Written by
Spike Milligan |
Say Bazonka every day
That's what my grandma used to say
It keeps at bay the Asian Flu'
And both your elbows free from glue.
So say Bazonka every day
(That's what my grandma used to say)
Don't say it if your socks are dry!
Or when the sun is in your eye!
Never say it in the dark
(The word you see emits a spark)
Only say it in the day
(That's what my grandma used to say)
Young Tiny Tim took her advice
He said it once, he said it twice
he said it till the day he died
And even after that he tried
To say Bazonka! every day
Just like my grandma used to say.
Now folks around declare it's true
That every night at half past two
If you'll stand upon your head
And shout Bazonka! from your bed
You'll hear the word as clear as day
Just like my grandma used to say!
|
Written by
Kenn Nesbitt |
When Grandma goes for gold in
The Olympic games this year,
She’ll laugh at her competitors
And make them quake with fear.
She’s ninety-nine years old
But, in athletics, she’s been blessed.
The trouble is she can’t decide
Which sport she plays the best.
She’s such an ace at archery.
She’s queen of the canoe.
She’s tough to top at taekwondo
And table tennis too.
She dominates the diving board.
She tromps the trampoline.
At lifting weights and wrestling
She’s the best you’ve ever seen.
She speeds across the swimming pool
To slake the summer heat.
On BMX and mountain bike
She simply can’t be beat.
She’s highest in the high jump,
And a champ at hammer throwing,
Magnificent in marathons,
Remarkable at rowing.
She beats the best at boxing.
At the pole vault she is peerless.
Her fencing is the finest;
She is positively fearless.
She’s masterful at basketball,
She truly rules the court,
And equally incredible
At every other sport.
But what we find astonishing
And something of a shocker
Is how she wins all contests
With her wheelchair and her walker.
--Kenn Nesbitt
Copyright © Kenn Nesbitt 2016. All Rights Reserved.
|
Written by
Jack Prelutsky |
I am Super Samson Simpson,
I'm superlatively strong,
I like to carry elephants,
I do it all day long,
I pick up half a dozen
and hoist them in the air,
it's really somewhat simple,
for I have strength to spare.
My muscles are enormous,
they bulge from top to toe,
and when I carry elephants,
they ripple to and fro,
but I am not the strongest
in the Simpson family,
for when I carry elephants,
my grandma carries me.
|
Written by
Dorothy Parker |
I was seventy-seven, come August,
I shall shortly be losing my bloom;
I've experienced zephyr and raw gust
And (symbolical) flood and simoom.
When you come to this time of abatement,
To this passing from Summer to Fall,
It is manners to issue a statement
As to what you got out of it all.
So I'll say, though reflection unnerves me
And pronouncements I dodge as I can,
That I think (if my memory serves me)
There was nothing more fun than a man!
In my youth, when the crescent was too wan
To embarrass with beams from above,
By the aid of some local Don Juan
I fell into the habit of love.
And I learned how to kiss and be merry- an
Education left better unsung.
My neglect of the waters Pierian
Was a scandal, when Grandma was young.
Though the shabby unbalanced the splendid,
And the bitter outmeasured the sweet,
I should certainly do as I then did,
Were I given the chance to repeat.
For contrition is hollow and wraithful,
And regret is no part of my plan,
And I think (if my memory's faithful)
There was nothing more fun than a man!
|
Written by
Carolyn Forche |
Grandma, come back, I forgot
How much lard for these rolls
Think you can put yourself in the ground
Like plain potatoes and grow in Ohio?
I am damn sick of getting fat like you
Think you can lie through your Slovak?
Tell filthy stories about the blood sausage?
Pish-pish nights at the virgin in Detroit?
I blame your raising me up for my Slav tongue
You beat me up out back, taught me to dance
I'll tell you I don't remember any kind of bread
Your wavy loaves of flesh
Stink through my sleep
The stars on your silk robes
But I'm glad I'll look when I'm old
Like a gypsy dusha hauling milk
|
Written by
Barry Tebb |
Any poets about or bored muses fancying a day out?
Rainy, windy, cold Leeds City Station
Half-way through its slow chaotic transformation
Contractors’ morning break, overalls, hard hats and harness
Flood McDonalds where I sip my tea and try to translate Val?ry.
London has everything except my bardic inspiration
I’ve only to step off the coach in Leeds and it whistles
Its bravuras down every wind, rattles the cobbles in Kirkgate Market
Hovers in the drunken brogue of a Dubliner in the chippie
As we share our love of Joyce the Aire becomes the Liffey.
All my three muses have abandoned me. Daisy in Asia,
Brenda protesting outside the Royal Free, Barbara seeing clients at the C.A.B.
Past Saltaire’s Mill, the world’s eighth wonder,
The new electric train whisperglides on wet rails
Past Shipley’s fairy glen and other tourist trails
Past Kirkstall’s abandoned abbey and redundant forge
To Grandma Wild’s in Keighley where I sit and gorge.
I’ve travelled on the Haworth bus so often
The driver chats as if I were a local
But when the rainbow’s lightning flash
Illumines all the valleys there’s a hush
And every pensioner's rheumy eye is rooted
On the gleaming horizon as its mooted
The Bronte’s spirits make the thunder crack
Three cloaked figures converging round the Oakworth track.
Haworth in a storm is a storm indeed
The lashing and the crashing makes the gravestones bleed
The mashing and the bashing makes the light recede
And on the moor top I lose my way and find it
Half a dozen times slipping in the mud and heather
Heather than can stand the thrust of any weather.
Just as suddenly as it had come the storm abated
Extremes demand those verbs so antiquated
Archaic and abhorred and second-rated
Yet still they stand like moorland rocks in mist
And wait as I do till the storm has passed
Buy postcards at the parsonage museum shop
Sit half an hour in the tea room drying off
And pen a word or two to my three muses
Who after all presented their excuses
But nonetheless the three all have their uses.
|
Written by
Eugene Field |
Oh, a wonderful horse is the Fly-Away Horse -
Perhaps you have seen him before;
Perhaps, while you slept, his shadow has swept
Through the moonlight that floats on the floor.
For it's only at night, when the stars twinkle bright,
That the Fly-Away Horse, with a neigh
And a pull at his rein and a toss of his mane,
Is up on his heels and away!
The Moon in the sky,
As he gallopeth by,
Cries: "Oh! what a marvelous sight!"
And the Stars in dismay
Hide their faces away
In the lap of old Grandmother Night.
It is yonder, out yonder, the Fly-Away Horse
Speedeth ever and ever away -
Over meadows and lanes, over mountains and plains,
Over streamlets that sing at their play;
And over the sea like a ghost sweepeth he,
While the ships they go sailing below,
And he speedeth so fast that the men at the mast
Adjudge him some portent of woe.
"What ho there!" they cry,
As he flourishes by
With a whisk of his beautiful tail;
And the fish in the sea
Are as scared as can be,
From the nautilus up to the whale!
And the Fly-Away Horse seeks those faraway lands
You little folk dream of at night -
Where candy-trees grow, and honey-brooks flow,
And corn-fields with popcorn are white;
And the beasts in the wood are ever so good
To children who visit them there -
What glory astride of a lion to ride,
Or to wrestle around with a bear!
The monkeys, they say:
"Come on, let us play,"
And they frisk in the cocoanut-trees:
While the parrots, that cling
To the peanut-vines, sing
Or converse with comparative ease!
Off! scamper to bed - you shall ride him tonight!
For, as soon as you've fallen asleep,
With a jubilant neigh he shall bear you away
Over forest and hillside and deep!
But tell us, my dear, all you see and you hear
In those beautiful lands over there,
Where the Fly-Away Horse wings his faraway course
With the wee one consigned to his care.
Then grandma will cry
In amazement: "Oh, my!"
And she'll think it could never be so;
And only we two
Shall know it is true -
You and I, little precious! shall know!
|
Written by
Marilyn Hacker |
Cherry-ripe: dark sweet burlats, scarlet reverchons
firm-fleshed and tart in the mouth
bigarreaux, peach-and-white napoléons
as the harvest moves north
from Provence to the banks of the Yonne
(they grow napoléons in Washington
State now). Before that, garriguettes,
from Périgord, in wooden punnets
afterwards, peaches: yellow-fleshed, white,
moss-skinned ruby pêches de vigne.
The vendors cry out "Taste," my appetite
does, too.. Birdsong, from an unseen
source on this street-island, too close for the trees:
it’s a young woman with a tin basin
of plastic whistles moulded like canaries.
– which children warbled on in Claremont Park
one spring day in my third year. Gísela
my father’s mother, took
me there. I spent the days with her
now that my mother had gone back to work.
In her brocade satchel, crochet-work, a picture-book
for me. But overnight the yellow bird
whistles had appeared
and I wanted one passionately.
Watching big girls play hopscotch at curb’s edge
or telling stories to V.J
under the shiny leaves of privet hedge
were pale pastimes compared to my desire
Did I hector one of the privileged
warblers to tell us where they were acquired?
– the candy store on Tremont Avenue
Of course I don’t call her Gísela.
I call her Grandma.. "Grandma will buy it for you,"
– does she add "mammele "
not letting her annoyance filter through
as an old-world friend moves into view?
The toddler and the stout
grey-haired woman walk out
of the small park toward the shopping streets
into a present tense
where what’s ineffaceable repeats
itself. Accidents.
I dash ahead, new whistle in my hand
She runs behind. The car. The almost-silent
thud. Gísela, prone, also silent, on the ground.
Death is the scandal that was always hidden.
I never saw my grandmother again
Who took me home? Somebody did. In
the next few days (because that afternoon
and night are blank) I don’t think I cried, I didn’t
know what to ask (I wasn’t three), and then I did, and
"She’s gone to live in Florida" they said
and I knew she was dead.
A black woman, to whom I wasn’t nice,
was hired to look after me.
Her name was Josephine – and that made twice
I’d heard that name: my grandmother’s park crony
was Josephine. Where was Grandma; where was Gísela ?
she called me to her bench to ask one day.
I say, "She’s gone to live in Florida."
|
Written by
Vachel Lindsay |
(To Edgar Lee Masters, with great respect)
HERE upon the prarie
Is our ancestral hall.
Agate is the dome,
Cornelian the wall.
Ghouls are in the cellar,
But fays upon the stairs.
And here lived old King Silver Dreams,
Always at his prayers.
Here lived gray Queen Silver Dreams,
Always signing psalms,
And haughty Grandma Silver Dreams,
Throned with folded palms.
Here played cousin Alice.
Her soul was best of all.
And every fairy loved her,
In our ancestral hall.
Alice has a prarie grave.
The King and Queen lie low,
And aged Grandma Silver Dreams,
Four toombstones in a row.
But still in snow and sunshine
Stands our ancestral hall.
Agate is the dome,
Cornelian the wall.
And legends walk about,
And proverbs, with proud airs.
Ghouls are in the cellar,
But fays upon the stairs.
|