Written by
Anne Sexton |
There was an unwanted child.
Aborted by three modern methods
she hung on to the womb,
hooked onto I
building her house into it
and it was to no avail,
to black her out.
At her birth
she did not cry,
spanked indeed,
but did not yell--
instead snow fell out of her mouth.
As she grew, year by year,
her hair turned like a rose in a vase,
and bled down her face.
Rocks were placed on her to keep
the growing silent,
and though they bruised,
they did not kill,
though kill was tangled into her beginning.
They locked her in a football
but she merely curled up
and pretended it was a warm doll's house.
They pushed insects in to bite her off
and she let them crawl into her eyes
pretending they were a puppet show.
Later, later,
grown fully, as they say,
they gave her a ring,
and she wore it like a root
ans said to herself,
"To be not loved is the human condition,"
and lay like a stature in her bed.
Then once,
by terrible chance,
love took her in his big boat
and she shoveled the ocean
in a scalding joy.
Then,
slowly,
love seeped away,
the boat turned into paper
and she knew her fate,
at last.
Turn where you belong,
into a deaf mute
that metal house,
let him drill you into no one.
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Written by
Russell Edson |
A man had just delivered a toad from his wife's armpit. He
held it by its legs and spanked it.
Do you love it? said his wife.
It's our child, isn't it?
Does that mean you can't love it? she said.
It's hard enough to love a toad, but when it turns out to be
your own son then revulsion is without any tender inhibition,
he said.
Do you mean you would not like to call it George Jr.?
she said.
But we've already called the other toad that, he said.
Well, perhaps we could call the other one George Sr.,
she said.
But I am George Sr., he said.
Well, perhaps if you hid in the attic, so that no one needed
to call you anything, there would be no difficulty in calling
both of them George, she said.
Yes, if no one talks to me, then what need have I for a name?
he said.
No, no one will talk to you for the rest of your life. And
when we bury you we shall put Father of Toads on your
tombstone.
|
Written by
Anne Sexton |
I've been going right on, page by page,
since we last kissed, two long dolls in a cage,
two hunger-mongers throwing a myth in and out,
double-crossing out lives with doubt,
leaving us separate now, fogy with rage.
But then I've told my readers what I think
and scrubbed out the remainder with my shrink,
have placed my bones in a jar as if possessed,
have pasted a black wing over my left breast,
have washed the white out of the moon at my sink,
have eaten The Cross, have digested its lore,
indeed, have loved that eggless man once more,
have placed my own head in the kettle because
in the end death won't settle for my hypochondrias,
because this errand we're on goes to one store.
That shopkeeper may put up barricades,
and he may advertise cognac and razor blades,
he may let you dally at Nice or the Tuileries,
he may let the state of our bowels have ascendancy,
he may let such as we flaunt our escapades,
swallow down our portion of whisky and dex,
salvage the day with some soup or some sex,
juggle our teabags as we inch down the hall,
let the blood out of our fires with phenobarbital,
lick the headlines for Starkweathers and Specks,
let us be folk of the literary set,
let us deceive with words the critics regret,
let us dog down the streets for each invitation,
typing out our lives like a Singer sewing sublimation,
letting our delicate bottoms settle and yet
they were spanked alive by some doctor of folly,
given a horn or a dish to get by with, by golly,
exploding with blood in this errand called life,
dumb with snow and elbows, rubber man, a mother wife,
tongues to waggle out of the words, mistletoe and holly,
tables to place our stones on, decades of disguises,
wntil the shopkeeper plants his boot in our eyes,
and unties our bone and is finished with the case,
and turns to the next customer, forgetting our face
or how we knelt at the yellow bulb with sighs
like moth wings for a short while in a small place.
|
Written by
Robert William Service |
In Pat Mahoney's booze bazaar the fun was fast and free,
And Ragtime Billy spanked the baby grand;
While caroling a saucy song was Montreal Maree,
With sozzled sourdoughs giving her a hand.
When suddenly erupting in the gay and gilded hall,
A stranger draped himself upon the bar;
As in a voice like bedrock grit he hollered: "Drinks for all,"
And casually lit a long cigar.
He bore a battered stetson on the grizzle of his dome,
And a bunch of inky whiskers on his jaw;
The suddenly I knew the guy - 'twas Black Moran from Nome.
A guinney like greased lightening on the draw.
But no one got his number in that wild and wooly throng,
As they hailed his invitation with eclaw,
And they crowded round the stranger, but I knew something was wrong.
When in there stomped the Sheriff, Red McGraw.
Now Red McGraw from Arkansaw was noted for his *****;
He had a dozen notches on his gun;
And whether he was sober or whether he was drunk,
He kept the lousy outlaws on the run.
So now he shouts: "Say, boys, there's been a hold-up Hunker Way,
And by this poke I'm throwin' on the bar,
I bet I'll get the bastard braced before another day,
Or send him where a dozen others are."
He banged the bag of gold-dust on the bar for all to see,
When in a lazy drawl the stranger spoke:
"As I'm the man you're lookin' for an feelin' mighty free,
I reckon, Sheriff, I'll jest take yer poke.
It's pleasant meetin' you like this, an' talkin' man to man,
For all the North had heard o' Ref McGraw.
I'm glad to make ye eat yer words, since I am Black Moran,
An' no man livin' beats me on the draw."
And as they boldly bellied, each man's hand was on his rod,
Yet at that dreaded name the Sheriff knew
A single fumbling movement and he'd go to meet his God,
The which he had no great desire to do.
So there they stood like carven wood and hushed was every breath,
We watched them glaring, staring eye to eye;
But neither drew, for either knew a second split meant death -
And so a minute . . . two . . . three three went by.
The sweat pricked on the Sheriff's brow as suddenly he broke
And limp and weak he wilted to the floor;
And then the stranger's hand shot out and grabbed the heavy poke
As jeeringly he backed up to the door.
"Say, folks," he cried, "I'm off downstream; no more of me you'll see,
But let me state the job was pretty raw. . . .
The guy that staged the robbery he thought to pin on me
Was your bastard Sheriff, Red McGraw."
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Written by
Paul Laurence Dunbar |
W'en us fellers stomp around, makin' lots o' noise,
Gramma says, "There's certain times come to little boys
W'en they need a shingle or the soft side of a plank;"
She says "we're a-itchin' for a right good spank."
An' she says, "Now thes you wait,
It's a-comin'—soon or late,
W'en a feller's itchin' fer a spank."
W'en a feller's out o' school, you know how he feels,
Gramma says we wriggle 'roun' like a lot o' eels.
W'y it's like a man that's thes home from out o' jail.
What's the use o' scoldin' if we pull Tray's tail?
Gramma says, tho', "Thes you wait,
It's a-comin'—soon or late,
You'se the boys that's itchin' to be spanked."
Cats is funny creatures an' I like to make 'em yowl,
Gramma alwus looks at me with a awful scowl
An' she says, "Young gentlemen, mamma should be thanked
[Pg 265]Ef you'd get your knickerbockers right well spanked."
An' she says, "Now thes you wait,
It's a-comin'—soon or late,"
When a feller's itchin' to be spanked.
Ef you fin' the days is gettin' awful hot in school
An' you know a swimmin' place where it's nice and cool,
Er you know a cat-fish hole brimmin' full o' fish,
Whose a-goin' to set around school and wish?
'Tain't no use to hide your bait,
It's a-comin,—soon or late,
Wen a feller's itchin' to be spanked.
Ol' folks know most ever'thing 'bout the world, I guess,
Gramma does, we wish she knowed thes a little less,
But I alwus kind o' think it 'ud be as well
Ef they wouldn't alwus have to up an' tell;
We kids wish 'at they'd thes wait,
It's a-comin'—soon or late,
Wen a feller's itchin' to be spanked.
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Written by
Paul Laurence Dunbar |
'Tis an old deserted homestead
On the outskirts of the town,
Where the roof is all moss-covered,
And the walls are tumbling down;
But around that little cottage
Do my brightest mem'ries cling,
For 'twas there I spent the moments
Of my youth,—life's happy spring.
I remember how I used to
Swing upon the old front gate,
While the robin in the tree tops
Sung a night song to his mate;
And how later in the evening,
As the beaux were wont to do,
Mr. Perkins, in the parlor,
Sat and sparked my sister Sue.
There my mother—heaven bless her!—
Kissed or spanked as was our need,
And by smile or stroke implanted
In our hearts fair virtue's seed;
While my father, man of wisdom,
Lawyer keen, and farmer stout,
Argued long with neighbor Dobbins
How the corn crops would turn out.
Then the quiltings and the dances—
How my feet were wont to fly,
While the moon peeped through the barn chinks
From her stately place on high.
Oh, those days, so sweet, so happy,
Ever backward o'er me roll;
Still the music of that farm life
Rings an echo in my soul.
Now the old place is deserted,
And the walls are falling down;
All who made the home life cheerful,
Now have died or moved to town.
But about that dear old cottage
Shall my mem'ries ever cling,
For 'twas there I spent the moments
[Pg 284]Of my, youth,—life's happy spring.
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