Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.
)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.
)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.
)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.
)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.
)
14
I hear the annual singing of the children in St.
Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|
Written by
D. H. Lawrence |
The earth again like a ship steams out of the dark sea over
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness, stripped
And quailing here in the sunshine, delivered from haunting
The night unsounded whereon our days are shipped.
Feeling myself undawning, the day’s light playing upon me,
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled and racked.
I with the night on my lips, I sigh with the silence of death;
And what do I care though the very stones should cry me unreal, though the clouds
Shine in conceit of substance upon me, who am less than the rain.
Do I know the darkness within them? What are they but shrouds?
The clouds go down the sky with a wealthy ease
Casting a shadow of scorn upon me for my share in death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift on the breeze.
Yea, though the very clouds have vantage over me,
Enjoying their glancing flight, though my love is dead,
I still am not homeless here, I’ve a tent by day
Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness
Which vibrates untouched and virile through the grandeur of night,
But which, when dawn crows challenge, assaulting the vivid motes
Of living darkness, bursts fretfully, and is bright:
Runs like a fretted arc-lamp into light,
Stirred by conflict to shining, which else
Were dark and whole with the night.
Runs to a fret of speed like a racing wheel,
Which else were aslumber along with the whole
Of the dark, swinging rhythmic instead of a-reel.
Is chafed to anger, bursts into rage like thunder;
Which else were a silent grasp that held the heavens
Arrested, beating thick with wonder.
Leaps like a fountain of blue sparks leaping
In a jet from out of obscurity,
Which erst was darkness sleeping.
Runs into streams of bright blue drops,
Water and stones and stars, and myriads
Of twin-blue eyes, and crops
Of floury grain, and all the hosts of day,
All lovely hosts of ripples caused by fretting
The Darkness into play.
|
Written by
Edward Thomas |
No one so much as you
Loves this my clay,
Or would lament as you
Its dying day.
You know me through and through
Though I have not told,
And though with what you know
You are not bold.
None ever was so fair
As I thought you:
Not a word can I bear
Spoken against you.
All that I ever did
For you seemed coarse
Compared with what I hid
Nor put in force.
My eyes scarce dare meet you
Lest they should prove
I but respond to you
And do not love.
We look and understand,
We cannot speak
Except in trifles and
Words the most weak.
For I at most accept
Your love, regretting
That is all: I have kept
Only a fretting
That I could not return
All that you gave
And could not ever burn
With the love you have,
Till sometimes it did seem
Better it were
Never to see you more
Than linger here
With only gratitude
Instead of love -
A pine in solitude
Cradling a dove.
|
Written by
Gerard Manley Hopkins |
Pure fasted faces draw unto this feast:
God comes all sweetness to your Lenten lips.
You striped in secret with breath-taking whips,
Those crooked rough-scored chequers may be pieced
To crosses meant for Jesu's; you whom the East
With draught of thin and pursuant cold so nips
Breathe Easter now; you serged fellowships,
You vigil-keepers with low flames decreased,
God shall o'er-brim the measures you have spent
With oil of gladness, for sackcloth and frieze
And the ever-fretting shirt of punishment
Give myrrhy-threaded golden folds of ease.
Your scarce-sheathed bones are weary of being bent:
Lo, God shall strengthen all the feeble knees.
|
Written by
Barry Tebb |
Here is a silence I had not hoped for
This side of paradise, I am an old believer
In nature’s bounty as God’s grace
To us poor mortals, fretting and fuming
At frustrated lust or the scent of fame
Coming too late to make a difference
Blue with white vertebrae of cloud forms
Riming the spectrum of green dark of poplars
Lined like soldiers, paler the hue of hawthorn
With the heather beginning to bud blue
Before September purple, yellow ragwort
Sways in the wind as distantly a plane hums
And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie,
My favourite of her seven cats, they soothe better
Than Diazepan for panic
Seroxat for grief
Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea
Aware of the ticking clock: I have to be back
To talk to my son’s key nurse when she comes on
For the night shift.
Always there are things to sort,
Misapprehensions to untangle, delusions to decipher,
Lies to expose, statistics to disclose, Trust Boards
And team meetings to attend, ‘Mental Health Monthly’
To peruse, funds for my press to raise – the only one
I ever got will leave me out of pocket.
A couple sat on the next bench
Are earnestly discussing child custody, broken marriages,
Failed affairs, social service interventions –
Even here I cannot escape complexity
"I should never have slept with her once we split"
"The kids are what matters when it comes to the bottom line"
"Is he poisoning their minds against me?"
Part of me nags to offer help but I’ve too much
On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear"
But better not to interfere.
Damn my bloody superego
Nattering like an old woman or Daisy nagging
About my pipe and my loud voice on buses –
No doubt she’s right – smoking’s not good
And hearing about psychosis, medication and end-on-sections
Isn’t what people are on buses for.
I long for a girl in summer, pubescent
With a twinkle in her eye to come and say
"Come on, let’s do it!"
I was always shy in adolescence, too busy reading Baudelaire
To find a decent whore and learn to score
And now I’m probably impotent with depression
So I’d better forget sex and read more of Andr? Green
On metaphor from Hegel to Lacan and how the colloquium
At Bonneval changed analytic history, a mystery
I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss
From jumped-up SHO’s and locums who’d miss vital side effects
And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors
To cut and suture neatly and renew my stocks
Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks
On the moor? Suburban excesses spread like the sores
Of syphilis and more regulations in a decade of Blair
Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E
If you want NHS treatment free.
Be careful not to bleed to death
While finding the certificate.
Blunkett wants us all to have ID
Photo cards, genetic codes, DNA database, eye scans, the lot –
And kiss good-bye to the last bits of freedom we’ve got"
"At the end of the day she shopped me and all I’d done
Was take a few pound from the till ’cos Jenny was ill
And I didn’t have thirteen quid to get the bloody prescription done"
To-morrow I’ll be back in the Great Wen,
Two days of manic catching up and then
Thistledown, wild wheat, a dozen kinds of grass,
The mass of beckoning hills I’d love to make
A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines
Entice me still but slimy Fenton had to have his will
And slate it in the NYB, arguing that panetone
Isn’t tin foil as Lowell thought.
James you are a dreadful bore,
A pedantic creep like hundreds more, five A4 pages
Of sniping and nit-picking for how many greenbacks?
A thousand or two I’d guess, they couldn’t pay you less
For churning out such a king-size mess
But not even you can spoil this afternoon
Of watching Haworth heather bloom.
|
Written by
John Keats |
In drear-nighted December,
Too happy, happy tree,
Thy branches ne'er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.
In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.
Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.
|
Written by
Oliver Wendell Holmes |
WHERE is this patriarch you are kindly greeting?
Not unfamiliar to my ear his name,
Nor yet unknown to many a joyous meeting
In days long vanished,-- is he still the same,
Or changed by years, forgotten and forgetting,
Dull-eared, dim-sighted, slow of speech and thought,
Still o'er the sad, degenerate present fretting,
Where all goes wrong, and nothing as it ought?
Old age, the graybeard! Well, indeed, I know him,--
Shrunk, tottering, bent, of aches and ills the prey;
In sermon, story, fable, picture, poem,
Oft have I met him from my earliest day:
In my old Aesop, toiling with his bundle,--
His load of sticks,-- politely asking Death,
Who comes when called for,-- would he lug or trundle
His fagot for him?-- he was scant of breath.
And sad "Ecclesiastes, or the Preacher,"--
Has he not stamped tbe image on my soul,
In that last chapter, where the worn-out Teacher
Sighs o'er the loosened cord, the broken bowl?
Yes, long, indeed, I 've known him at a distance,
And now my lifted door-latch shows him here;
I take his shrivelled hand without resistance,
And find him smiling as his step draws near.
What though of gilded baubles he bereaves us,
Dear to the heart of youth, to manhood's prime;
Think of the calm he brings, the wealth he leaves us,
The hoarded spoils, the legacies of time!
Altars once flaming, still with incense fragrant,
Passion's uneasy nurslings rocked asleep,
Hope's anchor faster, wild desire less vagrant,
Life's flow less noisy, but the stream how deep!
Still as the silver cord gets worn and slender,
Its lightened task-work tugs with lessening strain,
Hands get more helpful, voices, grown more tender,
Soothe with their softened tones the slumberous brain.
Youth longs and manhood strives, but age remembers,
Sits by the raked-up ashes of the past,
Spreads its thin hands above the whitening embers
That warm its creeping life-blood till the last.
Dear to its heart is every loving token
That comes unbidden era its pulse grows cold,
Ere the last lingering ties of life are broken,
Its labors ended and its story told.
Ah, while around us rosy youth rejoices,
For us the sorrow-laden breezes sigh,
And through the chorus of its jocund voices
Throbs the sharp note of misery's hopeless cry.
As on the gauzy wings of fancy flying
From some far orb I track our watery sphere,
Home of the struggling, suffering, doubting, dying,
The silvered globule seems a glistening tear.
But Nature lends her mirror of illusion
To win from saddening scenes our age-dimmed eyes,
And misty day-dreams blend in sweet confusion
The wintry landscape and the summer skies.
So when the iron portal shuts behind us,
And life forgets us in its noise and whirl,
Visions that shunned the glaring noonday find us,
And glimmering starlight shows the gates of pearl.
I come not here your morning hour to sadden,
A limping pilgrim, leaning on his staff,--
I, who have never deemed it sin to gladden
This vale of sorrows with a wholesome laugh.
If word of mine another's gloom has brightened,
Through my dumb lips the heaven-sent message came;
If hand of mine another's task has lightened,
It felt the guidance that it dares not claim.
But, O my gentle sisters, O my brothers,
These thick-sown snow-flakes hint of toil's release;
These feebler pulses bid me leave to others
The tasks once welcome; evening asks for peace.
Time claims his tribute; silence now golden;
Let me not vex the too long suffering lyre;
Though to your love untiring still beholden,
The curfew tells me-- cover up the fire.
And now with grateful smile and accents cheerful,
And warmer heart than look or word can tell,
In simplest phrase-- these traitorous eyes are tearful--
Thanks, Brothers, Sisters,-- Children,-- and farewell!
|
Written by
John Keats |
IN a drear-nighted December
Too happy happy tree
Thy branches ne'er remember
Their green felicity:
The north cannot undo them 5
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.
In a drear-nighted December
Too happy happy brook 10
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting
They stay their crystal fretting
Never never petting 15
About the frozen time.
Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at pass¨¨d joy? 20
To know the change and feel it
When there is none to heal it
Nor numb¨¨d sense to steal it
Was never said in rhyme.
|
Written by
Walt Whitman |
1
HARK! some wild trumpeter—some strange musician,
Hovering unseen in air, vibrates capricious tunes to-night.
I hear thee, trumpeter—listening, alert, I catch thy notes,
Now pouring, whirling like a tempest round me,
Now low, subdued—now in the distance lost.
2
Come nearer, bodiless one—haply, in thee resounds
Some dead composer—haply thy pensive life
Was fill’d with aspirations high—unform’d ideals,
Waves, oceans musical, chaotically surging,
That now, ecstatic ghost, close to me bending, thy cornet echoing, pealing,
Gives out to no one’s ears but mine—but freely gives to mine,
That I may thee translate.
3
Blow, trumpeter, free and clear—I follow thee,
While at thy liquid prelude, glad, serene,
The fretting world, the streets, the noisy hours of day, withdraw;
A holy calm descends, like dew, upon me,
I walk, in cool refreshing night, the walks of Paradise,
I scent the grass, the moist air, and the roses;
Thy song expands my numb’d, imbonded spirit—thou freest, launchest me,
Floating and basking upon Heaven’s lake.
4
Blow again, trumpeter! and for my sensuous eyes,
Bring the old pageants—show the feudal world.
What charm thy music works!—thou makest pass before me,
Ladies and cavaliers long dead—barons are in their castle halls—the troubadours
are
singing;
Arm’d knights go forth to redress wrongs—some in quest of the Holy Grail:
I see the tournament—I see the contestants, encased in heavy armor, seated on
stately,
champing horses;
I hear the shouts—the sounds of blows and smiting steel:
I see the Crusaders’ tumultuous armies—Hark! how the cymbals clang!
Lo! where the monks walk in advance, bearing the cross on high!
5
Blow again, trumpeter! and for thy theme,
Take now the enclosing theme of all—the solvent and the setting;
Love, that is pulse of all—the sustenace and the pang;
The heart of man and woman all for love;
No other theme but love—knitting, enclosing, all-diffusing love.
O, how the immortal phantoms crowd around me!
I see the vast alembic ever working—I see and know the flames that heat the world;
The glow, the blush, the beating hearts of lovers,
So blissful happy some—and some so silent, dark, and nigh to death:
Love, that is all the earth to lovers—Love, that mocks time and space;
Love, that is day and night—Love, that is sun and moon and stars;
Love, that is crimson, sumptuous, sick with perfume;
No other words, but words of love—no other thought but Love.
6
Blow again, trumpeter—conjure war’s Wild alarums.
Swift to thy spell, a shuddering hum like distant thunder rolls;
Lo! where the arm’d men hasten—Lo! mid the clouds of dust, the glint of
bayonets;
I see the grime-faced cannoniers—I mark the rosy flash amid the smoke—I hear the
cracking of the guns:
—Nor war alone—thy fearful music-song, wild player, brings every sight of fear,
The deeds of ruthless brigands—rapine, murder—I hear the cries for help!
I see ships foundering at sea—I behold on deck, and below deck, the terrible
tableaux.
7
O trumpeter! methinks I am myself the instrument thou playest!
Thou melt’st my heart, my brain—thou movest, drawest, changest them, at will:
And now thy sullen notes send darkness through me;
Thou takest away all cheering light—all hope:
I see the enslaved, the overthrown, the hurt, the opprest of the whole earth;
I feel the measureless shame and humiliation of my race—it becomes all mine;
Mine too the revenges of humanity—the wrongs of ages—baffled feuds and hatreds;
Utter defeat upon me weighs—all lost! the foe victorious!
(Yet ’mid the ruins Pride colossal stands, unshaken to the last;
Endurance, resolution, to the last.
)
8
Now, trumpeter, for thy close,
Vouchsafe a higher strain than any yet;
Sing to my soul—renew its languishing faith and hope;
Rouse up my slow belief—give me some vision of the future;
Give me, for once, its prophecy and joy.
O glad, exulting, culminating song!
A vigor more than earth’s is in thy notes!
Marches of victory—man disenthrall’d—the conqueror at last!
Hymns to the universal God, from universal Man—all joy!
A reborn race appears—a perfect World, all joy!
Women and Men, in wisdom, innocence and health—all joy!
Riotous, laughing bacchanals, fill’d with joy!
War, sorrow, suffering gone—The rank earth purged—nothing but joy left!
The ocean fill’d with joy—the atmosphere all joy!
Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life!
Enough to merely be! Enough to breathe!
Joy! Joy! all over Joy!
|
Written by
William Morris |
It is the longest night in all the year,
Near on the day when the Lord Christ was born;
Six hours ago I came and sat down here,
And ponder'd sadly, wearied and forlorn.
The winter wind that pass'd the chapel door,
Sang out a moody tune, that went right well
With mine own thoughts: I look'd down on the floor,
Between my feet, until I heard a bell
Sound a long way off through the forest deep,
And toll on steadily; a drowsiness
Came on me, so that I fell half asleep,
As I sat there not moving: less and less
I saw the melted snow that hung in beads
Upon my steel-shoes; less and less I saw
Between the tiles the bunches of small weeds:
Heartless and stupid, with no touch of awe
Upon me, half-shut eyes upon the ground,
I thought: O Galahad! the days go by,
Stop and cast up now that which you have found,
So sorely you have wrought and painfully.
Night after night your horse treads down alone
The sere damp fern, night after night you sit
Holding the bridle like a man of stone,
Dismal, unfriended: what thing comes of it?
And what if Palomydes also ride,
And over many a mountain and bare heath
Follow the questing beast with none beside?
Is he not able still to hold his breath
With thoughts of Iseult? doth he not grow pale
With weary striving, to seem best of all
To her, "as she is best," he saith? to fail
Is nothing to him, he can never fall.
For unto such a man love-sorrow is
So dear a thing unto his constant heart,
That even if he never win one kiss,
Or touch from Iseult, it will never part.
And he will never know her to be worse
Than in his happiest dreams he thinks she is:
Good knight, and faithful, you have 'scaped the curse
In wonderful-wise; you have great store of bliss.
Yea, what if Father Launcelot ride out,
Can he not think of Guenevere's arms, round
Warm and lithe, about his neck, and shout
Till all the place grows joyful with the sound?
And when he lists can often see her face,
And think, "Next month I kiss you, or next week,
And still you think of me": therefore the place
Grows very pleasant, whatsoever he seek.
But me, who ride alone, some carle shall find
Dead in my arms in the half-melted snow,
When all unkindly with the shifting wind,
The thaw comes on at Candlemas: I know
Indeed that they will say: "This Galahad
If he had lived had been a right good knight;
Ah! poor chaste body!" but they will be glad,
Not most alone, but all, when in their sight
That very evening in their scarlet sleeves
The gay-dress'd minstrels sing; no maid will talk
Of sitting on my tomb, until the leaves,
Grown big upon the bushes of the walk,
East of the Palace-pleasaunce, make it hard
To see the minster therefrom: well-a-day!
Before the trees by autumn were well bared,
I saw a damozel with gentle play,
Within that very walk say last farewell
To her dear knight, just riding out to find
(Why should I choke to say it?) the Sangreal,
And their last kisses sunk into my mind,
Yea, for she stood lean'd forward on his breast,
Rather, scarce stood; the back of one dear hand,
That it might well be kiss'd, she held and press'd
Against his lips; long time they stood there, fann'd
By gentle gusts of quiet frosty wind,
Till Mador de la porte a-going by,
And my own horsehoofs roused them; they untwined,
And parted like a dream.
In this way I,
With sleepy face bent to the chapel floor,
Kept musing half asleep, till suddenly
A sharp bell rang from close beside the door,
And I leapt up when something pass'd me by,
Shrill ringing going with it, still half blind
I stagger'd after, a great sense of awe
At every step kept gathering on my mind,
Thereat I have no marvel, for I saw
One sitting on the altar as a throne,
Whose face no man could say he did not know,
And though the bell still rang, he sat alone,
With raiment half blood-red, half white as snow.
Right so I fell upon the floor and knelt,
Not as one kneels in church when mass is said,
But in a heap, quite nerveless, for I felt
The first time what a thing was perfect dread.
But mightily the gentle voice came down:
"Rise up, and look and listen, Galahad,
Good knight of God, for you will see no frown
Upon my face; I come to make you glad.
"For that you say that you are all alone,
I will be with you always, and fear not
You are uncared for, though no maiden moan
Above your empty tomb; for Launcelot,
"He in good time shall be my servant too,
Meantime, take note whose sword first made him knight,
And who has loved him alway, yea, and who
Still trusts him alway, though in all men's sight,
"He is just what you know, O Galahad,
This love is happy even as you say,
But would you for a little time be glad,
To make ME sorry long, day after day?
"Her warm arms round his neck half throttle ME,
The hot love-tears burn deep like spots of lead,
Yea, and the years pass quick: right dismally
Will Launcelot at one time hang his head;
"Yea, old and shrivell'd he shall win my love.
Poor Palomydes fretting out his soul!
Not always is he able, son, to move
His love, and do it honour: needs must roll
"The proudest destrier sometimes in the dust,
And then 'tis weary work; he strives beside
Seem better than he is, so that his trust
Is always on what chances may betide;
"And so he wears away, my servant, too,
When all these things are gone, and wretchedly
He sits and longs to moan for Iseult, who
Is no care now to Palomydes: see,
"O good son, Galahad, upon this day,
Now even, all these things are on your side,
But these you fight not for; look up, I say,
And see how I can love you, for no pride
"Closes your eyes, no vain lust keeps them down.
See now you have ME always; following
That holy vision, Galahad, go on,
Until at last you come to ME to sing
"In Heaven always, and to walk around
The garden where I am.
" He ceased, my face
And wretched body fell upon the ground;
And when I look'd again, the holy place
Was empty; but right so the bell again
Came to the chapel-door, there entered
Two angels first, in white, without a stain,
And scarlet wings, then, after them, a bed
Four ladies bore, and set it down beneath
The very altar-step, and while for fear
I scarcely dared to move or draw my breath,
Those holy ladies gently came a-near,
And quite unarm'd me, saying: "Galahad,
Rest here awhile and sleep, and take no thought
Of any other thing than being glad;
Hither the Sangreal will be shortly brought,
"Yet must you sleep the while it stayeth here.
"
Right so they went away, and I, being weary,
Slept long and dream'd of Heaven: the bell comes near,
I doubt it grows to morning.
Miserere!
[Enter Two Angels in white, with scarlet wings; also, Four Ladies in gowns of red and green; also an Angel, bearing in his hands a surcoat of white, with a red cross.
]
AN ANGEL
O servant of the high God, Galahad!
Rise and be arm'd: the Sangreal is gone forth
Through the great forest, and you must be had
Unto the sea that lieth on the north:
There shall you find the wondrous ship wherein
The spindles of King Solomon are laid,
And the sword that no man draweth without sin,
But if he be most pure: and there is stay'd,
Hard by, Sir Launcelot, whom you will meet
In some short space upon that ship: first, though,
Will come here presently that lady sweet,
Sister of Percival, whom you well know,
And with her Bors and Percival: stand now,
These ladies will to arm you.
[FIRST LADY, putting on the hauberk]
Galahad,
That I may stand so close beneath your brow,
Margaret of Antioch, am glad.
[SECOND LADY, girding him with the sword.
]
That I may stand and touch you with my hand,
O Galahad, I, Cecily, am glad.
[THIRD LADY, buckling on the spurs.
]
That I may kneel while up above you stand,
And gaze at me, O holy Galahad,
I, Lucy, am most glad.
[FOURTH LADY, putting on the basnet.
]
O gentle knight,
That you bow down to us in reverence,
We are most glad, I, Katherine, with delight
Must needs fall trembling.
[ANGEL, putting on the crossed surcoat.
]
Galahad, we go hence,
For here, amid the straying of the snow,
Come Percival's sister, Bors, and Percival.
[The Four Ladies carry out the bed, and all go but Galahad.
]
GALAHAD.
How still and quiet everything seems now:
They come, too, for I hear the horsehoofs fall.
[Enter Sir Bors, Sir Percival and his Sister.
]
Fair friends and gentle lady, God you save!
A many marvels have been here to-night;
Tell me what news of Launcelot you have,
And has God's body ever been in sight?
SIR BORS.
Why, as for seeing that same holy thing,
As we were riding slowly side by side,
An hour ago, we heard a sweet voice sing,
And through the bare twigs saw a great light glide,
With many-colour'd raiment, but far off;
And so pass'd quickly: from the court nought good;
Poor merry Dinadan, that with jape and scoff
Kept us all merry, in a little wood
Was found all hack'd and dead: Sir Lionel
And Gauwaine have come back from the great quest,
Just merely shamed; and Lauvaine, who loved well
Your father Launcelot, at the king's behest
Went out to seek him, but was almost slain,
Perhaps is dead now; everywhere
The knights come foil'd from the great quest, in vain;
In vain they struggle for the vision fair.
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