Written by
David Lehman |
I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been
two burglaries on my block already this week,
do I quickly take a look to see
if the valuables are missing? No, that is I can't,
it's an epistemological quandary: what I consider
valuable, would they? Who are they, anyway? I'd answer that
with speculations based on newspaper accounts if I were
Donald E. Westlake, whose novels I'm hooked on, but
this first cigarette after twenty-four hours
of abstinence tastes so good it makes me want
to include it in my catalogue of pleasures
designed to hide the ugliness or sweep it away
the way the violent overflow of rain over cliffs
cleans the sewers and drains of Ithaca
whose waterfalls head my list, followed by
crudites of carrots and beets, roots and all,
with rained-on radishes, too beautiful to eat,
and the pure pleasure of talking, talking and not knowing
where the talk will lead, but willing to take my chances.
Furthermore I shall enumerate some varieties of tulips
(Bacchus, Tantalus, Dardanelles) and other flowers
with names that have a life of their own (Love Lies Bleeding,
Dwarf Blue Bedding, Burning Bush, Torch Lily, Narcissus).
Mostly, as I've implied, it's the names of things
that count; still, sometimes I wonder and, wondering, find
the path of least resistance, the earth's orbit
around the sun's delirious clarity. Once you sniff
the aphrodisiac of disaster, you know: there's no reason
for the anxiety--or for expecting to be free of it;
try telling Franz Kafka he has no reason to feel guilty;
or so I say to well-meaning mongers of common sense.
They way I figure, you start with the names
which are keys and then you throw them away
and learn to love the locked rooms, with or without
corpses inside, riddles to unravel, emptiness to possess,
a woman to wake up with a kiss (who is she?
no one knows) who begs your forgiveness (for what?
you cannot know) and then, in the authoritative tone
of one who has weathered the storm of his exile, orders you
to put up your hands and beg the rain to continue
as if it were in your power. And it is,
I feel it with each drop. I am standing
outside at the window, looking in on myself
writing these words, feeling what wretches feel, just
as the doctor ordered. And that's what I plan to do,
what the storm I was caught in reminded me to do,
to shake the superflux, distribute my appetite, fast
without so much as a glass of water, and love
each bite I haven't taken. I shall become the romantic poet
whose coat of many colors smeared
with blood, like a butcher's apron, left
in the sacred pit or brought back to my father
to confirm my death, confirms my new life
instead, an alien prince of dungeons and dreams
who sheds the disguise people recognize him by
to reveal himself to his true brothers at last
in the silence that stuns before joy descends, like rain.
|
Written by
Sharon Olds |
A week later, I said to a friend: I don't
think I could ever write about it.
Maybe in a year I could write something.
There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school. And in my dream
someone was playing jacks, and in the air there was a
huge, thrown, tilted jack
on fire. And when I woke up, I found myself
counting the days since I had last seen
my husband-only two years, and some weeks,
and hours. We had signed the papers and come down to the
ground floor of the Chrysler Building,
the intact beauty of its lobby around us
like a king's tomb, on the ceiling the little
painted plane, in the mural, flying. And it
entered my strictured heart, this morning,
slightly, shyly as if warily,
untamed, a greater sense of the sweetness
and plenty of his ongoing life,
unknown to me, unseen by me,
unheard, untouched-but known, seen,
heard, touched. And it came to me,
for moments at a time, moment after moment,
to be glad for him that he is with the one
he feels was meant for him. And I thought of my
mother, minutes from her death, eighty-five
years from her birth, the almost warbler
bones of her shoulder under my hand, the
eggshell skull, as she lay in some peace
in the clean sheets, and I could tell her the best
of my poor, partial love, I could sing her
out with it, I saw the luck
and luxury of that hour.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1897, and on the night of Christmas day,
That ten persons' lives were taken sway,
By a destructive fire in London, at No. 9 Dixie Street,
Alas! so great was the fire, the victims couldn't retreat.
In Dixie Street, No. 9, if was occupied by two families,
Who were all quite happy, and sitting at their ease;
One of these was a labourer, David Barber and his wife,
And a dear little child, he loved as his life.
Barber's mother and three sisters were living on the ground floor,
And in the upper two rooms lived a family who were very poor,
And all had retired to rest, on the night of Christmas day,
Never dreaming that by ~e their lives would be taken away.
Barber got up on Sunday morning to prepare breakfast for his family,
And a most appalling sight he then did see;
For he found the room was full of smoke,
So dense, indeed, that it nearly did him choke.
Then fearlessly to the room door he did creep,
And tried to aronse the inmates, who were asleep;
And succeeded in getting his own family out into the street,
And to him the thought thereof was surely very sweet.
And by this time the heroic Barber's strength was failing,
And his efforts to warn the family upstairs were unavailing;
And, before the alarm was given, the house was in flames,
Which prevented anything being done, after all his pains.
Oh! it was a horrible and heart-rending sight
To see the house in a blaze of lurid light,
And the roof fallen in, and the windows burnt out,
Alas! 'tis pitiful to relate, without any doubt.
Oh, Heaven! 'tis a dreadful calamity to narrate,
Because the victims have met with a cruel fate;
Little did they think they were going to lose their lives by fire,
On that night when to their beds they did retire.
It was sometime before the gutted house could be entered in,
Then to search for the bodies the officers in charge did begin;
And a horrifying spectacle met their gaze,
Which made them stand aghast in a fit of amaze.
Sometime before the firemen arrived,
Ten persons of their lives had been deprived,
By the choking smoke, and merciless flame,
Which will long in the memory of their relatives remain.
Oh, Heaven! if was a frightful and pitiful sight to see
Seven bodies charred of the Jarvis' family;
And Mrs Jarvis was found with her child, and both carbonised,
And as the searchers gazed thereon they were surprised.
And these were lying beside the fragments of the bed,
And in a chair the tenth victim was sitting dead;
Oh, Horrible! Oh, Horrible! what a sight to behold,
The charred and burnt bodies of young and old.
Good people of high and low degree,
Oh! think of this sad catastrophe,
And pray to God to protect ye from fire,
Every night before to your beds ye retire.
|
Written by
Emily Dickinson |
If my Bark sink
'Tis to another sea --
Mortality's Ground Floor
Is Immortality --
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