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Best Famous Frivolous Poems

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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.


Written by Matthew Arnold | Create an image from this poem

The Buried Life

 Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest, We know, we know that we can smile! But there's a something in this breast, To which thy light words bring no rest, And thy gay smiles no anodyne.
Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And let me read there, love! thy inmost soul.
Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves--and yet The same heart beats in every human breast! But we, my love!--doth a like spell benumb Our hearts, our voices?--must we too be dumb? Ah! well for us, if even we, Even for a moment, can get free Our heart, and have our lips unchain'd; For that which seals them hath been deep-ordain'd! Fate, which foresaw How frivolous a baby man would be-- By what distractions he would be possess'd, How he would pour himself in every strife, And well-nigh change his own identity-- That it might keep from his capricious play His genuine self, and force him to obey Even in his own despite his being's law, Bade through the deep recesses of our breast The unregarded river of our life Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be Eddying at large in blind uncertainty, Though driving on with it eternally.
But often, in the world's most crowded streets, But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us--to know Whence our lives come and where they go.
And many a man in his own breast then delves, But deep enough, alas! none ever mines.
And we have been on many thousand lines, And we have shown, on each, spirit and power; But hardly have we, for one little hour, Been on our own line, have we been ourselves-- Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on for ever unexpress'd.
And long we try in vain to speak and act Our hidden self, and what we say and do Is eloquent, is well--but 't#is not true! And then we will no more be rack'd With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power; Ah yes, and they benumb us at our call! Yet still, from time to time, vague and forlorn, From the soul's subterranean depth upborne As from an infinitely distant land, Come airs, and floating echoes, and convey A melancholy into all our day.
Only--but this is rare-- When a belov{'e}d hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race Wherein he doth for ever chase That flying and elusive shadow, rest.
An air of coolness plays upon his face, And an unwonted calm pervades his breast.
And then he thinks he knows The hills where his life rose, And the sea where it goes.
Written by Alexander Pushkin | Create an image from this poem

Confession (to Alina Osipova 1826)

 I love you - though it makes me beat,
Though vain it seems, and melancholy -
Yet to this shameless, hapless folly
I'll be confessing at your feet.
It ill becomes me: that I'm older, Time I should be more sensible.
.
.
And yet the frivolous disorder Fills every jitter of my soul.
Say you'll be gone - I'm jaded, yawning; You're back - I'm sad, I suffer through - Yet how can I be clear, from owning, My angel, all my care for you! When off the stairs your weightless footfall, Your dress's rustle, reaches me, Your voice, as maidenly, as youthful - I lose my senses instantly.
You smile at me - I'm glad, immensely; Ignore me - and I'm sad, again; Your pallid hand will recompense me For the whole day of utter pain.
When you're embroidering, or setting Your eye on something fair, or letting Your hair amuse you - I'm beguiled; In silence, reddening, all forgetting I watch you like a spellbound child.
But then how wretched my existence, How desolate my jealous pain, When you set out into the distance To wander in the cold and rain; And then your solitary grievings, Or, in the corner, twosome talks, Or twosome piano in the evenings, Or twosome trips, or twosome walks.
.
.
Alina! just a little mercy - I dare not even mention love: For sins I have been guilty of, My angel, of your care unworthy.
.
.
But feign it! All can be achieved By that absorbing gaze, believe me.
.
.
Oh, it takes little to deceive me - I cannot wait to be deceived! (tr.
by Genia Gurarie, 10.
95 - 4.
99) Copyright retained by Genia Gurarie.
email: egurarie@princeton.
edu http://www.
princeton.
edu/~egurarie/ For permission to reproduce, write personally to the translator.
Written by Matthew Arnold | Create an image from this poem

Buried Life The

 Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest, We know, we know that we can smile! But there's a something in this breast, To which thy light words bring no rest, And thy gay smiles no anodyne.
Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And let me read there, love! thy inmost soul.
Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves--and yet The same heart beats in every human breast! But we, my love!--doth a like spell benumb Our hearts, our voices?--must we too be dumb? Ah! well for us, if even we, Even for a moment, can get free Our heart, and have our lips unchain'd; For that which seals them hath been deep-ordain'd! Fate, which foresaw How frivolous a baby man would be-- By what distractions he would be possess'd, How he would pour himself in every strife, And well-nigh change his own identity-- That it might keep from his capricious play His genuine self, and force him to obey Even in his own despite his being's law, Bade through the deep recesses of our breast The unregarded river of our life Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be Eddying at large in blind uncertainty, Though driving on with it eternally.
But often, in the world's most crowded streets, But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us--to know Whence our lives come and where they go.
And many a man in his own breast then delves, But deep enough, alas! none ever mines.
And we have been on many thousand lines, And we have shown, on each, spirit and power; But hardly have we, for one little hour, Been on our own line, have we been ourselves-- Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on for ever unexpress'd.
And long we try in vain to speak and act Our hidden self, and what we say and do Is eloquent, is well--but 't#is not true! And then we will no more be rack'd With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power; Ah yes, and they benumb us at our call! Yet still, from time to time, vague and forlorn, From the soul's subterranean depth upborne As from an infinitely distant land, Come airs, and floating echoes, and convey A melancholy into all our day.
Only--but this is rare-- When a belov{'e}d hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race Wherein he doth for ever chase That flying and elusive shadow, rest.
An air of coolness plays upon his face, And an unwonted calm pervades his breast.
And then he thinks he knows The hills where his life rose, And the sea where it goes.
Written by Walt Whitman | Create an image from this poem

Thoughts

 OF Public Opinion; 
Of a calm and cool fiat, sooner or later, (How impassive! How certain and final!) 
Of the President with pale face, asking secretly to himself, What will the people say
 at
 last? 
Of the frivolous Judge—Of the corrupt Congressman, Governor, Mayor—Of such as
 these,
 standing helpless and exposed; 
Of the mumbling and screaming priest—(soon, soon deserted;)
Of the lessening, year by year, of venerableness, and of the dicta of officers, statutes,
 pulpits, schools; 
Of the rising forever taller and stronger and broader, of the intuitions of men and women,
 and
 of self-esteem, and of personality; 
—Of the New World—Of the Democracies, resplendent, en-masse; 
Of the conformity of politics, armies, navies, to them and to me, 
Of the shining sun by them—Of the inherent light, greater than the rest,
Of the envelopment of all by them, and of the effusion of all from them.


Written by Henry Lawson | Create an image from this poem

Australias Peril

 We must suffer, husband and father, we must suffer, daughter and son,
For the wrong we have taken part in and the wrong that we have seen done.
Let the bride of frivolous fashion, and of ease, be ashamed and dumb, For I tell you the nations shall rule us who have let their children come! How shall Australia escape it – we in the South and alone Who have taken the sword for no right of England and none of our own? (Can we bring back the husbands and fathers, can we bring the lovers and sons? From the Dead to the homes we have ruined with the fire of our murdering guns?) Who shall aid and protect us when the blood-streaked dawn we meet? Will England, the hated of nations, whose existence depends on her fleet? Who, because of the deer-parks and game-runs where her wheat-fields and pastures should be, Must bring food for her herded thousands and shepherd it over the sea? The beak of the British Octopus, or the Bosses within our reach Who spend the hot days on the Mountains or summer at Manly Beach! The thousands of paltry swindlers who are fathoms beneath our scorn – Or the army of brave sons grown from the children who should have been born! The wealth you have won has been wasted on trips to the English Rome, On costly costumes from Paris, and titles and gewgaws from "home".
Shall a knighthood frighten Asia when she comes with the hate of hell? Will the motor-launch race the torpedo, or the motor-car outspeed the shell? Keep the wealth you have won from the cities, spend the wealth you have won on the land, Save the floods that run into the ocean – save the floods that sink into the sand! Make farms fit to live on, build workshops and technical schools for your sons; Keep the wealth of the land in Australia – make your own cloth, machines, and guns! Clear out the Calico Jimmy, the ******, the Chow, and his pals; Be your foreword for years: Irrigation.
Make a network of lakes and canals! See that your daughters have children, and see that Australia is home, And so be prepared, a strong nation, for the storm that most surely must come.
Written by Philip Levine | Create an image from this poem

On The Meeting Of García Lorca And Hart Crane

 Brooklyn, 1929.
Of course Crane's been drinking and has no idea who this curious Andalusian is, unable even to speak the language of poetry.
The young man who brought them together knows both Spanish and English, but he has a headache from jumping back and forth from one language to another.
For a moment's relief he goes to the window to look down on the East River, darkening below as the early light comes on.
Something flashes across his sight, a double vision of such horror he has to slap both his hands across his mouth to keep from screaming.
Let's not be frivolous, let's not pretend the two poets gave each other wisdom or love or even a good time, let's not invent a dialogue of such eloquence that even the ants in your own house won't forget it.
The two greatest poetic geniuses alive meet, and what happens? A vision comes to an ordinary man staring at a filthy river.
Have you ever had a vision? Have you ever shaken your head to pieces and jerked back at the image of your young son falling through open space, not from the stern of a ship bound from Vera Cruz to New York but from the roof of the building he works on? Have you risen from bed to pace until dawn to beg a merciless God to take these pictures away? Oh, yes, let's bless the imagination.
It gives us the myths we live by.
Let's bless the visionary power of the human— the only animal that's got it—, bless the exact image of your father dead and mine dead, bless the images that stalk the corners of our sight and will not let go.
The young man was my cousin, Arthur Lieberman, then a language student at Columbia, who told me all this before he died quietly in his sleep in 1983 in a hotel in Perugia.
A good man, Arthur, he survived graduate school, later came home to Detroit and sold pianos right through the Depression.
He loaned my brother a used one to compose his hideous songs on, which Arthur thought were genius.
What an imagination Arthur had!
Written by Delmira Agustini | Create an image from this poem

Tu Boca (Your Mouth)

Spanish   Yo hacía una divina labor, sobre la rocaCreciente del Orgullo.
De la vida lejana,Algún pétalo vívido me voló en la mañana,Algún beso en la noche.
Tenaz como una loca,Sequía mi divina labor sobre la roca.
   Cuando tu voz que funde como sacra campanaEn la nota celeste la vibración humana,Tendió su lazo do oro al borde de tu boca;  —Maravilloso nido del vértigo, tu boca!Dos pétalos de rosa abrochando un abismo…—Labor, labor de gloria, dolorosa y liviana;¡Tela donde mi espíritu su fue tramando él mismo!Tú quedas en la testa soberbia de la roca,Y yo caigo, sin fin, en el sangriento abismo!              EnglishI was at my divine labor, upon the rockSwelling with Pride.
From a distance,At dawn, some bright petal came to me,Some kiss in the night.
Upon the rock,Tenacious a madwoman, I clung to my work.
When your voice, like a sacred bell,A celestial note with a human tremor,Stretched its golden lasso from the edge of your mouth;—Marvelous nest of vertigo, your mouth!Two rose petals fastened to an abyss…—Labor, labor of glory, painful and frivolous;Fabric where my spirit went weaving herself!You come to the arrogant head of the rock,And I fall, without end, into the bloody abyss!

Written by Elizabeth Bishop | Create an image from this poem

Arrival At Santos

 Here is a coast; here is a harbor; 
here, after a meager diet of horizon, is some scenery: 
impractically shaped and--who knows?--self-pitying mountains, 
sad and harsh beneath their frivolous greenery,

with a little church on top of one.
And warehouses, some of them painted a feeble pink, or blue, and some tall, uncertain palms.
Oh, tourist, is this how this country is going to answer you and your immodest demands for a different world, and a better life, and complete comprehension of both at last, and immediately, after eighteen days of suspension? Finish your breakfast.
The tender is coming, a strange and ancient craft, flying a strange and brilliant rag.
So that's the flag.
I never saw it before.
I somehow never thought of there being a flag, but of course there was, all along.
And coins, I presume, and paper money; they remain to be seen.
And gingerly now we climb down the ladder backward, myself and a fellow passenger named Miss Breen, descending into the midst of twenty-six freighters waiting to be loaded with green coffee beaus.
Please, boy, do be more careful with that boat hook! Watch out! Oh! It has caught Miss Breen's skirt! There! Miss Breen is about seventy, a retired police lieutenant, six feet tall, with beautiful bright blue eyes and a kind expression.
Her home, when she is at home, is in Glens Fall s, New York.
There.
We are settled.
The customs officials will speak English, we hope, and leave us our bourbon and cigarettes.
Ports are necessities, like postage stamps, or soap, but they seldom seem to care what impression they make, or, like this, only attempt, since it does not matter, the unassertive colors of soap, or postage stamps-- wasting away like the former, slipping the way the latter do when we mail the letters we wrote on the boat, either because the glue here is very inferior or because of the heat.
We leave Santos at once; we are driving to the interior.
Written by Robert William Service | Create an image from this poem

The Philistine And The Bohemian

 She was a Philistine spick and span,
He was a bold Bohemian.
She had the mode, and the last at that; He had a cape and a brigand hat.
She was so riant and chic and trim; He was so shaggy, unkempt and grim.
On the rue de la Paix she was wont to shine; The rue de la Gaîté was more his line.
She doted on Barclay and Dell and Caine; He quoted Mallarmé and Paul Verlaine.
She was a triumph at Tango teas; At Vorticist's suppers he sought to please.
She thought that Franz Lehar was utterly great; Of Strauss and Stravinsky he'd piously prate.
She loved elegance, he loved art; They were as wide as the poles apart: Yet -- Cupid and Caprice are hand and glove -- They met at a dinner, they fell in love.
Home he went to his garret bare, Thrilling with rapture, hope, despair.
Swift he gazed in his looking-glass, Made a grimace and murmured: "Ass!" Seized his scissors and fiercely sheared, Severed his buccaneering beard; Grabbed his hair, and clip! clip! clip! Off came a bunch with every snip.
Ran to a tailor's in startled state, Suits a dozen commanded straight; Coats and overcoats, pants in pairs, Everything that a dandy wears; Socks and collars, and shoes and ties, Everything that a dandy buys.
Chums looked at him with wondering stare, Fancied they'd seen him before somewhere; A Brummell, a D'Orsay, a beau so fine, A shining, immaculate Philistine.
Home she went in a raptured daze, Looked in a mirror with startled gaze, Didn't seem to be pleased at all; Savagely muttered: "Insipid Doll!" Clutched her hair and a pair of shears, Cropped and bobbed it behind the ears; Aimed at a wan and willowy-necked Sort of a Holman Hunt effect; Robed in subtile and sage-green tones, Like the dames of Rossetti and E.
Burne-Jones; Girdled her garments billowing wide, Moved with an undulating glide; All her frivolous friends forsook, Cultivated a soulful look; Gushed in a voice with a creamy throb Over some weirdly Futurist daub -- Did all, in short, that a woman can To be a consummate Bohemian.
A year went past with its hopes and fears, A year that seemed like a dozen years.
They met once more.
.
.
.
Oh, at last! At last! They rushed together, they stopped aghast.
They looked at each other with blank dismay, They simply hadn't a word to say.
He thought with a shiver: "Can this be she?" She thought with a shudder: "This can't be he?" This simpering dandy, so sleek and spruce; This languorous lily in garments loose; They sought to brace from the awful shock: Taking a seat, they tried to talk.
She spoke of Bergson and Pater's prose, He prattled of dances and ragtime shows; She purred of pictures, Matisse, Cezanne, His tastes to the girls of Kirchner ran; She raved of Tchaikovsky and Caesar Franck, He owned that he was a jazz-band crank! They made no headway.
Alas! alas! He thought her a bore, she thought him an ass.
And so they arose and hurriedly fled; Perish Illusion, Romance, you're dead.
He loved elegance, she loved art, Better at once to part, to part.
And what is the moral of all this rot? Don't try to be what you know you're not.
And if you're made on a muttonish plan, Don't seek to seem a Bohemian; And if to the goats your feet incline, Don't try to pass for a Philistine.

Book: Shattered Sighs