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Best Famous Framework Poems

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Written by Alfred Lord Tennyson | Create an image from this poem

The Princess (The Conclusion)

 So closed our tale, of which I give you all 
The random scheme as wildly as it rose: 
The words are mostly mine; for when we ceased 
There came a minute's pause, and Walter said, 
'I wish she had not yielded!' then to me, 
'What, if you drest it up poetically?' 
So prayed the men, the women: I gave assent: 
Yet how to bind the scattered scheme of seven 
Together in one sheaf? What style could suit? 
The men required that I should give throughout 
The sort of mock-heroic gigantesque, 
With which we bantered little Lilia first: 
The women--and perhaps they felt their power, 
For something in the ballads which they sang, 
Or in their silent influence as they sat, 
Had ever seemed to wrestle with burlesque, 
And drove us, last, to quite a solemn close-- 
They hated banter, wished for something real, 
A gallant fight, a noble princess--why 
Not make her true-heroic--true-sublime? 
Or all, they said, as earnest as the close? 
Which yet with such a framework scarce could be. 
Then rose a little feud betwixt the two, 
Betwixt the mockers and the realists: 
And I, betwixt them both, to please them both, 
And yet to give the story as it rose, 
I moved as in a strange diagonal, 
And maybe neither pleased myself nor them. 

But Lilia pleased me, for she took no part 
In our dispute: the sequel of the tale 
Had touched her; and she sat, she plucked the grass, 
She flung it from her, thinking: last, she fixt 
A showery glance upon her aunt, and said, 
'You--tell us what we are' who might have told, 
For she was crammed with theories out of books, 
But that there rose a shout: the gates were closed 
At sunset, and the crowd were swarming now, 
To take their leave, about the garden rails. 

So I and some went out to these: we climbed 
The slope to Vivian-place, and turning saw 
The happy valleys, half in light, and half 
Far-shadowing from the west, a land of peace; 
Gray halls alone among their massive groves; 
Trim hamlets; here and there a rustic tower 
Half-lost in belts of hop and breadths of wheat; 
The shimmering glimpses of a stream; the seas; 
A red sail, or a white; and far beyond, 
Imagined more than seen, the skirts of France. 

'Look there, a garden!' said my college friend, 
The Tory member's elder son, 'and there! 
God bless the narrow sea which keeps her off, 
And keeps our Britain, whole within herself, 
A nation yet, the rulers and the ruled-- 
Some sense of duty, something of a faith, 
Some reverence for the laws ourselves have made, 
Some patient force to change them when we will, 
Some civic manhood firm against the crowd-- 
But yonder, whiff! there comes a sudden heat, 
The gravest citizen seems to lose his head, 
The king is scared, the soldier will not fight, 
The little boys begin to shoot and stab, 
A kingdom topples over with a shriek 
Like an old woman, and down rolls the world 
In mock heroics stranger than our own; 
Revolts, republics, revolutions, most 
No graver than a schoolboys' barring out; 
Too comic for the serious things they are, 
Too solemn for the comic touches in them, 
Like our wild Princess with as wise a dream 
As some of theirs--God bless the narrow seas! 
I wish they were a whole Atlantic broad.' 

'Have patience,' I replied, 'ourselves are full 
Of social wrong; and maybe wildest dreams 
Are but the needful preludes of the truth: 
For me, the genial day, the happy crowd, 
The sport half-science, fill me with a faith. 
This fine old world of ours is but a child 
Yet in the go-cart. Patience! Give it time 
To learn its limbs: there is a hand that guides.' 

In such discourse we gained the garden rails, 
And there we saw Sir Walter where he stood, 
Before a tower of crimson holly-hoaks, 
Among six boys, head under head, and looked 
No little lily-handed Baronet he, 
A great broad-shouldered genial Englishman, 
A lord of fat prize-oxen and of sheep, 
A raiser of huge melons and of pine, 
A patron of some thirty charities, 
A pamphleteer on guano and on grain, 
A quarter-sessions chairman, abler none; 
Fair-haired and redder than a windy morn; 
Now shaking hands with him, now him, of those 
That stood the nearest--now addressed to speech-- 
Who spoke few words and pithy, such as closed 
Welcome, farewell, and welcome for the year 
To follow: a shout rose again, and made 
The long line of the approaching rookery swerve 
From the elms, and shook the branches of the deer 
From slope to slope through distant ferns, and rang 
Beyond the bourn of sunset; O, a shout 
More joyful than the city-roar that hails 
Premier or king! Why should not these great Sirs 
Give up their parks some dozen times a year 
To let the people breathe? So thrice they cried, 
I likewise, and in groups they streamed away. 

But we went back to the Abbey, and sat on, 
So much the gathering darkness charmed: we sat 
But spoke not, rapt in nameless reverie, 
Perchance upon the future man: the walls 
Blackened about us, bats wheeled, and owls whooped, 
And gradually the powers of the night, 
That range above the region of the wind, 
Deepening the courts of twilight broke them up 
Through all the silent spaces of the worlds, 
Beyond all thought into the Heaven of Heavens. 

Last little Lilia, rising quietly, 
Disrobed the glimmering statue of Sir Ralph 
From those rich silks, and home well-pleased we went.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Wedding-Feast

 You shall hear how Pau-Puk-Keewis, 
How the handsome Yenadizze 
Danced at Hiawatha's wedding; 
How the gentle Chibiabos, 
He the sweetest of musicians, 
Sang his songs of love and longing; 
How Iagoo, the great boaster, 
He the marvellous story-teller, 
Told his tales of strange adventure, 
That the feast might be more joyous, 
That the time might pass more gayly, 
And the guests be more contented.
Sumptuous was the feast Nokomis 
Made at Hiawatha's wedding; 
All the bowls were made of bass-wood, 
White and polished very smoothly, 
All the spoons of horn of bison, 
Black and polished very smoothly.
She had sent through all the village 
Messengers with wands of willow, 
As a sign of invitation,
As a token of the feasting;
And the wedding guests assembled, 
Clad in all their richest raiment, 
Robes of fur and belts of wampum, 
Splendid with their paint and plumage, 
Beautiful with beads and tassels.
First they ate the sturgeon, Nahma, 
And the pike, the Maskenozha, 
Caught and cooked by old Nokomis; 
Then on pemican they feasted, 
Pemican and buffalo marrow, 
Haunch of deer and hump of bison, 
Yellow cakes of the Mondamin, 
And the wild rice of the river.
But the gracious Hiawatha, 
And the lovely Laughing Water, 
And the careful old Nokomis, 
Tasted not the food before them, 
Only waited on the others
Only served their guests in silence.
And when all the guests had finished, 
Old Nokomis, brisk and busy, 
From an ample pouch of otter, 
Filled the red-stone pipes for smoking 
With tobacco from the South-land, 
Mixed with bark of the red willow, 
And with herbs and leaves of fragrance.
Then she said, "O Pau-Puk-Keewis, 
Dance for us your merry dances, 
Dance the Beggar's Dance to please us, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
Then the handsome Pau-Puk-Keewis, 
He the idle Yenadizze, 
He the merry mischief-maker, 
Whom the people called the Storm-Fool, 
Rose among the guests assembled.
Skilled was he in sports and pastimes, 
In the merry dance of snow-shoes, 
In the play of quoits and ball-play; 
Skilled was he in games of hazard, 
In all games of skill and hazard, 
Pugasaing, the Bowl and Counters, 
Kuntassoo, the Game of Plum-stones. 
Though the warriors called him Faint-Heart, 
Called him coward, Shaugodaya, 
Idler, gambler, Yenadizze,
Little heeded he their jesting, 
Little cared he for their insults, 
For the women and the maidens 
Loved the handsome Pau-Puk-Keewis.
He was dressed in shirt of doeskin, 
White and soft, and fringed with ermine, 
All inwrought with beads of wampum; 
He was dressed in deer-skin leggings,
Fringed with hedgehog quills and ermine, 
And in moccasins of buck-skin, 
Thick with quills and beads embroidered. 
On his head were plumes of swan's down, 
On his heels were tails of foxes, 
In one hand a fan of feathers, 
And a pipe was in the other.
Barred with streaks of red and yellow, 
Streaks of blue and bright vermilion, 
Shone the face of Pau-Puk-Keewis. 
From his forehead fell his tresses, 
Smooth, and parted like a woman's, 
Shining bright with oil, and plaited, 
Hung with braids of scented grasses,
As among the guests assembled, 
To the sound of flutes and singing, 
To the sound of drums and voices, 
Rose the handsome Pau-Puk-Keewis, 
And began his mystic dances.
First he danced a solemn measure, 
Very slow in step and gesture, 
In and out among the pine-trees, 
Through the shadows and the sunshine, 
Treading softly like a panther. 
Then more swiftly and still swifter, 
Whirling, spinning round in circles, 
Leaping o'er the guests assembled, 
Eddying round and round the wigwam, 
Till the leaves went whirling with him, 
Till the dust and wind together 
Swept in eddies round about him.
Then along the sandy margin 
Of the lake, the Big-Sea-Water, 
On he sped with frenzied gestures,
Stamped upon the sand, and tossed it 
Wildly in the air around him; 
Till the wind became a whirlwind, 
Till the sand was blown and sifted 
Like great snowdrifts o'er the landscape, 
Heaping all the shores with Sand Dunes, 
Sand Hills of the Nagow Wudjoo!
Thus the merry Pau-Puk-Keewis 
Danced his Beggar's Dance to please them, 
And, returning, sat down laughing 
There among the guests assembled, 
Sat and fanned himself serenely 
With his fan of turkey-feathers.
Then they said to Chibiabos, 
To the friend of Hiawatha, 
To the sweetest of all singers, 
To the best of all musicians, 
"Sing to us, O Chibiabos! 
Songs of love and songs of longing, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
And the gentle Chibiabos 
Sang in accents sweet and tender, 
Sang in tones of deep emotion, 
Songs of love and songs of longing; 
Looking still at Hiawatha, 
Looking at fair Laughing Water, 
Sang he softly, sang in this wise:
"Onaway! Awake, beloved! 
Thou the wild-flower of the forest! 
Thou the wild-bird of the prairie! 
Thou with eyes so soft and fawn-like!
"If thou only lookest at me, 
I am happy, I am happy, 
As the lilies of the prairie, 
When they feel the dew upon them!
"Sweet thy breath is as the fragrance 
Of the wild-flowers in the morning, 
As their fragrance is at evening, 
In the Moon when leaves are falling.
"Does not all the blood within me 
Leap to meet thee, leap to meet thee, 
As the springs to meet the sunshine, 
In the Moon when nights are brightest?
"Onaway! my heart sings to thee, 
Sings with joy when thou art near me, 
As the sighing, singing branches 
In the pleasant Moon of Strawberries!
"When thou art not pleased, beloved, 
Then my heart is sad and darkened, 
As the shining river darkens 
When the clouds drop shadows on it!
"When thou smilest, my beloved, 
Then my troubled heart is brightened, 
As in sunshine gleam the ripples 
That the cold wind makes in rivers.
"Smiles the earth, and smile the waters, 
Smile the cloudless skies above us, 
But I lose the way of smiling 
When thou art no longer near me!
"I myself, myself! behold me! 
Blood of my beating heart, behold me! 
Oh awake, awake, beloved! 
Onaway! awake, beloved!"
Thus the gentle Chibiabos 
Sang his song of love and longing; 
And Iagoo, the great boaster, 
He the marvellous story-teller, 
He the friend of old Nokomis, 
Jealous of the sweet musician, 
Jealous of the applause they gave him, 
Saw in all the eyes around him, 
Saw in all their looks and gestures, 
That the wedding guests assembled
Longed to hear his pleasant stories, 
His immeasurable falsehoods.
Very boastful was Iagoo; 
Never heard he an adventure 
But himself had met a greater; 
Never any deed of daring 
But himself had done a bolder; 
Never any marvellous story 
But himself could tell a stranger.
Would you listen to his boasting, 
Would you only give him credence, 
No one ever shot an arrow 
Half so far and high as he had; 
Ever caught so many fishes, 
Ever killed so many reindeer, 
Ever trapped so many beaver!
None could run so fast as he could, 
None could dive so deep as he could, 
None could swim so far as he could; 
None had made so many journeys, 
None had seen so many wonders, 
As this wonderful Iagoo,
As this marvellous story-teller! 
Thus his name became a by-word
And a jest among the people; 
And whene'er a boastful hunter 
Praised his own address too highly, 
Or a warrior, home returning, 
Talked too much of his achievements, 
All his hearers cried, "Iagoo! 
Here's Iagoo come among us!"
He it was who carved the cradle 
Of the little Hiawatha, 
Carved its framework out of linden, 
Bound it strong with reindeer sinews; 
He it was who taught him later 
How to make his bows and arrows, 
How to make the bows of ash-tree,
And the arrows of the oak-tree. 
So among the guests assembled 
At my Hiawatha's wedding 
Sat Iagoo, old and ugly, 
Sat the marvellous story-teller.
And they said, "O good Iagoo, 
Tell us now a tale of wonder, 
Tell us of some strange adventure, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
And Iagoo answered straightway, 
"You shall hear a tale of wonder, 
You shall hear the strange adventures
Of Osseo, the Magician,
From the Evening Star descending."
Written by Edith Wharton | Create an image from this poem

Chartres

 I

Immense, august, like some Titanic bloom,
 The mighty choir unfolds its lithic core,
Petalled with panes of azure, gules and or,
 Splendidly lambent in the Gothic gloom,
And stamened with keen flamelets that illume
 The pale high-alter. On the prayer-worn floor,
By worshippers innumerous thronged of yore,
 A few brown crones, familiars of the tomb,
The stranded driftwood of Faith's ebbing sea--
 For these alone the finials fret the skies,
The topmost bosses shake their blossoms free,
 While from the triple portals, with grave eyes,
Tranquil, and fixed upon eternity,
 The cloud of witnesses still testifies.

II

The crimson panes like blood-drops stigmatise
 The western floor. The aisles are mute and cold.
A rigid fetich in her robe of gold,
 The Virgin of the Pillar, with blank eyes,
Enthroned beneath her votive canopies,
 Gathers a meagre remnant to her fold.
The rest is solitude; the church, grown old,
 Stands stark and grey beneath the burning skies.
Well-nigh again its mighty framework grows
 To be a part of nature's self, withdrawn
From hot humanity's impatient woes;
 The floor is ridged like some rude mountain lawn,
And in the east one giant window shows
 The roseate coldness of an Alp at dawn.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Sweeney Erect

 And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation. Look, look, wenches!


PAINT me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.

Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.

Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.

This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs

Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.

Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.

(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.)

Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.

The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste

Observing that hysteria
Might easily be misunderstood;
Mrs. Turner intimates
It does the house no sort of good.

But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
Written by John Berryman | Create an image from this poem

Dream Song 112: My framework is broken I am coming to an end

 My framework is broken, I am coming to an end,
God send it soon. When I had most to say
my tongue clung to the roof
I mean of my mouth. It is my Lady's birthday
which must be honoured, and has been. God send
it soon.

I now must speak to my disciples, west
and east. I say to you, Do not delay
I say, expectation is vain.
I say again, It is my Lady's birthday
which must be honoured. Bring her to the test
at once.

I say again, It is my Lady's birthday
which must be honoured, for her high black hair
but not for that alone:
for every word she utters everywhere
shows her good soul, as true as a healed bone,—
being part of what I meant to say.


Written by Rg Gregory | Create an image from this poem

haunting the quark

 (I)
if you can’t scientifically explain it
dawkins says it has no value – some hope
inside the mechanical framework of a guess
(as far as any fact can truly grope)
doubts roam – mere looking can’t attain it

twentieth-century science perceived that mess
the more you probed the inner – more the scope
for chaos (uncertainty) – no mind could drain it
tie it to a marriage it must elope
clarity of thinking must make worse the stress

the artist looks at truth and has to feign it
stirs mud makes shapes (gives up) disturbs old rope
what’s not there’s there (says who) – such wantonness

(II)
revelation comes in flits and starts
each one’s a bundle of the genes’ loose ends
there’s a sparking deep down in the dark
that (come to light) can’t find its plain amends
can’t sport a price-tag in exchange and marts

who wants mathematics in a singing lark
(oh it’s there all right – it’s not what listening spends)
the mystic truth lies somewhere in the heart – 
lies (you see) - all best truth has the bends
it’s blood not thought that asks the muse to heark

no artist helps – no doughty horse but cart
receptacle for undeciphered legends
science hunts (it’s art that haunts) the quark
Written by Victor Hugo | Create an image from this poem

The Morrow Of Grandeur

 ("Non, l'avenir n'est à personne!") 
 
 {V. ii., August, 1832.} 


 Sire, beware, the future's range 
 Is of God alone the power, 
 Naught below but augurs change, 
 E'en with ev'ry passing hour. 
 Future! mighty mystery! 
 All the earthly goods that be, 
 Fortune, glory, war's renown, 
 King or kaiser's sparkling crown, 
 Victory! with her burning wings, 
 Proud ambition's covetings,— 
 These may our grasp no more detain 
 Than the free bird who doth alight 
 Upon our roof, and takes its flight 
 High into air again. 
 
 Nor smile, nor tear, nor haughtiest lord's command, 
 Avails t' unclasp the cold and closèd hand. 
 Thy voice to disenthrall, 
 Dumb phantom, shadow ever at our side! 
 Veiled spectre, journeying with us stride for stride, 
 Whom men "To-morrow" call. 
 
 Oh, to-morrow! who may dare 
 Its realities to scan? 
 God to-morrow brings to bear 
 What to-day is sown by man. 
 'Tis the lightning in its shroud, 
 'Tis the star-concealing cloud, 
 Traitor, 'tis his purpose showing, 
 Engine, lofty tow'rs o'erthrowing, 
 Wand'ring star, its region changing, 
 "Lady of kingdoms," ever ranging. 
 To-morrow! 'Tis the rude display 
 Of the throne's framework, blank and cold, 
 That, rich with velvet, bright with gold, 
 Dazzles the eye to-day. 
 
 To-morrow! 'tis the foaming war-horse falling; 
 To-morrow! thy victorious march appalling, 
 'Tis the red fires from Moscow's tow'rs that wave; 
 'Tis thine Old Guard strewing the Belgian plain; 
 'Tis the lone island in th' Atlantic main: 
 To-morrow! 'tis the grave! 
 
 Into capitals subdued 
 Thou mayst ride with gallant rein, 
 Cut the knots of civil feud 
 With the trenchant steel in twain; 
 With thine edicts barricade 
 Haughty Thames' o'er-freighted trade; 
 Fickle Victory's self enthrall, 
 Captive to thy trumpet call; 
 Burst the stoutest gates asunder; 
 Leave the names of brightest wonder, 
 Pale and dim, behind thee far; 
 And to exhaustless armies yield 
 Thy glancing spur,—o'er Europe's field 
 A glory-guiding star. 
 
 God guards duration, if lends space to thee, 
 Thou mayst o'er-range mundane immensity, 
 Rise high as human head can rise sublime, 
 Snatch Europe from the stamp of Charlemagne, 
 Asia from Mahomet; but never gain 
 Power o'er the Morrow from the Lord of Time! 
 
 Fraser's Magazine. 


 





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