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Best Famous Groceries Poems

Here is a collection of the all-time best famous Groceries poems. This is a select list of the best famous Groceries poetry. Reading, writing, and enjoying famous Groceries poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of groceries poems.

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Written by Randall Jarrell | Create an image from this poem

Next Day

 Moving from Cheer to Joy, from Joy to All,
I take a box
And add it to my wild rice, my Cornish game hens.
The slacked or shorted, basketed, identical
Food-gathering flocks
Are selves I overlook. Wisdom, said William James,

Is learning what to overlook. And I am wise
If that is wisdom.
Yet somehow, as I buy All from these shelves
And the boy takes it to my station wagon,
What I've become
Troubles me even if I shut my eyes.

When I was young and miserable and pretty
And poor, I'd wish
What all girls wish: to have a husband,
A house and children. Now that I'm old, my wish
Is womanish:
That the boy putting groceries in my car

See me. It bewilders me he doesn't see me.
For so many years
I was good enough to eat: the world looked at me
And its mouth watered. How often they have undressed me,
The eyes of strangers!
And, holding their flesh within my flesh, their vile

Imaginings within my imagining,
I too have taken
The chance of life. Now the boy pats my dog
And we start home. Now I am good.
The last mistaken,
Ecstatic, accidental bliss, the blind

Happiness that, bursting, leaves upon the palm
Some soap and water--
It was so long ago, back in some Gay
Twenties, Nineties, I don't know . . . Today I miss
My lovely daughter
Away at school, my sons away at school,

My husband away at work--I wish for them.
The dog, the maid,
And I go through the sure unvarying days
At home in them. As I look at my life,
I am afraid
Only that it will change, as I am changing:

I am afraid, this morning, of my face.
It looks at me
From the rear-view mirror, with the eyes I hate,
The smile I hate. Its plain, lined look
Of gray discovery
Repeats to me: "You're old." That's all, I'm old.

And yet I'm afraid, as I was at the funeral
I went to yesterday.
My friend's cold made-up face, granite among its flowers,
Her undressed, operated-on, dressed body
Were my face and body.
As I think of her and I hear her telling me

How young I seem; I am exceptional;
I think of all I have.
But really no one is exceptional,
No one has anything, I'm anybody,
I stand beside my grave
Confused with my life, that is commonplace and solitary.


Written by Leonard Cohen | Create an image from this poem

First We Take Manhattan

 They sentenced me to twenty years of boredom 
For trying to change the system from within 
I'm coming now, I'm coming to reward them 
First we take Manhattan, then we take Berlin.
I'm guided by a signal in the heavens 
I'm guided by this birthmark on my skin 
I'm guided by the beauty of our weapons 
First we take Manhattan, then we take Berlin.
I'd really like to live beside you, baby 
I love your body and your spirit and your clothes 
But you see that line there moving through the station? 
I told you, I told you, told you, I was one of those 
Ah you loved me as a loser, but now you're worried that I
just might win 
You know the way to stop me, but you don't have the
discipline 
How many nights I prayed for this, to let my work begin 
First we take Manhattan, then we take Berlin 
I don't like your fashion business mister 
And I don't like these drugs that keep you thin 
I don't like what happened to my sister 
First we take Manhattan, then we take Berlin 
I'd really like to live beside you, baby 
I love your body and your spirit and your clothes 
But you see that line there moving through the station? 
I told you, I told you, told you, I was one of those 
And I thank you for those items that you sent me 
The monkey and the plywood violin 
I practiced every night, now I'm ready 
First we take Manhattan, then we take Berlin 
Remember me? I used to live for music 
Remember me? I brought your groceries in 
Well it's Father's Day and everybody's wounded 
First we take Manhattan, then we take Berlin
Written by Allen Ginsberg | Create an image from this poem

Nagasaki Days

 I -- A Pleasant Afternoon

 for Michael Brownstein and Dick Gallup


One day 3 poets and 60 ears sat under a green-striped Chau-
 tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
 words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
 blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
 Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
 mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
 Castle shrine-room at Boulder followed the breath going
 out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
 & noses, out of the sky, across Colorado plains & the
 tent flapped happily open spacious & didn't fall down.


 June 18, 1978


II -- Peace Protest

Cumulus clouds float across blue sky
 over the white-walled Rockwell Corporation factory
 -- am I going to stop that?

 *

Rocky Mountains rising behind us
 Denver shining in morning light
-- Led away from the crowd by police and photographers

 *

Middleaged Ginsberg and Ellsberg taken down the road
 to the greyhaired Sheriff's van -- 
But what about Einstein? What about Einstein? Hey, Einstein
 Come back!


III -- Golden Courthouse

Waiting for the Judge, breathing silent
 Prisoners, witnesses, Police -- 
the stenographer yawns into her palms.

 August 9, 1978


IV -- Everybody's Fantasy

I walked outside & the bomb'd
 dropped lots of plutonium
 all over the Lower East Side
There weren't any buildings left just
 iron skeletons
groceries burned, potholes open to 
 stinking sewer waters

There were people starving and crawling
 across the desert
the Martian UFOs with blue
 Light destroyer rays
passed over and dried up all the 
 waters

Charred Amazon palmtrees for
 hundreds of miles on both sides
 of the river

 August 10, 1978


V -- Waiting Room at the Rocky Flats Plutonium Plant

"Give us the weapons we need to protect ourselves!"
 the bareheaded guard lifts his flyswatter above the desk
 -- whap!

 *

A green-letter'd shield on the pressboard wall!
 "Life is fragile. Handle with care" --
My Goodness! here's where they make the nuclear bomb
 triggers.


 August 17, 1978


VI -- Numbers in Red Notebook

2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born

 Summer 1978
Written by Elizabeth Bishop | Create an image from this poem

Cape Breton

 Out on the high "bird islands," Ciboux and Hertford, 
the razorbill auks and the silly-looking puffins all stand 
with their backs to the mainland 
in solemn, uneven lines along the cliff's brown grass-frayed edge, 
while the few sheep pastured there go "Baaa, baaa." 
(Sometimes, frightened by aeroplanes, they stampede 
and fall over into the sea or onto the rocks.) 
The silken water is weaving and weaving, 
disappearing under the mist equally in all directions, 
lifted and penetrated now and then 
by one shag's dripping serpent-neck, 
and somewhere the mist incorporates the pulse, 
rapid but unurgent, of a motor boat. 

The same mist hangs in thin layers 
among the valleys and gorges of the mainland 
like rotting snow-ice sucked away 
almost to spirit; the ghosts of glaciers drift 
among those folds and folds of fir: spruce and hackmatack-- 
dull, dead, deep pea-cock colors, 
each riser distinguished from the next 
by an irregular nervous saw-tooth edge, 
alike, but certain as a stereoscopic view. 

The wild road clambers along the brink of the coast. 
On it stand occasional small yellow bulldozers, 
but without their drivers, because today is Sunday. 
The little white churches have been dropped into the matted hills 
like lost quartz arrowheads. 
The road appears to have been abandoned. 
Whatever the landscape had of meaning appears to have been abandoned, 
unless the road is holding it back, in the interior, 
where we cannot see, 
where deep lakes are reputed to be, 
and disused trails and mountains of rock 
and miles of burnt forests, standing in gray scratches 
like the admirable scriptures made on stones by stones-- 
and these regions now have little to say for themselves 
except in thousands of light song-sparrow songs floating upward 
freely, dispassionately, through the mist, and meshing 
in brown-wet, fine torn fish-nets. 

A small bus comes along, in up-and-down rushes, 
packed with people, even to its step. 
(On weekdays with groceries, spare automobile parts, and pump parts, 
but today only two preachers extra, one carrying his frock coat on a
 hanger.) 
It passes the closed roadside stand, the closed schoolhouse, 
where today no flag is flying 
from the rough-adzed pole topped with a white china doorknob. 
It stops, and a man carrying a bay gets off, 
climbs over a stile, and goes down through a small steep meadow, 
which establishes its poverty in a snowfall of daisies, 
to his invisible house beside the water. 

The birds keep on singing, a calf bawls, the bus starts. 
The thin mist follows 
the white mutations of its dream; 
an ancient chill is rippling the dark brooks.
Written by Carl Sandburg | Create an image from this poem

Cool Tombs

 WHEN Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin … in the dust, in the cool tombs.

And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes … in the dust, in the cool tombs.

Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember? … in the dust, in the cool tombs?

Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns … tell me if the lovers are losers … tell me if any get more than the lovers … in the dust … in the cool tombs.


Written by Carolyn Forche | Create an image from this poem

The Colonel

 What you have heard is true. I was in his house. 
His wife carried a tray of coffee and sugar. His 
daughter filed her nails, his son went out for the 
night. There were daily papers, pet dogs, a pistol 
on the cushion beside him. The moon swung bare on 
its black cord over the house. On the television 
was a cop show. It was in English. Broken bottles 
were embedded in the walls around the house to 
scoop the kneecaps from a man's legs or cut his 
hands to lace. On the windows there were gratings 
like those in liquor stores. We had dinner, rack of 
lamb, good wine, a gold bell was on the table for 
calling the maid. The maid brought green mangoes, 
salt, a type of bread. I was asked how I enjoyed 
the country. There was a brief commercial in 
Spanish. His wife took everything away. There was 
some talk of how difficult it had become to govern. 
The parrot said hello on the terrace. The colonel 
told it to shut up, and pushed himself from the 
table. My friend said to me with his eyes: say 
nothing. The colonel returned with a sack used to 
bring groceries home. He spilled many human ears on 
the table. They were like dried peach halves. There 
is no other way to say this. He took one of them in 
his hands, shook it in our faces, dropped it into a 
water glass. It came alive there. I am tired of 
fooling around he said. As for the rights of anyone, 
tell your people they can go f--- themselves. He 
swept the ears to the floor with his arm and held 
the last of his wine in the air. Something for your 
poetry, no? he said. Some of the ears on the floor 
caught this scrap of his voice. Some of the ears on 
the floor were pressed to the ground. 

May 1978
Written by Brooks Haxton | Create an image from this poem

Sackcloth

 I made sackcloth also my garment; and I 
 became a proverb to them. They that sit in 
 the gate speak against me; and I was the 
 song of drunkards. Psalm 102

I made sackcloth my garment once, by cutting
arm and neck holes into a burlap bag.
A croker sack they called it. Sackdragger
they called the man who dragged a croker sack
between the cotton rows to pick. He dragged
a gunnysack behind him in the ditch
collecting empties. Him they chose
the Likeliest to Sack Seed in the feed store,
or to suck seed. He was your daddy. He sacked
groceries part-time, and they jeered:
you sorry sack of ****. Sackcloth,
which Job sewed upon his skin, was goat hair.
God who clothed the heavens with such blackness
said, I make sackcloth their covering.
Isaiah understood. God had him speak a word
in season to the weary. Speak, Isaiah, now, to me.
Before the stars like green figs in a windstorm
drop, the sun is black as sackcloth, and the moon
becomes as blood. My soul is weary. Speak,
Isaiah. Sing. I was a scholar as a boy:
I cut the neck and arm holes into the burlap,
pulled it on, and cinched it with a hank of rope:
what I have done from then till now is itch.

Book: Radiant Verses: A Journey Through Inspiring Poetry