Written by
Delmira Agustini |
Spanish –Eros: acaso no sentiste nuncaPiedad de las estatuas?Se dirían crisálidas de piedraDe yo no sé qué formidable razaEn una eterna espera inenarrable.
Los cráteres dormidos de sus bocasDan la ceniza negra del Silencio,Mana de las columnas de sus hombrosLa mortaja copiosa de la CalmaY fluye de sus órbitas la noche;Victimas del Futuro o del Misterio,En capullos terribles y magníficosEsperan a la Vida o a la Muerte.
Eros: acaso no sentiste nuncaPiedad de las estatuas?– Piedad para las vidasQue no doran a fuego tus bonanzasNi riegan o desgajan tus tormentas;Piedad para los cuerpos revestidosDel armiño solemne de la Calma,Y las frentes en luz que sobrellevanGrandes lirios marmóreos de pureza,Pesados y glaciales como témpanos;Piedad para las manos enguantadasDe hielo, que no arrancanLos frutos deleitosos de la CarneNi las flores fantásticas del alma;Piedad para los ojos que aleteanEspirituales párpados:Escamas de misterio,Negros telones de visiones rosas…Nunca ven nada por mirar tan lejos! Piedad para las pulcras cabelleras–Misticas aureolas–Peinadas como lagosQue nunca airea el abanico *****,***** y enorme de la tempestad;Piedad para los ínclitos espiritusTallados en diamante,Altos, claros, extáticosPararrayos de cúpulas morales;Piedad para los labios como engarcesCelestes donde fulgeInvisible la perla de la Hostia;–Labios que nunca fueron,Que no apresaron nuncaUn vampiro de fuegoCon más sed y más hambre que un abismo.
–Piedad para los sexos sacrosantosQue acoraza de unaHoja de viña astral la Castidad;Piedad para las plantas imantadasDe eternidad que arrastranPor el eterno azurLas sandalias quemantes de sus llagas;Piedad, piedad, piedadPara todas las vidas que defiendeDe tus maravillosas intemperiesEl mirador enhiesto del Orgullo;Apuntales tus soles o tus rayos!Eros: acaso no sentiste nuncaPiedad de las estatuas?… English –Eros: have you never feltPiety for the statues?These chrysalides of stone,Some formidable raceIn an eternal, unutterable hope.
The sleeping craters of their mouthsUtter the black ash of silence;A copious shroud of CalmFalls from the columns of their arms,And night flows from their eyesockets;Victims of Destiny or Mystery,In magnificent and terrible cocoons,They wait for Life or Death.
Eros: have you never perhaps feltPiety for the statues? Piety for the livesThat will not strew nor rend your battlesNor gild your fiery truces;Piety for the bodies clothedIn the solemn ermine of Calm,The luminous foreheads that endureTheir marble wreaths, grand and pure,Weighty and glacial as icebergs;Piety for the gloved hands of iceThat cannot uprootThe delicious fruits of the Flesh,The fantastic flowers of the soul;Piety for the eyes that flutterTheir spiritual eyelids:Mysterious fish scales,Dark curtains on rose visions…For looking so far, they never see! Piety for the tidy heads of hair–Mystical haloes–Gently combed like lakesWhich the storm’s black fan,Black and enormous, never thrashes;Piety for the spirits, illustrious,Carved of diamonds,High, clear, ecstaticLightning rods on pious domes;Piety for the lips like celestial settingsWhere the invisible pearls of the Host gleam;–Lips that never existed,Never seized anything,A fiery vampireWith more thirst and hunger than an abyss.
Piety for the sacrosanct sexesThat armor themselves with sheathsFrom the astral vineyards of Chastity;Piety for the magnetized footsolesWho eternally dragSandals burning with soresThrough the eternal azure;Piety, piety, pityFor all the lives defendedBy the lighthouse of PrideFrom your marvelous raw weathers:Aim your suns and rays at them!Eros: have you never perhaps feltPity for the statues?
|
Written by
Jorie Graham |
Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves
drowns out the cricket-chirping I was
coming close to hear
Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here,
and I have arranged the flowers for you
again.
Have taken the dead cordless ones, the yellow bits past apogee,
the faded cloth, the pollen-free abandoned marriage-hymn
back out, leaving the few crisp blooms to swagger, winglets, limpid
debris
Shall I arrange these few remaining flowers?
Shall I rearrange these gossamer efficiencies?
Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course,
drinks fluorescent, whips of syntax in the air
above the heads -- how small they seem from here,
the bobbing universal heads, stuffing the void with eloquence,
and also tiny merciless darts
of truth.
It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight
over the voices, keeping them intermingling, forcing the breaths to
marry, marry,
cunning little hermeneutic cupola,
dome of occasion in which the thoughts re-
group, the footprints stall and gnaw in tiny ruts,
the napkins wave, are waved , the honeycombing
thoughts are felt to dialogue, a form of self-
congratulation, no?, or is it suffering? I'm a bit
dizzy up here rearranging things,
they will come up here soon, and need a setting for their fears,
and loves, an architecture for their evolutionary
morphic needs -- what will they need if I don't make the place? --
what will they know to miss?, what cry out for, what feel the bitter
restless irritations
for? A bit dizzy from the altitude of everlastingness,
the tireless altitudes of the created place,
in which to make a life -- a liberty -- the hollow, fetishized, and starry
place,
a bit gossamer with dream, a vortex of evaporations,
oh little dream, invisible city, invisible hill
I make here on the upper floors for you --
down there, where you are entertained, where you are passing
time, there's glass and moss on air,
there's the feeling of being numerous, mouths submitting to air, lips
to protocol,
and dreams of sense, tongues, hinges, forceps clicking
in anticipation ofas if the moment, freeze-burned by accuracies--of
could be thawed open into life again
by gladnesses, by rectitude -- no, no -- by the sinewy efforts at
sincerity -- can't you feel it gliding round you,
mutating, yielding the effort-filled phrases of your talk to air,
compounding, stemming them, honeying-open the sheerest
innuendoes till
the rightness seems to root, in the air, in the compact indoor sky,
and the rest, all round, feels like desert, falls away,
and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul
into the midst of others, in conversation,
gloved by desire, into the tiny carnage
of opinionsSo dizzy.
Life buzzing beneath me
though my feeling says the hive is gone, queen gone,
the continuum continuing beneath, busy, earnest, in con-
versation.
Shall I prepare.
Shall I put this further
to the left, shall I move the light, the point-of-view, the shades are
drawn, to cast a glow resembling disappearance, slightly red,
will that fix it, will that make clear the task, the trellised ongoingness
and all these tiny purposes, these parables, this marketplace
of tightening truths?
Oh knit me that am crumpled dust,
the heap is all dispersed.
Knit me that am.
Say therefore.
Say
philosophy and mean by that the pane.
Let us look out again.
The yellow sky.
With black leaves rearranging it
|
Written by
Sylvia Plath |
Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.
I am nude as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop smock,
Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.
Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing.
I am led through a beanfield.
Strips of tinfoil winking like people,
Feather dusters fanning their hands in a sea of bean flowers,
Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string?
No, no, it is scarlet flowers that will one day be edible.
Now they are giving me a fashionable white straw Italian hat
And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick?
The barren body of hawthon, etherizing its children.
Is it some operation that is taking place?
It is the surgeon my neighbors are waiting for,
This apparition in a green helmet,
Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know?
I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a virgin,
Sealing off her brood cells, her honey, and quietly humming.
Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley,
A gullible head untouched by their animosity,
Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins
Dream of a duel they will win inevitably,
A curtain of wax dividing them from the bride flight,
The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful?
I am exhausted, I am exhausted ----
Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.
|
Written by
James Tate |
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim.
"
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind.
"
|
Written by
Obi Nwakanma |
for Christopher Okigbo
Emrnanuel Ifeajuna &
Chukwuma Nzeogwu
I
It was a room above the alcove
in a city renewed by junipers
And by desires.
.
.
Stripped of words,
the moments recalled;
where the tower,
lo, was in sight:
memories undaunted by sound
or flames of the amethyst,
spoke to me;
spoke to me like the preacher from…
I recall this moment staggering through the wind,
when its breath hissed at the earth;
as we leaned out of the window
in that moment when the first light
streaked, joyous, out of the unalterable street.
.
.
Then, tuned to the immanent choir of the grassland,
untangling from the sea -
Then, stripped to the last detail, from her sinewed skin,
disheveled in the light, one aria from the immaculate concertina -
before her rebirth
a tongue licked through the core of my soul
ii
Strange men in dark garments
riding in slow, weary steps,
paces of a far and distant journey -
in measured gestures
The clatter of hooves on the stone of the
street; wakened from the depths of
their tombs, long dead ghosts,
memories of a carnage -
There was fear bred in that silence,
nothing triumphant in their last march
nothing triumphant where
once a plot is weaved, a rider rides
into anonymity:
what is it that they seek -
These silent riders?
Glory? Memory?
What is it that they want among those
who have fallen from their swords?
Piety? Ablution? Anonymity?
It is not enough to bury the sword
in the fold of the embrace;
nor is it wise, even prudent, to
seek meaning in past deeds
when those deeds are immortal,
or of an impure genealogy -
What do they seek in the bowel of the tide;
in that place, where Onishe,
spirit-mother, swallowed the ravishers of her children?
Graves? Graves in the tide?
iii
Theirs are troubled gestures full of potent wishes.
…are those wishes -
for as they came, those riders, each
hoof in the ascent;
each eye veiled by remorse, or anger or
a forlorn thought -
for as they came, weighed down by ancient baggage,
a skin of water, a measure of wheat, some
penicillin, in case of epidemic
a stretcher to fetch the dead;
an hourglass, and then the gloved idol,
the one that ordered the massacre -
who rode ahead of the light;
muttered a command: 'halt!'.
From The Horsemen and Other Poems
|
Written by
Marilyn Hacker |
This is for Elsa, also known as Liz,
an ample-bosomed gospel singer: five
discrete malignancies in one full breast.
This is for auburn Jacqueline, who is
celebrating fifty years alive,
one since she finished chemotherapy.
with fireworks on the fifteenth of July.
This is for June, whose words are lean and mean
as she is, elucidating our protest.
This is for Lucille, who shines a wide
beam for us with her dark cadences.
This is for long-limbed Maxine, astride
a horse like conscience.
This is for Aline
who taught her lover how to caress the scar.
This is for Eve, who thought of AZT
while hopeful poisons pumped into a vein.
This is for Nanette in the Midwest.
This is for Alicia, shaking back dark hair,
dancing one-breasted with the Sabbath bride.
This is for Judy on a mountainside,
plunging her gloved hands in a glistening hive.
Hilda, Patricia, Gaylord, Emilienne,
Tania, Eunice: this is for everyone
who marks the distance on a calendar
from what's less likely each year to "recur.
"
Our saved-for-now lives are life sentences
-- which we prefer to the alternative.
|
Written by
Sidney Lanier |
"So pulse, and pulse, thou rhythmic-hearted Noon
That liest, large-limbed, curved along the hills,
In languid palpitation, half a-swoon
With ardors and sun-loves and subtle thrills;
"Throb, Beautiful! while the fervent hours exhale
As kisses faint-blown from thy finger-tips
Up to the sun, that turn him passion-pale
And then as red as any virgin's lips.
"O tender Darkness, when June-day hath ceased,
-- Faint Odor from the day-flower's crushing born,
-- Dim, visible Sigh out of the mournful East
That cannot see her lord again till morn:
"And many leaves, broad-palmed towards the sky
To catch the sacred raining of star-light:
And pallid petals, fain, all fain to die,
Soul-stung by too keen passion of the night:
"And short-breath'd winds, under yon gracious moon
Doing mild errands for mild violets,
Or carrying sighs from the red lips of June
What aimless way the odor-current sets:
"And stars, ringed glittering in whorls and bells,
Or bent along the sky in looped star-sprays,
Or vine-wound, with bright grapes in panicles,
Or bramble-tangled in a sweetest maze,
"Or lying like young lilies in a lake
About the great white Lotus of the moon,
Or blown and drifted, as if winds should shake
Star blossoms down from silver stems too soon,
"Or budding thick about full open stars,
Or clambering shyly up cloud-lattices,
Or trampled pale in the red path of Mars,
Or trim-set in quaint gardener's fantasies:
"And long June night-sounds crooned among the leaves,
And whispered confidence of dark and green,
And murmurs in old moss about old eaves,
And tinklings floating over water-sheen!"
Then he that wrote laid down his pen and sighed;
And straightway came old Scorn and Bitterness,
Like Hunnish kings out of the barbarous land,
And camped upon the transient Italy
That he had dreamed to blossom in his soul.
"I'll date this dream," he said; "so: `Given, these,
On this, the coldest night in all the year,
From this, the meanest garret in the world,
In this, the greatest city in the land,
To you, the richest folk this side of death,
By one, the hungriest poet under heaven,
-- Writ while his candle sputtered in the gust,
And while his last, last ember died of cold,
And while the mortal ice i' the air made free
Of all his bones and bit and shrunk his heart,
And while soft Luxury made show to strike
Her gloved hands together and to smile
What time her weary feet unconsciously
Trode wheels that lifted Avarice to power,
-- And while, moreover, -- O thou God, thou God --
His worshipful sweet wife sat still, afar,
Within the village whence she sent him forth
Into the town to make his name and fame,
Waiting, all confident and proud and calm,
Till he should make for her his name and fame,
Waiting -- O Christ, how keen this cuts! -- large-eyed,
With Baby Charley till her husband make
For her and him a poet's name and fame.
'
-- Read me," he cried, and rose, and stamped his foot
Impatiently at Heaven, "read me this,"
(Putting th' inquiry full in the face of God)
"Why can we poets dream us beauty, so,
But cannot dream us bread? Why, now, can I
Make, aye, create this fervid throbbing June
Out of the chill, chill matter of my soul,
Yet cannot make a poorest penny-loaf
Out of this same chill matter, no, not one
For Mary though she starved upon my breast?"
And then he fell upon his couch, and sobbed,
And, late, just when his heart leaned o'er
The very edge of breaking, fain to fall,
God sent him sleep.
There came his room-fellow,
Stout Dick, the painter, saw the written dream,
Read, scratched his curly pate, smiled, winked, fell on
The poem in big-hearted comic rage,
Quick folded, thrust in envelope, addressed
To him, the critic-god, that sitteth grim
And giant-grisly on the stone causeway
That leadeth to his magazine and fame.
Him, by due mail, the little Dream of June
Encountered growling, and at unawares
Stole in upon his poem-battered soul
So that he smiled, -- then shook his head upon 't
-- Then growled, then smiled again, till at the last,
As one that deadly sinned against his will,
He writ upon the margin of the Dream
A wondrous, wondrous word that in a day
Did turn the fleeting song to very bread,
-- Whereat Dick Painter leapt, the poet wept,
And Mary slept with happy drops a-gleam
Upon long lashes of her serene eyes
From twentieth reading of her poet's news
Quick-sent, "O sweet my Sweet, to dream is power,
And I can dream thee bread and dream thee wine,
And I will dream thee robes and gems, dear Love,
To clothe thy holy loveliness withal,
And I will dream thee here to live by me,
Thee and my little man thou hold'st at breast,
-- Come, Name, come, Fame, and kiss my Sweetheart's feet!"
|
Written by
Edward Taylor |
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim.
"
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind.
"
|
Written by
Rudyard Kipling |
Once, on a glittering ice-field, ages and ages ago,
Ung, a maker of pictures, fashioned an image of snow.
Fashioned the form of a tribesman -- gaily he whistled and sung,
Working the snow with his fingers.
Read ye the Story of Ung!
Pleased was his tribe with that image -- came in their hundreds to scan --
Handled it, smelt it, and grunted: "Verily, this is a man!
Thus do we carry our lances -- thus is a war-belt slung.
Lo! it is even as we are.
Glory and honour to Ung!"
Later he pictured an aurochs -- later he pictured a bear --
Pictured the sabre-tooth tiger dragging a man to his lair --
Pictured the mountainous mammoth, hairy, abhorrent, alone --
Out of the love that he bore them, scribing them clearly on bone.
Swift came the tribe to behold them, peering and pushing and still --
Men of the berg-battered beaches, men of the boulder-hatched hill --
Hunters and fishers and trappers, presently whispering low:
"Yea, they are like -- and it may be -- But how does the Picture-man know?"
"Ung -- hath he slept with the Aurochs -- watched where the Mastodon roam?
Spoke on the ice with the Bow-head -- followed the Sabre-tooth home?
Nay! These are toys of his fancy! If he have cheated us so,
How is there truth in his image -- the man that he fashioned of snow?"
Wroth was that maker of pictures -- hotly he answered the call:
"Hunters and fishers and trappers, children and fools are ye all!
Look at the beasts when ye hunt them!" Swift from the tumult he broke,
Ran to the cave of his father and told him the shame that they spoke.
And the father of Ung gave answer, that was old and wise in the craft,
Maker of pictures aforetime, he leaned on his lance and laughed:
"If they could see as thou seest they would do what thou hast done,
And each man would make him a picture, and -- what would become of my son?
"There would be no pelts of the reindeer, flung down at thy cave for a gift,
Nor dole of the oily timber that comes on the Baltic drift;
No store of well-drilled needles, nor ouches of amber pale;
No new-cut tongues of the bison, nor meat of the stranded whale.
"Thou hast not toiled at the fishing when the sodden trammels freeze,
Nor worked the war-boats outward through the rush of the rock-staked seas,
Yet they bring thee fish and plunder -- full meal and an easy bed --
And all for the sake of thy pictures.
" And Ung held down his head.
"Thou hast not stood to the Aurochs when the red snow reeks of the fight;
Men have no time at the houghing to count his curls aright.
And the heart of the hairy Mammoth, thou sayest, they do not see,
Yet they save it whole from the beaches and broil the best for thee.
"And now do they press to thy pictures, with opened mouth and eye,
And a little gift in the doorway, and the praise no gift can buy:
But -- sure they have doubted thy pictures, and that is a grievous stain --
Son that can see so clearly, return them their gifts again!"
And Ung looked down at his deerskins -- their broad shell-tasselled bands --
And Ung drew downward his mitten and looked at his naked hands;
And he gloved himself and departed, and he heard his father, behind:
"Son that can see so clearly, rejoice that thy tribe is blind!"
Straight on the glittering ice-field, by the caves of the lost Dordogne,
Ung, a maker of pictures, fell to his scribing on bone
Even to mammoth editions.
Gaily he whistled and sung,
Blessing his tribe for their blindness.
Heed ye the Story of Ung!
|
Written by
John Trumbull |
Bred in distant woods, the clown
Brings all his country airs to town;
The odd address, with awkward grace,
That bows with half-averted face;
The half-heard compliments, whose note
Is swallow'd in the trembling throat;
The stiffen'd gait, the drawling tone,
By which his native place is known;
The blush, that looks by vast degrees,
Too much like modesty to please;
The proud displays of awkward dress,
That all the country fop express:
The suit right gay, though much belated,
Whose fashion's superannuated;
The watch, depending far in state,
Whose iron chain might form a grate;
The silver buckle, dread to view,
O'ershadowing all the clumsy shoe;
The white-gloved hand, that tries to peep
From ruffle, full five inches deep;
With fifty odd affairs beside,
The foppishness of country pride.
Poor Dick! though first thy airs provoke
The obstreperous laugh and scornful joke
Doom'd all the ridicule to stand,
While each gay dunce shall lend a hand;
Yet let not scorn dismay thy hope
To shine a witling and a fop.
Blest impudence the prize shall gain,
And bid thee sigh no more in vain.
Thy varied dress shall quickly show
At once the spendthrift and the beau.
With pert address and noisy tongue,
That scorns the fear of prating wrong
'Mongst listening coxcombs shalt thou shine,
And every voice shall echo thine.
|