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Written by Robert Seymour Bridges | Create an image from this poem

From The Testament of Beauty

 'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space
Heav'n's jewel'd company circleth unapproachably-
'Twas at sunset that I, fleeing to hide my soul
in refuge of beauty from a mortal distress,
walk'd alone with the Muse in her garden of thought,
discoursing at liberty with the mazy dreams
that came wavering pertinaciously about me; as when
the small bats, issued from their hangings, flitter o'erhead
thru' the summer twilight, with thin cries to and fro
hunting in muffled flight atween the stars and flowers.
Then fell I in strange delusion, illusion strange to tell;
for as a man who lyeth fast asleep in his bed
may dream he waketh, and that he walketh upright
pursuing some endeavour in full conscience-so 'twas
with me; but contrawise; for being in truth awake
methought I slept and dreamt; and in thatt dream methought
I was telling a dream; nor telling was I as one
who, truly awaked from a true sleep, thinketh to tell
his dream to a friend, but for his scant remembrances
findeth no token of speech-it was not so with me;
for my tale was my dream and my dream the telling,
and I remember wondring the while I told it
how I told it so tellingly. And yet now 'twould seem
that Reason inveighed me with her old orderings;
as once when she took thought to adjust theology,
peopling the inane that vex'd her between God and man
with a hierarchy of angels; like those asteroids
wherewith she later fill'd the gap 'twixt Jove and Mars.
Verily by Beauty it is that we come as WISDOM,
yet not by Reason at Beauty; and now with many words
pleasing myself betimes I am fearing lest in the end
I play the tedious orator who maundereth on
for lack of heart to make an end of his nothings.
Wherefor as when a runner who hath run his round
handeth his staff away, and is glad of his rest,
here break I off, knowing the goal was not for me
the while I ran on telling of what cannot be told.

For not the Muse herself can tell of Goddes love;
which cometh to the child from the Mother's embrace,
an Idea spacious as the starry firmament's
inescapable infinity of radiant gaze,
that fadeth only as it outpasseth mortal sight:
and this direct contact is 't with eternities,
this springtide miracle of the soul's nativity
that oft hath set philosophers adrift in dream;
which thing Christ taught, when he set up a little child
to teach his first Apostles and to accuse their pride,
saying, 'Unless ye shall receive it as a child,
ye cannot enter into the kingdom of heaven.'
So thru'out all his young mental apprenticehood
the child of very simplicity, and in the grace
and beauteous attitude of infantine wonder,
is apt to absorb Ideas in primal purity,
and by the assimilation of thatt immortal food
may build immortal life; but ever with the growth
of understanding, as the sensible images
are more and more corrupt, troubled by questioning thought,
or with vainglory alloy'd, 'tis like enought the boy
in prospect of his manhood wil hav cast to th' winds
his Baptism with his Babyhood; nor might he escape
the fall of Ev'ryman, did not a second call
of nature's Love await him to confirm his Faith
or to revoke him if he is whollylapsed therefrom.
And so mighty is this second vision, which cometh
in puberty of body and adolescence of mind
that, forgetting his Mother, he calleth it 'first Love';
for it mocketh at suasion or stubbornness of heart,
as the oceantide of the omnipotent Pleasur of God,
flushing all avenues of life, and unawares
by thousandfold approach forestalling its full flood
with divination of the secret contacts of Love,--
of faintest ecstasies aslumber in Nature's calm,
like thought in a closed book, where some poet long since
sang his throbbing passion to immortal sleep-with coy
tenderness delicat as the shifting hues
that sanctify the silent dawn with wonder-gleams,
whose evanescence is the seal of their glory,
consumed in self-becoming of eternity;
til every moment as it flyeth, cryeth 'Seize!
Seize me ere I die! I am the Life of Life.'
'Tis thus by near approach to an eternal presence
man's heart with divine furor kindled and possess'd
falleth in blind surrender; and finding therewithal
in fullest devotion the full reconcilement
betwixt his animal and spiritual desires,
such welcome hour of bliss standeth for certain pledge
of happiness perdurable: and coud he sustain
this great enthusiasm, then the unbounded promise
would keep fulfilment; since the marriage of true minds
is thatt once fabled garden, amidst of which was set
the single Tree that bore such med'cinable fruit
that if man ate thereof he should liv for ever.
Friendship is in loving rather than in being lov'd,
which is its mutual benediction and recompense;
and tho' this be, and tho' love is from lovers learn'd,
it springeth none the less from the old essence of self.
No friendless man ('twas well said) can be truly himself;
what a man looketh for in his friend and findeth,
and loving self best, loveth better than himself,
is his own better self, his live lovable idea,
flowering by expansion in the loves of his life.
And in the nobility of our earthly friendships
we hav al grades of attainment, and the best may claim
perfection of kind; and so, since ther be many bonds
other than breed (friendships of lesser motiv, found
even in the brutes) and since our politick is based
on actual association of living men, 'twil come
that the spiritual idea of Friendship, the huge
vastidity of its essence, is fritter'd away
in observation of the usual habits of men;
as happ'd with the great moralist, where his book saith
that ther can be no friendship betwixt God and man
because of their unlimited disparity.
From this dilemma of pagan thought, this poison of faith,
Man-soul made glad escape in the worship of Christ;
for his humanity is God's Personality,
and communion with him is the life of the soul.
Of which living ideas (when in the struggle of thought
harden'd by language they became symbols of faith)
Reason builded her maze, wherefrom none should escape,
wandering intent to map and learn her tortuous clews,
chanting their clerkly creed to the high-echoing stones
of their hand-fashion'd temple: but the Wind of heav'n
bloweth where it listeth, and Christ yet walketh the earth,
and talketh still as with those two disciples once 
on the road to Emmaus-where they walk and are sad;
whose vision of him then was his victory over death,
thatt resurrection which all his lovers should share,
who in loving him had learn'd the Ethick of happiness;
whereby they too should come where he was ascended
to reign over men's hearts in the Kingdom of God.
Our happiest earthly comradeships hold a foretaste
of the feast of salvation and by thatt virtue in them
provoke desire beyond them to out-reach and surmount
their humanity in some superhumanity
and ultimat perfection: which, howe'ever 'tis found
or strangeley imagin'd, answereth to the need of each
and pulleth him instinctivly as to a final cause.
Thus unto all who hav found their high ideal in Christ,
Christ is to them the essence discern'd or undeiscern'd
of all their human friendships; and each lover of him
and of his beauty must be as a bud on the Vine
and hav participation in him; for Goddes love
is unescapable as nature's environment,
which if a man ignore or think to thrust it off
he is the ill-natured fool that runneth blindly on death.
This Individualism is man's true Socialism.
This is the rife Idea whose spiritual beauty
multiplieth in communion to transcendant might.
This is thatt excelent way whereon if we wil walk
all things shall be added unto us-thatt Love which inspired
the wayward Visionary in his doctrinal ode
to the three christian Graces, the Church's first hymn
and only deathless athanasian creed,--the which
'except a man believe he cannot be saved.'
This is the endearing bond whereby Christ's company
yet holdeth together on the truth of his promise
that he spake of his grat pity and trust in man's love,
'Lo, I am with you always ev'n to the end of the world.'
Truly the Soul returneth the body's loving
where it hath won it...and God so loveth the world...
and in the fellowship of the friendship of Christ
God is seen as the very self-essence of love,
Creator and mover of all as activ Lover of all,
self-express'd in not-self, mind and body, mother and child,
'twixt lover and loved, God and man: but ONE ETERNAL
in the love of Beauty and in the selfhood of Love.


Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields. 

A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; 
A song tasting of new wheat, and of fresh-husk’d maize.

2
For the lands, and for these passionate days, and for myself, 
Now I awhile return to thee, O soil of Autumn fields, 
Reclining on thy breast, giving myself to thee, 
Answering the pulses of thy sane and equable heart, 
Tuning a verse for thee.

O Earth, that hast no voice, confide to me a voice! 
O harvest of my lands! O boundless summer growths! 
O lavish, brown, parturient earth! O infinite, teeming womb! 
A verse to seek, to see, to narrate thee. 

3
Ever upon this stage,
Is acted God’s calm, annual drama, 
Gorgeous processions, songs of birds, 
Sunrise, that fullest feeds and freshens most the soul, 
The heaving sea, the waves upon the shore, the musical, strong waves, 
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass, 
The heat, the showers, the measureless pasturages, 
The scenery of the snows, the winds’ free orchestra, 
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
 silvery
 fringes, 
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows, 
The shows of all the varied lands, and all the growths and products. 

4
Fecund America! To-day, 
Thou art all over set in births and joys! 
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions! 
A myriad-twining life, like interlacing vines, binds all thy vast demesne! 
As some huge ship, freighted to water’s edge, thou ridest into port! 
As rain falls from the heaven, and vapors rise from earth, so have the precious values
 fallen
 upon thee, and risen out of thee! 
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty! 
Thou lucky Mistress of the tranquil barns! 
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
 East,
 and lookest West! 
Dispensatress, that by a word givest a thousand miles—that giv’st a million
 farms,
 and missest nothing! 
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
 hospitable.)

5
When late I sang, sad was my voice; 
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; 
In the midst of the armies, the Heroes, I stood, 
Or pass’d with slow step through the wounded and dying. 

But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps, 
Nor the regiments hastily coming up, deploying in line of battle. 

No more the dead and wounded; 
No more the sad, unnatural shows of War. 

Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d. 

6
(Pass—pass, ye proud brigades! 
So handsome, dress’d in blue—with your tramping, sinewy legs; 
With your shoulders young and strong—with your knapsacks and your muskets; 
—How elate I stood and watch’d you, where, starting off, you march’d!

Pass;—then rattle, drums, again! 
Scream, you steamers on the river, out of whistles loud and shrill, your salutes! 
For an army heaves in sight—O another gathering army! 
Swarming, trailing on the rear—O you dread, accruing army! 
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! 
Lo! your pallid army follow’d!) 

7
But on these days of brightness, 
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
 farm-wagons, and
 the fruits and barns, 
Shall the dead intrude?

Ah, the dead to me mar not—they fit well in Nature; 
They fit very well in the landscape, under the trees and grass, 
And along the edge of the sky, in the horizon’s far margin. 

Nor do I forget you, departed; 
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
 phantoms, 
Your dear memories, rising, glide silently by me. 

8
I saw the day, the return of the Heroes; 
(Yet the Heroes never surpass’d, shall never return; 
Them, that day, I saw not.)

I saw the interminable Corps—I saw the processions of armies, 
I saw them approaching, defiling by, with divisions, 
Streaming northward, their work done, camping awhile in clusters of mighty camps. 

No holiday soldiers!—youthful, yet veterans; 
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march, 
Inured on many a hard-fought, bloody field. 

9
A pause—the armies wait; 
A million flush’d, embattled conquerors wait; 
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear. 

Exult, indeed, O lands! victorious lands! 
Not there your victory, on those red, shuddering fields; 
But here and hence your victory. 

Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms; 
Other the arms, the fields henceforth for you, or South or North, or East or West, 
With saner wars—sweet wars—life-giving wars. 

10
Loud, O my throat, and clear, O soul! 
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility. 

All till’d and untill’d fields expand before me; 
I see the true arenas of my race—or first, or last, 
Man’s innocent and strong arenas. 

I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons. 

11
I see where America, Mother of All, 
Well-pleased, with full-spanning eye, gazes forth, dwells long, 
And counts the varied gathering of the products. 

Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North, 
Cotton and rice of the South, and Louisianian cane; 
Open, unseeded fallows, rich fields of clover and timothy, 
Kine and horses feeding, and droves of sheep and swine, 
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes, 
And the good green grass—that delicate miracle, the ever-recurring grass. 

12
Toil on, Heroes! harvest the products! 
Not alone on those warlike fields, the Mother of All, 
With dilated form and lambent eyes, watch’d you.

Toil on, Heroes! toil well! Handle the weapons well! 
The Mother of All—yet here, as ever, she watches you. 

Well-pleased, America, thou beholdest, 
Over the fields of the West, those crawling monsters, 
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, 
The steam-power reaping-machines, and the horse-power machines, 
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
 nimble work of the patent pitch-fork; 
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser. 

Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest. 

All gather, and all harvest; 
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security; 
Not a maize-stalk dangle, as now, its silken tassels in peace.) 

13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; 
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
 sheath, 
Gather the hay to its myriad mows, in the odorous, tranquil barns, 
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; 
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
 potato of
 Georgia and the Carolinas,
Clip the wool of California or Pennsylvania, 
Cut the flax in the Middle States, or hemp, or tobacco in the Borders, 
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
 vines, 
Or aught that ripens in all These States, or North or South, 
Under the beaming sun, and under Thee.
Written by Mahmoud Darwish | Create an image from this poem

Under Siege

 Here on the slopes of hills, facing the dusk and the cannon of time 
Close to the gardens of broken shadows, 
We do what prisoners do, 
And what the jobless do: 
We cultivate hope. 

*** 
A country preparing for dawn. We grow less intelligent 
For we closely watch the hour of victory: 
No night in our night lit up by the shelling 
Our enemies are watchful and light the light for us 
In the darkness of cellars. 

*** 
Here there is no "I". 
Here Adam remembers the dust of his clay. 

*** 
On the verge of death, he says: 
I have no trace left to lose:
Free I am so close to my liberty. My future lies in my own hand. 
Soon I shall penetrate my life, 
I shall be born free and parentless, 
And as my name I shall choose azure letters... 

*** 
You who stand in the doorway, come in, 
Drink Arabic coffee with us 
And you will sense that you are men like us 
You who stand in the doorways of houses 
Come out of our morningtimes, 
We shall feel reassured to be 
Men like you! 

*** 
When the planes disappear, the white, white doves 
Fly off and wash the cheeks of heaven 
With unbound wings taking radiance back again, taking possession 
Of the ether and of play. Higher, higher still, the white, white doves 
Fly off. Ah, if only the sky 
Were real [a man passing between two bombs said to me]. 

*** 
Cypresses behind the soldiers, minarets protecting 
The sky from collapse. Behind the hedge of steel 
Soldiers piss—under the watchful eye of a tank— 
And the autumnal day ends its golden wandering in 
A street as wide as a church after Sunday mass... 

*** 
[To a killer] If you had contemplated the victim’s face 
And thought it through, you would have remembered your mother in the 
Gas chamber, you would have been freed from the reason for the rifle 
And you would have changed your mind: this is not the way 
to find one’s identity again. 

*** 
The siege is a waiting period 
Waiting on the tilted ladder in the middle of the storm. 

*** 
Alone, we are alone as far down as the sediment 
Were it not for the visits of the rainbows. 

*** 
We have brothers behind this expanse. 
Excellent brothers. They love us. They watch us and weep. 
Then, in secret, they tell each other: 
"Ah! if this siege had been declared..." They do not finish their sentence: 
"Don’t abandon us, don’t leave us." 

*** 
Our losses: between two and eight martyrs each day. 
And ten wounded. 
And twenty homes. 
And fifty olive trees... 
Added to this the structural flaw that 
Will arrive at the poem, the play, and the unfinished canvas. 

*** 
A woman told the cloud: cover my beloved 
For my clothing is drenched with his blood. 

*** 
If you are not rain, my love 
Be tree 
Sated with fertility, be tree 
If you are not tree, my love 
Be stone 
Saturated with humidity, be stone 
If you are not stone, my love 
Be moon 
In the dream of the beloved woman, be moon 
[So spoke a woman 
to her son at his funeral] 

*** 
Oh watchmen! Are you not weary 
Of lying in wait for the light in our salt 
And of the incandescence of the rose in our wound 
Are you not weary, oh watchmen? 

*** 

A little of this absolute and blue infinity 
Would be enough 
To lighten the burden of these times 
And to cleanse the mire of this place. 

*** 
It is up to the soul to come down from its mount 
And on its silken feet walk 
By my side, hand in hand, like two longtime 
Friends who share the ancient bread 
And the antique glass of wine 
May we walk this road together 
And then our days will take different directions: 
I, beyond nature, which in turn 
Will choose to squat on a high-up rock. 

*** 
On my rubble the shadow grows green, 
And the wolf is dozing on the skin of my goat 
He dreams as I do, as the angel does 
That life is here...not over there. 

*** 
In the state of siege, time becomes space 
Transfixed in its eternity 
In the state of siege, space becomes time 
That has missed its yesterday and its tomorrow. 

*** 
The martyr encircles me every time I live a new day 
And questions me: Where were you? Take every word 
You have given me back to the dictionaries 
And relieve the sleepers from the echo’s buzz. 

*** 
The martyr enlightens me: beyond the expanse 
I did not look 
For the virgins of immortality for I love life 
On earth, amid fig trees and pines, 
But I cannot reach it, and then, too, I took aim at it 
With my last possession: the blood in the body of azure. 

*** 
The martyr warned me: Do not believe their ululations 
Believe my father when, weeping, he looks at my photograph 
How did we trade roles, my son, how did you precede me. 
I first, I the first one! 

*** 
The martyr encircles me: my place and my crude furniture are all that I have changed. 
I put a gazelle on my bed, 
And a crescent of moon on my finger 
To appease my sorrow. 

*** 
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty! 

*** 
Resisting means assuring oneself of the heart’s health, 
The health of the testicles and of your tenacious disease: 
The disease of hope. 

*** 
And in what remains of the dawn, I walk toward my exterior 
And in what remains of the night, I hear the sound of footsteps inside me. 

*** 
Greetings to the one who shares with me an attention to 
The drunkenness of light, the light of the butterfly, in the 
Blackness of this tunnel! 

*** 
Greetings to the one who shares my glass with me 
In the denseness of a night outflanking the two spaces: 
Greetings to my apparition. 

*** 
My friends are always preparing a farewell feast for me, 
A soothing grave in the shade of oak trees 
A marble epitaph of time 
And always I anticipate them at the funeral: 
Who then has died...who? 

*** 
Writing is a puppy biting nothingness 
Writing wounds without a trace of blood. 

*** 
Our cups of coffee. Birds green trees 
In the blue shade, the sun gambols from one wall 
To another like a gazelle 
The water in the clouds has the unlimited shape of what is left to us 
Of the sky. And other things of suspended memories 
Reveal that this morning is powerful and splendid, 
And that we are the guests of eternity.
Written by Galway Kinnell | Create an image from this poem

The Correspondence School Instructor Says Goodbye To His Poetry Students

 Goodbye, lady in Bangor, who sent me
snapshots of yourself, after definitely hinting
you were beautiful; goodbye,
Miami Beach urologist, who enclosed plain
brown envelopes for the return of your very
Clinical Sonnet; goodbye, manufacturer
of brassieres on the Coast, whose eclogues
give the fullest treatment in literature yet
to the sagging-breast motif; goodbye, you in San Quentin,
who wrote, "Being German my hero is Hitler,"
instead of "Sincerely yours," at the end of long,
neat-scripted letter demolishing
the pre-Raphaelites:

I swear to you, it was just my way
of cheering myself up, as I licked
the stamped, self-addressed envelopes,
the game I had
of trying to guess which one of you, this time,
had poisoned his glue. I did care.
I did read each poem entire.
I did say what I thought was the truth
in the mildest words I know. And now,
in this poem, or chopped prose, not any better,
I realize, than those troubled lines
I kept sending back to you,
I have to say I am relieved it is over:
at the end I could feel only pity
for that urge toward more life
your poems kept smothering in words, the smell
of which, days later, would tingle
in your nostrils as new, God-given impulses
to write.

Goodbye,
you who are, for me, the postmarks again
of shattered towns-Xenia, Burnt Cabins, Hornell-
their loneliness
given away in poems, only their solitude kept.
Written by Erica Jong | Create an image from this poem

Nursing You

 On the first night
of the full moon,
the primeval sack of ocean
broke,
& I gave birth to you
little woman,
little carrot top,
little turned-up nose,
pushing you out of myself
as my mother
pushed
me out of herself,
as her mother did,
& her mother's mother before her,
all of us born
of woman.

I am the second daughter
of a second daughter
of a second daughter,
but you shall be the first.
You shall see the phrase
"second sex"
only in puzzlement,
wondering how anyone,
except a madman,
could call you "second"
when you are so splendidly
first,
conferring even on your mother
firstness, vastness, fullness
as the moon at its fullest
lights up the sky.

Now the moon is full again
& you are four weeks old.
Little lion, lioness,
yowling for my breasts,
rowling at the moon,
how I love your lustiness,
your red face demanding,
your hungry mouth howling,
your screams, your cries
which all spell life
in large letters
the color of blood.

You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second sex,
but the first of the first;
& when the moon's phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.


Written by Thomas Edward Brown | Create an image from this poem

Pain

 The Man that hath great griefs I pity not; 
’Tis something to be great 
In any wise, and hint the larger state, 
Though but in shadow of a shade, God wot! 

Moreover, while we wait the possible, 
This man has touched the fact, 
And probed till he has felt the core, where, packed 
In pulpy folds, resides the ironic ill. 

And while we others sip the obvious sweet— 
Lip-licking after-taste 
Of glutinous rind, lo! this man hath made haste, 
And pressed the sting that holds the central seat. 

For thus it is God stings us into life, 
Provoking actual souls 
From bodily systems, giving us the poles 
That are His own, not merely balanced strife. 

Nay, the great passions are His veriest thought, 
Which whoso can absorb, 
Nor, querulous halting, violate their orb, 
In him the mind of God is fullest wrought. 

Thrice happy such an one! Far other he 
Who dallies on the edge 
Of the great vortex, clinging to a sedge 
Of patent good, a timorous Manichee; 

Who takes the impact of a long-breathed force, 
And fritters it away 
In eddies of disgust, that else might stay 
His nerveless heart, and fix it to the course. 

For there is threefold oneness with the One; 
And he is one, who keeps 
The homely laws of life; who, if he sleeps, 
Or wakes, in his true flesh God’s will is done. 

And he is one, who takes the deathless forms, 
Who schools himself to think 
With the All-thinking, holding fast the link, 
God-riveted, that bridges casual storms. 

But tenfold one is he, who feels all pains 
Not partial, knowing them 
As ripples parted from the gold-beaked stem, 
Wherewith God’s galley onward ever strains. 

To him the sorrows are the tension-thrills 
Of that serene endeavour, 
Which yields to God for ever and for ever 
The joy that is more ancient than the hills.
Written by Sir Philip Sidney | Create an image from this poem

Astrophel and Stella: XV

 You that do search for every purling spring
Which from the ribs of old Parnassus flows,
And every flower, not sweet perhaps, which grows
Near thereabouts, into your poesy wring;
Ye that do dictionary's method bring
Into your rimes, running in rattling rows;
You that poor Petrarch's long-deceased woes
With new-born sighs and denizen'd wit do sing:
You take wrong ways; those far-fet helps be such
As do bewray a want of inward touch,
And sure, at length stol'n goods do come to light.
But if, both for your love and skill, your name
You seek to nurse at fullest breasts of Fame,
Stella behold, and then begin to endite.
Written by Rg Gregory | Create an image from this poem

confessions of a fool

 (i)
i believed in flower-power (the triumph of the meek)
the thought that what a wind could bend was not to be
derided for its weakness but known to draw its calm
from a corporate sense of self (its many-ed history)
that tyranny (in the long blow) lacked the will to break

that heaped-up suffering gave to sufferers a balm
and through such evolution (such dog-eared mystery)
there would grow an end to the strong is right mystique
and that ordinariness unarmed (however weak its knee)
could hymn its own upstanding (as honoured as a psalm)

i believed in flower-power (the triumph of the meek)
though evidence was mocking (less song than threnody)
i savoured the impossible without a qualm

(ii)
and sought to make it practical – to bed worn earth
with a seed that tried to answer those dire conundrums
(making of every longed-for scene a landscape bleak)
to bring exciting prospects to a life of humdrums
reveal the spirit-ordinary in its dancing worth

yet the visions my dreams gave voice to failed to speak
they fell foul (inevitably) of panjamdrums
but even amongst those who grasped a notion of their girth
not one could get the fullest beatings of these sun-drums
the simple clarity the dreams had turned opaque

and after thirty years (too frayed to fight such dearth)
who should know better (so much beaten by life’s tantrums)
i believe in flower-power (the triumph of the meek)
Written by Marriott Edgar | Create an image from this poem

Albert Down Under

 Albert were what you'd call “thwarted”. 
He had long had an ambition, which... 
Were to save up and go to Australia, 
The saving up that were the hitch. 

He'd a red money box on the pot shelf, 
A post office thing made of tin, 
But with him and his Dad and the bread knife, 
It never had anything in. 

He were properly held up for bobbins, 
As the folk in the mill used to say, 
Till he hit on a simple solution - 
He'd go as a young stowaway. 

He studied the sailing lists daily, 
And at last found a ship as would do. 
“S.S. Tosser:, a freighter from Fleetwood, 
Via Cape Horn to Wooloomooloo. 

He went off next evening to Fleetwood, 
And found her there loaded and coaled, 
Slipped over the side in the darkness, 
And downstairs and into the hold. 

The hold it were choked up with cargo, 
He groped with his hands in the gloom, 
Squeezed through bars of what felt like a grating, 
And found he had plenty of room. 

Some straw had been spilled in one corner,
He thankfully threw himself flat, 
He thought he could hear someone breathing,
But he were too tired to fret about that. 

When he woke they were out in mid-ocean, 
He turned and in light which were dim, 
Looked straight in the eyes of a lion, 
That were lying there looking at him. 

His heart came right up in his tonsils, 
As he gazed at that big yellow face. 
Then it smiled and they both said together, 
“Well, isn't the world a small place?” 

The lion were none other than Wallace, 
He were going to Sydney, too. 
To fulfil a short starring engagement 
In a cage at Taronga Park Zoo. 

As they talked they heard footsteps approaching, 
“Someone comes” whispered Wallace, “Quick, hide”. 
He opened his mouth to the fullest,
And Albert sprang nimbly inside. 

'Twere Captain on morning inspection, 
When he saw Wallace shamming to doze, 
He picked up a straw from his bedding, 
And started to tickle his nose. 

Now Wallace could never stand tickling, 
He let out a mumbling roar, 
And before he could do owt about it, 
He'd sneezed Albert out on the floor. 

The Captain went white to the wattles, 
He said, “I'm a son of a gun”. 
He had heard of beasts bringing up children, 
But were first time as he'd seen it done. 

He soon had the radio crackling, 
And flashing the tale far and wide, 
Of the lad who'd set out for Australia, 
Stowed away in a lion's inside. 

The quay it were jammed with reporters, 
When they docked on Australian soil. 
They didn't pretend to believe it, 
But 'twere too good a story to spoil. 

And Albert soon picked up the language, 
When he first saw the size of the fruit, 
There was no more “by gum” now or “Champion”,
It were “Whacko!”, “Too right!” and “You beaut!”. 

They gave him a wonderful fortnight, 
Then from a subscription they made, 
Sent him back as a “Parcel for Britain”, 
Carriage forward, and all ex's paid!
Written by George Eliot | Create an image from this poem

God Needs Antonio

 Your soul was lifted by the wings today
Hearing the master of the violin:
You praised him, praised the great Sabastian too
Who made that fine Chaconne; but did you think
Of old Antonio Stradivari? -him
Who a good century and a half ago
Put his true work in that brown instrument
And by the nice adjustment of its frame
Gave it responsive life, continuous
With the master's finger-tips and perfected
Like them by delicate rectitude of use.
That plain white-aproned man, who stood at work
Patient and accurate full fourscore years,
Cherished his sight and touch by temperance,
And since keen sense is love of perfectness
Made perfect violins, the needed paths
For inspiration and high mastery.

No simpler man than he; he never cried,
"why was I born to this monotonous task
Of making violins?" or flung them down
To suit with hurling act well-hurled curse
At labor on such perishable stuff.
Hence neighbors in Cremona held him dull,
Called him a slave, a mill-horse, a machine.

Naldo, a painter of eclectic school,
Knowing all tricks of style at thirty-one,
And weary of them, while Antonio
At sixty-nine wrought placidly his best,
Making the violin you heard today -
Naldo would tease him oft to tell his aims.
"Perhaps thou hast some pleasant vice to feed -
the love of louis d'ors in heaps of four,
Each violin a heap - I've naught to blame;
My vices waste such heaps. But then, why work
With painful nicety?"

Antonio then:
"I like the gold - well, yes - but not for meals.
And as my stomach, so my eye and hand,
And inward sense that works along with both,
Have hunger that can never feed on coin.
Who draws a line and satisfies his soul,
Making it crooked where it should be straight?
Antonio Stradivari has an eye
That winces at false work and loves the true."
Then Naldo: "'Tis a petty kind of fame
At best, that comes of making violins;
And saves no masses, either. Thou wilt go
To purgatory none the less."

But he:
"'Twere purgatory here to make them ill;
And for my fame - when any master holds
'Twixt chin and hand a violin of mine,
He will be glad that Stradivari lived,
Made violins, and made them of the best.
The masters only know whose work is good:
They will choose mine, and while God gives them skill
I give them instruments to play upon,
God choosing me to help him.

"What! Were God
at fault for violins, thou absent?"

"Yes;
He were at fault for Stradivari's work."

"Why, many hold Giuseppe's violins
As good as thine."

"May be: they are different.
His quality declines: he spoils his hand
With over-drinking. But were his the best,
He could not work for two. My work is mine,
And, heresy or not, if my hand slacked
I should rob God - since his is fullest good -
Leaving a blank instead of violins.
I say, not God himself can make man's best
Without best men to help him.

'Tis God gives skill,
But not without men's hands: he could not make
Antonio Stradivari's violins
Without Antonio. Get thee to thy easel."

Book: Radiant Verses: A Journey Through Inspiring Poetry