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Best Famous Give Back Poems

Here is a collection of the all-time best famous Give Back poems. This is a select list of the best famous Give Back poetry. Reading, writing, and enjoying famous Give Back poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of give back poems.

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Written by Derek Walcott | Create an image from this poem

A Far Cry From Africa

 A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries: "Waste no compassion on these separate dead!" Statistics justify and scholars seize The salients of colonial policy.
What is that to the white child hacked in bed? To savages, expendable as Jews? Threshed out by beaters, the long rushes break In a white dust of ibises whose cries Have wheeled since civilizations dawn >From the parched river or beast-teeming plain.
The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars Dance to the tightened carcass of a drum, While he calls courage still that native dread Of the white peace contracted by the dead.
Again brutish necessity wipes its hands Upon the napkin of a dirty cause, again A waste of our compassion, as with Spain, The gorilla wrestles with the superman.
I who am poisoned with the blood of both, Where shall I turn, divided to the vein? I who have cursed The drunken officer of British rule, how choose Between this Africa and the English tongue I love? Betray them both, or give back what they give? How can I face such slaughter and be cool? How can I turn from Africa and live?


Written by Anne Sexton | Create an image from this poem

The Ballad Of The Lonely Masturbator

 The end of the affair is always death.
She's my workshop.
Slippery eye, out of the tribe of myself my breath finds you gone.
I horrify those who stand by.
I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far.
She's my encounter.
I beat her like a bell.
I recline in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way, an annoying miracle.
Could I put the dream market on display? I am spread out.
I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses.
They unzip flies.
They take off shoes.
They turn off the light.
The glimmering creatures are full of lies.
They are eating each other.
They are overfed.
At night, alone, I marry the bed.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of Sigmund Freud


When there are so many we shall have to mourn,
when grief has been made so public, and exposed
to the critique of a whole epoch
the frailty of our conscience and anguish,
of whom shall we speak? For every day they die
among us, those who were doing us some good,
who knew it was never enough but
hoped to improve a little by living.
Such was this doctor: still at eighty he wished
to think of our life from whose unruliness
so many plausible young futures
with threats or flattery ask obedience,
but his wish was denied him: he closed his eyes
upon that last picture, common to us all,
of problems like relatives gathered
puzzled and jealous about our dying.
For about him till the very end were still
those he had studied, the fauna of the night,
and shades that still waited to enter
the bright circle of his recognition
turned elsewhere with their disappointment as he
was taken away from his life interest
to go back to the earth in London,
an important Jew who died in exile.
Only Hate was happy, hoping to augment
his practice now, and his dingy clientele
who think they can be cured by killing
and covering the garden with ashes.
They are still alive, but in a world he changed
simply by looking back with no false regrets;
all he did was to remember
like the old and be honest like children.
He wasn't clever at all: he merely told
the unhappy Present to recite the Past
like a poetry lesson till sooner
or later it faltered at the line where
long ago the accusations had begun,
and suddenly knew by whom it had been judged,
how rich life had been and how silly,
and was life-forgiven and more humble,
able to approach the Future as a friend
without a wardrobe of excuses, without
a set mask of rectitude or an
embarrassing over-familiar gesture.
No wonder the ancient cultures of conceit
in his technique of unsettlement foresaw
the fall of princes, the collapse of
their lucrative patterns of frustration:
if he succeeded, why, the Generalised Life
would become impossible, the monolith
of State be broken and prevented
the co-operation of avengers.
Of course they called on God, but he went his way
down among the lost people like Dante, down
to the stinking fosse where the injured
lead the ugly life of the rejected,
and showed us what evil is, not, as we thought,
deeds that must be punished, but our lack of faith,
our dishonest mood of denial,
the concupiscence of the oppressor.
If some traces of the autocratic pose,
the paternal strictness he distrusted, still
clung to his utterance and features,
it was a protective coloration
for one who'd lived among enemies so long:
if often he was wrong and, at times, absurd,
to us he is no more a person
now but a whole climate of opinion
under whom we conduct our different lives:
Like weather he can only hinder or help,
the proud can still be proud but find it
a little harder, the tyrant tries to
make do with him but doesn't care for him much:
he quietly surrounds all our habits of growth
and extends, till the tired in even
the remotest miserable duchy
have felt the change in their bones and are cheered
till the child, unlucky in his little State,
some hearth where freedom is excluded,
a hive whose honey is fear and worry,
feels calmer now and somehow assured of escape,
while, as they lie in the grass of our neglect,
so many long-forgotten objects
revealed by his undiscouraged shining
are returned to us and made precious again;
games we had thought we must drop as we grew up,
little noises we dared not laugh at,
faces we made when no one was looking.
But he wishes us more than this.
To be free
is often to be lonely.
He would unite
the unequal moieties fractured
by our own well-meaning sense of justice,
would restore to the larger the wit and will
the smaller possesses but can only use
for arid disputes, would give back to
the son the mother's richness of feeling:
but he would have us remember most of all
to be enthusiastic over the night,
not only for the sense of wonder
it alone has to offer, but also
because it needs our love.
With large sad eyes
its delectable creatures look up and beg
us dumbly to ask them to follow:
they are exiles who long for the future
that lives in our power, they too would rejoice
if allowed to serve enlightenment like him,
even to bear our cry of 'Judas',
as he did and all must bear who serve it.
One rational voice is dumb.
Over his grave
the household of Impulse mourns one dearly loved:
sad is Eros, builder of cities,
and weeping anarchic Aphrodite.
Written by Derek Walcott | Create an image from this poem

Love After Love

 The time will come 
when, with elation 
you will greet yourself arriving 
at your own door, in your own mirror 
and each will smile at the other's welcome, 

and say, sit here.
Eat.
You will love again the stranger who was your self.
Give wine.
Give bread.
Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart.
Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror.
Sit.
Feast on your life.
Written by Edwin Markham | Create an image from this poem

THE MAN WITH THE HOE

 BOWED by the weight of centuries he leans 
Upon his hoe and gazes on the ground, 
The emptiness of ages in his face, 
And on his back the burden of the world.
Who made him dead to rapture and despair, A thing that grieves not and that never hopes, Stolid and stunned, a brother to the ox? Who loosened and let down this brutal jaw? Whose was the hand that slanted back this brow? Whose breath blew out the light within this brain? Is this the Thing the Lord God made and gave To have dominion over sea and land; To trace the stars and search the heavens for power.
To feel the passion of Eternity? Is this the Dream He dreamed who shaped the suns And marked their ways upon the ancient deep? Down all the stretch of Hell to its last gulf There is no shape more terrible than this-- More tongued with censure of the world’s blind greed-- More filled with signs and portents for the soul-- More fraught with menace to the universe.
What gulfs between him and the seraphim! Slave of the wheel of labor, what to him Are Plato and the swing of Pleiades? What the long reaches of the peaks of song, The rift of dawn, the reddening of the rose? Through this dread shape the suffering ages look; Time’s tragedy is in that aching stoop; Through this dread shape humanity betrayed, Plundered, profaned and disinherited, Cries protest to the Judges of the World, A protest that is also prophecy.
O masters, lords and rulers in all lands, Is this the handiwork you give to God, This monstrous thing distorted and soul-quenched? How will you ever straighten up this shape; Touch it again with immortality; Give back the upward looking and the light; Rebuild in it the music and the dream; Make right the immemorial infamies, Perfidious wrongs, immedicable woes? O masters, lords and rulers in all lands, How will the Future reckon with this Man? How answer his brute question in that hour When whirlwinds of rebellion shake the world? How will it be with kingdoms and with kings-- With those who shaped him to the thing he is-- When this dumb Terror shall reply to God, After the silence of the centuries?


Written by Victor Hugo | Create an image from this poem

EARLY LOVE REVISITED

 ("O douleur! j'ai voulu savoir.") 
 
 {XXXIV. i., October, 183-.} 


 I have wished in the grief of my heart to know 
 If the vase yet treasured that nectar so clear, 
 And to see what this beautiful valley could show 
 Of all that was once to my soul most dear. 
 In how short a span doth all Nature change, 
 How quickly she smoothes with her hand serene— 
 And how rarely she snaps, in her ceaseless range, 
 The links that bound our hearts to the scene. 
 
 Our beautiful bowers are all laid waste; 
 The fir is felled that our names once bore; 
 Our rows of roses, by urchins' haste, 
 Are destroyed where they leap the barrier o'er. 
 The fount is walled in where, at noonday pride, 
 She so gayly drank, from the wood descending; 
 In her fairy hand was transformed the tide, 
 And it turned to pearls through her fingers wending 
 
 The wild, rugged path is paved with spars, 
 Where erst in the sand her footsteps were traced, 
 When so small were the prints that the surface mars, 
 That they seemed to smile ere by mine effaced. 
 The bank on the side of the road, day by day, 
 Where of old she awaited my loved approach, 
 Is now become the traveller's way 
 To avoid the track of the thundering coach. 
 
 Here the forest contracts, there the mead extends, 
 Of all that was ours, there is little left— 
 Like the ashes that wildly are whisked by winds, 
 Of all souvenirs is the place bereft. 
 Do we live no more—is our hour then gone? 
 Will it give back naught to our hungry cry? 
 The breeze answers my call with a mocking tone, 
 The house that was mine makes no reply. 
 
 True! others shall pass, as we have passed, 
 As we have come, so others shall meet, 
 And the dream that our mind had sketched in haste, 
 Shall others continue, but never complete. 
 For none upon earth can achieve his scheme, 
 The best as the worst are futile here: 
 We awake at the selfsame point cf the dream— 
 All is here begun, and finished elsewhere. 
 
 Yes! others shall come in the bloom of the heart, 
 To enjoy in this pure and happy retreat, 
 All that nature to timid love can impart 
 Of solemn repose and communion sweet. 
 In our fields, in our paths, shall strangers stray, 
 In thy wood, my dearest, new lovers go lost, 
 And other fair forms in the stream shall play 
 Which of old thy delicate feet have crossed. 
 
 Author of "Critical Essays." 


 




Written by Oliver Wendell Holmes | Create an image from this poem

My Aviary

 THROUGH my north window, in the wintry weather,--
My airy oriel on the river shore,--
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.
The gull, high floating, like a sloop unladen, Lets the loose water waft him as it will; The duck, round-breasted as a rustic maiden, Paddles and plunges, busy, busy still.
I see the solemn gulls in council sitting On some broad ice-floe pondering long and late, While overhead the home-bound ducks are flitting, And leave the tardy conclave in debate, Those weighty questions in their breasts revolving Whose deeper meaning science never learns, Till at some reverend elder's look dissolving, The speechless senate silently adjourns.
But when along the waves the shrill north-easter Shrieks through the laboring coaster's shrouds "Beware!" The pale bird, kindling like a Christmas feaster When some wild chorus shakes the vinous air, Flaps from the leaden wave in fierce rejoicing, Feels heaven's dumb lightning thrill his torpid nerves, Now on the blast his whistling plumage poising, Now wheeling, whirling in fantastic curves.
Such is our gull; a gentleman of leisure, Less fleshed than feathered; bagged you'll find him such; His virtue silence; his employment pleasure; Not bad to look at, and not good for much.
What of our duck? He has some high-bred cousins,-- His Grace the Canvas-back, My Lord the Brant,-- Anas and Anser,-- both served up by dozens, At Boston's Rocher, half-way to Nahant.
As for himself, he seems alert and thriving,-- Grubs up a living somehow-- what, who knows? Crabs? mussels? weeds? Look quick! there's one just diving! Flop! Splash! his white breast glistens-- down he goes! And while he's under-- just about a minute-- I take advantage of the fact to say His fishy carcase has no virtue in it The gunning idiot's wortless hire to pay.
He knows you! "sportsmen" from suburban alleys, Stretched under seaweed in the treacherous punt; Knows every lazy, shiftless lout that sallies Forth to waste powder-- as he says, to "hunt.
" I watch you with a patient satisfaction, Well pleased to discount your predestined luck; The float that figures in your sly transaction Will carry back a goose, but not a duck.
Shrewd is our bird; not easy to outwit him! Sharp is the outlook of those pin-head eyes; Still, he is mortal and a shot may hit him, One cannot always miss him if he tries.
Look! there's a young one, dreaming not of danger Sees a flat log come floating down the stream; Stares undismayed upon the harmless stranger; Ah! were all strangers harmless as they seem! Habet! a leaden shower his breast has shattered; Vainly he flutters, not again to rise; His soft white plumes along the waves are scattered; Helpless the wing that braved the tempest lies.
He sees his comrades high above him flying To seek their nests among the island reeds; Strong is their flight; all lonely he is lying Washed by the crimsoned water as he bleeds.
O Thou who carest for the falling sparrow, Canst Thou the sinless sufferer's pang forget? Or is thy dread account-book's page so narrow Its one long column scores thy creatures' debt? Poor gentle guest, by nature kindly cherished, A world grows dark with thee in blinding death; One little gasp-- thy universe has perished, Wrecked by the idle thief who stole thy breath! Is this the whole sad story of creation, Lived by its breathing myriads o'er and o'er,-- One glimpse of day, then black annhilation, A sunlit passage to a sunless shore? Give back our faith, ye mystery-solving lynxes! Robe us once more in heaven-aspiring creeds! Happier was dreaming Egypt with her sphinxes, The stony convent with its cross and beads! How often gazing where a bird reposes, Rocked on the wavelets, drifting with the tide, I lose myself in strange metempsychosis And float a sea-fowl at a sea-fowl's side; From rain, hail, snow in feathery mantle muffled, Clear-eyed, strong-limbed, with keenest sense to hear My mate soft murmuring, who, with plumes unruffled, Where'er I wander still is nestling near; The great blue hollow like a garment o'er me; Space all unmeasured, unrecorded time; While seen with inward eye moves on before me Thought's pictured train in wordless pantomime.
A voice recalls me.
-- From my window turning I find myself a plumeless biped still; No beak, no claws, no sign of wings discerning,-- In fact with nothing bird-like but my quill.
Written by Oliver Wendell Holmes | Create an image from this poem

The Old Man Dreams

 OH for one hour of youthful joy!
Give back my twentieth spring!
I'd rather laugh, a bright-haired boy,
Than reign, a gray-beard king.
Off with the spoils of wrinkled age! Away with Learning's crown! Tear out life's Wisdom-written page, And dash its trophies down! One moment let my life-blood stream From boyhood's fount of flame! Give me one giddy, reeling dream Of life all love and fame! .
.
.
.
.
My listening angel heard the prayer, And, calmly smiling, said, "If I but touch thy silvered hair Thy hasty wish hath sped.
"But is there nothing in thy track, To bid thee fondly stay, While the swift seasons hurry back To find the wished-for day?" "Ah, truest soul of womankind! Without thee what were life ? One bliss I cannot leave behind: I'll take-- my-- precious-- wife!" The angel took a sapphire pen And wrote in rainbow dew, The man would be a boy again, And be a husband too! "And is there nothing yet unsaid, Before the change appears? Remember, all their gifts have fled With those dissolving years.
" "Why, yes;" for memory would recall My fond paternal joys; "I could not bear to leave them all-- I'll take-- my-- girl-- and-- boys.
" The smiling angel dropped his pen,-- "Why, this will never do; The man would be a boy again, And be a father too!" .
.
.
.
.
And so I laughed,-- my laughter woke The household with its noise,-- And wrote my dream, when morning broke, To please the gray-haired boys.
Written by Vasko Popa | Create an image from this poem

The Benefactors Of The Little Box

 We'll return the little box
Into the arms
Of her inconspicuously honest properties

We won't do anything
Against her will
We'll simply take her apart

We'll crucify her
On her own cross

Piece her bloated emptiness
And let ooze
All the blue cosmic blood she gathered

We'll sweet her clean of stars
And anti-stars
And everything else that rots inside her

We won't make her suffer
We'll simply put her together again

We'll give back to the little box
Her pure inconspicuousness
Written by George (Lord) Byron | Create an image from this poem

Maid of Athens ere we part

 Maid of Athens, ere we part, 
Give, oh, give back my heart! 
Or, since that has left my breast, 
Keep it now, and take the rest! 
Hear my vow before I go, 
Zo? mou sas agapo.
By those tresses unconfined, Wooed by each Aegean wind; By those lids whose jetty fringe Kiss thy soft cheeks' blooming tinge; By those wild eyes like the roe, Zo? mou sas agapo.
By that lip I long to taste; By that zone-encircled waist; By all the token-flowers that tell What words can never speak so well; By love's alternate joy and woe, Zo? mou sas agapo.
Maid of Athens! I am gone: Think of me, sweet! when alone.
Though I fly to Istambol, Athens holds my heart and soul: Can I cease to love thee? No! Zo? mou sas agapo.

Book: Shattered Sighs