Written by
Amy Clampitt |
The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that
might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases:
when you're one yourself, or close to it, there's
a reassurance in proving you haven't quite gone
under by taking up with somebody odder than you are.
Or trying to. "They're my friends," she'd say of
her cats—Mollie, Mitzi and Caroline, their names were,
and she was forever taking one or another in a cab
to the vet—as though she had no others. The roommate
who'd become a nun, the one who was Jewish, the couple
she'd met on a foliage tour, one fall, were all people
she no longer saw. She worked for a law firm, said all
the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal,
white wine, strawberry Bavarian—and sometimes, from
what she didn't know she was saying, I'd snatch a shred
or two of her threadbare history. Baltic cold. Being
sent home in a troika when her feet went numb. In
summer, carriage rides. A swarm of gypsy children
driven off with whips. An octogenarian father, bishop
of a dying schismatic sect. A very young mother
who didn't want her. A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy
store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else. We'd met in church. I noticed first
a big, soaring soprano with a wobble in it, then
the thickly wreathed and braided crimp in the mouse-
gold coiffure. Old? Young? She was of no age.
Through rimless lenses she looked out of a child's,
or a doll's, globular blue. Wore Keds the year round,
tended otherwise to overdress. Owned a mandolin. Once
I got her to take it down from the mantel and plink out,
through a warm fuddle of sauterne, a lot of giddy Italian
airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed,
came out from under the couch and stared.
What could the offspring of the schismatic age and a
reluctant child bride expect from life? Not much.
Less and less. A dream she'd had kept coming back,
years after. She'd taken a job in Washington with
some right-wing lobby, and lived in one of those
bow-windowed mansions that turn into roominghouses,
and her room there had a full-length mirror: oval,
with a molding, is the way I picture it. In her dream
something woke her, she got up to look, and there
in the glass she'd had was covered over—she gave it
a wondering emphasis—with gray veils.
The West Village was changing. I was changing. The last
time I asked her to dinner, she didn't show. Hours—
or was it days?—later, she phoned to explain: she hadn't
been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy. Passing,
I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV. She was in there,
getting gently blotto. What came next, I wasn't brave
enough to know. Only one day, passing, I saw
new shades, quick-chic matchstick bamboo, going up where
the waterstained old ones had been, and where the seedlings—
O gray veils, gray veils—had risen and gone down.
|
Written by
Emile Verhaeren |
In the garden yonder of yews and death,
There sojourneth
A man who toils, and has toiled for aye.
Digging the dried-up ground all day.
Some willows, surviving their own dead selves.
Weep there around him as he delves.
And a few poor flowers, disconsolate
Because the tempest and wind and wet
Vex them with ceaseless scourge and fret.
The ground is nothing but pits and cones,
Deep graves in every corner yawn;
The frost in the winter cracks the stones,
And when the summer in June is born
One hears, 'mid the silence that pants for breath,
The germinating and life of Death
Below, among the lifeless bones.
Since ages longer than he can know,
The grave-digger brings his human woe,
That never wears out, and lays its head
Slowly down in that earthy bed.
By all the surrounding roads, each day
They come towards him, the coffins white,
They come in processions infinite;
They come from the distances far away.
From corners obscure and out-of-the-way.
From the heart of the towns—and the wide-spreading
plain.
The limitless plain, swallows up their track;
They come with their escort of people in black.
At every hour, till the day doth wane;
And at early dawn the long trains forlorn
Begin again.
The grave-digger hears far off the knell,
Beneath weary skies, of the passing bell,
Since ages longer than he can tell.
Some grief of his each coffin carrieth—
His wild desires toward evenings dark with death
Are here: his mournings for he knows not what:
Here are his tears, for ever on this spot
Motionless in their shrouds: his memories.
With gaze worn-out from travelling through the years
So far, to bid him call to mind the fears
Of which their souls are dying—and with these
Lies side by side
The shattered body of his broken pride.
His heroism, to which nought replied,
Is here all unavailing;
His courage, 'neath its heavy armour failing.
And his poor valour, gashed upon the brow.
Silent, and crumbling in corruption now.
The grave-digger watches them come into sight,
The long, slow roads.
Marching towards him, with all their loads
Of coffins white.
Here are his keenest thoughts, that one by one
His lukewarm soul hath tainted and undone;
And his white loves of simple days of yore,
in lewd and tempting mirrors sullied o'er;
The proud, mute vows that to himself he made
Are here—for he hath scored and cancelled them,
As one may cut and notch a diadem;
And here, inert and prone, his will is laid,
Whose gestures flashed like lightning keen before.
But that he now can raise in strength no more.
The grave-digger digs to the sound of the knell
'Mid the yews and the deaths in yonder dell.
Since ages longer than he can tell.
Here is his dream—born in the radiant glow.
Of joy and young oblivion, long ago—
That in black fields of science he let go,
That he hath clothed with flame and embers bright,
—Red wings plucked off from Folly in her flight—
That he hath launched toward inaccessible
Spaces afar, toward the distance there,
The golden conquest of the Impossible,
And that the limitless, refractory sky,
Sends back to him again, or it has ere
So much as touched the immobile mystery.
The grave-digger turneth it round and round—
With arms by toil so weary made,
With arms so thin, and strokes of spade—
Since what long times?—the dried-up ground.
Here, for his anguish and remorse, there throng
Pardons denied to creatures in the wrong;
And here, the tears, the prayers, the silent cries,
He would not list to in his brothers' eyes.
The insults to the gentle, and the jeer
What time the humble bent their knees, are here;
Gloomy denials, and a bitter store
Of arid sarcasms, oft poured out before
Devotedness that in the shadow stands
With outstretched hands.
The grave-digger, weary, yet eager as well.
Hiding his pain to the sound of the knell,
With strokes of the spade turns round and round
The weary sods of the dried-up ground.
Then—fear-struck dallyings with suicide;
Delays, that conquer hours that would decide:
Again—the terrors of dark crime and sin
Furtively felt with frenzied fingers thin:
The fierce craze and the fervent rage to be
The man who lives of the extremity
Of his own fear:
And then, too, doubt immense and wild affright.
And madness, with its eyes of marble white,
These all are here.
His head a prey to the dull knell's sound,
In terror the grave-digger turns the ground
With strokes of the spade, and doth ceaseless cast
The dried-up earth upon his past.
The slain days, and the present, he doth see,
Quelling each quivering thrill of life to be.
And drop by drop, through fists whose fingers start.
Pressing the future blood of his red heart;
Chewing with teeth that grind and crush, each part
Of that his future's body, limb by limb,
Till there is but a carcase left to him;
And shewing him, in coffins prisoned,
Or ever they be born, his longings dead.
The grave-digger yonder doth hear the knell,
More heavy yet, of the passing bell.
That up through the mourning horizons doth swell
What if the bells, with their haunting swing,
Would stop on a day that heart-breaking ring!
And the endless procession of corse after corse.
Choke the highways no more of his long remorse
But the biers, with the prayers and the tears,
Immensely yet follow the biers;
They halt by crucifix now, and by shrine,
Then take up once more their mournful line;
On the backs of men, upon trestles borne.
They follow their uniform march forlorn;
Skirting each field and each garden-wall.
Passing beneath the sign-posts tall,
Skirting along by the vast Unknown,
Where terror points horns from the corner-stone.
The old man, broken and propless quite.
Watches them still from the infinite
Coming towards him—and hath beside
Nothing to do, but in earth to hide
His multiple death, thus bit by bit,
And, with fingers irresolute, plant on it
Crosses so hastily, day by day,
Since what long times—he cannot say.
|
Written by
Andrew Barton Paterson |
So, the bank has bust it's boiler! And in six or seven year
It will pay me all my money back -- of course!
But the horse will perish waiting while the grass is germinating,
And I reckon I'll be something like the horse.
There's the ploughing to be finished and the ploughmen want their pay,
And I'd like to wire the fence and sink a tank;
But I own I'm fairly beat how I'm going to make ends meet
With my money in a reconstructed bank.
"It's a safe and sure investment!" But it's one I can't afford,
For I've got to meet my bills and bay the rent,
And the cash I had provided (so these meetings have decided)
Shall be collared by the bank at three per cent.
I can draw out half my money, so they tell me, from the Crown;
But -- it's just enough to drive a fellow daft --
My landlord's quite distressed, by this very bank he's pressed,
And he'll sell me up, to pay his overdraft.
There's my nearest neighbour, Johnson, owed this self-same bank a debt,
Every feather off his poor old back they pluck't,
For they set to work to shove him, and they sold his house above him,
Lord! They never gave him time to reconstruct.
And their profits from the business have been twenty-five per cent,
Which, I reckon, is a pretty tidy whack,
And I think it's only proper, now the thing has come a cropper,
That they ought to pay a little of it back.
I have read about "reserve funds", "banking freeholds", and the like,
Till I thought the bank had thousands of assets,
And it strikes me very funny that they take a fellow's money
When they haven't got enough to pay their debts.
And they say they've lent my money, and they can't get paid it back.
I know their rates per cent were tens and twelves;
And if they've made a blunder after scooping all this plunder,
Why, they ought to fork the money out themselves.
So all you bank shareholders, if you won't pay what you owe,
You will find that on your bank will fall a blight;
And the reason is because it's simply certain that deposits
Will be stopped, the bank will bust, and serve you right!
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