Written by
Thomas Carew |
Can we not force from widow'd poetry,
Now thou art dead (great Donne) one elegy
To crown thy hearse? Why yet dare we not trust,
Though with unkneaded dough-bak'd prose, thy dust,
Such as th' unscissor'd churchman from the flower
Of fading rhetoric, short-liv'd as his hour,
Dry as the sand that measures it, should lay
Upon thy ashes, on the funeral day?
Have we no voice, no tune? Didst thou dispense
Through all our language, both the words and sense?
'Tis a sad truth. The pulpit may her plain
And sober Christian precepts still retain,
Doctrines it may, and wholesome uses, frame,
Grave homilies and lectures, but the flame
Of thy brave soul (that shot such heat and light
As burnt our earth and made our darkness bright,
Committed holy rapes upon our will,
Did through the eye the melting heart distil,
And the deep knowledge of dark truths so teach
As sense might judge what fancy could not reach)
Must be desir'd forever. So the fire
That fills with spirit and heat the Delphic quire,
Which, kindled first by thy Promethean breath,
Glow'd here a while, lies quench'd now in thy death.
The Muses' garden, with pedantic weeds
O'erspread, was purg'd by thee; the lazy seeds
Of servile imitation thrown away,
And fresh invention planted; thou didst pay
The debts of our penurious bankrupt age;
Licentious thefts, that make poetic rage
A mimic fury, when our souls must be
Possess'd, or with Anacreon's ecstasy,
Or Pindar's, not their own; the subtle cheat
Of sly exchanges, and the juggling feat
Of two-edg'd words, or whatsoever wrong
By ours was done the Greek or Latin tongue,
Thou hast redeem'd, and open'd us a mine
Of rich and pregnant fancy; drawn a line
Of masculine expression, which had good
Old Orpheus seen, or all the ancient brood
Our superstitious fools admire, and hold
Their lead more precious than thy burnish'd gold,
Thou hadst been their exchequer, and no more
They each in other's dust had rak'd for ore.
Thou shalt yield no precedence, but of time,
And the blind fate of language, whose tun'd chime
More charms the outward sense; yet thou mayst claim
From so great disadvantage greater fame,
Since to the awe of thy imperious wit
Our stubborn language bends, made only fit
With her tough thick-ribb'd hoops to gird about
Thy giant fancy, which had prov'd too stout
For their soft melting phrases. As in time
They had the start, so did they cull the prime
Buds of invention many a hundred year,
And left the rifled fields, besides the fear
To touch their harvest; yet from those bare lands
Of what is purely thine, thy only hands,
(And that thy smallest work) have gleaned more
Than all those times and tongues could reap before.
But thou art gone, and thy strict laws will be
Too hard for libertines in poetry;
They will repeal the goodly exil'd train
Of gods and goddesses, which in thy just reign
Were banish'd nobler poems; now with these,
The silenc'd tales o' th' Metamorphoses
Shall stuff their lines, and swell the windy page,
Till verse, refin'd by thee, in this last age
Turn ballad rhyme, or those old idols be
Ador'd again, with new apostasy.
Oh, pardon me, that break with untun'd verse
The reverend silence that attends thy hearse,
Whose awful solemn murmurs were to thee,
More than these faint lines, a loud elegy,
That did proclaim in a dumb eloquence
The death of all the arts; whose influence,
Grown feeble, in these panting numbers lies,
Gasping short-winded accents, and so dies.
So doth the swiftly turning wheel not stand
In th' instant we withdraw the moving hand,
But some small time maintain a faint weak course,
By virtue of the first impulsive force;
And so, whilst I cast on thy funeral pile
Thy crown of bays, oh, let it crack awhile,
And spit disdain, till the devouring flashes
Suck all the moisture up, then turn to ashes.
I will not draw the envy to engross
All thy perfections, or weep all our loss;
Those are too numerous for an elegy,
And this too great to be express'd by me.
Though every pen should share a distinct part,
Yet art thou theme enough to tire all art;
Let others carve the rest, it shall suffice
I on thy tomb this epitaph incise:
Here lies a king, that rul'd as he thought fit
The universal monarchy of wit;
Here lie two flamens, and both those, the best,
Apollo's first, at last, the true God's priest.
|
Written by
Kahlil Gibran |
I was here from the moment of the
Beginning, and here I am still. And
I shall remain here until the end
Of the world, for there is no
Ending to my grief-stricken being.
I roamed the infinite sky, and
Soared in the ideal world, and
Floated through the firmament. But
Here I am, prisoner of measurement.
I heard the teachings of Confucius;
I listened to Brahma's wisdom;
I sat by Buddha under the Tree of Knowledge.
Yet here I am, existing with ignorance
And heresy.
I was on Sinai when Jehovah approached Moses;
I saw the Nazarene's miracles at the Jordan;
I was in Medina when Mohammed visited.
Yet I here I am, prisoner of bewilderment.
Then I witnessed the might of Babylon;
I learned of the glory of Egypt;
I viewed the warring greatness of Rome.
Yet my earlier teachings showed the
Weakness and sorrow of those achievements.
I conversed with the magicians of Ain Dour;
I debated with the priests of Assyria;
I gleaned depth from the prophets of Palestine.
Yet, I am still seeking truth.
I gathered wisdom from quiet India;
I probed the antiquity of Arabia;
I heard all that can be heard.
Yet, my heart is deaf and blind.
I suffered at the hands of despotic rulers;
I suffered slavery under insane invaders;
I suffered hunger imposed by tyranny;
Yet, I still possess some inner power
With which I struggle to great each day.
My mind is filled, but my heart is empty;
My body is old, but my heart is an infant.
Perhaps in youth my heart will grow, but I
Pray to grow old and reach the moment of
My return to God. Only then will my heart fill!
I was here from the moment of the
Beginning, and here I am still. And
I shall remain here until the end
Of of world, for there is no
Ending to my grief-stricken being.
|
Written by
Robert William Service |
O'er the dark pines she sees the silver moon,
And in the west, all tremulous, a star;
And soothing sweet she hears the mellow tune
Of cow-bells jangled in the fields afar.
Quite listless, for her daily stent is done,
She stands, sad exile, at her rose-wreathed door,
And sends her love eternal with the sun
That goes to gild the land she'll see no more.
The grave, gaunt pines imprison her sad gaze,
All still the sky and darkling drearily;
She feels the chilly breath of dear, dead days
Come sifting through the alders eerily.
Oh, how the roses riot in their bloom!
The curtains stir as with an ancient pain;
Her old piano gleams from out the gloom
And waits and waits her tender touch in vain.
But now her hands like moonlight brush the keys
With velvet grace -- melodious delight;
And now a sad refrain from over seas
Goes sobbing on the bosom of the night;
And now she sings. (O! singer in the gloom,
Voicing a sorrow we can ne'er express,
Here in the Farness where we few have room
Unshamed to show our love and tenderness,
Our hearts will echo, till they beat no more,
That song of sadness and of motherland;
And, stretched in deathless love to England's shore,
Some day she'll hearken and she'll understand.)
A prima-donna in the shining past,
But now a mother growing old and gray,
She thinks of how she held a people fast
In thrall, and gleaned the triumphs of a day.
She sees a sea of faces like a dream;
She sees herself a queen of song once more;
She sees lips part in rapture, eyes agleam;
She sings as never once she sang before.
She sings a wild, sweet song that throbs with pain,
The added pain of life that transcends art --
A song of home, a deep, celestial strain,
The glorious swan-song of a dying heart.
A lame tramp comes along the railway track,
A grizzled dog whose day is nearly done;
He passes, pauses, then comes slowly back
And listens there -- an audience of one.
She sings -- her golden voice is passion-fraught,
As when she charmed a thousand eager ears;
He listens trembling, and she knows it not,
And down his hollow cheeks roll bitter tears.
She ceases and is still, as if to pray;
There is no sound, the stars are all alight --
Only a wretch who stumbles on his way,
Only a vagrant sobbing in the night.
|
Written by
Robert William Service |
I just think that dreams are best,
Just to sit and fancy things;
Give your gold no acid test,
Try not how your silver rings;
Fancy women pure and good,
Fancy men upright and true:
Fortressed in your solitude,
Let Life be a dream to you.
For I think that Thought is all;
Truth's a minion of the mind;
Love's ideal comes at call;
As ye seek so shall ye find.
But ye must not seek too far;
Things are never what they seem:
Let a star be just a star,
And a woman -- just a dream.
O you Dreamers, proud and pure,
You have gleaned the sweet of life!
Golden truths that shall endure
Over pain and doubt and strife.
I would rather be a fool
Living in my Paradise,
Than the leader of a school,
Sadly sane and weary wise.
O you Cynics with your sneers,
Fallen brains and hearts of brass,
Tweak me by my foolish ears,
Write me down a simple ass!
I'll believe the real "you"
Is the "you" without a taint;
I'll believe each woman too,
But a slightly damaged saint.
Yes, I'll smoke my cigarette,
Vestured in my garb of dreams,
And I'll borrow no regret;
All is gold that golden gleams.
So I'll charm my solitude
With the faith that Life is blest,
Brave and noble, bright and good, . . .
Oh, I think that dreams are best!
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