Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.)
14
I hear the annual singing of the children in St. Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|
Written by
G K Chesterton |
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.
Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth."
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.
St. Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plum?d lions on the galleys of St. Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade....
(But Don John of Austria rides home from the Crusade.)
|
Written by
Emily Dickinson |
"Sic transit gloria mundi,"
"How doth the busy bee,"
"Dum vivimus vivamus,"
I stay mine enemy!
Oh "veni, vidi, vici!"
Oh caput cap-a-pie!
And oh "memento mori"
When I am far from thee!
Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!
Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!
Put down the apple, Adam,
And come away with me,
So shalt thou have a pippin
From off my father's tree!
I climb the "Hill of Science,"
I "view the landscape o'er;"
Such transcendental prospect,
I ne'er beheld before!
Unto the Legislature
My country bids me go;
I'll take my india rubbers,
In case the wind should blow!
During my education,
It was announced to me
That gravitation, stumbling,
Fell from an apple tree!
The earth upon an axis
Was once supposed to turn,
By way of a gymnastic
In honor of the sun!
It was the brave Columbus,
A sailing o'er the tide,
Who notified the nations
Of where I would reside!
Mortality is fatal --
Gentility is fine,
Rascality, heroic,
Insolvency, sublime!
Our Fathers being weary,
Laid down on Bunker Hill;
And tho' full many a morning,
Yet they are sleeping still, --
The trumpet, sir, shall wake them,
In dreams I see them rise,
Each with a solemn musket
A marching to the skies!
A coward will remain, Sir,
Until the fight is done;
But an immortal hero
Will take his hat, and run!
Good bye, Sir, I am going;
My country calleth me;
Allow me, Sir, at parting,
To wipe my weeping e'e.
In token of our friendship
Accept this "Bonnie Doon,"
And when the hand that plucked it
Hath passed beyond the moon,
The memory of my ashes
Will consolation be;
Then, farewell, Tuscarora,
And farewell, Sir, to thee!
|
Written by
Audre Lorde |
New Year's Day 1:16 AM
and my body is weary beyond
time to withdraw and rest
ample room allowed me in everyone's head
but community calls
right over the threshold
drums beating through the walls
children playing their truck dramas
under the collapsible coatrack
in the narrow hallway outside my room
The TV lounge next door is wide open
it is midnight in Idaho
and the throb easy subtle spin
of the electric slide boogie
step-stepping
around the corner of the parlor
past the sweet clink
of dining room glasses
and the edged aroma of slightly overdone
dutch-apple pie
all laced together
with the rich dark laughter
of Gloria
and her higher-octave sisters
How hard it is to sleep
in the middle of life.
|
Written by
Emily Dickinson |
"Sic transit gloria mundi,"
"How doth the busy bee,"
"Dum vivimus vivamus,"
I stay mine enemy!
Oh "veni, vidi, vici!"
Oh caput cap-a-pie!
And oh "memento mori"
When I am far from thee!
Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!
Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!
Put down the apple, Adam,
And come away with me,
So shalt thou have a pippin
From off my father's tree!
I climb the "Hill of Science,"
I "view the landscape o'er;"
Such transcendental prospect,
I ne'er beheld before!
Unto the Legislature
My country bids me go;
I'll take my india rubbers,
In case the wind should blow!
During my education,
It was announced to me
That gravitation, stumbling,
Fell from an apple tree!
The earth upon an axis
Was once supposed to turn,
By way of a gymnastic
In honor of the sun!
It was the brave Columbus,
A sailing o'er the tide,
Who notified the nations
Of where I would reside!
Mortality is fatal --
Gentility is fine,
Rascality, heroic,
Insolvency, sublime!
Our Fathers being weary,
Laid down on Bunker Hill;
And tho' full many a morning,
Yet they are sleeping still, --
The trumpet, sir, shall wake them,
In dreams I see them rise,
Each with a solemn musket
A marching to the skies!
A coward will remain, Sir,
Until the fight is done;
But an immortal hero
Will take his hat, and run!
Good bye, Sir, I am going;
My country calleth me;
Allow me, Sir, at parting,
To wipe my weeping e'e.
In token of our friendship
Accept this "Bonnie Doon,"
And when the hand that plucked it
Hath passed beyond the moon,
The memory of my ashes
Will consolation be;
Then, farewell, Tuscarora,
And farewell, Sir, to thee!
|
Written by
Alan Seeger |
He faints with hope and fear. It is the hour.
Distant, across the thundering organ-swell,
In sweet discord from the cathedral-tower,
Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates --
Soars . . . and then sinks again. It is not hers he loves.
She will not come, the woman that he waits.
Braided with streams of silver incense rise
The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies;
`Nunc et in saecula' the choir intones.
He marks not the monotonous refrain,
The priest that serves nor him that celebrates,
But ever scans the aisle for his blonde head. . . . In vain!
She will not come, the woman that he waits.
How like a flower seemed the perfumed place
Where the sweet flesh lay loveliest to kiss;
And her white hands in what delicious ways,
With what unfeigned caresses, answered his!
Each tender charm intolerable to lose,
Each happy scene his fancy recreates.
And he calls out her name and spreads his arms . . . No use!
She will not come, the woman that he waits.
But the long vespers close. The priest on high
Raises the thing that Christ's own flesh enforms;
And down the Gothic nave the crowd flows by
And through the portal's carven entry swarms.
Maddened he peers upon each passing face
Till the long drab procession terminates.
No princess passes out with proud majestic pace.
She has not come, the woman that he waits.
Back in the empty silent church alone
He walks with aching heart. A white-robed boy
Puts out the altar-candles one by one,
Even as by inches darkens all his joy.
He dreams of the sweet night their lips first met,
And groans -- and turns to leave -- and hesitates . . .
Poor stricken heart, he will, he can not fancy yet
She will not come, the woman that he waits.
But in an arch where deepest shadows fall
He sits and studies the old, storied panes,
And the calm crucifix that from the wall
Looks on a world that quavers and complains.
Hopeless, abandoned, desolate, aghast,
On modes of violent death he meditates.
And the tower-clock tolls five, and he admits at last,
She will not come, the woman that he waits.
Through the stained rose the winter daylight dies,
And all the tide of anguish unrepressed
Swells in his throat and gathers in his eyes;
He kneels and bows his head upon his breast,
And feigns a prayer to hide his burning tears,
While the satanic voice reiterates
`Tonight, tomorrow, nay, nor all the impending years,
She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring,
So true, so confident, so passing fair,
That thought of Love as some sweet, tender thing,
And not as war, red tooth and nail laid bare,
How in that hour its innocence was slain,
How from that hour our disillusion dates,
When first we learned thy sense, ironical refrain,
She will not come, the woman that he waits.
|
Written by
Delmira Agustini |
Spanish Yo hacía una divina labor, sobre la rocaCreciente del Orgullo. De la vida lejana,Algún pétalo vívido me voló en la mañana,Algún beso en la noche. Tenaz como una loca,Sequía mi divina labor sobre la roca. Cuando tu voz que funde como sacra campanaEn la nota celeste la vibración humana,Tendió su lazo do oro al borde de tu boca; —Maravilloso nido del vértigo, tu boca!Dos pétalos de rosa abrochando un abismo…—Labor, labor de gloria, dolorosa y liviana;¡Tela donde mi espíritu su fue tramando él mismo!Tú quedas en la testa soberbia de la roca,Y yo caigo, sin fin, en el sangriento abismo! EnglishI was at my divine labor, upon the rockSwelling with Pride. From a distance,At dawn, some bright petal came to me,Some kiss in the night. Upon the rock,Tenacious a madwoman, I clung to my work.When your voice, like a sacred bell,A celestial note with a human tremor,Stretched its golden lasso from the edge of your mouth;—Marvelous nest of vertigo, your mouth!Two rose petals fastened to an abyss…—Labor, labor of glory, painful and frivolous;Fabric where my spirit went weaving herself!You come to the arrogant head of the rock,And I fall, without end, into the bloody abyss!
|
Written by
Francesco Petrarch |
SONNET CLIX. Stiamo, Amor, a veder la gloria nostra. TO LOVE, ON LAURA WALKING ABROAD. Here stand we, Love, our glory to behold—How, passing Nature, lovely, high, and rare!Behold! what showers of sweetness falling there!What floods of light by heaven to earth unroll'd!How shine her robes, in purple, pearls, and gold,So richly wrought, with skill beyond compare!How glance her feet!—her beaming eyes how fairThrough the dark cloister which these hills enfold!The verdant turf, and flowers of thousand huesBeneath yon oak's old canopy of state,Spring round her feet to pay their amorous duty.The heavens, in joyful reverence, cannot chooseBut light up all their fires, to celebrateHer praise, whose presence charms their awful beauty. Merivale. Here tarry, Love, our glory to behold;Nought in creation so sublime we trace;Ah! see what sweetness showers upon that face,Heaven's brightness to this earth those eyes unfold!See, with what magic art, pearls, purple, gold,That form transcendant, unexampled, grace:Beneath the shadowing hills observe her pace,Her glance replete with elegance untold!The verdant turf, and flowers of every hue,Clustering beneath yon aged holm-oak's gloom,For the sweet pressure of her fair feet sue;The orbs of fire that stud yon beauteous sky,Cheer'd by her presence and her smiles, assumeSuperior lustre and serenity. Nott.
|
Written by
Andrew Marvell |
Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.
Heu quae Cervices subnectunt Pectora tales.
Frigidiora Gelu, candidiora Nive.
Caetera non licuit, sed vix ea tota, videre;
Nam chau fi rigido stant Adamante Sinus.
Seu chlamys Artifici nimium succurrerit auso,
Sicque imperfectum fugerit impar Opus:
Sive tribus spernat Victrix certare Deabus,
Et pretium formae nec spoliata ferat.
Junonis properans & clara Trophaea Minervae;
Mollia nam Veneris praemia nosse piget.
Hinc neque consuluit fugitivae prodiga Formae,
Nectimuit seris invigilasse Libris.
Insommem quoties Nymphae monuere sequaces
Decedet roseis heu color ille Genis.
Jamque vigil leni cessit Philomela sopori,
Omnibus & Sylvis conticuere Ferae.
Acrior illa tamen pergit, Curasque fatigat:
Tanti est doctorum volvere scripta Virum.
Et liciti quae sint moderamina discere Regni,
Quid fuerit, quid sit, noscere quicquid erit.
Sic quod in ingenuas Gothus peccaverit Artes
Vindicat, & studiis expiat Una suis.
Exemplum dociles imitantur nobile Gentes,
Et geminis Infans imbuit Ora sonis.
Transpositos Suecis credas migrasse Latinos,
Carmine Romuleo sic strepit omne Nemus.
Upsala nec priscis impar memoratur Athenis,
Aegidaque & Currus hic sua Pallas habet.
Illinc O quales liceat sperasse Liquores,
Quum Dea praesideat fontibus ipsa sacris!
Illic Lacte ruant illic & flumina Melle,
Fulvaque inauratam tingat Arena Salam.
Upsalides Musae nunc & majora conemus,
Quaeque mihi Famae non levis Aura tulit.
Creditur haud ulli Christus signasse suorum
Occultam gemina de meliore Notam.
Quemque tenet charo descriptum Nomine semper,
Non minus exculptum Pectore fida refert.
Sola haec virgineas depascit Flamma Medullas,
Et licito pergit solvere corda foco.
Tu quoque Sanctorum fastos Christina sacrabis,
Unica nec Virgo Volsiniensis erit.
Discite nunc Reges (Majestas proxima coelo)
Discite proh magnos hinc coluisse Deos.
Ah pudeat Tanitos puerilia fingere coepta,
Nugas nescio quas, & male quaerere Opes.
Acer Equo cunctos dum praeterit illa Britanno,
Et pecoris spolium nescit inerme sequi.
Ast Aquilam poscit Germano pellere Nido,
Deque Palatino Monte fugare Lupam.
Vos etiam latos in praedam jungite Campos,
Impiaque arctatis cingite Lustra Plagis.
Victor Oliverus nudum Caput exerit Armis,
Ducere sive sequi nobile laetus Iter.
Qualis jam Senior Solymae Godfredus ad Arces,
Spina cui canis floruit alba comis.
Et lappos Christina potest & solvere Finnos,
Ultima quos Boreae carcere Claustra premunt.
Aeoliis quales Venti fremuere sub antris,
Et tentant Montis corripuisse moras.
Hanc Dea si summa demiserit Arce procellam
Quam gravis Austriacis Hesperiisque cadat!
Omnia sed rediens olim narraveris Ipse;
Nec reditus spero tempora longa petit.
Non ibi lenta pigro stringuntur frigore Verba,
Solibus, & tandem Vere liquanda novo.
Sed radiis hyemem Regina potentior urit;
Haecque magis solvit, quam ligat illa Polum.
Dicitur & nostros moerens andisse Labores,
Fortis & ingenuam Gentis amasse Fidem.
Oblatae Batavam nec paci commodat Aurem;
Nec versat Danos insidiosa dolos.
Sed pia festinat mutatis Foedera rebus,
Et Libertatem quae dominatur amat.
Digna cui Salomon meritos retulisset honores,
Et Saba concretum Thure cremasset Iter.
Hanc tua, sed melius, celebraverit, Ingele, Musa;
Et labor est vestrae debitus ille Lyrae.
Nos sine te frustra Thamisis saliceta subimus,
Sparsaque per steriles Turba vagamur Agros.
Et male tentanti querulum respondet Avena:
Quin & Rogerio dissiluere fides.
Haec tamen absenti memores dictamus Amico,
Grataque speramus qualiacumque fore.
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Written by
William Dunbar |
RORATE coeli desuper!
Hevins, distil your balmy schouris!
For now is risen the bricht day-ster,
Fro the rose Mary, flour of flouris:
The cleir Sone, quhom no cloud devouris,
Surmounting Phebus in the Est,
Is cumin of his hevinly touris:
Et nobis Puer natus est.
Archangellis, angellis, and dompnationis,
Tronis, potestatis, and marteiris seir,
And all ye hevinly operationis,
Ster, planeit, firmament, and spheir,
Fire, erd, air, and water cleir,
To Him gife loving, most and lest,
That come in to so meik maneir;
Et nobis Puer natus est.
Synnaris be glad, and penance do,
And thank your Maker hairtfully;
For he that ye micht nocht come to
To you is cumin full humbly
Your soulis with his blood to buy
And loose you of the fiendis arrest--
And only of his own mercy;
Pro nobis Puer natus est.
All clergy do to him inclyne,
And bow unto that bairn benyng,
And do your observance divyne
To him that is of kingis King:
Encense his altar, read and sing
In holy kirk, with mind degest,
Him honouring attour all thing
Qui nobis Puer natus est.
Celestial foulis in the air,
Sing with your nottis upon hicht,
In firthis and in forrestis fair
Be myrthful now at all your mycht;
For passit is your dully nicht,
Aurora has the cloudis perst,
The Sone is risen with glaidsum licht,
Et nobis Puer natus est.
Now spring up flouris fra the rute,
Revert you upward naturaly,
In honour of the blissit frute
That raiss up fro the rose Mary;
Lay out your levis lustily,
Fro deid take life now at the lest
In wirschip of that Prince worthy
Qui nobis Puer natus est.
Sing, hevin imperial, most of hicht!
Regions of air mak armony!
All fish in flud and fowl of flicht
Be mirthful and mak melody!
All Gloria in excelsis cry!
Heaven, erd, se, man, bird, and best,--
He that is crownit abone the sky
Pro nobis Puer natus est!
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