Written by
Edward Estlin (E E) Cummings |
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and from moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
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Written by
Charles Baudelaire |
WHAT does it mean? Tired, angry, and ill at ease,
No man, woman, or child alive could please
Me now.
And yet I almost dare to laugh
Because I sit and frame an epitaph--
"Here lies all that no one loved of him
And that loved no one.
" Then in a trice that whim
Has wearied.
But, though I am like a river
At fall of evening when it seems that never
Has the sun lighted it or warmed it, while
Cross breezes cut the surface to a file,
This heart, some fraction of me, hapily
Floats through a window even now to a tree
Down in the misting, dim-lit, quiet vale;
Not like a pewit that returns to wail
For something it has lost, but like a dove
That slants unanswering to its home and love.
There I find my rest, and through the dusk air
Flies what yet lives in me.
Beauty is there
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Written by
David Wagoner |
All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.
But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves.
The latch slides
Out of the strike-plate, the door swings on its hinges,
And you're about to take that step
Over the threshold into a different light.
For the audience, you may simply be
Disappearing from the scene, yet in those few seconds
You can reach for the knob as the last object on earth
You wanted to touch.
Or you can take it
Warmly like the hand your father offered
Once in forgiveness and afterward
Kept to himself.
Or you can stand there briefly, as bewildered
As by the door of a walk-in time-lock safe,
Stand there and stare
At the whole concept of shutness, like a rat
Whose maze has been rebaffled overnight,
Stand still and quiver, unable to turn
Around or go left or right.
Or you can grasp it with a sly, soundless discretion,
Open it inch by inch, testing each fraction
Of torque on the spindles, on tiptoe
Slip yourself through the upright slot
And press the lock-stile silently
Back into its frame.
Or you can use your shoulder
Or the hard heel of your shoe
And a leg-thrust to break it open.
Or you can approach the door as if accustomed
To having all barriers open by themselves.
You can wrench aside
This unauthorized interruption of your progress
And then leave it ajar
For others to do with as they may see fit.
Or you can stand at ease
And give the impression you can see through
This door or any door and have no need
To take your physical self to the other side.
Or you can turn the knob as if at last
Nothing could please you more, your body language
Filled with expectations of joy at where you're going,
Holding yourself momentarily in the posture
Of an awestruck pilgrim at the gate-though you know
You'll only be stepping out against the scrim
Or a wobbly flat daubed with a landscape,
A scribble of leaves, a hint of flowers,
The bare suggestion of a garden.
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Written by
Emily Dickinson |
Doubt Me! My Dim Companion!
Why, God, would be content
With but a fraction of the Life --
Poured thee, without a stint --
The whole of me -- forever --
What more the Woman can,
Say quick, that I may dower thee
With last Delight I own!
It cannot be my Spirit --
For that was thine, before --
I ceded all of Dust I knew --
What Opulence the more
Had I -- a freckled Maiden,
Whose farthest of Degree,
Was -- that she might --
Some distant Heaven,
Dwell timidly, with thee!
Sift her, from Brow to Barefoot!
Strain till your last Surmise --
Drop, like a Tapestry, away,
Before the Fire's Eyes --
Winnow her finest fondness --
But hallow just the snow
Intact, in Everlasting flake --
Oh, Caviler, for you!
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Written by
Amy Lowell |
"`I can't get
out', said the starling.
"
Sterne's
`Sentimental Journey'.
Forever the impenetrable wall
Of self confines my poor rebellious soul,
I never see the towering white clouds roll
Before a sturdy wind, save through the small
Barred window of my jail.
I live a thrall
With all my outer life a clipped, square hole,
Rectangular; a fraction of a scroll
Unwound and winding like a worsted ball.
My thoughts are grown uneager and depressed
Through being always mine, my fancy's wings
Are moulted and the feathers blown away.
I weary for desires never guessed,
For alien passions, strange imaginings,
To be some other person for a day.
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Written by
Carl Sandburg |
HOW many feet ran with sunlight, water, and air?
What little devils shaken of laughter, cramming their little ribs with chuckles,
Fixed this lone red tulip, a woman’s mouth of passion kisses, a nun’s mouth of sweet thinking, here topping a straight line of green, a pillar stem?
Who hurled this bomb of red caresses?—nodding balloon-film shooting its wireless every fraction of a second these June days:
Love me before I die;
Love me—love me now.
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Written by
Emily Dickinson |
Removed from Accident of Loss
By Accident of Gain
Befalling not my simple Days --
Myself had just to earn --
Of Riches -- as unconscious
As is the Brown Malay
Of Pearls in Eastern Waters,
Marked His -- What Holiday
Would stir his slow conception --
Had he the power to dream
That put the Dower's fraction --
Awaited even -- Him --
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Written by
Emily Dickinson |
Precious to Me -- She still shall be --
Though She forget the name I bear --
The fashion of the Gown I wear --
The very Color of My Hair --
So like the Meadows -- now --
I dared to show a Tress of Theirs
If haply -- She might not despise
A Buttercup's Array --
I know the Whole -- obscures the Part --
The fraction -- that appeased the Heart
Till Number's Empery --
Remembered -- as the Millner's flower
When Summer's Everlasting Dower --
Confronts the dazzled Bee.
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Written by
Robert Louis Stevenson |
STOUT marches lead to certain ends,
We seek no Holy Grail, my friends -
That dawn should find us every day
Some fraction farther on our way.
The dumb lands sleep from east to west,
They stretch and turn and take their rest.
The cock has crown in the steading-yard,
But priest and people slumber hard.
We two are early forth, and hear
The nations snoring far and near.
So peacefully their rest they take,
It seems we are the first awake!
- Strong heart! this is no royal way,
A thousand cross-roads seek the day;
And, hid from us, to left and right,
A thousand seekers seek the light.
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Written by
Emily Dickinson |
Least Bee that brew --
A Honey's Weight
Content Her smallest fraction help
The Amber Quantity --
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