Written by
Christina Rossetti |
One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel—every canvas means
The same one meaning, neither more nor less.
He feeds upon her face by day and night,
And she with true kind eyes looks back on him,
Fair as the moon and joyful as the light:
Not wan with waiting, not with sorrow dim;
No as she is, but was when hope shone bright;
Not as she is, but as she fills his dream.
|
Written by
John Greenleaf Whittier |
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
|
Written by
John Keats |
Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.
These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight—
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.
These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.—The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,—with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her breasts, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:—she from a casket takes
A little book,—and then a joy awakes
About each youthful heart,—with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
|
Written by
Victor Hugo |
MOSES ON THE NILE.
("Mes soeurs, l'onde est plus fraiche.")
{TO THE FLORAL GAMES, Toulouse, Feb. 10, 1820.}
"Sisters! the wave is freshest in the ray
Of the young morning; the reapers are asleep;
The river bank is lonely: come away!
The early murmurs of old Memphis creep
Faint on my ear; and here unseen we stray,—
Deep in the covert of the grove withdrawn,
Save by the dewy eye-glance of the dawn.
"Within my father's palace, fair to see,
Shine all the Arts, but oh! this river side,
Pranked with gay flowers, is dearer far to me
Than gold and porphyry vases bright and wide;
How glad in heaven the song-bird carols free!
Sweeter these zephyrs float than all the showers
Of costly odors in our royal bowers.
"The sky is pure, the sparkling stream is clear:
Unloose your zones, my maidens! and fling down
To float awhile upon these bushes near
Your blue transparent robes: take off my crown,
And take away my jealous veil; for here
To-day we shall be joyous while we lave
Our limbs amid the murmur of the wave.
"Hasten; but through the fleecy mists of morn,
What do I see? Look ye along the stream!
Nay, timid maidens—we must not return!
Coursing along the current, it would seem
An ancient palm-tree to the deep sea borne,
That from the distant wilderness proceeds,
Downwards, to view our wondrous Pyramids.
"But stay! if I may surely trust mine eye,—
It is the bark of Hermes, or the shell
Of Iris, wafted gently to the sighs
Of the light breeze along the rippling swell;
But no: it is a skiff where sweetly lies
An infant slumbering, and his peaceful rest
Looks as if pillowed on his mother's breast.
"He sleeps—oh, see! his little floating bed
Swims on the mighty river's fickle flow,
A white dove's nest; and there at hazard led
By the faint winds, and wandering to and fro,
The cot comes down; beneath his quiet head
The gulfs are moving, and each threatening wave
Appears to rock the child upon a grave.
"He wakes—ah, maids of Memphis! haste, oh, haste!
He cries! alas!—What mother could confide
Her offspring to the wild and watery waste?
He stretches out his arms, the rippling tide
Murmurs around him, where all rudely placed,
He rests but with a few frail reeds beneath,
Between such helpless innocence and death.
"Oh! take him up! Perchance he is of those
Dark sons of Israel whom my sire proscribes;
Ah! cruel was the mandate that arose
Against most guiltless of the stranger tribes!
Poor child! my heart is yearning for his woes,
I would I were his mother; but I'll give
If not his birth, at least the claim to live."
Thus Iphis spoke; the royal hope and pride
Of a great monarch; while her damsels nigh,
Wandered along the Nile's meandering side;
And these diminished beauties, standing by
The trembling mother; watching with eyes wide
Their graceful mistress, admired her as stood,
More lovely than the genius of the flood!
The waters broken by her delicate feet
Receive the eager wader, as alone
By gentlest pity led, she strives to meet
The wakened babe; and, see, the prize is won!
She holds the weeping burden with a sweet
And virgin glow of pride upon her brow,
That knew no flush save modesty's till now.
Opening with cautious hands the reedy couch,
She brought the rescued infant slowly out
Beyond the humid sands; at her approach
Her curious maidens hurried round about
To kiss the new-born brow with gentlest touch;
Greeting the child with smiles, and bending nigh
Their faces o'er his large, astonished eye!
Haste thou who, from afar, in doubt and fear,
Dost watch, with straining eyes, the fated boy—
The loved of heaven! come like a stranger near,
And clasp young Moses with maternal joy;
Nor fear the speechless transport and the tear
Will e'er betray thy fond and hidden claim,
For Iphis knows not yet a mother's name!
With a glad heart, and a triumphal face,
The princess to the haughty Pharaoh led
The humble infant of a hated race,
Bathed with the bitter tears a parent shed;
While loudly pealing round the holy place
Of Heaven's white Throne, the voice of angel choirs
Intoned the theme of their undying lyres!
"No longer mourn thy pilgrimage below—
O Jacob! let thy tears no longer swell
The torrent of the Egyptian river: Lo!
Soon on the Jordan's banks thy tents shall dwell;
And Goshen shall behold thy people go
Despite the power of Egypt's law and brand,
From their sad thrall to Canaan's promised land.
"The King of Plagues, the Chosen of Sinai,
Is he that, o'er the rushing waters driven,
A vigorous hand hath rescued for the sky;
Ye whose proud hearts disown the ways of heaven!
Attend, be humble! for its power is nigh
Israel! a cradle shall redeem thy worth—
A Cradle yet shall save the widespread earth!"
Dublin University Magazine, 1839
|
Written by
Federico García Lorca |
The men kept to themselves:
they were waiting for the swiftness of the last cyclists.
The women kept to themselves:
they were expecting the death of a boy on a Japanese schooner.
They all kept to themselves-
dreaming of the open beaks of dying birds,
the sharp parasol that punctures
a recently flattened toad,
beneath silence with a thousand ears
and tiny mouths of water
in the canyons that resist
the violent attack on the moon.
The boy on the schooner was crying and hearts were breaking
in anguish for the witness and vigilance of all things,
and because of the sky blue ground of black footprints,
obscure names, saliva, and chrome radios were still crying.
It doesn't matter if the boy grows silent when stuck with the last pin,
or if the breeze is defeated in cupped cotton flowers,
because there is a world of death whose perpetual sailors will appear in the arches and
freeze you from behind the trees.
It's useless to look for the bend
where night loses its way
and to wait in ambush for a silence that has no
torn clothes, no shells, and no tears,
because even the tiny banquet of a spider
is enough to upset the entire equilibrium of the sky.
There is no cure for the moaning from a Japanese schooner,
nor for those shadowy people who stumble on the curbs.
The countryside bites its own tail in order to gather a bunch of roots
and a ball of yarn looks anxiously in the grass for unrealized longitude.
The Moon! The police. The foghorns of the ocean liners!
Facades of urine, of smoke, anemones, rubber gloves.
Everything is shattered in the night
that spread its legs on the terraces.
Everything is shatter in the tepid faucets
of a terrible silent fountain.
Oh, crowds! Loose women! Soldiers!
We will have to journey through the eyes of idiots,
open country where the docile cobras, coiled like wire, hiss,
landscapes full of graves that yield the freshest apples,
so that uncontrollable light will arrive
to frighten the rich behind their magnifying glasses-
the odor of a single corpse from the double source of lily and rat-
and so that fire will consume those crowds still able to piss around a moan
or on the crystals in which each inimitable wave is understood.
|
Written by
Anne Bronte |
'O cast away your sorrow; --
A while, at least, be gay!
If grief must come tomorrow,
At least, be glad today!
'How can you still be sighing
When smiles are everywhere?
The little birds are flying
So blithely through the air;
'The sunshine glows so brightly
O'er all the blooming earth;
And every heart beats lightly, --
Each face is full of mirth.'
'I always feel the deepest gloom
When day most brightly shines:
When Nature shows the fairest bloom,
My spirit most repines;
'For, in the brightest noontide glow,
The dungeon's light is dim;
Though freshest winds around us blow,
No breath can visit him.
'If he must sit in twilight gloom,
Can I enjoy the sight
Of mountains clad in purple bloom,
And rocks in sunshine bright? --
'My heart may well be desolate, --
These tears may well arise
While prison wall and iron grate
Oppress his weary eyes.'
'But think of him tomorrow,
And join your comrades now; --
That constant cloud of sorrow
Ill suits so young a brow.
'Hark, how their merry voices
Are sounding far and near!
While all the world rejoices
Can you sit moping here?'
'When others' hearts most lightly bound
Mine feels the most oppressed;
When smiling faces greet me round
My sorrow will not rest:
'I think of him whose faintest smile
Was sunshine to my heart,
Whose lightest word could care beguile
And blissful thoughts impart;
'I think how he would bless that sun,
And love this glorious scene;
I think of all that has been done,
And all that might have been.
'Those sparkling eyes, that blessed me so,
Are dim with weeping now;
And blighted hope and burning woe
Have ploughed that marble brow.
'What waste of youth, what hopes destroyed,
What days of pining care,
What weary nights of comfort void
Art thou condemned to bear!
'O! if my love must suffer so --
And wholly for my sake --
What marvel that my tears should flow, --
Or that my heart should break!'
|
Written by
Edmund Spenser |
CALM was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play¡ª
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I, (whom sullen care, 5
Through discontent of my long fruitless stay
In princes' court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain,)
Walk'd forth to ease my pain 10
Along the shore of silver-streaming Thames,
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorn'd with dainty gems
Fit to deck maidens' bowers, 15
And crown their paramours
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
There in a meadow by the river's side
A flock of nymphs I chanc¨¨d to espy, 20
All lovely daughters of the flood thereby,
With goodly greenish locks all loose untied
As each had been a bride;
And each one had a little wicker basket
Made of fine twigs, entrail¨¨d curiously. 25
In which they gather'd flowers to fill their flasket,
And with fine fingers cropt full feateously
The tender stalks on high.
Of every sort which in that meadow grew
They gather'd some¡ªthe violet, pallid blue, 30
The little daisy that at evening closes,
The virgin lily and the primrose true,
With store of vermeil roses,
To deck their bridegrooms' posies
Against the bridal day, which was not long: 35
Sweet Thames! run softly, till I end my song.
With that I saw two swans of goodly hue
Come softly swimming down along the Lee:
Two fairer birds I yet did never see;
The snow which doth the top of Pindus strow 40
Did never whiter show,
Nor Jove himself, when he a swan would be
For love of Leda, whiter did appear;
Yet Leda was (they say) as white as he,
Yet not so white as these, nor nothing near; 45
So purely white they were
That even the gentle stream, the which them bare?
Seem'd foul to them, and bade his billows spare
To wet their silken feathers, lest they might
Soil their fair plumes with water not so fair, 50
And mar their beauties bright
That shone as Heaven's light
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.
Eftsoons the nymphs, which now had flowers their fill? 55
Ran all in haste to see that silver brood
As they came floating on the crystal flood;
Whom when they saw, they stood amaz¨¨d still
Their wondering eyes to fill;
Them seem'd they never saw a sight so fair 60
Of fowls, so lovely, that they sure did deem
Them heavenly born, or to be that same pair
Which through the sky draw Venus' silver team;
For sure they did not seem
To be begot of any earthly seed, 65
But rather Angels, or of Angels' breed;
Yet were they bred of summer's heat, they say,
In sweetest season, when each flower and weed
The earth did fresh array;
So fresh they seem'd as day, 70
Ev'n as their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.
Then forth they all out of their baskets drew
Great store of flowers, the honour of the field,
That to the sense did fragrant odours yield, 75
All which upon those goodly birds they threw
And all the waves did strew,
That like old Peneus' waters they did seem
When down along by pleasant Tempe's shore
Scatter'd with flowers, through Thessaly they stream, 80
That they appear, through lilies' plenteous store,
Like a bride's chamber-floor.
Two of those nymphs meanwhile two garlands bound
Of freshest flowers which in that mead they found,
The which presenting all in trim array, 85
Their snowy foreheads therewithal they crown'd;
Whilst one did sing this lay
Prepared against that day,
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song. 90
"Ye gentle birds! the world's fair ornament,
And heaven's glory, whom this happy hour
Doth lead unto your lovers' blissful bower,
Joy may you have, and gentle heart's content
Of your love's couplement; 95
And let fair Venus, that is queen of love,
With her heart-quelling son upon you smile,
Whose smile, they say, hath virtue to remove
All love's dislike, and friendship's faulty guile
For ever to assoil. 100
Let endless peace your steadfast hearts accord,
And blessed plenty wait upon your board;
And let your bed with pleasures chaste abound,
That fruitful issue may to you afford
Which may your foes confound, 105
And make your joys redound
Upon your bridal day, which is not long:
Sweet Thames! run softly, till I end my song."
So ended she; and all the rest around
To her redoubled that her undersong, 110
Which said their bridal day should not be long;
And gentle Echo from the neighbour ground
Their accents did resound.
So forth those joyous birds did pass along
Adown the Lee that to them murmur'd low, 115
As he would speak but that he lack'd a tongue;
Yet did by signs his glad affection show,
Making his stream run slow.
And all the fowl which in his flood did dwell
'Gan flock about these twain, that did excel 120
The rest, so far as Cynthia doth shend
The lesser stars. So they, enrang¨¨d well,
Did on those two attend,
And their best service lend
Against their wedding day, which was not long: 125
Sweet Thames! run softly, till I end my song.
At length they all to merry London came,
To merry London, my most kindly nurse,
That to me gave this life's first native source,
Though from another place I take my name, 130
An house of ancient fame:
There when they came whereas those bricky towers
The which on Thames' broad aged back do ride,
Where now the studious lawyers have their bowers,
There whilome wont the Templar-knights to bide, 135
Till they decay'd through pride;
Next whereunto there stands a stately place,
Where oft I gain¨¨d gifts and goodly grace
Of that great lord, which therein wont to dwell,
Whose want too well now feels my friendless case: 140
But ah! here fits not well
Old woes, but joys to tell
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
Yet therein now doth lodge a noble peer, 145
Great England's glory and the world's wide wonder,
Whose dreadful name late through all Spain did thunder,
And Hercules' two pillars standing near
Did make to quake and fear:
Fair branch of honour, flower of chivalry! 150
That fillest England with thy triumphs' fame
Joy have thou of thy noble victory,
And endless happiness of thine own name
That promiseth the same;
That through thy prowess and victorious arms 155
Thy country may be freed from foreign harms,
And great Elisa's glorious name may ring
Through all the world, fill'd with thy wide alarms,
Which some brave Muse may sing
To ages following: 160
Upon the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
From those high towers this noble lord iss¨²ing
Like radiant Hesper, when his golden hair
In th' ocean billows he hath bath¨¨d fair, 165
Descended to the river's open viewing
With a great train ensuing.
Above the rest were goodly to be seen
Two gentle knights of lovely face and feature,
Beseeming well the bower of any queen, 170
With gifts of wit and ornaments of nature,
Fit for so goodly stature,
That like the twins of Jove they seem'd in sight
Which deck the baldric of the heavens bright;
They two, forth pacing to the river's side, 175
Received those two fair brides, their love's delight;
Which, at th' appointed tide,
Each one did make his bride
Against their bridal day, which is not long:
Sweet Thames! run softly, till I end my song. 180
|
Written by
Thomas Gray |
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She wooes the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.
New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the skylark warbles high
His trembling thrilling ecstasy;
And, lessening from the dazzled sight,
Melts into air and liquid light.
Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.
Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.
Still, where rosy Pleasure leads
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.
See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
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Written by
Michael Drayton |
To the Shadow
Letters and lines we see are soon defac'd,
Metals do waste and fret with canker's rust,
The diamond shall once consume to dust,
And freshest colors with foul stains disgrac'd;
Paper and ink can paint but naked words,
To write with blood of force offends the sight;
And if with tears I find them all too light,
And sighs and signs a silly hope affotds,
O sweetest shadow, how thou serv'st my turn,
Which still shalt be, as long as there is sun,
Nor, whilst the world is, never shalt be done,
Whilst moon shall shine or any fire shall burn;
That everything whence shadow doth proceed
May in my shadow my love's story read.
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Written by
John Berryman |
Under the table, no. That last was stunning,
that flagon had breasts. Some men grow down cursed.
Why drink so, two days running?
two months, O seasons, years, two decades running?
I answer (smiles) my question on the cuff:
Man, I been thirsty.
The brake is incomplete but white costumes
threaten his rum, his cointreau, gin-&-sherry,
his bourbon, bugs um all.
His go-out privilege led to odd red times,
since even or especially in hospital things get hairy.
He makes it back without falling.
He sleep up a short storm.
He wolf his meals, lamb-warm.
Their packs bump on their' -blades, tan canteens swing,
for them this day my dawn's old, Saturday's IT,
through town toward a Scout hike.
For him too, up since two, out for a sit
now in the emptiest freshest park, one sober fling
before correspondence & breakfast.
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