
 I shrill impudent triumph at a breath.

I'm a humble little bit of tin and horn;
 I'm a byword, I'm a plaything, I'm a jest;
The virtuoso looks on me with scorn;
 But there's times when I am better than the best.
Ask the stoker and the sailor of the sea;
 Ask the mucker and the hewer of the pine;
Ask the herder of the plain, ask the gleaner of the grain--
 There's a lowly, loving kingdom--and it's mine.
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 02: 11: Snow falls. The sky is grey and sullenly glares

 Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.
Written by A E Housman | Create an image from this poem

1887

 From Clee to heaven the beacon burns, 
The shires have seen it plain, 
From north and south the sign returns 
And beacons burn again. 

Look left, look right, the hills are bright, 
The dales are light between, 
Because 'tis fifty years to-night 
That God has saved the Queen. 

Now, when the flame they watch not towers 
About the soil they trod, 
Lads, we'll remember friends of ours 
Who shared the work with God. 

To skies that knit their heartstrings right, 
To fields that bred them brave, 
The saviours come not home to-night: 
Themselves they could not save. 

It dawns in Asia, tombstones show 
And Shropshire names are read; 
And the Nile spills his overflow 
Beside the Severn's dead. 

We pledge in peace by farm and town 
The Queen they served in war, 
And fire the beacons up and down 
The land they perished for. 

"God save the Queen" we living sing, 
From height to height 'tis heard; 
And with the rest your voices ring, 
Lads of the Fifty-third. 

Oh, God will save her, fear you not: 
Be you the men you've been, 
Get you the sons your fathers got, 
And God will save the Queen.


Written by Andrew Barton Paterson | Create an image from this poem

The Matrimonial Stakes

 I wooed her with a steeplechase, I won her with a fall, 
I made her heartstrings quiver on the flat 
When the pony missed his take-off, and we crached into the wall; 
Well, she simply had to have me after that! 
It awoke a thrill of int'rest when they pulled me out for dead 
From beneath the shattered ruins of a horse; 
And althought she looked indifferent when I landed -- on my head -- 
In the water, it appealed to her, of course! 

When I won the Flappers' Flatrace it was "all Sir Garneo", 
For she praised the way I made my final run. 
And she thought the riding won it -- for how could the poor girl know 
That a monkey could have ridden it and won! 

Then they "weighed me in" a winner -- it's not often that occurs! 
So I didn't let my golden chances slip, 
For I showed her all the blood-marks where I jabbed him with the spurs, 
And the whip-strokes where I hit him with the whip. 

Then I asked her if she loved me, and she seemed inclined to shirk 
For a moment so I took her by the head 
(So to speak) and rushed her at it; and she seemed to like the work 
When she kissed me, though she blushed a rosy red. 

She's a mouth as soft as velvet, and she plenty has of heart, 
I could worship every little step she takes; 
And the saddleng-bell is ringing, so we're going to the start, 
Certain winners of the Matrimonial Stakes!

Book: Reflection on the Important Things