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Best Famous Headpiece Poems

Here is a collection of the all-time best famous Headpiece poems. This is a select list of the best famous Headpiece poetry. Reading, writing, and enjoying famous Headpiece poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of headpiece poems.

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Hollow Men

 Mistah Kurtz -- he dead.




 A penny for the Old Guy




 I


We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.


 II


Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --

Not that final meeting
In the twilight kingdom


 III


This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.


 IV


The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.


 V


Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow

 For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow


 Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow

 For Thine is the Kingdom


For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.


Written by Robert William Service | Create an image from this poem

Bills Grave

 I'm gatherin' flowers by the wayside to lay on the grave of Bill;
 I've sneaked away from the billet, 'cause Jim wouldn't understand;
'E'd call me a silly fat'ead, and larf till it made 'im ill,
 To see me 'ere in the cornfield, wiv a big bookay in me 'and.

For Jim and me we are rough uns, but Bill was one o' the best;
 We 'listed and learned together to larf at the wust wot comes;
Then Bill copped a packet proper, and took 'is departure West,
 So sudden 'e 'adn't a minit to say good-bye to 'is chums.

And they took me to where 'e was planted, a sort of a measly mound,
 And, thinks I, 'ow Bill would be tickled, bein' so soft and *****,
If I gathered a bunch o' them wild-flowers, and sort of arranged them round
 Like a kind of a bloody headpiece . . . and that's the reason I'm 'ere.

But not for the love of glory I wouldn't 'ave Jim to know.
 'E'd call me a slobberin' Cissy, and larf till 'is sides was sore;
I'd 'ave larfed at meself too, it isn't so long ago;
 But some'ow it changes a feller, 'avin' a taste o' war.

It 'elps a man to be 'elpful, to know wot 'is pals is worth
 (Them golden poppies is blazin' like lamps some fairy 'as lit);
I'm fond o' them big white dysies. . . . Now Jim's o' the salt o' the earth;
 But 'e 'as got a tongue wot's a terror, and 'e ain't sentimental a bit.

I likes them blue chaps wot's 'idin' so shylike among the corn.
 Won't Bill be glad! We was allus thicker 'n thieves, us three.
Why! 'Oo's that singin' so 'earty? JIM! And as sure as I'm born
 'E's there in the giddy cornfields, a-gatherin' flowers like me.

Quick! Drop me posy be'ind me. I watches 'im for a while,
 Then I says: "Wot 'o, there, Chummy! Wot price the little bookay?"
And 'e starts like a bloke wot's guilty, and 'e says with a sheepish smile:
 "She's a bit of orl right, the widder wot keeps the estaminay."

So 'e goes away in a 'urry, and I wishes 'im best o' luck,
 And I picks up me bunch o' wild-flowers, and the light's gettin' sorto dim,
When I makes me way to the boneyard, and . . . I stares like a man wot's stuck,
 For wot do I see? Bill's grave-mound strewn with the flowers of Jim.

Of course I won't never tell 'im, bein' a tactical lad;
 And Jim parley-voos to the widder: "Trez beans, lamoor; compree?"
Oh, 'e'd die of shame if 'e knew I knew; but say! won't Bill be glad
 When 'e stares through the bleedin' clods and sees the blossoms of Jim and me?

Book: Reflection on the Important Things