Written by
Robert William Service |
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen ***** sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam 'round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he'd often say in his homely way that he'd "sooner live in hell".
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka's fold it stabbed like a driven nail.
If our eyes we'd close, then the lashes froze till sometimes we couldn't see;
It wasn't much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o'erhead were dancing heel and toe,
He turned to me, and "Cap," says he, "I'll cash in this trip, I guess;
And if I do, I'm asking that you won't refuse my last request."
Well, he seemed so low that I couldn't say no; then he says with a sort of moan:
"It's the cursed cold, and it's got right hold till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you'll cremate my last remains."
A pal's last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.
There wasn't a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn't get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say:
"You may tax your brawn and brains,
But you promised true, and it's up to you to cremate those last remains."
Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows -- O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I'd often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the "Alice May".
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then "Here," said I, with a sudden cry, "is my cre-ma-tor-eum."
Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared -- such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn't like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why;
And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: "I'll just take a peep inside.
I guess he's cooked, and it's time I looked"; . . . then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: "Please close that door.
It's fine in here, but I greatly fear you'll let in the cold and storm --
Since I left Plumtree, down in Tennessee, it's the first time I've been warm."
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen ***** sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
|
Written by
Walt Whitman |
MYSELF and mine gymnastic ever,
To stand the cold or heat—to take good aim with a gun—to sail a boat—to
manage
horses—to beget superb children,
To speak readily and clearly—to feel at home among common people,
And to hold our own in terrible positions, on land and sea.
Not for an embroiderer;
(There will always be plenty of embroiderers—I welcome them also;)
But for the fibre of things, and for inherent men and women.
Not to chisel ornaments,
But to chisel with free stroke the heads and limbs of plenteous Supreme Gods, that The
States
may realize them, walking and talking.
Let me have my own way;
Let others promulge the laws—I will make no account of the laws;
Let others praise eminent men and hold up peace—I hold up agitation and conflict;
I praise no eminent man—I rebuke to his face the one that was thought most worthy.
(Who are you? you mean devil! And what are you secretly guilty of, all your life?
Will you turn aside all your life? Will you grub and chatter all your life?)
(And who are you—blabbing by rote, years, pages, languages, reminiscences,
Unwitting to-day that you do not know how to speak a single word?)
Let others finish specimens—I never finish specimens;
I shower them by exhaustless laws, as Nature does, fresh and modern continually.
I give nothing as duties;
What others give as duties, I give as living impulses;
(Shall I give the heart’s action as a duty?)
Let others dispose of questions—I dispose of nothing—I arouse unanswerable
questions;
Who are they I see and touch, and what about them?
What about these likes of myself, that draw me so close by tender directions and
indirections?
I call to the world to distrust the accounts of my friends, but listen to my
enemies—as I
myself do;
I charge you, too, forever, reject those who would expound me—for I cannot expound
myself;
I charge that there be no theory or school founded out of me;
I charge you to leave all free, as I have left all free.
After me, vista!
O, I see life is not short, but immeasurably long;
I henceforth tread the world, chaste, temperate, an early riser, a steady grower,
Every hour the semen of centuries—and still of centuries.
I will follow up these continual lessons of the air, water, earth;
I perceive I have no time to lose.
|
Written by
Robert William Service |
I took a contract to bury the body of blasphemous Bill MacKie,
Whenever, wherever or whatsoever the manner of death he die--
Whether he die in the light o' day or under the peak-faced moon;
In cabin or dance-hall, camp or dive, mucklucks or patent shoon;
On velvet tundra or virgin peak, by glacier, drift or draw;
In muskeg hollow or canyon gloom, by avalanche, fang or claw;
By battle, murder or sudden wealth, by pestilence, hooch or lead--
I swore on the Book I would follow and look till I found my tombless dead.
For Bill was a dainty kind of cuss, and his mind was mighty sot
On a dinky patch with flowers and grass in a civilized bone-yard lot.
And where he died or how he died, it didn't matter a damn
So long as he had a grave with frills and a tombstone "epigram".
So I promised him, and he paid the price in good cheechako coin
(Which the same I blowed in that very night down in the Tenderloin).
Then I painted a three-foot slab of pine: "Here lies poor Bill MacKie",
And I hung it up on my cabin wall and I waited for Bill to die.
Years passed away, and at last one day came a squaw with a story strange,
Of a long-deserted line of traps 'way back of the Bighorn range;
Of a little hut by the great divide, and a white man stiff and still,
Lying there by his lonesome self, and I figured it must be Bill.
So I thought of the contract I'd made with him, and I took down from the shelf
The swell black box with the silver plate he'd picked out for hisself;
And I packed it full of grub and "hooch", and I slung it on the sleigh;
Then I harnessed up my team of dogs and was off at dawn of day.
You know what it's like in the Yukon wild when it's sixty-nine below;
When the ice-worms wriggle their purple heads through the crust of the pale blue snow;
When the pine-trees crack like little guns in the silence of the wood,
And the icicles hang down like tusks under the parka hood;
When the stove-pipe smoke breaks sudden off, and the sky is weirdly lit,
And the careless feel of a bit of steel burns like a red-hot spit;
When the mercury is a frozen ball, and the frost-fiend stalks to kill--
Well, it was just like that that day when I set out to look for Bill.
Oh, the awful hush that seemed to crush me down on every hand,
As I blundered blind with a trail to find through that blank and bitter land;
Half dazed, half crazed in the winter wild, with its grim heart-breaking woes,
And the ruthless strife for a grip on life that only the sourdough knows!
North by the compass, North I pressed; river and peak and plain
Passed like a dream I slept to lose and I waked to dream again.
River and plain and mighty peak--and who could stand unawed?
As their summits blazed, he could stand undazed at the foot of the throne of God.
North, aye, North, through a land accurst, shunned by the scouring brutes,
And all I heard was my own harsh word and the whine of the malamutes,
Till at last I came to a cabin squat, built in the side of a hill,
And I burst in the door, and there on the floor, frozen to death, lay Bill.
Ice, white ice, like a winding-sheet, sheathing each smoke-grimed wall;
Ice on the stove-pipe, ice on the bed, ice gleaming over all;
Sparkling ice on the dead man's chest, glittering ice in his hair,
Ice on his fingers, ice in his heart, ice in his glassy stare;
Hard as a log and trussed like a frog, with his arms and legs outspread.
I gazed at the coffin I'd brought for him, and I gazed at the gruesome dead,
And at last I spoke: "Bill liked his joke; but still, goldarn his eyes,
A man had ought to consider his mates in the way he goes and dies."
Have you ever stood in an Arctic hut in the shadow of the Pole,
With a little coffin six by three and a grief you can't control?
Have you ever sat by a frozen corpse that looks at you with a grin,
And that seems to say: "You may try all day, but you'll never jam me in"?
I'm not a man of the quitting kind, but I never felt so blue
As I sat there gazing at that stiff and studying what I'd do.
Then I rose and I kicked off the husky dogs that were nosing round about,
And I lit a roaring fire in the stove, and I started to thaw Bill out.
Well, I thawed and thawed for thirteen days, but it didn't seem no good;
His arms and legs stuck out like pegs, as if they was made of wood.
Till at last I said: "It ain't no use--he's froze too hard to thaw;
He's obstinate, and he won't lie straight, so I guess I got to--saw."
So I sawed off poor Bill's arms and legs, and I laid him snug and straight
In the little coffin he picked hisself, with the dinky silver plate;
And I came nigh near to shedding a tear as I nailed him safely down;
Then I stowed him away in my Yukon sleigh, and I started back to town.
So I buried him as the contract was in a narrow grave and deep,
And there he's waiting the Great Clean-up, when the Judgment sluice-heads sweep;
And I smoke my pipe and I meditate in the light of the Midnight Sun,
And sometimes I wonder if they was, the awful things I done.
And as I sit and the parson talks, expounding of the Law,
I often think of poor old Bill--and how hard he was to saw.
|
Written by
Robert William Service |
I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare: -
"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."
"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."
So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."
Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.
A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.
But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.
So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.
|
Written by
Robert William Service |
I
Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure . . .
Ye Gods! these were the happy days, the days when I was poor.
II
Or else, again, old pal of mine, do you recall the times
You struggled with your storyettes, I wrestled with my rhymes;
Oh, we were happy, were we not? -- we used to live so "high"
(A little bit of broken roof between us and the sky);
Upon the forge of art we toiled with hammer and with tongs;
You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel,
But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale,
What feasts we had of tenderloins and apple-tarts and ale!
And yet how often we would dine as cheerful as you please,
Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure,
But oh, these were the happy days, the days when we were poor.
III
Alas! old man, we're wealthy now, it's sad beyond a doubt;
We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care,
We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents,
I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score,
We play the part . . . but say, old chap, oh, isn't it a bore?
We work like slaves, we eat too much, we put on evening dress;
We've everything a man can want, I think . . . but happiness.
Come, let us sneak away, old chum; forget that we are rich,
And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs,
And wear old clothes and just pretend we aren't millionaires;
And wonder how we'll pay the rent, and scribble ream on ream,
And sup on sausages and tea, and laugh and loaf and dream.
And when we're tired of that, my friend, oh, you will come with me;
And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars,
The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire,
And sing like two old jolly boys, and dance to heart's desire;
We'll climb the hill and ford the brook and camp upon the moor . . .
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
|
Written by
Andrew Barton Paterson |
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."
"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;
You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill,
And come to the scratch all fit and well to leather this Saltbush Bill."
'Twas Saltbush Bill, and his travelling sheep were wending their weary way
On the Main Stock Route, through the Hard Times Run, on their six-mile stage a day;
And he strayed a mile from the Main Stock Route, and started to feed along,
And when Stingy Smith came up Bill said that the Route was surveyed wrong;
And he tried to prove that the sheep had rushed and strayed from their camp at night,
But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was heard
But the thudding fists on their brawny ribs, and the seconds' muttered word,
Till the fighting man shot home his left on the ribs with a mighty clout,
And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled,
For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground,
And sent back home for a brandy-flask, and they slowly fetched him round;
But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak --
So they let him spell till he got his wits; and he camped on the run a week,
While the travelling sheep went here and there, wherever they liked to stray,
Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man:
'Twas writ to the boss of the neighbouring run, and thus the missive ran:
"The man with this is a fighting man, one Stiffener Joe by name;
He came near murdering Saltbush Bill, and I found it a costly game:
But it's worth your while to employ the chap, for there isn't the slightest doubt
You'll have no trouble from Saltbush Bill while this man hangs about."
But an answer came by the next week's mail, with news that might well appal:
"The man you sent with a note is not a fighting man at all!
He has shaved his beard, and has cut his hair, but I spotted him at a look;
He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote,
And they shammed to fight, and they got your grass, and divided your five-pound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf --
When next you're hiring a fighting man, just fight him a round yourself."
And the teamsters out on the Castlereagh, when they meet with a week of rain,
And the waggon sinks to its axle-tree, deep down in the black-soil plain,
When the bullocks wade in a sea of mud, and strain at the load of wool,
And the cattle-dogs at the bullocks' heels are biting to make them pull,
When the off-side driver flays the team, and curses tham while he flogs,
And the air is thick with the language used, and the clamour of men and dogs --
The teamsters say, as they pause to rest and moisten each hairy throat,
They wish they could swear like Stingy Smith when he read that neighbour's note.
|
Written by
Robert Burns |
THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found,
The hornèd bull, tremendous, spurns the ground;
The lordly lion has enough and more,
The forest trembles at his very roar;
Thou giv’st the ass his hide, the snail his shell,
The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour,
In all th’ omnipotence of rule and power:
Foxes and statesmen subtle wiles ensure;
The cit and polecat stink, and are secure:
Toads with their poison, doctors with their drug,
The priest and hedgehog, in their robes, are snug:
E’en silly women have defensive arts,
Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard,
To thy poor fenceless, naked child, the Bard!
A thing unteachable in worldly skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun,
No claws to dig, his hated sight to shun:
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea’s horn:
No nerves olfact’ry, true to Mammon’s foot,
Or grunting, grub sagacious, evil’s root:
The silly sheep that wanders wild astray,
Is not more friendless, is not more a prey;
Vampyre-booksellers drain him to the heart,
And viper-critics cureless venom dart.
Critics! appll’d I venture on the name,
Those cut-throat bandits in the paths of fame,
Bloody dissectors, worse than ten Monroes,
He hacks to teach, they mangle to expose:
By blockhead’s daring into madness stung,
His heart by wanton, causeless malice wrung,
His well-won ways-than life itself more dear—
By miscreants torn who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounces on through life,
Till, fled each hope that once his bosom fired,
And fled each Muse that glorious once inspir’d,
Low-sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d,
For half-starv’d, snarling curs a dainty feast;
By toil and famine worn to skin and bone,
Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets,
Better than e’er the fairest she he meets;
Much specious lore, but little understood,
(Veneering oft outshines the solid wood),
His solid sense, by inches you must tell,
But mete his cunning by the Scottish ell!
A man of fashion too, he made his tour,
Learn’d “vive la bagatelle et vive l’amour;”
So travell’d monkeys their grimace improve,
Polish their grin-nay, sigh for ladies’ love!
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came,
The old cock’d hat, the brown surtout—the same;
His grisly beard just bristling in its might—
’Twas four long nights and days from shaving-night;
His uncomb’d, hoary locks, wild-staring, thatch’d
A head, for thought profound and clear, unmatch’d;
Yet, tho’ his caustic wit was biting-rude,
His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest!
Calm, shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams;
If mantling high she fills the golden cup,
With sober, selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve!
The grave, sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope,
When, thro’ disastrous night, they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are Fortune’s care:”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heaven, or vaulted hell!
|
Written by
Robert William Service |
It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;
Who bragged she had so small a draft, if dew were on the grass,
With gallant heart and half a start his little boat would pass.
Aye, ships might come and ships might go, but steady every year
The Alice May would chug away with Skipper Silas Geer.
Now though Cap geer had ne'er a fear the devil he could bilk,
He owned a gastric ulcer and his grub was mostly milk.
He also owned a Jersey cow to furnish him the same,
So soft and sleek and mild and meek, and Kathleen was her name.
And so his source of nourishment he got to love her so
That everywhere the captain went the cow would also go;
And though his sleeping quarters were ridiculously small,
He roped a section of them off to make Kathleen a stall.
So every morn she'd wake him up with mellifluous moo,
And he would pat her on the nose and go to wake the crew.
Then when he'd done his daily run and hitched on to the bank,
She'd breath above his pillow till to soothing sleep he sank.
So up and down the river seeded sourdoughs would allow,
They made a touching tableau, Captain Silas and his cow.
Now as the Captain puffed his pipe and Kathleen chewed her cud,
There came to him a poetess, a Miss Belinda Budd.
"An epic I would write," said she, "about this mighty stream,
And from your gallant bark 'twould be romantic as a dream."
Somewhat amazed the Captain gazed at her and shook his head;
"I'm sorry, Miss, but we don't take she passengers," he said.
"My boat's a freighter, we have no accommodation space
For women-folk - my cabin is the only private palce.
It's eight foot small from wall to wall, and I have, anyhow,
No room to spare, for half I share with Kathleen, That's my cow."
The lady sighed, then soft replied: "I love your Yukon scene,
And for its sake your room I'll take, and put up with Kathleen."
Well, she was so dead set to go the Captain said: "By heck!
I like your *****; you take my bunk and I'll camp on the deck."
So days went by then with a sigh she sought him so anew:
"Oh, Captain Geer, Kathleen's a dear, but does she have to moo?
In early morn like motor horn she bellows overhead,
While all the night without respite she snores above my bed.
I know it's true she dotes on you, your smile she seems to miss;
She leans so near I live in fear my brow she'll try to kiss.
Her fond regard makes it so hard my Pegasus to spur...
Oh, please be kind and try to find another place for her."
Bereft of cheer was captain Geer; his face was glazed with gloom:
He scratched his head: "There ain't," he said, "another inch of room.
With freight we're packed; it's stowed and stacked - why even on the deck.
There's seven salted sourdoughs and they're sleeping neck and neck.
I'm sorry, Miss, that Kathleen's kiss has put your muse to flight;
I realize her amber eyes abstract you when you write.
I used to love them orbs above a-shining down on me,
And when she'd chew my whickers you can't calculate my glee.
I ain't at all poetical, but gosh! I guess your plight,
So I will try to plan what I can fix up for to-night."
Thus while upon her berth the wan and weary Author Budd
Bewailed her fate, Kathleen sedate above her chewed her cud;
And as he sought with brain distraught a steady course to steer,
Yet find a plan, a worried man was Captain Silas Geer.
Then suddenly alert was he, he hollerred to his mate;
"Hi, Patsy, press our poetess to climb on deck and wait.
Hip-hip-hooray! Bid her be gay and never more despair;
My search is crowned - by heck, I've found an answer to her prayer."
To Patsy's yell like glad gazelle came bounding Bardess Budd;
No more forlorn, with hope new-born she faced the foaming flood;
While down the stair with eager air was seen to disappear,
Like one inspired (by genius fired) exultant Captain Geer.
Then up he came with eye aflame and honest face aglow,
And oh, how loud he laughed, as proud he led her down below.
"Now you may write by day or night upon our Yukon scene,
For I," he cried, "have clarified the problem of Kathleen.
I thought a lot, then like a shot the remedy I found:
I jest unhitched her rope and switched the loving creature round.
No more her moo will trouble you, you'll sleep right restful now.
Look, Lady, look! - I'm giving you... the tail end of the cow."
|
Written by
Eugene Field |
Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!
Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!
"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"
So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!
Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys--
"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"
Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos--
Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"
Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason--
Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky--
Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding--
Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!
Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"--
Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor--
Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,
The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters--
All, famed in Kentucky of old for prowess prodigious at farming,
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate--
Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"
This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places--
Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
|
Written by
Ezra Pound |
Here we are, picking the first fern-shoots
And saying: When shall we get back to our country?
Here we are because we have the Ken-nin for our foemen,
We have no comfort because of these Mongols.
We grub the soft fern-shoots,
When anyone says "Return," the others are full of sorrow.
Sorrowful minds, sorrow is strong, we are hungry and thirsty.
Our defence is not yet made sure, no one can let his friend return.
We grub the old fern-stalks.
We say: Will we be let to go back in October?
There is no ease in royal affairs, we have no comfort.
Our sorrow is bitter, but we would not return to our country.
What flower has come into blossom?
Whose chariot? The General's.
Horses, his horses even, are tired. They were strong.
We have no rest, trhee battles a month.
By heavn, his horses are tired.
The generals are on them, the soldiers are by them.
The horses are well trained, the generals have ivory arrows and
quivers ornamented with fish-skin.
The enemy is swift, we must be careful.
When we set out, the willows were drooping with spring,
We come back in the snow,
We go slowly, we are hungry and thirsty,
Our mind is full of sorrow, who will know of our grief?
By Bunno, reputedly 1100 B. C.
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