Written by
Robert William Service |
Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"
Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."
Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.
Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"
Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."
While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"
For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
|
Written by
Edna St. Vincent Millay |
I should like to rise and go
Where the golden apples grow;--
Where below another sky
Parrot islands anchored lie,
And, watched by cockatoos and goats,
Lonely Crusoes building boats;--
Where in sunshine reaching out
Eastern cities, miles about,
Are with mosque and minaret
Among sandy gardens set,
And the rich goods from near and far
Hang for sale in the bazaar;--
Where the Great Wall round China goes,
And on one side the desert blows,
And with the voice and bell and drum,
Cities on the other hum;--
Where are forests hot as fire,
Wide as England, tall as a spire,
Full of apes and cocoa-nuts
And the ***** hunters' huts;--
Where the knotty crocodile
Lies and blinks in the Nile,
And the red flamingo flies
Hunting fish before his eyes;--
Where in jungles near and far,
Man-devouring tigers are,
Lying close and giving ear
Lest the hunt be drawing near,
Or a comer-by be seen
Swinging in the palanquin;--
Where among the desert sands
Some deserted city stands,
All its children, sweep and prince,
Grown to manhood ages since,
Not a foot in street or house,
Not a stir of child or mouse,
And when kindly falls the night,
In all the town no spark of light.
There I'll come when I'm a man
With a camel caravan;
Light a fire in the gloom
Of some dusty dining-room;
See the pictures on the walls,
Heroes fights and festivals;
And in a corner find the toys
Of the old Egyptian boys.
|
Written by
Edgar Bowers |
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
|
Written by
Sidney Lanier |
To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving. Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.
I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.
As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
|
Written by
Raymond Carver |
And all at length are gathered in.
--LOUISE BOGAN
By the time I came around to feeling pain
and woke up, moonlight
flooded the room. My arm lay paralyzed,
propped up like an old anchor under
your back. You were in a dream,
you said later, where you'd arrived
early for the dance. But after
a moment's anxiety you were okay
because it was really a sidewalk
sale, and the shoes you were wearing,
or not wearing, were fine for that.
*
"Help me," I said. And tried to hoist
my arm. But it just lay there, aching,
unable to rise on its own. Even after
you said, "What is it? What's wrong?"
it stayed put -- deaf, unmoved
by any expression of fear or amazement.
We shouted at it, and grew afraid
when it didn't answer. "It's gone to sleep,"
I said, and hearing those words
knew how absurd this was. But
I couldn't laugh. Somehow,
between the two of us, we managed
to raise it. This can't be my arm
is what I kept thinking as
we thumped it, squeezed it, and
prodded it back to life. Shook it
until that stinging went away.
We said a few words to each other.
I don't remember what. Whatever
reassuring things people
who love each other say to each other
given the hour and such odd
circumstance. I do remember
you remarked how it was light
enough in the room that you could see
circles under my eyes.
You said I needed more regular sleep,
and I agreed. Each of us went
to the bathroom, and climbed back into bed
on our respective sides.
Pulled the covers up. "Good night,"
you said, for the second time that night.
And fell asleep. Maybe
into that same dream, or else another.
*
I lay until daybreak, holding
both arms fast across my chest.
Working my fingers now and then.
While my thoughts kept circling
around and around, but always going back
where they'd started from.
That one inescapable fact: even while
we undertake this trip,
there's another, far more bizarre,
we still have to make.
|
Written by
Adrienne Rich |
the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far
as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks. Burning through.
Your fore-arms can get scalded, licked with pain
in a sun blotted like unspoken anger
behind a casual mist.
The length of daylight
this far north, in this
forty-ninth year of my life
is critical.
The light is critical: of me, of this
long-dreamed, involuntary landing
on the arm of an inland sea.
The glitter of the shoal
depleting into shadow
I recognize: the stand of pines
violet-black really, green in the old postcard
but really I have nothing but myself
to go by; nothing
stands in the realm of pure necessity
except what my hands can hold.
Nothing but myself?....My selves.
After so long, this answer.
As if I had always known
I steer the boat in, simply.
The motor dying on the pebbles
cicadas taking up the hum
dropped in the silence.
Anger and tenderness: my selves.
And now I can believe they breathe in me
as angels, not polarities.
Anger and tenderness: the spider's genius
to spin and weave in the same action
from her own body, anywhere --
even from a broken web.
The cabin in the stand of pines
is still for sale. I know this. Know the print
of the last foot, the hand that slammed and locked the door,
then stopped to wreathe the rain-smashed clematis
back on the trellis
for no one's sake except its own.
I know the chart nailed to the wallboards
the icy kettle squatting on the burner.
The hands that hammered in those nails
emptied that kettle one last time
are these two hands
and they have caught the baby leaping
from between trembling legs
and they have worked the vacuum aspirator
and stroked the sweated temples
and steered the boat there through this hot
misblotted sunlight, critical light
imperceptibly scalding
the skin these hands will also salve.
|
Written by
Amy Clampitt |
In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?
The exotic is everywhere, it comes to us
before there is a yen or a need for it. The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons. But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's
a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.
But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put. The world is a wheel.
All that we know, that we're
made of, is motion.
|
Written by
Margaret Atwood |
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es. IV.
E. P. Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case ..
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr. Nixon
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Rudyard Kipling |
When spring-time flushes the desert grass,
Our kafilas wind through the Khyber Pass.
Lean are the camels but fat the frails,
Light are the purses but heavy the bales,
As the snowbound trade of the North comes down
To the market-square of Peshawur town.
In a turquoise twilight, crisp and chill,
A kafila camped at the foot of the hill.
Then blue smoke-haze of the cooking rose,
And tent-peg answered to hammer-nose;
And the picketed ponies, shag and wild,
Strained at their ropes as the feed was piled;
And the bubbling camels beside the load
Sprawled for a furlong adown the road;
And the Persian pussy-cats, brought for sale,
Spat at the dogs from the camel-bale;
And the tribesmen bellowed to hasten the food;
And the camp-fires twinkled by Fort Jumrood;
And there fled on the wings of the gathering dusk
A savour of camels and carpets and musk,
A murmur of voices, a reek of smoke,
To tell us the trade of the Khyber woke.
The lid of the flesh-pot chattered high,
The knives were whetted and -- then came I
To Mahbub Ali the muleteer,
Patching his bridles and counting his gear,
Crammed with the gossip of half a year.
But Mahbub Ali the kindly said,
"Better is speech when the belly is fed."
So we plunged the hand to the mid-wrist deep
In a cinnamon stew of the fat-tailed sheep,
And he who never hath tasted the food,
By Allah! he knoweth not bad from good.
We cleansed our beards of the mutton-grease,
We lay on the mats and were filled with peace,
And the talk slid north, and the talk slid south,
With the sliding puffs from the hookah-mouth.
Four things greater than all things are, --
Women and Horses and Power and War.
We spake of them all, but the last the most,
For I sought a word of a Russian post,
Of a shifty promise, an unsheathed sword
And a gray-coat guard on the Helmund ford.
Then Mahbub Ali lowered his eyes
In the fashion of one who is weaving lies.
Quoth he: "Of the Russians who can say?
When the night is gathering all is gray.
But we look that the gloom of the night shall die
In the morning flush of a blood-red sky.
Friend of my heart, is it meet or wise
To warn a King of his enemies?
We know what Heaven or Hell may bring,
But no man knoweth the mind of the King.
That unsought counsel is cursed of God
Attesteth the story of Wali Dad.
"His sire was leaky of tongue and pen,
His dam was a clucking Khuttuck hen;
And the colt bred close to the vice of each,
For he carried the curse of an unstanched speech.
Therewith madness -- so that he sought
The favour of kings at the Kabul court;
And travelled, in hope of honour, far
To the line where the gray-coat squadrons are.
There have I journeyed too -- but I
Saw naught, said naught, and -- did not die!
He harked to rumour, and snatched at a breath
Of `this one knoweth' and `that one saith', --
Legends that ran from mouth to mouth
Of a gray-coat coming, and sack of the South.
These have I also heard -- they pass
With each new spring and the winter grass.
"Hot-foot southward, forgotten of God,
Back to the city ran Wali Dad,
Even to Kabul -- in full durbar
The King held talk with his Chief in War.
Into the press of the crowd he broke,
And what he had heard of the coming spoke.
"Then Gholam Hyder, the Red Chief, smiled,
As a mother might on a babbling child;
But those who would laugh restrained their breath,
When the face of the King showed dark as death.
Evil it is in full durbar
To cry to a ruler of gathering war!
Slowly he led to a peach-tree small,
That grew by a cleft of the city wall.
And he said to the boy: `They shall praise thy zeal
So long as the red spurt follows the steel.
And the Russ is upon us even now?
Great is thy prudence -- await them, thou.
Watch from the tree. Thou art young and strong,
Surely thy vigil is not for long.
The Russ is upon us, thy clamour ran?
Surely an hour shall bring their van.
Wait and watch. When the host is near,
Shout aloud that my men may hear.'
"Friend of my heart, is it meet or wise
To warn a King of his enemies?
A guard was set that he might not flee --
A score of bayonets ringed the tree.
The peach-bloom fell in showers of snow,
When he shook at his death as he looked below.
By the power of God, who alone is great,
Till the seventh day he fought with his fate.
Then madness took him, and men declare
He mowed in the branches as ape and bear,
And last as a sloth, ere his body failed,
And he hung as a bat in the forks, and wailed,
And sleep the cord of his hands untied,
And he fell, and was caught on the points and died.
"Heart of my heart, is it meet or wise
To warn a King of his enemies?
We know what Heaven or Hell may bring,
But no man knoweth the mind of the King.
Of the gray-coat coming who can say?
When the night is gathering all is gray.
Two things greater than all things are,
The first is Love, and the second War.
And since we know not how War may prove,
Heart of my heart, let us talk of Love!"
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