by
Langston Hughes
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor-”
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now-”
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
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by
Maggie Estep
Liner Notes - (From Love Is A Dog From Hell)
Emotional Idiocy is obviously
a theme close to my heart since I seem to use the phrase in novels and
CDs alike. My friend and mentor of sorts, Andrew Vachss, upon hearing me
read a rendition of this poem, stated that it ought to be the theme song
for borderline personality disorder. He's right.
I'm an Emotional Idiot
so get away from me.
I mean,
COME HERE.
Wait, no,
that's too close,
give me some space
it's a big country,
there's plenty of room,
don't sit so close to me.
Hey, where are you?
I haven't seen you in days.
Whadya, having an affair?
Who is she?
Come on,
aren't I enough for you?
God,
You're so cold.
I never know what you're thinking.
You're not very affectionate.
I mean,
you're clinging to me,
DON'T TOUCH ME,
what am I, your fucking cat?
Don't rub me like that.
Don't you have anything better to do
than sit there fawning over me?
Don't you have any interests?
Hobbies?
Sailing Fly fishing
Archeology?
There's an archeology expedition leaving tomorrow
why don't you go?
I'll loan you the money,
my money is your money.
my life is your life
my soul is yours
without you I'm nothing.
Move in with me
we'll get a studio apartment together, save on rent,
well, wait, I mean, a one bedroom,
so we don't get in each other's hair or anything
or, well,
maybe a two bedroom
I'll have my own bedroom,
it's nothing personal
I just need to be alone sometimes,
you do understand,
don't you?
Hey, why are you acting distant?
Where you goin',
was it something I said?
What
What did I do?
I'm an emotional idiot
so get away from me
I mean,
MARRY ME.
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by
Rudyard Kipling
We're foot--slog--slog--slog--sloggin' over Africa --
Foot--foot--foot--foot--sloggin' over Africa --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Seven--six--eleven--five--nine-an'-twenty mile to-day --
Four--eleven--seventeen--thirty-two the day before --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Don't--don't--don't--don't--look at what's in front of you.
(Boots--boots--boots--boots--movin' up an' down again);
Men--men--men--men--men go mad with watchin' em,
An' there's no discharge in the war!
Try--try--try--try--to think o' something different --
Oh--my--God--keep--me from goin' lunatic!
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Count--count--count--count--the bullets in the bandoliers.
If--your--eyes--drop--they will get atop o' you!
(Boots--boots--boots--boots--movin' up an' down again) --
There's no discharge in the war!
We--can--stick--out--'unger, thirst, an' weariness,
But--not--not--not--not the chronic sight of 'em --
Boot--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!
'Taint--so--bad--by--day because o' company,
But night--brings--long--strings--o' forty thousand million
Boots--boots--boots--boots--movin' up an' down again.
There's no discharge in the war!
I--'ave--marched--six--weeks in 'Ell an' certify
It--is--not--fire--devils, dark, or anything,
But boots--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!
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by
William Butler Yeats
Come round me, little childer;
There, don't fling stones at me
Because I mutter as I go;
But pity Moll Magee.
My man was a poor fisher
With shore lines in the say;
My work was saltin' herrings
The whole of the long day.
And sometimes from the Saltin' shed
I scarce could drag my feet,
Under the blessed moonlight,
Along thc pebbly street.
I'd always been but weakly,
And my baby was just born;
A neighbour minded her by day,
I minded her till morn.
I lay upon my baby;
Ye little childer dear,
I looked on my cold baby
When the morn grew frosty and clear.
A weary woman sleeps so hard!
My man grew red and pale,
And gave me money, and bade me go
To my own place, Kinsale.
He drove me out and shut the door.
And gave his curse to me;
I went away in silence,
No neighbour could I see.
The windows and the doors were shut,
One star shone faint and green,
The little straws were turnin round
Across the bare boreen.
I went away in silence:
Beyond old Martin's byre
I saw a kindly neighbour
Blowin' her mornin' fire.
She drew from me my story -
My money's all used up,
And still, with pityin', scornin' eye,
She gives me bite and sup.
She says my man will surely come
And fetch me home agin;
But always, as I'm movin' round,
Without doors or within,
Pilin' the wood or pilin' the turf,
Or goin' to the well,
I'm thinkin' of my baby
And keenin' to mysel'.
And Sometimes I am sure she knows
When, openin' wide His door,
God lights the stats, His candles,
And looks upon the poor.
So now, ye little childer,
Ye won't fling stones at me;
But gather with your shinin' looks
And pity Moll Magee.
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by
Rudyard Kipling
I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.
I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.
Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.
We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.
You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!
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by
Eugene Field
This talk about the journalists that run the East is bosh,
We've got a Western editor that's little, but, O gosh!
He lives here in Mizzoora where the people are so set
In ante-bellum notions that they vote for Jackson yet;
But the paper he is running makes the rusty fossils swear,--
The smartest, likeliest paper that is printed anywhere!
And, best of all, the paragraphs are pointed as a tack,
And that's because they emanate
From little Mack.
In architecture he is what you'd call a chunky man,
As if he'd been constructed on the summer cottage plan;
He has a nose like Bonaparte; and round his mobile mouth
Lies all the sensuous languor of the children of the South;
His dealings with reporters who affect a weekly bust
Have given to his violet eyes a shadow of distrust;
In glorious abandon his brown hair wanders back
From the grand Websterian forehead
Of little Mack.
No matter what the item is, if there's an item in it,
You bet your life he's on to it and nips it in a minute!
From multifarious nations, countries, monarchies, and lands,
From Afric's sunny fountains and India's coral strands,
From Greenland's icy mountains and Siloam's shady rills,
He gathers in his telegrams, and Houser pays the bills;
What though there be a dearth of news, he has a happy knack
Of scraping up a lot of scoops,
Does little Mack.
And learning? Well he knows the folks of every tribe and age
That ever played a part upon this fleeting human stage;
His intellectual system's so extensive and so greedy
That, when it comes to records, he's a walkin' cyclopedy;
For having studied (and digested) all the books a-goin',
It stands to reason he must know about all's worth a-knowin'!
So when a politician with a record's on the track,
We're apt to hear some history
From little Mack.
And when a fellow-journalist is broke and needs a twenty,
Who's allus ready to whack up a portion of his plenty?
Who's allus got a wallet that's as full of sordid gain
As his heart is full of kindness and his head is full of brain?
Whose bowels of compassion will in-va-ri-a-bly move
Their owner to those courtesies which plainly, surely prove
That he's the kind of person that never does go back
On a fellow that's in trouble?
Why, little Mack!
I've heard 'em tell of Dana, and of Bonner, and of Reid,
Of Johnnie Cockerill, who, I'll own, is very smart indeed;
Yet I don't care what their renown or influence may be,
One metropolitan exchange is quite enough for me!
So keep your Danas, Bonners, Reids, your Cockerills, and the rest,
The woods is full of better men all through this woolly West;
For all that sleek, pretentious, Eastern editorial pack
We wouldn't swap the shadow of
Our little Mack!
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by
Eugene Field
It's June ag'in, an' in my soul I feel the fillin' joy
That's sure to come this time o' year to every little boy;
For, every June, the Sunday-schools at picnics may be seen,
Where "fields beyont the swellin' floods stand dressed in livin' green";
Where little girls are skeered to death with spiders, bugs, and ants,
An' little boys get grass-stains on their go-to meetin' pants.
It's June ag'in, an' with it all what happiness is mine -
There's goin' to be a picnic, an' I'm goin' to jine!
One year I jined the Baptists, an' goodness! how it rained!
(But grampa says that that's the way "baptizo" is explained.)
And once I jined the 'Piscopils an' had a heap o' fun -
But the boss of all the picnics was the Presbyteriun!
They had so many puddin's, sallids, sandwidges, an' pies,
That a feller wisht his stummick was as hungry as his eyes!
Oh, yes, the eatin' Presbyteriuns give yer is so fine
That when they have a picnic, you bet I'm goin' to jine!
But at this time the Methodists have special claims on me,
For they're goin' to give a picnic on the 21st, D. V.;
Why should a liberal universalist like me object
To share the joys of fellowship with every friendly sect?
However het'rodox their articles of faith elsewise may be,
Their doctrine of fried chick'n is a savin' grace to me!
So on the 21st of June, the weather bein' fine,
They're goin' to give a picnic, and I'm goin' to jine!
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by
James Whitcomb Riley
I ain't a-goin' to cry no more, no more!
I'm got ear-ache, an' Ma can't make
It quit a-tall;
An' Carlo bite my rubber-ball
An' puncture it; an' Sis she take
An' poke' my knife down through the stable-floor
An' loozed it - blame it all!
But I ain't goin' to cry no more, no more!
An' Aunt Mame wrote she's comin',
an she can't -
Folks is come there! - An I don't care
She is my Aunt!
An' my eyes stings; an' I'm
Ist coughin' all the time,
An' hurts me so; an' where my side's so sore
Grampa felt where, an' he
Says `Mayby it's pleurasy!"
But I ain't goin' to cry no more, no more!
An' I clumbed up an' nen failed off the fence,
An' Herbert he ist laugh at me!
An my fi'-cents
It sticked in my tin bank, an' I ist store
Purt' nigh my thumbnail off,
a-tryin to get
It out - nen smash it! - An' it's in there yit!
But I ain't goin' to cry no more, no more!
Oo! I'm so wickud! - An' my breath's so hot -
Ist like I run an' don't res' none
But ist run on when I ought to not;
Yes, an' my chin
An' lip's all warpy, an' teeth's so fast,
An' 's a place in my throat I can't swaller past -
An' they all hurt so!
An' oh, my-oh!
I'm a-startin' ag'in -
I'm a-startin ag'in, but I won't, fer shore! -
I ist ain't goin' to cry no more, no more!
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by
Ntozake Shange
somebody almost walked off wid alla my stuff ?not my poems or a dance i gave up in the street? but somebody almost walked off wid alla my stuff
like a kleptomaniac workin hard & forgettin while stealin? this is mine/this aint yr stuff/?now why don’t you put me back & let me hang out in my own self
somebody almost walked off wit alla my stuff ; didn’t care enuf to send a note home sayin ?i was late for my solo conversation? or two sizes to small for my own tacky skirts
what can anybody do wit somethin of no value on?a open market/ did you getta dime for my things/?hey man/ where are you goin wid alla my stuff/?to ohh & ahh abt/ daddy/ i gotta mainline number ?from my own ****/ now wontcha put me back/ & let? me play this duet/ wit silver ring in my nose/?honest to god/
somebody almost run off wit alla my stuff/ ?& i didnt bring anythin but the kick & sway of it ?the perfect ass for my man & none of it is theirs ?this is mine/ ntozake ‘her own things’/ that’s my name? now give me my stuff/ i see ya hidin my laugh/ & how i?s it wif my legs open sometimes/ to give me ?some sunlight/ & there goes my love my toes my chewed ?up finger nails/ niggah/ wif the curls in yr hair/?mr. louisiana hot link/
i want my stuff back/?my rhythms & my voice/ open my mouth/ & let me talk ya ?outta/ throwin my **** in the sewar/ this is some delicate ?leg & whimsical kiss/ i gotta have to give to my choice/?without you runnin off wit alla my ****/?now you cant have me less i give me away/ i waz?doin all that/ til ya run off on a good thing/
who is this you left me wit/ some simple ***** ?widda bad attitude/ i wants my things/?i want my arm wit the hot iron scar/ & my leg wit the? flea bite/ i want my calloused feet & quik language back?in my mouth/ fried plantains/ pineapple pear juice/ ?sun-ra & joseph & jules/ i want my own things/ how i lived them/?& give me my memories/ how i waz when i waz there/?you cant have them or do nothin wit them/
stealin my **** from me/ dont make it yrs/ makes it stolen/?somebody almost run off wit alla my stuff/ & i waz standin? there/ lookin at myself/ the whole time ?& it waznt a spirit took my stuff/ waz a man whose ?ego walked round like Rodan’s shadow/ waz a man faster?n my innocence/
waz a lover/ i made too much ?room for/ almost run off wit alla my stuff/?& i didnt know i’d give it up so quik/ & the one runnin wit it/?don’t know he got it/ & i’m shoutin this is mine/ & he dont ?know he got it/ my stuff is the anonymous ripped off treasure? of the year/
did you know somebody almost got away wit me/?me in a plastic bag under their arm/ me ?danglin on a string of personal carelessness/ i’m spattered wit? mud & city rain/ & no i didnt get a chance to take a douche/?hey man/ this is not your prerogative/ i gotta have me in my? pocket/ to get round like a good woman shd/ & make the poem?in the pot or the chicken in the dance/
what i got to do/?i gotta get my stuff to do it to/?why dont ya find yr own things/ & leave this package ?of me for my destiny/ what ya got to get from me/?i’ll give it to ya/ yeh/ i’ll give it to ya/?round 5:00 in the winter/ when the sky is blue-red/?& Dew City is gettin pressed/ if it’s really my stuff/?ya gotta give it to me/ if ya really want it/ i’m ?the only one/ can handle it
-----By: Ntozake Shange.
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by
Paul Laurence Dunbar
My muvver's ist the nicest one
'At ever lived wiz folks;
She lets you have ze mostes' fun,
An' laffs at all your jokes.
I got a ol' maid auntie, too,
The worst you ever saw;
Her eyes ist bore you through and through,—
She ain't a bit like ma.
She's ist as slim, as slim can be,
An' when you want to slide
Down on ze balusters, w'y she
Says 'at she's harrified.
She ain't as nice as Uncle Ben,
What says 'at little boys
Won't never grow to be big men
Unless they're fond of noise.
But muvver's nicer zan 'em all,
She calls you, "precious lamb,"
An' let's you roll your ten-pin ball,
An' spreads your bread wiz jam.
An' when you're bad, she ist looks sad,
You fink she's goin' to cry;
An' when she don't you're awful glad,
[Pg 248]An' den you're good, Oh, my!
At night, she takes ze softest hand,
An' lays it on your head,
An' says "Be off to Sleepy-Land
By way o' trundle-bed."
So when you fink what muvver knows
An' aunts an' uncle tan't,
It skeers a feller; ist suppose
His muvver 'd been a aunt.
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