Written by
Lisel Mueller |
In 1936, a child
in Hitler's Germany,
what did I know about the war in Spain?
Andalusia was a tango
on a wind-up gramophone,
Franco a hero's face in the paper.
No one told me about a poet
for whose sake I might have learned Spanish
bleeding to death on a barren hill.
All I knew of Spain
were those precious imported treats
we splurged on for Christmas.
I remember pulling the sections apart,
lining them up, sucking each one
slowly, so the red sweetness
would last and last --
while I was reading a poem
by a long-dead German poet
in which the woods stood safe
under the moon's milky eye
and the white fog in the meadows
aspired to become lighter than air.
|
Written by
T S (Thomas Stearns) Eliot |
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank.
The wind
Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in
the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr.
Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.
i.
f.
London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.
)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
"Well now that's done: and I'm glad it's over.
"
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me.
Richmond and Kew
Undid me.
By Richmond I raised my knees
Supine on the floor of a narrow canoe.
"
"My feet are at Moorgate, and my heart
Under my feet.
After the event
He wept.
He promised 'a new start'.
I made no comment.
What should I resent?"
"On Margate Sands.
300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing.
"
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
|
Written by
James Merrill |
Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.
From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's--no--he's the Leiermann's best friend,
Or would be if hearing and listening were the same.
Does he hear?I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
"Les jets d'eau du palais de ceux qui s'aiment.
"
He ponders the Schumann Concerto's tall willow hit
By lightning, and stays put.
When he surmises
Through one of Bach's eternal boxwood mazes
The oboe pungent as a ***** in heat,
Or when the calypso decants its raw bay rum
Or the moon in Wozzeck reddens ripe for murder,
He doesn't sneeze or howl; just listens harder.
Adamant needles bear down on him from
Whirling of outer space, too black, too near--
But he was taught as a puppy not to flinch,
Much less to imitate his bête noire Blanche
Who barked, fat foolish creature, at King Lear.
Still others fought in the road's filth over Jezebel,
Slavered on hearths of horned and pelted barons.
His forebears lacked, to say the least, forebearance.
Can nature change in him?Nothing's impossible.
The last chord fades.
The night is cold and fine.
His master's voice rasps through the grooves' bare groves.
Obediently, in silence like the grave's
He sleeps there on the still-warm gramophone
Only to dream he is at the première of a Handel
Opera long thought lost--Il Cane Minore.
Its allegorical subject is his story!
A little dog revolving round a spindle
Gives rise to harmonies beyond belief,
A cast of stars .
.
.
.
Is there in Victor's heart
No honey for the vanquished?Art is art.
The life it asks of us is a dog's life.
|
Written by
Siegfried Sassoon |
I
From you, Beethoven, Bach, Mozart,
The substance of my dreams took fire.
You built cathedrals in my heart,
And lit my pinnacled desire.
You were the ardour and the bright
Procession of my thoughts toward prayer.
You were the wrath of storm, the light
On distant citadels aflare.
II
Great names, I cannot find you now
In these loud years of youth that strives
Through doom toward peace: upon my brow
I wear a wreath of banished lives.
You have no part with lads who fought
And laughed and suffered at my side.
Your fugues and symphonies have brought
No memory of my friends who died.
III
For when my brain is on their track,
In slangy speech I call them back.
With fox-trot tunes their ghosts I charm.
‘Another little drink won’t do us any harm.
’
I think of rag-time; a bit of rag-time;
And see their faces crowding round
To the sound of the syncopated beat.
They’ve got such jolly things to tell,
Home from hell with a Blighty wound so neat.
.
.
.
.
.
.
And so the song breaks off; and I’m alone.
They’re dead .
.
.
For God’s sake stop that gramophone.
|
Written by
Robert William Service |
"The aristocratic ne'er-do-well in Canada frequently finds his way
into the ranks of the Royal North-West Mounted Police.
" -- Extract.
Hark to the ewe that bore him:
"What has muddied the strain?
Never his brothers before him
Showed the hint of a stain.
"
Hark to the tups and wethers;
Hark to the old gray ram:
"We're all of us white, but he's black as night,
And he'll never be worth a damn.
"
I'm up on the bally wood-pile at the back of the barracks yard;
"A damned disgrace to the force, sir", with a comrade standing guard;
Making the bluff I'm busy, doing my six months hard.
"Six months hard and dismissed, sir.
" Isn't that rather hell?
And all because of the liquor laws and the wiles of a native belle--
Some "hooch" I gave to a siwash brave who swore that he wouldn't tell.
At least they say that I did it.
It's so in the town report.
All that I can recall is a night of revel and sport,
When I woke with a "head" in the guard-room, and they dragged me sick into court.
And the O.
C.
said: "You are guilty", and I said never a word;
For, hang it, you see I couldn't--I didn't know what had occurred,
And, under the circumstances, denial would be absurd.
But the one that cooked my bacon was Grubbe, of the City Patrol.
He fagged for my room at Eton, and didn't I devil his soul!
And now he is getting even, landing me down in the hole.
Plugging away on the wood-pile; doing chores round the square.
There goes an officer's lady--gives me a haughty stare--
Me that's an earl's own nephew--that is the hardest to bear.
To think of the poor old mater awaiting her prodigal son.
Tho' I broke her heart with my folly, I was always the white-haired one.
(That fatted calf that they're cooking will surely be overdone.
)
I'll go back and yarn to the Bishop; I'll dance with the village belle;
I'll hand round tea to the ladies, and everything will be well.
Where I have been won't matter; what I have seen I won't tell.
I'll soar to their ken like a comet.
They'll see me with never a stain;
But will they reform me? --far from it.
We pay for our pleasure with pain;
But the dog will return to his vomit, the hog to his wallow again.
I've chewed on the rind of creation, and bitter I've tasted the same;
Stacked up against hell and damnation, I've managed to stay in the game;
I've had my moments of sorrow; I've had my seasons of shame.
That's past; when one's nature's a cracked one, it's too jolly hard to mend.
So long as the road is level, so long as I've cash to spend.
I'm bound to go to the devil, and it's all the same in the end.
The bugle is sounding for stables; the men troop off through the gloom;
An orderly laying the tables sings in the bright mess-room.
(I'll wash in the prison bucket, and brush with the prison broom.
)
I'll lie in my cell and listen; I'll wish that I couldn't hear
The laugh and the chaff of the fellows swigging the canteen beer;
The nasal tone of the gramophone playing "The Bandolier".
And it seems to me, though it's misty, that night of the flowing bowl,
That the man who potlatched the whiskey and landed me into the hole
Was Grubble, that unmerciful bounder, Grubble, of the City Patrol.
|
Written by
Robert William Service |
Fearing that she might go one day
With some fine fellow of her choice,
I called her from her childish play,
And made a record of her voice.
And now that she is truly gone,
I hear it sweet and crystal clear
From out my wheezy gramophone:
"I love you, Daddy dear.
"
Indeed it's true she went away,
But Oh she went all, all alone;
Into the dark she went for aye,
Poor little mite! ere girlhood grown.
Ah that I could with her have gone!
But this is all I have to show -
A ghost voice on a gramophone:
"Dear Dad, I love you so.
"
The saddest part of loss 'tis said,
Is that time tempers our regret;
But that is treason to the dead -
I'll not forget, I'll not forget.
Sole souvenir of golden years,
'Twas best to break this disc in two,
And spare myself a spate of tears .
.
.
But this I cannot do.
So I will play it every day,
And it will seem that she is near,
And once again I'll hear her say:
I love you so, Oh Daddy dear.
"
And then her kiss - a stab of woe.
The record ends .
.
.
I breathe a plea:
"Oh God, speed me to where I know
Wee lass, you wait for me.
"
|