Written by
Philip Levine |
Some days I catch a rhythm, almost a song
in my own breath. I'm alone here
in Brooklyn Heights, late morning, the sky
above the St. George Hotel clear, clear
for New York, that is. The radio playing
"Bird Flight," Parker in his California
tragic voice fifty years ago, his faltering
"Lover Man" just before he crashed into chaos.
I would guess that outside the recording studio
in Burbank the sun was high above the jacarandas,
it was late March, the worst of yesterday's rain
had come and gone, the sky washed blue. Bird
could have seen for miles if he'd looked, but what
he saw was so foreign he clenched his eyes,
shook his head, and barked like a dog--just once--
and then Howard McGhee took his arm and assured him
he'd be OK. I know this because Howard told me
years later that he thought Bird could
lie down in the hotel room they shared, sleep
for an hour or more, and waken as himself.
The perfect sunlight angles into my little room
above Willow Street. I listen to my breath
come and go and try to catch its curious taste,
part milk, part iron, part blood, as it passes
from me into the world. This is not me,
this is automatic, this entering and exiting,
my body's essential occupation without which
I am a thing. The whole process has a name,
a word I don't know, an elegant word not
in English or Yiddish or Spanish, a word
that means nothing to me. Howard truly believed
what he said that day when he steered
Parker into a cab and drove the silent miles
beside him while the bright world
unfurled around them: filling stations, stands
of fruits and vegetables, a kiosk selling trinkets
from Mexico and the Philippines. It was all
so actual and Western, it was a new creation
coming into being, like the music of Charlie Parker
someone later called "glad," though that day
I would have said silent, "the silent music
of Charlie Parker." Howard said nothing.
He paid the driver and helped Bird up two flights
to their room, got his boots off, and went out
to let him sleep as the afternoon entered
the history of darkness. I'm not judging
Howard, he did better than I could have
now or then. Then I was 19, working
on the loading docks at Railway Express
coming day by day into the damaged body
of a man while I sang into the filthy air
the Yiddish drinking songs my Zadie taught me
before his breath failed. Now Howard is gone,
eleven long years gone, the sweet voice silenced.
"The subtle bridge between Eldridge and Navarro,"
they later wrote, all that rising passion
a footnote to others. I remember in '85
walking the halls of Cass Tech, the high school
where he taught after his performing days,
when suddenly he took my left hand in his
two hands to tell me it all worked out
for the best. Maybe he'd gotten religion,
maybe he knew how little time was left,
maybe that day he was just worn down
by my questions about Parker. To him Bird
was truly Charlie Parker, a man, a silent note
going out forever on the breath of genius
which now I hear soaring above my own breath
as this bright morning fades into afternoon.
Music, I'll call it music. It's what we need
as the sun staggers behind the low gray clouds
blowing relentlessly in from that nameless ocean,
the calm and endless one I've still to cross.
|
Written by
Allen Ginsberg |
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!
Holy! Holy! Holy! Holy! Holy! Holy!
The world is holy! The soul is holy! The skin is holy!
The nose is holy! The tongue and cock and hand
and ******* holy!
Everything is holy! everybody's holy! everywhere is
holy! everyday is in eternity! Everyman's an
angel!
The bum's as holy as the seraphim! the madman is
holy as you my soul are holy!
The typewriter is holy the poem is holy the voice is
holy the hearers are holy the ecstasy is holy!
Holy Peter holy Allen holy Solomon holy Lucien holy
Kerouac holy Huncke holy Burroughs holy Cas-
sady holy the unknown buggered and suffering
beggars holy the hideous human angels!
Holy my mother in the insane asylum! Holy the cocks
of the grandfathers of Kansas!
Holy the groaning saxophone! Holy the bop
apocalypse! Holy the jazzbands marijuana
hipsters peace & junk & drums!
Holy the solitudes of skyscrapers and pavements! Holy
the cafeterias filled with the millions! Holy the
mysterious rivers of tears under the streets!
Holy the lone juggernaut! Holy the vast lamb of the
middle class! Holy the crazy shepherds of rebell-
ion! Who digs Los Angeles IS Los Angeles!
Holy New York Holy San Francisco Holy Peoria &
Seattle Holy Paris Holy Tangiers Holy Moscow
Holy Istanbul!
Holy time in eternity holy eternity in time holy the
clocks in space holy the fourth dimension holy
the fifth International holy the Angel in Moloch!
Holy the sea holy the desert holy the railroad holy the
locomotive holy the visions holy the hallucina-
tions holy the miracles holy the eyeball holy the
abyss!
Holy forgiveness! mercy! charity! faith! Holy! Ours!
bodies! suffering! magnanimity!
Holy the supernatural extra brilliant intelligent
kindness of the soul!
Berkeley 1955
|
Written by
Victor Hugo |
("Frères, vous avez vos journées.")
{I., July, 1830.}
Youth of France, sons of the bold,
Your oak-leaf victor-wreaths behold!
Our civic-laurels—honored dead!
So bright your triumphs in life's morn,
Your maiden-standards hacked and torn,
On Austerlitz might lustre shed.
All that your fathers did re-done—
A people's rights all nobly won—
Ye tore them living from the shroud!
Three glorious days bright July's gift,
The Bastiles off our hearts ye lift!
Oh! of such deeds be ever proud!
Of patriot sires ye lineage claim,
Their souls shone in your eye of flame;
Commencing the great work was theirs;
On you the task to finish laid
Your fruitful mother, France, who bade
Flow in one day a hundred years.
E'en chilly Albion admires,
The grand example Europe fires;
America shall clap her hands,
When swiftly o'er the Atlantic wave,
Fame sounds the news of how the brave,
In three bright days, have burst their bands!
With tyrant dead your fathers traced
A circle wide, with battles graced;
Victorious garland, red and vast!
Which blooming out from home did go
To Cadiz, Cairo, Rome, Moscow,
From Jemappes to Montmirail passed!
Of warlike Lyceums{1} ye are
The favored sons; there, deeds of war
Formed e'en your plays, while o'er you shook
The battle-flags in air aloft!
Passing your lines, Napoleon oft
Electrified you with a look!
Eagle of France! whose vivid wing
Did in a hundred places fling
A bloody feather, till one night
The arrow whelmed thee 'neath the wave!
Look up—rejoice—for now thy brave
And worthy eaglets dare the light.
ELIZABETH COLLINS.
{Footnote 1: The pupils of the Polytechnic Military School distinguished
themselves by their patriotic zeal and military skill, through all the
troubles.}
|
Written by
Victor Hugo |
("Qui leur eût dit l'austère destineé?")
{II. v., November, 1836.}
Who then, to them{1} had told the Future's story?
Or said that France, low bowed before their glory,
One day would mindful be
Of them and of their mournful fate no more,
Than of the wrecks its waters have swept o'er
The unremembering sea?
That their old Tuileries should see the fall
Of blazons from its high heraldic hall,
Dismantled, crumbling, prone;{2}
Or that, o'er yon dark Louvre's architrave{3}
A Corsican, as yet unborn, should grave
An eagle, then unknown?
That gay St. Cloud another lord awaited,
Or that in scenes Le Nôtre's art created
For princely sport and ease,
Crimean steeds, trampling the velvet glade,
Should browse the bark beneath the stately shade
Of the great Louis' trees?
Fraser's Magazine.
{Footnote 1: The young princes, afterwards Louis XVIII. and Charles X.}
{Footnote 2: The Tuileries, several times stormed by mobs, was so
irreparably injured by the Communists that, in 1882, the Paris Town
Council decided that the ruins should be cleared away.}
{Footnote 3: After the Eagle and the Bee superseded the Lily-flowers,
the Third Napoleon's initial "N" flourished for two decades, but has
been excised or plastered over, the words "National Property" or
"Liberty, Equality, Fraternity" being cut in the stone profusely.}
|
Written by
Victor Hugo |
("O palais, sois bénié.")
{II., June, 1839.}
Palace and ruin, bless thee evermore!
Grateful we bow thy gloomy tow'rs before;
For the old King of France{1} hath found in thee
That melancholy hospitality
Which in their royal fortune's evil day,
Stuarts and Bourbons to each other pay.
Fraser's Magazine.
{Footnote 1: King Charles X.}
|
Written by
Victor Hugo |
("Entre deux rocs d'un noir d'ébène.")
{XXVII., November, 1828.}
Between two ebon rocks
Behold yon sombre den,
Where brambles bristle like the locks
Of wool between the horns of scapegoat banned by men!
Remote in ruddy fog
Still hear the tiger growl
At the lion and stripèd dog
That prowl with rusty throats to taunt and roar and howl;
Whilst other monsters fast
The hissing basilisk;
The hippopotamus so vast,
And the boa with waking appetite made brisk!
The orfrey showing tongue,
The fly in stinging mood,
The elephant that crushes strong
And elastic bamboos an the scorpion's brood;
And the men of the trees
With their families fierce,
Till there is not one scorching breeze
But brings here its venom—its horror to pierce—
Yet, rather there be lone,
'Mid all those horrors there,
Than hear the sickly honeyed tone
And see the swimming eyes of Noormahal the Fair!
{Footnote 1: Noormahal (Arabic) the light of the house; some of the
Orientals deem fair hair and complexion a beauty.}
|
Written by
Victor Hugo |
But he saw nothing; space was black—no sound.
"Forward," said Canute, raising his proud head.
There fell a second stain beside the first,
Then it grew larger, and the Cimbrian chief
Stared at the thick vague darkness, and saw naught.
Still as a bloodhound follows on his track,
Sad he went on. 'There fell a third red stain
On the white winding-sheet. He had never fled;
Howbeit Canute forward went no more,
But turned on that side where the sword arm hangs.
A drop of blood, as if athwart a dream,
Fell on the shroud, and reddened his right hand.
Then, as in reading one turns back a page,
A second time he changed his course, and turned
To the dim left. There fell a drop of blood.
Canute drew back, trembling to be alone,
And wished he had not left his burial couch.
But, when a blood-drop fell again, he stopped,
Stooped his pale head, and tried to make a prayer.
Then fell a drop, and the prayer died away
In savage terror. Darkly he moved on,
A hideous spectre hesitating, white,
And ever as he went, a drop of blood
Implacably from the darkness broke away
And stained that awful whiteness. He beheld
Shaking, as doth a poplar in the wind,
Those stains grow darker and more numerous:
Another, and another, and another.
They seem to light up that funereal gloom,
And mingling in the folds of that white sheet,
Made it a cloud of blood. He went, and went,
And still from that unfathomable vault
The red blood dropped upon him drop by drop,
Always, for ever—without noise, as though
From the black feet of some night-gibbeted corpse.
Alas! Who wept those formidable tears?
The Infinite!—Toward Heaven, of the good
Attainable, through the wild sea of night,
That hath not ebb nor flow, Canute went on,
And ever walking, came to a closed door,
That from beneath showed a mysterious light.
Then he looked down upon his winding-sheet,
For that was the great place, the sacred place,
That was a portion of the light of God,
And from behind that door Hosannas rang.
The winding-sheet was red, and Canute stopped.
This is why Canute from the light of day
Draws ever back, and hath not dared appear
Before the Judge whose face is as the sun.
This is why still remaineth the dark king
Out in the night, and never having power
To bring his robe back to its first pure state,
But feeling at each step a blood-drop fall,
Wanders eternally 'neath the vast black heaven.
Dublin University Magazine
{Footnote 1: King Canute slew his old father, Sweno, to obtain the crown.}
|
Written by
Victor Hugo |
("Vous qui pleurez, venez à ce Dieu.")
{Bk. III. iv., March, 1842.}
Ye weepers, the Mourner o'er mourners behold!
Ye wounded, come hither—the Healer enfold!
Ye gloomy ones, brighten 'neath smiles quelling care—
Or pass—for this Comfort is found ev'rywhere.
{Footnote 1: Music by Gounod.}
|
Written by
Victor Hugo |
("Là-haut, qui sourit.")
{Bk. VII. vii., September, 1853.}
Who smiles there? Is it
A stray spirit,
Or woman fair?
Sombre yet soft the brow!
Bow, nations, bow;
O soul in air,
Speak—what art thou?
In grief the fair face seems—
What means those sudden gleams?
Our antique pride from dreams
Starts up, and beams
Its conquering glance,—
To make our sad hearts dance,
And wake in woods hushed long
The wild bird's song.
Angel of Day!
Our Hope, Love, Stay,
Thy countenance
Lights land and sea
Eternally,
Thy name is France
Or Verity.
Fair angel in thy glass
When vile things move or pass,
Clouds in the skies amass;
Terrible, alas!
Thy stern commands are then:
"Form your battalions, men,
The flag display!"
And all obey.
Angel of might
Sent kings to smite,
The words in dark skies glance,
"Mené, Mené," hiss
Bolts that never miss!
Thy name is France,
Or Nemesis.
As halcyons in May,
O nations, in his ray
Float and bask for aye,
Nor know decay!
One arm upraised to heaven
Seals the past forgiven;
One holds a sword
To quell hell's horde,
Angel of God!
Thy wings stretch broad
As heaven's expanse!
To shield and free
Humanity!
Thy name is France,
Or Liberty!
{Footnote 1: Written to music by Beethoven.}
|
Written by
Victor Hugo |
("Dans ta haute demeure.")
{Bk. III. ix., 1881.}
In thine abode so high
Where yet one scarce can breathe,
Dear child, most tenderly
A soft song thou dost wreathe.
Thou singest, little girl—
Thy sire, the King is he:
Around thee glories whirl,
But all things sigh in thee.
Thy thought may seek not wings
Of speech; dear love's forbidden;
Thy smiles, those heavenly things,
Being faintly born, are chidden.
Thou feel'st, poor little Bride,
A hand unknown and chill
Clasp thine from out the wide
Deep shade so deathly still.
Thy sad heart, wingless, weak,
Is sunk in this black shade
So deep, thy small hands seek,
Vainly, the pulse God made.
Thou art yet but highness, thou
That shaft be majesty:
Though still on thy fair brow
Some faint dawn-flush may be,
Child, unto armies dear,
Even now we mark heaven's light
Dimmed with the fume and fear
And glory of battle-might.
Thy godfather is he,
Earth's Pope,—he hails thee, child!
Passing, armed men you see
Like unarmed women, mild.
As saint all worship thee;
Thyself even hast the strong
Thrill of divinity
Mingled with thy small song.
Each grand old warrior
Guards thee, submissive, proud;
Mute thunders at thy door
Sleep, that shall wake most loud.
Around thee foams the wild
Bright sea, the lot of kings.
Happier wert thou, my child,
I' the woods a bird that sings!
NELSON R. TYERMAN.
{Footnote 1: Marie, daughter of King Louis Philippe, afterwards Princess
of Würtemburg.}
|