Written by
Edgar Allan Poe |
I
Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!
IV
Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.
|
Written by
Elizabeth Bishop |
At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock
just below
the gun-metal blue window
and immediately there is an echo
off in the distance,
then one from the backyard fence,
then one, with horrible insistence,
grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,
where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare
with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.
Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,
the many wives
who lead hens' lives
of being courted and despised;
deep from raw throats
a senseless order floats
all over town. A rooster gloats
over our beds
from rusty irons sheds
and fences made from old bedsteads,
over our churches
where the tin rooster perches,
over our little wooden northern houses,
making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:
glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,
each one an active
displacement in perspective;
each screaming, "This is where I live!"
Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?
You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled
"Very combative..."
what right have you to give
commands and tell us how to live,
cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?
The crown of red
set on your little head
is charged with all your fighting blood
Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence
Now in mid-air
by two they fight each other.
Down comes a first flame-feather,
and one is flying,
with raging heroism defying
even the sensation of dying.
And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;
and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung
with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.
St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;
of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."
Old holy sculpture
could set it all together
in one small scene, past and future:
Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.
But in between
a little cock is seen
carved on a dim column in the travertine,
explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;
yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.
Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,
still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,
a new weathervane
on basilica and barn,
and that outside the Lateran
there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see
that event the Prince
of the Apostles long since
had been forgiven, and to convince
all the assembly
that "Deny deny deny"
is not all the roosters cry.
In the morning
a low light is floating
in the backyard, and gilding
from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?
gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,
the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.
The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.
|
Written by
Thomas Hood |
I Saw old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;—
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
Where are the songs of Summer?—With the sun,
Oping the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noonday,
And tear with horny beak their lustrous eyes.
Where are the blooms of Summer?—In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch'd from her flow'rs
To a most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss'd elm; three on the naked lime
Trembling,—and one upon the old oak-tree!
Where is the Dryad's immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly's green eternity.
The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
And honey bees have stored
The sweets of Summer in their luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither'd world looks drearily,
Like a dim picture of the drownèd past
In the hush'd mind's mysterious far away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.
O go and sit with her, and be o'ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded
Upon her forehead, and a face of care;—
There is enough of wither'd everywhere
To make her bower,—and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's,—she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,—
Enough of chilly droppings for her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!
|
Written by
Friedrich von Schiller |
Once to the song and chariot-fight,
Where all the tribes of Greece unite
On Corinth's isthmus joyously,
The god-loved Ibycus drew nigh.
On him Apollo had bestowed
The gift of song and strains inspired;
So, with light staff, he took his road
From Rhegium, by the godhead fired.
Acrocorinth, on mountain high,
Now burns upon the wanderer's eye,
And he begins, with pious dread,
Poseidon's grove of firs to tread.
Naught moves around him, save a swarm
Of cranes, who guide him on his way;
Who from far southern regions warm
Have hither come in squadron gray.
"Thou friendly band, all hail to thee!
Who led'st me safely o'er the sea!
I deem thee as a favoring sign,--
My destiny resembles thine.
Both come from a far distant coast,
Both pray for some kind sheltering place;--
Propitious toward us be the host
Who from the stranger wards disgrace!"
And on he hastes, in joyous wood,
And reaches soon the middle wood
When, on a narrow bridge, by force
Two murderers sudden bar his course.
He must prepare him for the fray,
But soon his wearied hand sinks low;
Inured the gentle lyre to play,
It ne'er has strung the deadly bow.
On gods and men for aid he cries,--
No savior to his prayer replies;
However far his voice he sends,
Naught living to his cry attends.
"And must I in a foreign land,
Unwept, deserted, perish here,
Falling beneath a murderous hand,
Where no avenger can appear?"
Deep-wounded, down he sinks at last,
When, lo! the cranes' wings rustle past.
He hears,--though he no more can see,--
Their voices screaming fearfully.
"By you, ye cranes, that soar on high,
If not another voice is heard,
Be borne to heaven my murder-cry!"
He speaks, and dies, too, with the word.
The naked corpse, ere long, is found,
And, though defaced by many a wound,
His host in Corinth soon could tell
The features that he loved so well.
"And is it thus I find thee now,
Who hoped the pine's victorious crown
To place upon the singer's brow,
Illumined by his bright renown?"
The news is heard with grief by all
Met at Poseidon's festival;
All Greece is conscious of the smart,
He leaves a void in every heart;
And to the Prytanis [33] swift hie
The people, and they urge him on
The dead man's manes to pacify
And with the murderer's blood atone.
But where's the trace that from the throng
The people's streaming crowds among,
Allured there by the sports so bright,
Can bring the villain back to light?
By craven robbers was he slain?
Or by some envious hidden foe?
That Helios only can explain,
Whose rays illume all things below.
Perchance, with shameless step and proud,
He threads e'en now the Grecian crowd--
Whilst vengeance follows in pursuit,
Gloats over his transgression's fruit.
The very gods perchance he braves
Upon the threshold of their fane,--
Joins boldly in the human waves
That haste yon theatre to gain.
For there the Grecian tribes appear,
Fast pouring in from far and near;
On close-packed benches sit they there,--
The stage the weight can scarcely bear.
Like ocean-billows' hollow roar,
The teaming crowds of living man
Toward the cerulean heavens upsoar,
In bow of ever-widening span.
Who knows the nation, who the name,
Of all who there together came?
From Theseus' town, from Aulis' strand
From Phocis, from the Spartan land,
From Asia's distant coast, they wend,
From every island of the sea,
And from the stage they hear ascend
The chorus's dread melody.
Who, sad and solemn, as of old,
With footsteps measured and controlled,
Advancing from the far background,
Circle the theatre's wide round.
Thus, mortal women never move!
No mortal home to them gave birth!
Their giant-bodies tower above,
High o'er the puny sons of earth.
With loins in mantle black concealed,
Within their fleshless bands they wield
The torch, that with a dull red glows,--
While in their cheek no life-blood flows;
And where the hair is floating wide
And loving, round a mortal brow,
Here snakes and adders are descried,
Whose bellies swell with poison now.
And, standing in a fearful ring,
The dread and solemn chant they sing,
That through the bosom thrilling goes,
And round the sinner fetters throws.
Sense-robbing, of heart-maddening power,
The furies' strains resound through air
The listener's marrow they devour,--
The lyre can yield such numbers ne'er.
"Happy the man who, blemish-free,
Preserves a soul of purity!
Near him we ne'er avenging come,
He freely o'er life's path may roam.
But woe to him who, hid from view,
Hath done the deed of murder base!
Upon his heels we close pursue,--
We, who belong to night's dark race!"
"And if he thinks to 'scape by flight,
Winged we appear, our snare of might
Around his flying feet to cast,
So that he needs must fall at last.
Thus we pursue him, tiring ne'er,--
Our wrath repentance cannot quell,--
On to the shadows, and e'en there
We leave him not in peace to dwell!"
Thus singing, they the dance resume,
And silence, like that of the tomb,
O'er the whole house lies heavily,
As if the deity were nigh.
And staid and solemn, as of old,
Circling the theatre's wide round,
With footsteps measured and controlled,
They vanish in the far background.
Between deceit and truth each breast.
Now doubting hangs, by awe possessed,
And homage pays to that dread might,
That judges what is hid from sight,--
That, fathomless, inscrutable,
The gloomy skein of fate entwines,
That reads the bosom's depths full well,
Yet flies away where sunlight shines.
When sudden, from the tier most high,
A voice is heard by all to cry:
"See there, see there, Timotheus!
Behold the cranes of Ibycus!"
The heavens become as black as night,
And o'er the theatre they see,
Far over-head, a dusky flight
Of cranes, approaching hastily.
"Of Ibycus!"--That name so blest
With new-born sorrow fills each breast.
As waves on waves in ocean rise,
From mouth to mouth it swiftly flies:
"Of Ibycus, whom we lament?
Who fell beneath the murderer's hand?
What mean those words that from him went?
What means this cranes' advancing band?"
And louder still become the cries,
And soon this thought foreboding flies
Through every heart, with speed of light--
"Observe in this the furies' might!
The poets manes are now appeased
The murderer seeks his own arrest!
Let him who spoke the word be seized,
And him to whom it was addressed!"
That word he had no sooner spoke,
Than he its sound would fain invoke;
In vain! his mouth, with terror pale,
Tells of his guilt the fearful tale.
Before the judge they drag them now
The scene becomes the tribunal;
Their crimes the villains both avow,
When neath the vengeance-stroke they fall.
|
Written by
Adela Florence Cory Nicolson |
He lurks among the reeds, beside the marsh,
Red oleanders twisted in His hair,
His eyes are haggard and His lips are harsh,
Upon His breast the bones show gaunt and bare.
The green and stagnant waters lick His feet,
And from their filmy, iridescent scum
Clouds of mosquitoes, gauzy in the heat,
Rise with His gifts: Death and Delirium.
His messengers: They bear the deadly taint
On spangled wings aloft and far away,
Making thin music, strident and yet faint,
From golden eve to silver break of day.
The baffled sleeper hears th' incessant whine
Through his tormented dreams, and finds no rest
The thirsty insects use his blood for wine,
Probe his blue veins and pasture on his breast.
While far away He in the marshes lies,
Staining the stagnant water with His breath,
An endless hunger burning in His eyes,
A famine unassuaged, whose food is Death.
He hides among the ghostly mists that float
Over the water, weird and white and chill,
And peasants, passing in their laden boat,
Shiver and feel a sense of coming ill.
A thousand burn and die; He takes no heed,
Their bones, unburied, strewn upon the plain,
Only increase the frenzy of His greed
To add more victims to th' already slain.
He loves the haggard frame, the shattered mind,
Gloats with delight upon the glazing eye,
Yet, in one thing, His cruelty is kind,
He sends them lovely dreams before they die;
Dreams that bestow on them their heart's desire,
Visions that find them mad, and leave them blest,
To sink, forgetful of the fever's fire,
Softly, as in a lover's arms, to rest.
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