Written by
Dorothy Parker |
If I had a shiny gun,
I could have a world of fun
Speeding bullets through the brains
Of the folk who give me pains;
Or had I some poison gas,
I could make the moments pass
Bumping off a number of
People whom I do not love.
But I have no lethal weapon-
Thus does Fate our pleasure step on!
So they still are quick and well
Who should be, by rights, in hell.
|
Written by
Robinson Jeffers |
Reason will not decide at last; the sword will decide.
The sword: an obsolete instrument of bronze or steel,
formerly used to kill men, but here
In the sense of a symbol. The sword: that is: the storms
and counter-storms of general destruction; killing
of men,
Destruction of all goods and materials; massacre, more or
less intentional, of children and women;
Destruction poured down from wings, the air made accomplice,
the innocent air
Perverted into assasin and poisoner.
The sword: that is: treachery and cowardice, incredible
baseness, incredible courage, loyalties, insanities.
The sword: weeping and despair, mass-enslavement,
mass-tourture, frustration of all hopes
That starred man's forhead. Tyranny for freedom, horror for
happiness, famine for bread, carrion for children.
Reason will not decide at last, the sword will decide.
Dear God, who are the whole splendor of things and the sacred
stars, but also the cruelty and greed, the treacheries
And vileness, insanities and filth and anguish: now that this
thing comes near us again I am finding it hard
To praise you with a whole heart.
I know what pain is, but pain can shine. I know what death is,
I have sometimes
Longed for it. But cruelty and slavery and degredation,
pestilence, filth, the pitifulness
Of men like hurt little birds and animals . . . if you were
only
Waves beating rock, the wind and the iron-cored earth,
With what a heart I could praise your beauty.
You will not repent, nor cancel life, nor free man from anguish
For many ages to come. You are the one that tortures himself to
discover himself: I am
One that watches you and discovers you, and praises you in little
parables, idyl or tragedy, beautiful
Intolerable God.
The sword: that is:
I have two sons whom I love. They are twins, they were born
in nineteen sixteen, which seemed to us a dark year
Of a great war, and they are now of the age
That war prefers. The first-born is like his mother, he is so
beautiful
That persons I hardly know have stopped me on the street to
speak of the grave beauty of the boy's face.
The second-born has strength for his beauty; when he strips
for swimming the hero shoulders and wrestler loins
Make him seem clothed. The sword: that is: loathsome disfigurements,
blindness, mutilation, locked lips of boys
Too proud to scream.
Reason will not decide at last: the sword will decide.
|
Written by
Wystan Hugh (W H) Auden |
When there are so many we shall have to mourn,when grief has been made so public, and exposedto the critique of a whole epochthe frailty of our conscience and anguish, of whom shall we speak? For every day they dieamong us, those who were doing us some good,who knew it was never enough buthoped to improve a little by living. Such was this doctor: still at eighty he wishedto think of our life from whose unrulinessso many plausible young futureswith threats or flattery ask obedience, but his wish was denied him: he closed his eyesupon that last picture, common to us all,of problems like relatives gatheredpuzzled and jealous about our dying. For about him till the very end were stillthose he had studied, the fauna of the night,and shades that still waited to enterthe bright circle of his recognition turned elsewhere with their disappointment as hewas taken away from his life interestto go back to the earth in London,an important Jew who died in exile. Only Hate was happy, hoping to augmenthis practice now, and his dingy clientelewho think they can be cured by killingand covering the garden with ashes. They are still alive, but in a world he changedsimply by looking back with no false regrets;all he did was to rememberlike the old and be honest like children. He wasn't clever at all: he merely toldthe unhappy Present to recite the Pastlike a poetry lesson till sooneror later it faltered at the line where long ago the accusations had begun,and suddenly knew by whom it had been judged,how rich life had been and how silly,and was life-forgiven and more humble, able to approach the Future as a friendwithout a wardrobe of excuses, withouta set mask of rectitude or anembarrassing over-familiar gesture. No wonder the ancient cultures of conceitin his technique of unsettlement foresawthe fall of princes, the collapse oftheir lucrative patterns of frustration: if he succeeded, why, the Generalised Lifewould become impossible, the monolithof State be broken and preventedthe co-operation of avengers. Of course they called on God, but he went his waydown among the lost people like Dante, downto the stinking fosse where the injuredlead the ugly life of the rejected, and showed us what evil is, not, as we thought,deeds that must be punished, but our lack of faith,our dishonest mood of denial,the concupiscence of the oppressor. If some traces of the autocratic pose,the paternal strictness he distrusted, stillclung to his utterance and features,it was a protective coloration for one who'd lived among enemies so long:if often he was wrong and, at times, absurd,to us he is no more a personnow but a whole climate of opinion under whom we conduct our different lives:Like weather he can only hinder or help,the proud can still be proud but find ita little harder, the tyrant tries to make do with him but doesn't care for him much:he quietly surrounds all our habits of growthand extends, till the tired in eventhe remotest miserable duchy have felt the change in their bones and are cheeredtill the child, unlucky in his little State,some hearth where freedom is excluded,a hive whose honey is fear and worry, feels calmer now and somehow assured of escape,while, as they lie in the grass of our neglect,so many long-forgotten objectsrevealed by his undiscouraged shining are returned to us and made precious again;games we had thought we must drop as we grew up,little noises we dared not laugh at,faces we made when no one was looking. But he wishes us more than this. To be freeis often to be lonely. He would unitethe unequal moieties fracturedby our own well-meaning sense of justice, would restore to the larger the wit and willthe smaller possesses but can only usefor arid disputes, would give back tothe son the mother's richness of feeling: but he would have us remember most of allto be enthusiastic over the night,not only for the sense of wonderit alone has to offer, but also because it needs our love. With large sad eyesits delectable creatures look up and begus dumbly to ask them to follow:they are exiles who long for the future that lives in our power, they too would rejoiceif allowed to serve enlightenment like him,even to bear our cry of 'Judas',as he did and all must bear who serve it. One rational voice is dumb. Over his gravethe household of Impulse mourns one dearly loved:sad is Eros, builder of cities,and weeping anarchic Aphrodite.
|
Written by
Barry Tebb |
Why our son, why?
Every morning the same dark chorus wakes me
And I wonder how I am still alive.
"Balance the forces of life and death"
Is the Kleinian recipe for survival.
"It is God’s will, life is meant to test us"
My Christian heritage tells me.
"Life is a vale of soul making"
Keats reminds us.
Insistently the morning traffic hums
As I sip my tea, list calls to make,
Sigh in frustration at unread books.
For solace I look at cards of Haworth
Moorland vistas of unending paths
Cloudscapes only a Constable could paint
High Withens in a gale, the sloping village street.
How? When? Why?
‘The truth’ - if such an entity exists -
Is that I want to run away.
|
Written by
Alexander Pushkin |
With Homer you conversed alone for days and nights,
Our waiting hours were passing slowly,
And shining you came down from the mysterious heights
And brought to us your tablets holy -
So? in the wilderness, beneath a tent, you found
Us, feasting mad in empty gaiety,
Singing our savage songs and galloping around
Some newly hand-created deity.
We grew confused, aloof from your good rays hid we.
Then, seized of wrath and desolation,
Have you, O prophet, cursed your mindless family And smashed your tablets in frustration?
No, you have cursed us not. From heights you disappear
Into the shade of little valleys;
You love the heavens' crash, but also wish to hear
Bees humming over red azaleas.
Such is the honest bard. With passion he laments
At solemn fairs of Melpomena -
To smile upon the crowd's plebeian merriments,
The liberties of coarse arena.
Now Rome is calling him, now majesties of Troy,
Now elder Ossian's craggy gravels -
And in the meantime he will hear with childish joy
Of Czar Sultan's heroic travels.
|
Written by
Bob Hicok |
The telephone company calls and asks what the fuss is.
Betty from the telephone company, who's not concerned
with the particulars of my life. For instance
if I believe in the transubstantiation of Christ
or am gladdened at 7:02 in the morning to repeat
an eighth time why a man wearing a hula skirt of tools
slung low on his hips must a fifth time track mud
across my white kitchen tile to look down at a phone jack.
Up to a work order. Down at a phone jack. Up to a work order.
Over at me. Down at a phone jack. Up to a work order
before announcing the problem I have is not the problem
I have because the problem I have cannot occur
in this universe though possibly in an alternate
universe which is not the responsibility or in any way
the product, child or subsidiary of AT&T. With practice
I've come to respect this moment. One man in jeans,
t-shirt and socks looking across space at a man
with probes and pliers of various inclinations, nothing
being said for five or ten seconds, perhaps I'm still
in pajamas and he has a cleft pallet or is so tall
that gigantism comes to mind but I can't remember
what causes flesh to pile that high, five or ten seconds
of taking in and being taken in by eyes and a brain,
during which I don't build a shotgun from what's at hand,
oatmeal and National Geographics or a taser from hair
caught in the drain and the million volts of frustration
popping through my body. Even though. Even though his face
is an abstract painting called Void. Even though
I'm wondering if my pajama flap is open, placing me
at a postural disadvantage. Breathe I say inside my head,
which is where I store thoughts for the winter. All
is an illusion I say by disassembling my fists, letting each
finger loose to graze. Thank you I say to kill the silence
with my mouth, meaning **** you, meaning die
you shoulder-shrugging fusion of chipped chromosomes
and puss, meaning enough. That a portal exists in my wall
that even its makers can't govern seems an accurate mirror
of life. Here's the truce I offer: I'll pay whatever's asked
to be left alone. To receive a fax from me stand beside
your mailbox for a week. It will come in what appears
to be an envelope. While waiting for the fax reintroduce
yourself to the sky. It's often blue and will transmit
without fail everything clouds have been trying to say to you.
|
Written by
Robert William Service |
Gazing to gold seraph wing,
With wistful wonder in my eyes,
A blue-behinded ape, I swing
Upon the palms of Paradise.
A parakeet of gaudy hue
Upon a flame tree smugly rocks;
Oh, we're a precious pair, we two,
I gibber while the parrot squawks.
"If I had but your wings," I sigh,
"How ardently would I aspire
To soar celestially high
And mingle with yon angel choir."
His beady eye is bitter hard;
Right mockingly he squints at me;
As critic might review a bard
His scorn is withering to see.
And as I beat my brest and howl,
"Poor fool," he shrills, my bliss to wreck.
So . . . so I steal behind that fowl
And grab his claw and screw his neck.
And swift his scarlet wings I tear;
Seeking to soar, with hope divine,
I frantically beat the air,
And crash to earth and - snap my spine.
Yet as I lie with shaken breaths
Of pain I watch my seraph throng. . . .
Oh, I would die a dozen deaths
Could I but sing one deathless song!
|
Written by
Robert William Service |
You never saw a cat with wings,
I'll bet a dollar -- well, I did;
'Twas one of those fantastic things
One runs across in old Madrid.
A walloping big tom it was,
(Maybe of the Angora line),
With silken ears and velvet paws,
And silver hair, superbly fine.
It sprawled upon a crimson mat,
Yet though crowds came to gaze on it,
It was a supercilious cat,
And didn't seem to mind a bit.
It looked at us with dim disdain,
And indolently seemed to sigh:
"There's not another cat in Spain
One half so marvelous as I."
Its owner gently stroked its head,
And tickled it with fingers light.
"Ah no, it cannot fly," he said;
"But see - it has the wings all right."
Then tenderly from off its back
He raised, despite its feline fears,
Appendages that seemed to lack
Vitality - like rabbit's ears.
And then the vision that I had
Of Tabbie soaring through the night,
Quick vanished, and I felt so sad
For that poor pussy's piteous plight.
For though frustration has it stings,
Its mockeries in Hope's despite,
The hell of hells is to have wings
Yet be denied the bliss of flight.
|