Written by
Charles Baudelaire |
Down the street as I was drifting with the city's human tide,
Came a ghost, and for a moment walked in silence by my side --
Now my heart was hard and bitter, and a bitter spirit he,
So I felt no great aversion to his ghostly company.
Said the Shade: `At finer feelings let your lip in scorn be curled,
`Self and Pelf', my friend, has ever been the motto for the world.
'
And he said: `If you'd be happy, you must clip your fancy's wings,
Stretch your conscience at the edges to the size of earthly things;
Never fight another's battle, for a friend can never know
When he'll gladly fly for succour to the bosom of the foe.
At the power of truth and friendship let your lip in scorn be curled --
`Self and Pelf', my friend, remember, is the motto of the world.
`Where Society is mighty, always truckle to her rule;
Never send an `i' undotted to the teacher of a school;
Only fight a wrong or falsehood when the crowd is at your back,
And, till Charity repay you, shut the purse, and let her pack;
At the fools who would do other let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.
`Ne'er assail the shaky ladders Fame has from her niches hung,
Lest unfriendly heels above you grind your fingers from the rung;
Or the fools who idle under, envious of your fair renown,
Heedless of the pain you suffer, do their worst to shake you down.
At the praise of men, or censure, let your lip in scorn be curled,
`Self and Pelf', my friend, remember, is the motto of the world.
`Flowing founts of inspiration leave their sources parched and dry,
Scalding tears of indignation sear the hearts that beat too high;
Chilly waters thrown upon it drown the fire that's in the bard;
And the banter of the critic hurts his heart till it grows hard.
At the fame your muse may offer let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.
`Shun the fields of love, where lightly, to a low and mocking tune,
Strong and useful lives are ruined, and the broken hearts are strewn.
Not a farthing is the value of the honest love you hold;
Call it lust, and make it serve you! Set your heart on nought but gold.
At the bliss of purer passions let your lip in scorn be curled --
`Self and Pelf', my friend, shall ever be the motto of the world.
'
Then he ceased and looked intently in my face, and nearer drew;
But a sudden deep repugnance to his presence thrilled me through;
Then I saw his face was cruel, by the look that o'er it stole,
Then I felt his breath was poison, by the shuddering of my soul,
Then I guessed his purpose evil, by his lip in sneering curled,
And I knew he slandered mankind, by my knowledge of the world.
But he vanished as a purer brighter presence gained my side --
`Heed him not! there's truth and friendship
in this wondrous world,' she cried,
And of those who cleave to virtue in their climbing for renown,
Only they who faint or falter from the height are shaken down.
At a cynic's baneful teaching let your lip in scorn be curled!
`Brotherhood and Love and Honour!' is the motto for the world.
'
|
Written by
G K Chesterton |
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.
Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.
)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth.
"
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.
)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.
St.
Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.
)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.
)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.
)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plum?d lions on the galleys of St.
Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.
)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade.
.
.
.
(But Don John of Austria rides home from the Crusade.
)
|
Written by
Victor Hugo |
("Le soleil s'est couché")
{XXXV. vi., April, 1829.}
The sun set this evening in masses of cloud,
The storm comes to-morrow, then calm be the night,
Then the Dawn in her chariot refulgent and proud,
Then more nights, and still days, steps of Time in his flight.
The days shall pass rapid as swifts on the wing.
O'er the face of the hills, o'er the face of the seas,
O'er streamlets of silver, and forests that ring
With a dirge for the dead, chanted low by the breeze;
The face of the waters, the brow of the mounts
Deep scarred but not shrivelled, and woods tufted green,
Their youth shall renew; and the rocks to the founts
Shall yield what these yielded to ocean their queen.
But day by day bending still lower my head,
Still chilled in the sunlight, soon I shall have cast,
At height of the banquet, my lot with the dead,
Unmissed by creation aye joyous and vast.
TORU DUTT.
|
Written by
Francesco Petrarch |
SESTINA I.
Mia benigna fortuna e 'l viver lieto.
IN HIS MISERY HE DESIRES DEATH THE MORE HE REMEMBERS HIS PAST CONTENTMENT AND COMFORT.
My favouring fortune and my life of joy,
My days so cloudless, and my tranquil nights,
The tender sigh, the pleasing power of song,
Which gently wont to sound in verse and rhyme,
[Pg 289]Suddenly darken'd into grief and tears,
Make me hate life and inly pray for death!
O cruel, grim, inexorable Death!
How hast thou dried my every source of joy,
And left me to drag on a life of tears,
Through darkling days and melancholy nights.
My heavy sighs no longer meet in rhyme,
And my hard martyrdom exceeds all song!
Where now is vanish'd my once amorous song?
To talk of anger and to treat with death;
Where the fond verses, where the happy rhyme
Welcomed by gentle hearts with pensive joy?
Where now Love's communings that cheer'd my nights?
My sole theme, my one thought, is now but tears!
Erewhile to my desire so sweet were tears
Their tenderness refined my else rude song,
And made me wake and watch the livelong nights;
But sorrow now to me is worse than death,
Since lost for aye that look of modest joy,
The lofty subject of my lowly rhyme!
Love in those bright eyes to my ready rhyme
Gave a fair theme, now changed, alas! to tears;
With grief remembering that time of joy,
My changed thoughts issue find in other song,
Evermore thee beseeching, pallid Death,
To snatch and save me from these painful nights!
Sleep has departed from my anguish'd nights,
Music is absent from my rugged rhyme,
Which knows not now to sound of aught but death;
Its notes, so thrilling once, all turn'd to tears,
Love knows not in his reign such varied song,
As full of sadness now as then of joy!
Man lived not then so crown'd as I with joy,
Man lives not now such wretched days and nights;
And my full festering grief but swells the song
Which from my bosom draws the mournful rhyme;
I lived in hope, who now live but in tears,
Nor against death have other hope save death!
[Pg 290]Me Death in her has kill'd; and only Death
Can to my sight restore that face of joy,
Which pleasant made to me e'en sighs and tears,
Balmy the air, and dewy soft the nights,
Wherein my choicest thoughts I gave to rhyme
While Love inspirited my feeble song!
Would that such power as erst graced Orpheus' song
Were mine to win my Laura back from death,
As he Eurydice without a rhyme;
Then would I live in best excess of joy;
Or, that denied me, soon may some sad night
Close for me ever these twin founts of tears!
Love! I have told with late and early tears,
My grievous injuries in doleful song;
Not that I hope from thee less cruel nights;
And therefore am I urged to pray for death,
Which hence would take me but to crown with joy,
Where lives she whom I sing in this sad rhyme!
If so high may aspire my weary rhyme,
To her now shelter'd safe from rage and tears,
Whose beauties fill e'en heaven with livelier joy,
Well would she recognise my alter'd song,
Which haply pleased her once, ere yet by death
Her days were cloudless made and dark my nights!
O ye, who fondly sigh for better nights,
Who listen to love's will, or sing in rhyme,
Pray that for me be no delay in death,
The port of misery, the goal of tears,
But let him change for me his ancient song,
Since what makes others sad fills me with joy!
Ay! for such joy, in one or in few nights,
I pray in rude song and in anguish'd rhyme,
That soon my tears may ended be in death!
Macgregor.
|
Written by
Sidney Lanier |
Inscribed to the Memory of John Keats.
Dear uplands, Chester's favorable fields,
My large unjealous Loves, many yet one --
A grave good-morrow to your Graces, all,
Fair tilth and fruitful seasons!
Lo, how still!
The midmorn empties you of men, save me;
Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine,
Holding the hills and heavens in my heart
For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day
Has rippled as a brook right pleasantly
Half-way to noon; but now with widening turn
Makes pause, in lucent meditation locked,
And rounds into a silver pool of morn,
Bottom'd with clover-fields.
My heart just hears
Eight lingering strokes of some far village-bell,
That speak the hour so inward-voiced, meseems
Time's conscience has but whispered him eight hints
Of revolution.
Reigns that mild surcease
That stills the middle of each rural morn --
When nimble noises that with sunrise ran
About the farms have sunk again to rest;
When Tom no more across the horse-lot calls
To sleepy Dick, nor Dick husk-voiced upbraids
The sway-back'd roan for stamping on his foot
With sulphurous oath and kick in flank, what time
The cart-chain clinks across the slanting shaft,
And, kitchenward, the rattling bucket plumps
Souse down the well, where quivering ducks quack loud,
And Susan Cook is singing.
Up the sky
The hesitating moon slow trembles on,
Faint as a new-washed soul but lately up
From out a buried body.
Far about,
A hundred slopes in hundred fantasies
Most ravishingly run, so smooth of curve
That I but seem to see the fluent plain
Rise toward a rain of clover-blooms, as lakes
Pout gentle mounds of plashment up to meet
Big shower-drops.
Now the little winds, as bees,
Bowing the blooms come wandering where I lie
Mixt soul and body with the clover-tufts,
Light on my spirit, give from wing and thigh
Rich pollens and divine sweet irritants
To every nerve, and freshly make report
Of inmost Nature's secret autumn-thought
Unto some soul of sense within my frame
That owns each cognizance of the outlying five,
And sees, hears, tastes, smells, touches, all in one.
Tell me, dear Clover (since my soul is thine,
Since I am fain give study all the day,
To make thy ways my ways, thy service mine,
To seek me out thy God, my God to be,
And die from out myself to live in thee) --
Now, Cousin Clover, tell me in mine ear:
Go'st thou to market with thy pink and green?
Of what avail, this color and this grace?
Wert thou but squat of stem and brindle-brown,
Still careless herds would feed.
A poet, thou:
What worth, what worth, the whole of all thine art?
Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems
Where-through I gaze from off my hill, afar,
The spacious fields from me to Heaven take on
Tremors of change and new significance
To th' eye, as to the ear a simple tale
Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue
Where horizontal limits bend, and spreads
Into a curious-hill'd and curious-valley'd Vast,
Endless before, behind, around; which seems
Th' incalculable Up-and-Down of Time
Made plain before mine eyes.
The clover-stems
Still cover all the space; but now they bear,
For clover-blooms, fair, stately heads of men
With poets' faces heartsome, dear and pale --
Sweet visages of all the souls of time
Whose loving service to the world has been
In the artist's way expressed and bodied.
Oh,
In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks -- the most containing clasp,
For all in all, this world e'er saw!) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty.
Lo, what bulk is here?
Now comes the Course-of-things, shaped like an Ox,
Slow browsing, o'er my hillside, ponderously --
The huge-brawned, tame, and workful Course-of-things,
That hath his grass, if earth be round or flat,
And hath his grass, if empires plunge in pain
Or faiths flash out.
This cool, unasking Ox
Comes browsing o'er my hills and vales of Time,
And thrusts me out his tongue, and curls it, sharp,
And sicklewise, about my poets' heads,
And twists them in, all -- Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha, in one sheaf -- and champs and chews,
With slantly-churning jaws, and swallows down;
Then slowly plants a mighty forefoot out,
And makes advance to futureward, one inch.
So: they have played their part.
And to this end?
This, God? This, troublous-breeding Earth? This, Sun
Of hot, quick pains? To this no-end that ends,
These Masters wrought, and wept, and sweated blood,
And burned, and loved, and ached with public shame,
And found no friends to breathe their loves to, save
Woods and wet pillows? This was all? This Ox?
"Nay," quoth a sum of voices in mine ear,
"God's clover, we, and feed His Course-of-things;
The pasture is God's pasture; systems strange
Of food and fiberment He hath, whereby
The general brawn is built for plans of His
To quality precise.
Kinsman, learn this:
The artist's market is the heart of man;
The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends .
.
.
in God's Beginning's lost.
"
|
Written by
Francesco Petrarch |
CANZONE XI.
[R] Mai non vo' più cantar, com' io soleva.
ENIGMAS.
Never more shall I sing, as I have sung:
For still she heeded not; and I was scorn'd:
So e'en in loveliest spots is trouble found.
Unceasingly to sigh is no relief.
Already on the Alp snow gathers round:
Already day is near; and I awake.
An affable and modest air is sweet;
And in a lovely lady that she be
Noble and dignified, not proud and cold,
Well pleases it to find.
Love o'er his empire rules without a sword.
He who has miss'd his way let him turn back:
Who has no home the heath must be his bed:
Who lost or has not gold,
Will sate his thirst at the clear crystal spring.
I trusted in Saint Peter, not so now;
Let him who can my meaning understand.
A harsh rule is a heavy weight to bear.
[Pg 100]I melt but where I must, and stand alone.
I think of him who falling died in Po;
Already thence the thrush has pass'd the brook
Come, see if I say sooth! No more for me.
A rock amid the waters is no joke,
Nor birdlime on the twig.
Enough my grief
When a superfluous pride
In a fair lady many virtues hides.
There is who answereth without a call;
There is who, though entreated, fails and flies:
There is who melts 'neath ice:
There is who day and night desires his death.
Love who loves you, is an old proverb now.
Well know I what I say.
But let it pass;
'Tis meet, at their own cost, that men should learn.
A modest lady wearies her best friend.
Good figs are little known.
To me it seems
Wise to eschew things hazardous and high;
In any country one may be at ease.
Infinite hope below kills hope above;
And I at times e'en thus have been the talk.
My brief life that remains
There is who'll spurn not if to Him devote.
I place my trust in Him who rules the world,
And who his followers shelters in the wood,
That with his pitying crook
Me will He guide with his own flock to feed.
Haply not every one who reads discerns;
Some set the snare at times who take no spoil;
Who strains too much may break the bow in twain.
Let not the law be lame when suitors watch.
To be at ease we many a mile descend.
To-day's great marvel is to-morrow's scorn.
A veil'd and virgin loveliness is best.
Blessed the key which pass'd within my heart,
And, quickening my dull spirit, set it free
From its old heavy chain,
And from my bosom banish'd many a sigh.
Where most I suffer'd once she suffers now;
Her equal sorrows mitigate my grief;
[Pg 101]Thanks, then, to Love that I
Feel it no more, though he is still the same!
In silence words that wary are and wise;
The voice which drives from me all other care;
And the dark prison which that fair light hides:
As midnight on our hills the violets;
And the wild beasts within the walls who dwell;
The kind demeanour and the dear reserve;
And from two founts one stream which flow'd in peace
Where I desire, collected where I would.
Love and sore jealousy have seized my heart,
And the fair face whose guides
Conduct me by a plainer, shorter way
To my one hope, where all my torments end.
O treasured bliss, and all from thee which flows
Of peace, of war, or truce,
Never abandon me while life is left!
At my past loss I weep by turns and smile,
Because my faith is fix'd in what I hear.
The present I enjoy and better wait;
Silent, I count the years, yet crave their end,
And in a lovely bough I nestle so
That e'en her stern repulse I thank and praise,
Which has at length o'ercome my firm desire,
And inly shown me, I had been the talk,
And pointed at by hand: all this it quench'd.
So much am I urged on,
Needs must I own, thou wert not bold enough.
Who pierced me in my side she heals the wound,
For whom in heart more than in ink I write;
Who quickens me or kills,
And in one instant freezes me or fires.
Anon.
|
Written by
Francesco Petrarch |
[Pg 76] CANZONE X.
Poichè per mio destino.
IN PRAISE OF LAURA'S EYES: IN THEM HE FINDS EVERY GOOD, AND HE CAN NEVER CEASE TO PRAISE THEM.
Since then by destiny
I am compell'd to sing the strong desire,
Which here condemns me ceaselessly to sigh,
May Love, whose quenchless fire
Excites me, be my guide and point the way,
And in the sweet task modulate my lay:
But gently be it, lest th' o'erpowering theme
Inflame and sting me, lest my fond heart may
Dissolve in too much softness, which I deem,
From its sad state, may be:
For in me—hence my terror and distress!
Not now as erst I see
Judgment to keep my mind's great passion less:
Nay, rather from mine own thoughts melt I so,
As melts before the summer sun the snow.
At first I fondly thought
Communing with mine ardent flame to win
Some brief repose, some time of truce within:
This was the hope which brought
Me courage what I suffer'd to explain,
Now, now it leaves me martyr to my pain:
But still, continuing mine amorous song,
Must I the lofty enterprise maintain;
So powerful is the wish that in me glows,
That Reason, which so long
Restrain'd it, now no longer can oppose.
Then teach me, Love, to sing
In such frank guise, that ever if the ear
Of my sweet foe should chance the notes to hear,
Pity, I ask no more, may in her spring.
If, as in other times,
When kindled to true virtue was mankind,
The genius, energy of man could find
Entrance in divers climes,
Mountains and seas o'erpassing, seeking there
Honour, and culling oft its garland fair,
[Pg 77]Mine were such wish, not mine such need would be.
From shore to shore my weary course to trace,
Since God, and Love, and Nature deign for me
Each virtue and each grace
In those dear eyes where I rejoice to place.
In life to them must I
Turn as to founts whence peace and safety swell:
And e'en were death, which else I fear not, nigh,
Their sight alone would teach me to be well.
As, vex'd by the fierce wind,
The weary sailor lifts at night his gaze
To the twin lights which still our pole displays,
So, in the storms unkind
Of Love which I sustain, in those bright eyes
My guiding light and only solace lies:
But e'en in this far more is due to theft,
Which, taught by Love, from time to time, I make
Of secret glances than their gracious gift:
Yet that, though rare and slight,
Makes me from them perpetual model take;
Since first they blest my sight
Nothing of good without them have I tried,
Placing them over me to guard and guide,
Because mine own worth held itself but light.
Never the full effect
Can I imagine, and describe it less
Which o'er my heart those soft eyes still possess!
As worthless I reject
And mean all other joys that life confers,
E'en as all other beauties yield to hers.
A tranquil peace, alloy'd by no distress,
Such as in heaven eternally abides,
Moves from their lovely and bewitching smile.
So could I gaze, the while
Love, at his sweet will, governs them and guides,
—E'en though the sun were nigh,
Resting above us on his onward wheel—
On her, intensely with undazzled eye,
Nor of myself nor others think or feel.
Ah! that I should desire
Things that can never in this world be won,
[Pg 78]Living on wishes hopeless to acquire.
Yet, were the knot undone,
Wherewith my weak tongue Love is wont to bind,
Checking its speech, when her sweet face puts on
All its great charms, then would I courage find,
Words on that point so apt and new to use,
As should make weep whoe'er might hear the tale.
But the old wounds I bear,
Stamp'd on my tortured heart, such power refuse;
Then grow I weak and pale,
And my blood hides itself I know not where;
Nor as I was remain I: hence I know
Love dooms my death and this the fatal blow.
Farewell, my song! already do I see
Heavily in my hand the tired pen move
From its long dear discourse with her I love;
Not so my thoughts from communing with me.
Macgregor.
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Written by
Thomas Moore |
I wish I was by that dim Lake,
Where sinful souls their farewell take
Of this vain world, and half-way lie
In death's cold shadow, ere they die.
There, there, far from thee,
Deceitful world, my home should be;
Where, come what might of gloom and pain,
False hope should n'er deceive again.
The lifeless sky, the mournful sound
Of unseen waters falling round;
The dry leaves, quivering o'er my head,
Like man, unquiet even when dead!
These, ay, these shall wean
My soul from life's deluding scene,
And turn each thought, o'ercharged with gloom
Like willows, downward towards the tomb.
As they, who to their couch at night
Would win repose, first quench the light,
So must the hopes, that keep this breast
Awake, be quench'd, ere it can rest.
Cold, cold, this heart must grow,
Unmmoved by either joy or woe,
Like freezing founts, where all that's thrown
Within their current turns to stone.
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Written by
Francesco Petrarch |
CANZONE XVIII.
Qual più diversa e nova.
HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION.
Whate'er most wild and new
Was ever found in any foreign land,
If viewed and valued true,
Most likens me 'neath Love's transforming hand.
Whence the bright day breaks through,
Alone and consortless, a bird there flies,
Who voluntary dies,
To live again regenerate and entire:
So ever my desire,
Alone, itself repairs, and on the crest
Of its own lofty thoughts turns to our sun,
There melts and is undone,
And sinking to its first state of unrest,
So burns and dies, yet still its strength resumes,
And, Phœnix-like, afresh in force and beauty blooms.
Where Indian billows sweep,
A wondrous stone there is, before whose strength
Stout navies, weak to keep
Their binding iron, sink engulf'd at length:
So prove I, in this deep
Of bitter grief, whom, with her own hard pride,
That fair rock knew to guide
Where now my life in wreck and ruin drives:
Thus too the soul deprives,
By theft, my heart, which once so stonelike was,
It kept my senses whole, now far dispersed:
For mine, O fate accurst!
A rock that lifeblood and not iron draws,
Whom still i' the flesh a magnet living, sweet,
Drags to the fatal shore a certain doom to meet.
Neath the far Ethiop skies
A beast is found, most mild and meek of air,
Which seems, yet in her eyes
Danger and dool and death she still does bear:
[Pg 134]Much needs he to be wise
To look on hers whoever turns his mien:
Although her eyes unseen,
All else securely may be viewed at will
But I to mine own ill
Run ever in rash grief, though well I know
My sufferings past and future, still my mind
Its eager, deaf and blind
Desire o'ermasters and unhinges so,
That in her fine eyes and sweet sainted face,
Fatal, angelic, pure, my cause of death I trace.
In the rich South there flows
A fountain from the sun its name that wins,
This marvel still that shows,
Boiling at night, but chill when day begins;
Cold, yet more cold it grows
As the sun's mounting car we nearer see:
So happens it with me
(Who am, alas! of tears the source and seat),
When the bright light and sweet,
My only sun retires, and lone and drear
My eyes are left, in night's obscurest reign,
I burn, but if again
The gold rays of the living sun appear,
My slow blood stiffens, instantaneous, strange;
Within me and without I feel the frozen change!
Another fount of fame
Springs in Epirus, which, as bards have told,
Kindles the lurking flame,
And the live quenches, while itself is cold.
My soul, that, uncontroll'd,
And scathless from love's fire till now had pass'd,
Carelessly left at last
Near the cold fair for whom I ceaseless sigh,
Was kindled instantly:
Like martyrdom, ne'er known by day or night,
A heart of marble had to mercy shamed.
Which first her charms inflamed
Her fair and frozen virtue quenched the light;
That thus she crushed and kindled my heart's fire,
Well know I who have felt in long and useless ire.
[Pg 135]Beyond our earth's known brinks,
In the famed Islands of the Blest, there be
Two founts: of this who drinks
Dies smiling: who of that to live is free.
A kindred fate Heaven links
To my sad life, who, smilingly, could die
For like o'erflowing joy,
But soon such bliss new cries of anguish stay.
Love! still who guidest my way,
Where, dim and dark, the shade of fame invites,
Not of that fount we speak, which, full each hour,
Ever with larger power
O'erflows, when Taurus with the Sun unites;
So are my eyes with constant sorrow wet,
But in that season most when I my Lady met.
Should any ask, my Song!
Or how or where I am, to such reply:
Where the tall mountain throws
Its shade, in the lone vale, whence Sorga flows,
He roams, where never eye
Save Love's, who leaves him not a step, is by,
And one dear image who his peace destroys,
Alone with whom to muse all else in life he flies.
Macgregor.
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Written by
Victor Hugo |
("Lorsque l'enfant parait.")
{XIX., May 11, 1830.}
The child comes toddling in, and young and old
With smiling eyes its smiling eyes behold,
And artless, babyish joy;
A playful welcome greets it through the room,
The saddest brow unfolds its wrinkled gloom,
To greet the happy boy.
If June with flowers has spangled all the ground,
Or winter bleak the flickering hearth around
Draws close the circling seat;
The child still sheds a never-failing light;
We call; Mamma with mingled joy and fright
Watches its tottering feet.
Perhaps at eve as round the fire we draw,
We speak of heaven, or poetry, or law,
Or politics, or prayer;
The child comes in, 'tis now all smiles and play,
Farewell to grave discourse and poet's lay,
Philosophy and care.
When fancy wakes, but sense in heaviest sleep
Lies steeped, and like the sobs of them that weep
The dark stream sinks and swells,
The dawn, like Pharos gleaming o'er the sea,
Bursts forth, and sudden wakes the minstrelsy
Of birds and chiming bells;
Thou art my dawn; my soul is as the field,
Where sweetest flowers their balmy perfumes yield
When breathed upon by thee,
Of forest, where thy voice like zephyr plays,
And morn pours out its flood of golden rays,
When thy sweet smile I see.
Oh, sweetest eyes, like founts of liquid blue;
And little hands that evil never knew,
Pure as the new-formed snow;
Thy feet are still unstained by this world's mire,
Thy golden locks like aureole of fire
Circle thy cherub brow!
Dove of our ark, thine angel spirit flies
On azure wings forth from thy beaming eyes.
Though weak thine infant feet,
What strange amaze this new and strange world gives
To thy sweet virgin soul, that spotless lives
In virgin body sweet.
Oh, gentle face, radiant with happy smile,
And eager prattling tongue that knows no guile,
Quick changing tears and bliss;
Thy soul expands to catch this new world's light,
Thy mazed eyes to drink each wondrous sight,
Thy lips to taste the kiss.
Oh, God! bless me and mine, and these I love,
And e'en my foes that still triumphant prove
Victors by force or guile;
A flowerless summer may we never see,
Or nest of bird bereft, or hive of bee,
Or home of infant's smile.
HENRY HIGHTON, M.A.
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