Written by
William Butler Yeats |
'Lay me in a cushioned chair;
Carry me, ye four,
With cushions here and cushions there,
To see the world once more.
'To stable and to kennel go;
Bring what is there to bring;
Lead my Lollard to and fro,
Or gently in a ring.
'Put the chair upon the grass:
Bring Rody and his hounds,
That I may contented pass
From these earthly bounds.'
His eyelids droop, his head falls low,
His old eyes cloud with dreams;
The sun upon all things that grow
Falls in sleepy streams.
Brown Lollard treads upon the lawn,
And to the armchair goes,
And now the old man's dreams are gone,
He smooths the long brown nose.
And now moves many a pleasant tongue
Upon his wasted hands,
For leading aged hounds and young
The huntsman near him stands.
'Huntsmam Rody, blow the horn,
Make the hills reply.'
The huntsman loosens on the morn
A gay wandering cry.
Fire is in the old man's eyes,
His fingers move and sway,
And when the wandering music dies
They hear him feebly say,
'Huntsman Rody, blow the horn,
Make the hills reply.'
'I cannot blow upon my horn,
I can but weep and sigh.'
Servants round his cushioned place
Are with new sorrow wrung;
Hounds are gazing on his face,
Aged hounds and young.
One blind hound only lies apart
On the sun-smitten grass;
He holds deep commune with his heart:
The moments pass and pass:
The blind hound with a mournful din
Lifts slow his wintry head;
The servants bear the body in;
The hounds wail for the dead.
|
Written by
Walt Whitman |
WHO learns my lesson complete?
Boss, journeyman, apprentice—churchman and atheist,
The stupid and the wise thinker—parents and offspring—merchant, clerk, porter
and
customer,
Editor, author, artist, and schoolboy—Draw nigh and commence;
It is no lesson—it lets down the bars to a good lesson,
And that to another, and every one to another still.
The great laws take and effuse without argument;
I am of the same style, for I am their friend,
I love them quits and quits—I do not halt, and make salaams.
I lie abstracted, and hear beautiful tales of things, and the reasons of things;
They are so beautiful, I nudge myself to listen.
I cannot say to any person what I hear—I cannot say it to myself—it is very
wonderful.
It is no small matter, this round and delicious globe, moving so exactly in its orbit
forever
and ever, without one jolt, or the untruth of a single second;
I do not think it was made in six days, nor in ten thousand years, nor ten billions of
years,
Nor plann’d and built one thing after another, as an architect plans and builds a
house.
I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or woman,
Nor that years will ever stop the existence of me, or any one else.
Is it wonderful that I should be immortal? as every one is immortal;
I know it is wonderful, but my eyesight is equally wonderful, and how I was conceived in
my
mother’s womb is equally wonderful;
And pass’d from a babe, in the creeping trance of a couple of summers and winters, to
articulate and walk—All this is equally wonderful.
And that my Soul embraces you this hour, and we affect each other without ever seeing each
other, and never perhaps to see each other, is every bit as wonderful.
And that I can think such thoughts as these, is just as wonderful;
And that I can remind you, and you think them, and know them to be true, is just as
wonderful.
And that the moon spins round the earth, and on with the earth, is equally wonderful,
And that they balance themselves with the sun and stars, is equally wonderful.
|
Written by
Matthew Prior |
I, MY dear, was born to-day--
So all my jolly comrades say:
They bring me music, wreaths, and mirth,
And ask to celebrate my birth:
Little, alas! my comrades know
That I was born to pain and woe;
To thy denial, to thy scorn,
Better I had ne'er been born:
I wish to die, even whilst I say--
'I, my dear, was born to-day.'
I, my dear, was born to-day:
Shall I salute the rising ray,
Well-spring of all my joy and woe?
Clotilda, thou alone dost know.
Shall the wreath surround my hair?
Or shall the music please my ear?
Shall I my comrades' mirth receive,
And bless my birth, and wish to live?
Then let me see great Venus chase
Imperious anger from thy face;
Then let me hear thee smiling say--
'Thou, my dear, wert born to-day.'
|
Written by
Jane Taylor |
Old John had an apple-tree, healthy and green,
Which bore the best codlins that ever were seen,
So juicy, so mellow, and red;
And when they were ripe, he disposed of his store,
To children or any who pass'd by his door,
To buy him a morsel of bread.
Little Dick, his next neighbour, one often might see,
With longing eye viewing this fine apple-tree,
And wishing a codlin might fall:
One day as he stood in the heat of the sun,
He began thinking whether he might not take one,
And then he look'd over the wall.
And as he again cast his eye on the tree,
He said to himself, "Oh, how nice they would be,
So cool and refreshing to-day!
The tree is so full, and one only I'll take,
And John cannot see if I give it a shake,
And nobody is in the way.
But stop, little boy, take your hand from the bough,
Remember, though John cannot see you just now,
And no one to chide you is nigh,
There is One, who by night, just as well as by day,
Can see all you do, and can hear all you say,
From his glorious throne in the sky.
O then little boy, come away from the tree,
Lest tempted to this wicked act you should be:
'Twere better to starve than to steal;
For the great GOD, who even through darkness can look,
Writes down every crime we commit, in His book;
Nor forgets what we try to conceal.
|
Written by
Adrienne Rich |
The autumn feels slowed down,
summer still holds on here, even the light
seems to last longer than it should
or maybe I'm using it to the thin edge.
The moon rolls in the air. I didn't want this child.
You're the only one I've told.
I want a child maybe, someday, but not now.
Otto has a calm, complacent way
of following me with his eyes, as if to say
Soon you'll have your hands full!
And yes, I will; this child will be mine
not his, the failures, if I fail
will all be mine. We're not good, Clara,
at learning to prevent these things,
and once we have a child it is ours.
But lately I feel beyond Otto or anyone.
I know now the kind of work I have to do.
It takes such energy! I have the feeling I'm
moving somewhere, patiently, impatiently,
in my loneliness. I'm looking everywhere in nature
for new forms, old forms in new places,
the planes of an antique mouth, let's say, among the leaves.
I know and do not know
what I am searching for.
Remember those months in the studio together,
you up to your strong forearms in wet clay,
I trying to make something of the strange impressions
assailing me--the Japanese
flowers and birds on silk, the drunks
sheltering in the Louvre, that river-light,
those faces...Did we know exactly
why we were there? Paris unnerved you,
you found it too much, yet you went on
with your work...and later we met there again,
both married then, and I thought you and Rilke
both seemed unnerved. I felt a kind of joylessness
between you. Of course he and I
have had our difficulties. Maybe I was jealous
of him, to begin with, taking you from me,
maybe I married Otto to fill up
my loneliness for you.
Rainer, of course, knows more than Otto knows,
he believes in women. But he feeds on us,
like all of them. His whole life, his art
is protected by women. Which of us could say that?
Which of us, Clara, hasn't had to take that leap
out beyond our being women
to save our work? or is it to save ourselves?
Marriage is lonelier than solitude.
Do you know: I was dreaming I had died
giving birth to the child.
I couldn't paint or speak or even move.
My child--I think--survived me. But what was funny
in the dream was, Rainer had written my requiem--
a long, beautiful poem, and calling me his friend.
I was your friend
but in the dream you didn't say a word.
In the dream his poem was like a letter
to someone who has no right
to be there but must be treated gently, like a guest
who comes on the wrong day. Clara, why don't I dream of you?
That photo of the two of us--I have it still,
you and I looking hard into each other
and my painting behind us. How we used to work
side by side! And how I've worked since then
trying to create according to our plan
that we'd bring, against all odds, our full power
to every subject. Hold back nothing
because we were women. Clara, our strength still lies
in the things we used to talk about:
how life and death take one another's hands,
the struggle for truth, our old pledge against guilt.
And now I feel dawn and the coming day.
I love waking in my studio, seeing my pictures
come alive in the light. Sometimes I feel
it is myself that kicks inside me,
myself I must give suck to, love...
I wish we could have done this for each other
all our lives, but we can't...
They say a pregnant woman
dreams her own death. But life and death
take one another's hands. Clara, I feel so full
of work, the life I see ahead, and love
for you, who of all people
however badly I say this
will hear all I say and cannot say.
|
Written by
Rupert Brooke |
Not with vain tears, when we're beyond the sun,
We'll beat on the substantial doors, nor tread
Those dusty high-roads of the aimless dead
Plaintive for Earth; but rather turn and run
Down some close-covered by-way of the air,
Some low sweet alley between wind and wind,
Stoop under faint gleams, thread the shadows, find
Some whispering ghost-forgotten nook, and there
Spend in pure converse our eternal day;
Think each in each, immediately wise;
Learn all we lacked before; hear, know, and say
What this tumultuous body now denies;
And feel, who have laid our groping hands away;
And see, no longer blinded by our eyes.
|
Written by
Badger Clark |
At a roundup on the Gily,
One sweet mornin' long ago,
Ten of us was throwed right freely
By a hawse from Idaho.
And we thought he'd go-a-beggin'
For a man to break his pride
Till, a-hitchin' up one leggin,
Boastful Bill cut loose and cried--
"_I'm a on'ry proposition for to hurt;_
_I fulfil my earthly mission with a quirt;_
_I kin ride the highest liver_
_'Tween the Gulf and Powder River,_
_And I'll break this thing as easy as I'd flirt._"
So Bill climbed the Northern Fury
And they mangled up the air
Till a native of Missouri
Would have owned his brag was fair.
Though the plunges kep' him reelin'
And the wind it flapped his shirt,
Loud above the hawse's squealin'
We could hear our friend assert
"_I'm the one to take such rakin's as a joke._
_Some one hand me up the makin's of a smoke!_
_If you think my fame needs bright'nin'_
_W'y, I'll rope a streak of lightnin'_
_And I'll cinch 'im up and spur 'im till he's broke._"
Then one caper of repulsion
Broke that hawse's back in two.
Cinches snapped in the convulsion;
Skyward man and saddle flew.
Up he mounted, never laggin',
While we watched him through our tears,
And his last thin bit of braggin'
Came a-droppin' to our ears.
"_If you'd ever watched my habits very close_
_You would know I've broke such rabbits by the gross._
_I have kep' my talent hidin';_
_I'm too good for earthly ridin'_
_And I'm off to bust the lightnin's,--Adios!_"
Years have gone since that ascension.
Boastful Bill ain't never lit,
So we reckon that he's wrenchin'
Some celestial outlaw's bit.
When the night rain beats our slickers
And the wind is swift and stout
And the lightnin' flares and flickers,
We kin sometimes hear him shout--
"_I'm a bronco-twistin' wonder on the fly;_
_I'm the ridin' son-of-thunder of the sky._
_Hi! you earthlin's, shut your winders_
_While we're rippin' clouds to flinders._
_If this blue-eyed darlin' kicks at you, you die!_"
Stardust on his chaps and saddle,
Scornful still of jar and jolt,
He'll come back some day, astraddle
Of a bald-faced thunderbolt.
And the thin-skinned generation
Of that dim and distant day
Sure will stare with admiration
When they hear old Boastful say--
"_I was first, as old rawhiders all confessed._
_Now I'm last of all rough riders, and the best._
_Huh! you soft and dainty floaters,_
_With your a'roplanes and motors--_
_Huh! are you the great grandchildren of the West!_"
|
Written by
Omar Khayyam |
Drink wine! long must you sleep within the tomb,
Without a friend, or wife to cheer your gloom;
Hear what I say, and tell it not again,
«Never again can withered tulips bloom.»
|
Written by
Isaac Watts |
Our own weakness, and Christ our strength.
2 Cor. 12:7,9,10.
Let me but hear my Savior say,
"Strength shall be equal to thy day,"
Then I rejoice in deep distress,
Leaning on all-sufficient grace.
I glory in infirmity,
That Christ's own power may rest on me:
When I am weak, then am I strong,
Grace is my shield, and Christ my song.
I can do all things, or can bear
All suff'rings, if my Lord be there;
Sweet pleasures mingle with the pains,
While his left hand my head sustains.
But if the Lord be once withdrawn,
And we attempt the work alone,
When new temptations spring and rise,
We find how great our weakness is.
[So Samson, when his hair was lost,
Met the Philistines to his cost;
Shook his vain limbs with sad surprise,
Made feeble fight, and lost his eyes.]
|
Written by
Rupert Brooke |
Not with vain tears, when we’re beyond the sun,
We’ll beat on the substantial doors, nor tread
Those dusty high-roads of the aimless dead
Plaintive for Earth; but rather turn and run
Down some close-covered by-way of the air,
Some low sweet alley between wind and wind,
Stoop under faint gleams, thread the shadows, find
Some whispering ghost-forgotten nook, and there
Spend in pure converse our eternal day;
Think each in each, immediately wise;
Learn all we lacked before; hear, know, and say
What this tumultuous body now denies;
And feel, who have laid our groping hands away;
And see, no longer blinded by our eyes.
|