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Best Famous Gangway Poems

Here is a collection of the all-time best famous Gangway poems. This is a select list of the best famous Gangway poetry. Reading, writing, and enjoying famous Gangway poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gangway poems.

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Written by Henry Lawson | Create an image from this poem

Forard

 It is stuffy in the steerage where the second-classers sleep, 
For there's near a hundred for'ard, and they're stowed away like sheep, -- 
They are trav'lers for the most part in a straight 'n' honest path; 
But their linen's rather scanty, an' there isn't any bath -- 
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft. 
But the shearers of the shearers always seem to travel aft; 
In the cushioned cabins, aft, 
With saloons 'n' smoke-rooms, aft -- 
There is sheets 'n' best of tucker for the first-salooners, aft. 

Our beef is just like scrapin's from the inside of a hide, 
And the spuds were pulled too early, for they're mostly green inside; 
But from somewhere back amidships there's a smell o' cookin' waft, 
An' I'd give my earthly prospects for a real good tuck-out aft -- 
Ham an' eggs 'n' coffee, aft, 
Say, cold fowl for luncheon, aft, 
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft. 

They feed our women sep'rate, an' they make a blessed fuss, 
Just as if they couldn't trust 'em for to eat along with us! 
Just because our hands are horny an' our hearts are rough with graft -- 
But the gentlemen and ladies always DINE together, aft -- 
With their ferns an' mirrors, aft, 
With their flow'rs an' napkins, aft -- 
`I'll assist you to an orange' -- `Kindly pass the sugar', aft. 

We are shabby, rough, 'n' dirty, an' our feelin's out of tune, 
An' it's hard on fellers for'ard that was used to go saloon; 
There's a broken swell among us -- he is barracked, he is chaffed, 
An' I wish at times, poor devil, for his own sake he was aft; 
For they'd understand him, aft, 
(He will miss the bath-rooms aft), 
Spite of all there's no denyin' that there's finer feelin's aft. 

Last night we watched the moonlight as it spread across the sea -- 
`It is hard to make a livin',' said the broken swell to me. 
`There is ups an' downs,' I answered, an' a bitter laugh he laughed -- 
There were brighter days an' better when he always travelled aft -- 
With his rug an' gladstone, aft, 
With his cap an' spyglass, aft -- 
A careless, rovin', gay young spark as always travelled aft. 

There's a notice by the gangway, an' it seems to come amiss, 
For it says that second-classers `ain't allowed abaft o' this'; 
An' there ought to be a notice for the fellows from abaft -- 
But the smell an' dirt's a warnin' to the first-salooners, aft; 
With their tooth and nail-brush, aft, 
With their cuffs 'n' collars, aft -- 
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft. 

I want to breathe the mornin' breeze that blows against the boat, 
For there's a swellin' in my heart -- a tightness in my throat -- 
We are for'ard when there's trouble! We are for'ard when there's graft! 
But the men who never battle always seem to travel aft; 
With their dressin'-cases, aft, 
With their swell pyjamas, aft -- 
Yes! the idle and the careless, they have ease an' comfort, aft. 

I feel so low an' wretched, as I mooch about the deck, 
That I'm ripe for jumpin' over -- an' I wish there was a wreck! 
We are driven to New Zealand to be shot out over there -- 
Scarce a shillin' in our pockets, nor a decent rag to wear, 
With the everlastin' worry lest we don't get into graft -- 
There is little left to land for if you cannot travel aft; 
No anxiety abaft, 
They have stuff to land with, aft -- 
Oh, there's little left to land for if you cannot travel aft; 

But it's grand at sea this mornin', an' Creation almost speaks, 
Sailin' past the Bay of Islands with its pinnacles an' peaks, 
With the sunny haze all round us an' the white-caps on the blue, 
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through! 
To the south a distant steamer, to the west a coastin' craft, 
An' we see the beauty for'ard, better than if we were aft; 
Spite of op'ra-glasses, aft; 
But, ah well, they're brothers aft -- 
Nature seems to draw us closer -- bring us nearer fore-'n'-aft. 

What's the use of bein' bitter? What's the use of gettin' mad? 
What's the use of bein' narrer just because yer luck is bad? 
What's the blessed use of frettin' like a child that wants the moon? 
There is broken hearts an' trouble in the gilded first saloon! 
We are used to bein' shabby -- we have got no overdraft -- 
We can laugh at troubles for'ard that they couldn't laugh at aft; 
Spite o' pride an' tone abaft 
(Keepin' up appearance, aft) 
There's anxiety an' worry in the breezy cabins aft. 

But the curse o' class distinctions from our shoulders shall be hurled, 
An' the influence of woman revolutionize the world; 
There'll be higher education for the toilin' starvin' clown, 
An' the rich an' educated shall be educated down; 
An' we all will meet amidships on this stout old earthly craft, 
An' there won't be any friction 'twixt the classes fore-'n'-aft. 
We'll be brothers, fore-'n'-aft! 
Yes, an' sisters, fore-'n'-aft! 
When the people work together, and there ain't no fore-'n'-aft.


Written by Rudyard Kipling | Create an image from this poem

Birds of Prey March

 March! The mud is cakin' good about our trousies.
 Front! -- eyes front, an' watch the Colour-casin's drip.
Front! The faces of the women in the 'ouses
 Ain't the kind o' things to take aboard the ship.

Cheer! An' we'll never march to victory.
Cheer! An' we'll never live to 'ear the cannon roar!
 The Large Birds o' Prey
 They will carry us away,
An' you'll never see your soldiers any more!

Wheel! Oh, keep your touch; we're goin' round a corner.
 Time! -- mark time, an' let the men be'ind us close.
Lord! the transport's full, an' 'alf our lot not on 'er --
 Cheer, O cheer! We're going off where no one knows.

March! The Devil's none so black as 'e is painted!
 Cheer! We'll 'ave some fun before we're put away.
'Alt, an' 'and 'er out -- a woman's gone and fainted!
 Cheer! Get on -- Gawd 'elp the married men to-day!

Hoi! Come up, you 'ungry beggars, to yer sorrow.
 ('Ear them say they want their tea, an' want it quick!)
You won't have no mind for slingers, not to-morrow --
 No; you'll put the 'tween-decks stove out, bein' sick!

'Alt! The married kit 'as all to go before us!
 'Course it's blocked the bloomin' gangway up again!
Cheer, O cheer the 'Orse Guards watchin' tender o'er us,
 Keepin' us since eight this mornin' in the rain!

Stuck in 'eavy marchin'-order, sopped and wringin' --
 Sick, before our time to watch 'er 'eave an' fall,
'Ere's your 'appy 'ome at last, an' stop your singin'.
 'Alt! Fall in along the troop-deck! Silence all!

Cheer! For we'll never live to see no bloomin' victory!
Cheer! An' we'll never live to 'ear the cannon roar! (One cheer more!)
 The jackal an' the kite
 'Ave an 'ealthy appetite,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
 The eagle an' the crow
 They are waitin' ever so,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
 Yes, the Large Birds o' Prey
 They will carry us away,
An' you'll never see your soldiers any more!
Written by Adam Lindsay Gordon | Create an image from this poem

Whispering in Wattle -Boughs

 OH, gaily sings the bird! and the wattle-boughs are stirred 
And rustled by the scented breath of Spring; 
Oh, the dreary wistful longing! Oh, the faces that are thronging! 
Oh, the voices that are vaguely whispering! 

Oh, tell me, father mine, ere the good ship crossed the brine, 
On the gangway one mute handgrip we exchanged, 
Do you, past the grave, employ, for your stubborn reckless boy, 
Those petitions that in life were ne’er estranged? 

Oh, tell me, sister dear—parting word and parting tear 
Never passed between us: let me bear the blame— 
Are you living, girl, or dead? bitter tears since then I’ve shed 
For the lips that lisped with mine a mother’s name. 

Oh, tell me, ancient friend, ever ready to defend 
In our boyhood, at the base of life’s long hill, 
Are you waking yet or sleeping? Have you left this vale of weeping, 
Or do you, like your comrade, linger still? 

Oh, whisper, buried love, is there rest and peace above?— 
There is little hope or comfort here below; 
On your sweet face lies the mould, and your bed is strait and cold— 
Near the harbour where the sea-tides ebb and flow. 

All silent—they are dumb—and the breezes go and come 
With an apathy that mocks at man’s distress; 
Laugh, scoffer, while you may! I could bow me down and pray 
For an answer that might stay my bitterness. 

Oh, harshly screams the bird, and the wattle-bloom is stirred; 
There’s a sullen weird-like whisper in the bough: 
‘Aye, kneel and pray and weep, but HIS BELOVED SLEEP 
CAN NEVER BE DISTURBED BY SUCH AS THOU!’
Written by Dorothy Parker | Create an image from this poem

Prologue to a Saga

 Maidens, gather not the yew,
Leave the glossy myrtle sleeping;
Any lad was born untrue,
Never a one is fit your weeping.

Pretty dears, your tumult cease;
Love's a fardel, burthening double.
Clear your hearts, and have you peace-
Gangway, girls: I'll show you trouble.

Book: Reflection on the Important Things