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Best Famous Following Poems

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Written by Samuel Taylor Coleridge | Create an image from this poem

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind.
The owlet's cry Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness.
Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
But O! how oft, How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger! and as oft With unclosed lids, already had I dreamt Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang >From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the interspersed vacancies And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shall learn far other lore, And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself.
Great universal Teacher! he shall mould Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.


Written by Kahlil Gibran | Create an image from this poem

Laughter and Tears IX

 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass.
I took heed and saw a young couple approaching my arbor.
The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin.
"Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret.
Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?" In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor.
As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience.
Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation.
I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude.
Good-bye, my beloved; I must leave before the heartening moon vanishes.
" A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved.
" They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase.
Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
Written by Matsuo Basho | Create an image from this poem

The old pond

 Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:

Furuike ya 
kawazu tobikomu 
mizu no oto

 -- Basho



Literal Translation

Fu-ru (old) i-ke (pond) ya, 
ka-wa-zu (frog) to-bi-ko-mu (jumping into) 
mi-zu (water) no o-to (sound)






 The old pond--
a frog jumps in,
 sound of water.
Translated by Robert Hass Old pond.
.
.
a frog jumps in water's sound.
Translated by William J.
Higginson An old silent pond.
.
.
A frog jumps into the pond, splash! Silence again.
Translated by Harry Behn There is the old pond! Lo, into it jumps a frog: hark, water's music! Translated by John Bryan The silent old pond a mirror of ancient calm, a frog-leaps-in splash.
Translated by Dion O'Donnol old pond frog leaping splash Translated by Cid Corman Antic pond-- frantic frog jumps in-- gigantic sound.
Translated by Bernard Lionel Einbond MAFIA HIT MAN POET: NOTE FOUND PINNED TO LAPEL OF DROWNED VICTIM'S DOUBLE-BREASTED SUIT!!! 'Dere wasa dis frogg Gone jumpa offa da logg Now he inna bogg.
' -- Anonymous Translated by George M.
Young, Jr.
Old pond leap -- splash a frog.
Translated by Lucien Stryck The old pond, A frog jumps in:.
Plop! Translated by Allan Watts The old pond, yes, and A frog is jumping into The water, and splash.
Translated by G.
S.
Fraser
Written by John Trumbull | Create an image from this poem

To A Young Lady

 In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind That weeps the woes of human kind, That heart by friendship's charms inspired, That soul with sprightly fancy fired, The air of life, the vivid eye, The flowing wit, the keen reply-- To paint these beauties as they shine, Might ask a nobler pen than mine.
Yet what sure strokes can draw the Fair, Who vary, like the fleeting air, Like willows bending to the force, Where'er the gales direct their course, Opposed to no misfortune's power, And changing with the changing hour.
Now gaily sporting on the plain, They charm the grove with pleasing strain; Anon disturb'd, they know not why, The sad tear trembles in their eye: Led through vain life's uncertain dance, The dupes of whim, the slaves of chance.
From me, not famed for much goodnature, Expect not compliment, but satire; To draw your picture quite unable, Instead of fact accept a Fable.
One morn, in Æsop's noisy time, When all things talk'd, and talk'd in rhyme, A cloud exhaled by vernal beams Rose curling o'er the glassy streams.
The dawn her orient blushes spread, And tinged its lucid skirts with red, Wide waved its folds with glitt'ring dies, And gaily streak'd the eastern skies; Beneath, illumed with rising day, The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air, Survey'd its glittering glories there, And fancied, dress'd in gorgeous show, Itself the brightest thing below: For clouds could raise the vaunting strain, And not the fair alone were vain.
Yet well it knew, howe'er array'd, That beauty, e'en in clouds, might fade, That nothing sure its charms could boast Above the loveliest earthly toast; And so, like them, in early dawn Resolved its picture should be drawn, That when old age with length'ning day Should brush the vivid rose away, The world should from the portrait own Beyond all clouds how bright it shone.
Hard by, a painter raised his stage, Far famed, the Copley[1] of his age.
So just a form his colours drew, Each eye the perfect semblance knew; Yet still on every blooming face He pour'd the pencil's flowing grace; Each critic praised the artist rare, Who drew so like, and yet so fair.
To him, high floating in the sky Th' elated Cloud advanced t' apply.
The painter soon his colours brought, The Cloud then sat, the artist wrought; Survey'd her form, with flatt'ring strictures, Just as when ladies sit for pictures, Declared "whatever art can do, My utmost skill shall try for you: But sure those strong and golden dies Dipp'd in the radiance of the skies, Those folds of gay celestial dress, No mortal colours can express.
Not spread triumphal o'er the plain, The rainbow boasts so fair a train, Nor e'en the morning sun so bright, Who robes his face in heav'nly light.
To view that form of angel make, Again Ixion would mistake,[2] And justly deem so fair a prize, The sovereign Mistress of the skies," He said, and drew a mazy line, With crimson touch his pencils shine, The mingling colours sweetly fade, And justly temper light and shade.
He look'd; the swelling Cloud on high With wider circuit spread the sky, Stretch'd to the sun an ampler train, And pour'd new glories on the main.
As quick, effacing every ground, His pencil swept the canvas round, And o'er its field, with magic art, Call'd forth new forms in every part.
But now the sun, with rising ray, Advanced with speed his early way; Each colour takes a differing die, The orange glows, the purples fly.
The artist views the alter'd sight, And varies with the varying light; In vain! a sudden gust arose, New folds ascend, new shades disclose, And sailing on with swifter pace, The Cloud displays another face.
In vain the painter, vex'd at heart, Tried all the wonders of his art; In vain he begg'd, her form to grace, One moment she would keep her place: For, "changing thus with every gale, Now gay with light, with gloom now pale, Now high in air with gorgeous train, Now settling on the darken'd main, With looks more various than the moon; A French coquette were drawn as soon.
" He spoke; again the air was mild, The Cloud with opening radiance smiled; With canvas new his art he tries, Anew he joins the glitt'ring dies; Th' admiring Cloud with pride beheld Her image deck the pictured field, And colours half-complete adorn The splendor of the painted morn.
When lo, the stormy winds arise, Deep gloom invests the changing skies; The sounding tempest shakes the plain, And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade, Its folds condense in thicker shade, And borne by rushing blasts, its form With lowering vapour joins the storm.
Written by Frank Bidart | Create an image from this poem

California Plush

 The only thing I miss about Los Angeles

is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing

--pimps, surplus stores, footprints of the stars

--descending through the city
 fast as the law would allow

through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep

 and you on top; the air
 now clean, for a moment weightless

 without memories, or
 need for a past.
The need for the past is so much at the center of my life I write this poem to record my discovery of it, my reconciliation.
It was in Bishop, the room was done in California plush: we had gone into the coffee shop, were told you could only get a steak in the bar: I hesitated, not wanting to be an occasion of temptation for my father but he wanted to, so we entered a dark room, with amber water glasses, walnut tables, captain's chairs, plastic doilies, papier-mâché bas-relief wall ballerinas, German memorial plates "bought on a trip to Europe," Puritan crosshatch green-yellow wallpaper, frilly shades, cowhide booths-- I thought of Cambridge: the lovely congruent elegance of Revolutionary architecture, even of ersatz thirties Georgian seemed alien, a threat, sign of all I was not-- to bode order and lucidity as an ideal, if not reality-- not this California plush, which also I was not.
And so I made myself an Easterner, finding it, after all, more like me than I had let myself hope.
And now, staring into the embittered face of my father, again, for two weeks, as twice a year, I was back.
The waitress asked us if we wanted a drink.
Grimly, I waited until he said no.
.
.
Before the tribunal of the world I submit the following document: Nancy showed it to us, in her apartment at the model, as she waited month by month for the property settlement, her children grown and working for their father, at fifty-three now alone, a drink in her hand: as my father said, "They keep a drink in her hand": Name Wallace du Bois Box No 128 Chino, Calif.
Date July 25 ,19 54 Mr Howard Arturian I am writing a letter to you this afternoon while I'm in the mood of writing.
How is everything getting along with you these fine days, as for me everything is just fine and I feel great except for the heat I think its lot warmer then it is up there but I don't mind it so much.
I work at the dairy half day and I go to trade school the other half day Body & Fender, now I am learning how to spray paint cars I've already painted one and now I got another car to paint.
So now I think I've learned all I want after I have learned all this.
I know how to straighten metals and all that.
I forgot to say "Hello" to you.
The reason why I am writing to you is about a job, my Parole Officer told me that he got letter from and that you want me to go to work for you.
So I wanted to know if its truth.
When I go to the Board in Feb.
I'll tell them what I want to do and where I would like to go, so if you want me to work for you I'd rather have you sent me to your brother John in Tonapah and place to stay for my family.
The Old Lady says the same thing in her last letter that she would be some place else then in Bishop, thats the way I feel too.
and another thing is my drinking problem.
I made up my mind to quit my drinking, after all what it did to me and what happen.
This is one thing I'll never forget as longs as I live I never want to go through all this mess again.
This sure did teach me lot of things that I never knew before.
So Howard you can let me know soon as possible.
I sure would appreciate it.
P.
S From Your Friend I hope you can read my Wally Du Bois writing.
I am a little nervous yet --He and his wife had given a party, and one of the guests was walking away just as Wallace started backing up his car.
He hit him, so put the body in the back seat and drove to a deserted road.
There he put it before the tires, and ran back and forth over it several times.
When he got out of Chino, he did, indeed, never do that again: but one child was dead, his only son, found with the rest of the family immobile in their beds with typhoid, next to the mother, the child having been dead two days: he continued to drink, and as if it were the Old West shot up the town a couple of Saturday nights.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" It seems to me an emblem of Bishop-- For watching the room, as the waitresses in their back-combed, Parisian, peroxided, bouffant hairdos, and plastic belts, moved back and forth I thought of Wallace, and the room suddenly seemed to me not uninteresting at all: they were the same.
Every plate and chair had its congruence with all the choices creating these people, created by them--by me, for this is my father's chosen country, my origin.
Before, I had merely been anxious, bored; now, I began to ask a thousand questions.
.
.
He was, of course, mistrustful, knowing I was bored, knowing he had dragged me up here from Bakersfield after five years of almost managing to forget Bishop existed.
But he soon became loquacious, ordered a drink, and settled down for an afternoon of talk.
.
.
He liked Bishop: somehow, it was to his taste, this hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond.
" And he was: when they came to shoot a film, he entertained them; Miss A--, who wore nothing at all under her mink coat; Mr.
M--, good horseman, good shot.
"But when your mother let me down" (for alcoholism and infidelity, she divorced him) "and Los Angeles wouldn't give us water any more, I had to leave.
We were the first people to grow potatoes in this valley.
" When he began to tell me that he lost control of the business because of the settlement he gave my mother, because I had heard it many times, in revenge, I asked why people up here drank so much.
He hesitated.
"Bored, I guess.
--Not much to do.
" And why had Nancy's husband left her? In bitterness, all he said was: "People up here drink too damn much.
" And that was how experience had informed his life.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" Yet, as my mother said, returning, as always, to the past, "I wouldn't change any of it.
It taught me so much.
Gladys is such an innocent creature: you look into her face and somehow it's empty, all she worries about are sales and the baby.
her husband's too good!" It's quite pointless to call this rationalization: my mother, for uncertain reasons, has had her bout with insanity, but she's right: the past in maiming us, makes us, fruition is also destruction: I think of Proust, dying in a cork-linked room, because he refuses to eat because he thinks that he cannot write if he eats because he wills to write, to finish his novel --his novel which recaptures the past, and with a kind of joy, because in the debris of the past, he has found the sources of the necessities which have led him to this room, writing --in this strange harmony, does he will for it to have been different? And I can't not think of the remorse of Oedipus, who tries to escape, to expiate the past by blinding himself, and then, when he is dying, sees that he has become a Daimon --does he, discovering, at last, this cruel coherence created by "the order of the universe" --does he will anything reversed? I look at my father: as he drinks his way into garrulous, shaky defensiveness, the debris of the past is just debris--; whatever I reason, it is a desolation to watch.
.
.
must I watch? He will not change; he does not want to change; every defeated gesture implies the past is useless, irretrievable.
.
.
--I want to change: I want to stop fear's subtle guidance of my life--; but, how can I do that if I am still afraid of its source?


Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters.
II All things that love the sun are out of doors; The sky rejoices in the morning's birth; The grass is bright with rain-drops;--on the moors The hare is running races in her mirth; And with her feet she from the plashy earth Raises a mist, that, glittering in the sun, Runs with her all the way, wherever she doth run.
III I was a Traveller then upon the moor, I saw the hare that raced about with joy; I heard the woods and distant waters roar; Or heard them not, as happy as a boy: The pleasant season did my heart employ: My old remembrances went from me wholly; And all the ways of men, so vain and melancholy.
IV But, as it sometimes chanceth, from the might Of joy in minds that can no further go, As high as we have mounted in delight In our dejection do we sink as low; To me that morning did it happen so; And fears and fancies thick upon me came; Dim sadness--and blind thoughts, I knew not, nor could name.
V I heard the sky-lark warbling in the sky; And I bethought me of the playful hare: Even such a happy Child of earth am I; Even as these blissful creatures do I fare; Far from the world I walk, and from all care; But there may come another day to me-- Solitude, pain of heart, distress, and poverty.
VI My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all? VII I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
VIII Now, whether it were by peculiar grace, A leading from above, a something given, Yet it befell, that, in this lonely place, When I with these untoward thoughts had striven, Beside a pool bare to the eye of heaven I saw a Man before me unawares: The oldest man he seemed that ever wore grey hairs.
IX As a huge stone is sometimes seen to lie Couched on the bald top of an eminence; Wonder to all who do the same espy, By what means it could thither come, and whence; So that it seems a thing endued with sense: Like a sea-beast crawled forth, that on a shelf Of rock or sand reposeth, there to sun itself; X Such seemed this Man, not all alive nor dead, Nor all asleep--in his extreme old age: His body was bent double, feet and head Coming together in life's pilgrimage; As if some dire constraint of pain, or rage Of sickness felt by him in times long past, A more than human weight upon his frame had cast.
XI Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call And moveth all together, if it move at all.
XII At length, himself unsettling, he the pond Stirred with his staff, and fixedly did look Upon the muddy water, which he conned, As if he had been reading in a book: And now a stranger's privilege I took; And, drawing to his side, to him did say, "This morning gives us promise of a glorious day.
" XIII A gentle answer did the old Man make, In courteous speech which forth he slowly drew: And him with further words I thus bespake, "What occupation do you there pursue? This is a lonesome place for one like you.
" Ere he replied, a flash of mild surprise Broke from the sable orbs of his yet-vivid eyes, XIV His words came feebly, from a feeble chest, But each in solemn order followed each, With something of a lofty utterance drest-- Choice word and measured phrase, above the reach Of ordinary men; a stately speech; Such as grave Livers do in Scotland use, Religious men, who give to God and man their dues.
XV He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! And he had many hardships to endure: From pond to pond he roamed, from moor to moor; Housing, with God's good help, by choice or chance, And in this way he gained an honest maintenance.
XVI The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide; And the whole body of the Man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength, by apt admonishment.
XVII My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead.
--Perplexed, and longing to be comforted, My question eagerly did I renew, "How is it that you live, and what is it you do?" XVIII He with a smile did then his words repeat; And said, that, gathering leeches, far and wide He travelled; stirring thus about his feet The waters of the pools where they abide.
"Once I could meet with them on every side; But they have dwindled long by slow decay; Yet still I persevere, and find them where I may.
" XIX While he was talking thus, the lonely place, The old Man's shape, and speech--all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed.
XX And soon with this he other matter blended, Cheerfully uttered, with demeanour kind, But stately in the main; and when he ended, I could have laughed myself to scorn to find In that decrepit Man so firm a mind.
"God," said I, "be my help and stay secure; I'll think of the Leech-gatherer on the lonely moor!"
Written by William Stafford | Create an image from this poem

A Ritual To Read To Each Other

 If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.
For there is many a small betrayal in the mind, a shrug that lets the fragile sequence break sending with shouts the horrible errors of childhood storming out to play through the broken dyke.
And as elephants parade holding each elephant's tail, but if one wanders the circus won't find the park, I call it cruel and maybe the root of all cruelty to know what occurs but not recognize the fact.
And so I appeal to a voice, to something shadowy, a remote important region in all who talk: though we could fool each other, we should consider-- lest the parade of our mutual life get lost in the dark.
For it is important that awake people be awake, or a breaking line may discourage them back to sleep; the signals we give--yes or no, or maybe-- should be clear: the darkness around us is deep.
Written by Charlotte Bronte | Create an image from this poem

The Missionary

 Lough, vessel, plough the British main,
Seek the free ocean's wider plain; 
Leave English scenes and English skies,
Unbind, dissever English ties; 
Bear me to climes remote and strange, 
Where altered life, fast-following change,
Hot action, never-ceasing toil, 
Shall stir, turn, dig, the spirit's soil; 
Fresh roots shall plant, fresh seed shall sow, 
Till a new garden there shall grow, 
Cleared of the weeds that fill it now,­ 
Mere human love, mere selfish yearning, 
Which, cherished, would arrest me yet.
I grasp the plough, there's no returning, Let me, then, struggle to forget.
But England's shores are yet in view, And England's skies of tender blue Are arched above her guardian sea.
I cannot yet Remembrance flee; I must again, then, firmly face That task of anguish, to retrace.
Wedded to home­I home forsake, Fearful of change­I changes make; Too fond of ease­I plunge in toil; Lover of calm­I seek turmoil: Nature and hostile Destiny Stir in my heart a conflict wild; And long and fierce the war will be Ere duty both has reconciled.
What other tie yet holds me fast To the divorced, abandoned past? Smouldering, on my heart's altar lies The fire of some great sacrifice, Not yet half quenched.
The sacred steel But lately struck my carnal will, My life-long hope, first joy and last, What I loved well, and clung to fast; What I wished wildly to retain, What I renounced with soul-felt pain; What­when I saw it, axe-struck, perish­ Left me no joy on earth to cherish; A man bereft­yet sternly now I do confirm that Jephtha vow: Shall I retract, or fear, or flee ? Did Christ, when rose the fatal tree Before him, on Mount Calvary ? 'Twas a long fight, hard fought, but won, And what I did was justly done.
Yet, Helen ! from thy love I turned, When my heart most for thy heart burned; I dared thy tears, I dared thy scorn­ Easier the death-pang had been borne.
Helen ! thou mightst not go with me, I could not­dared not stay for thee ! I heard, afar, in bonds complain The savage from beyond the main; And that wild sound rose o'er the cry Wrung out by passion's agony; And even when, with the bitterest tear I ever shed, mine eyes were dim, Still, with the spirit's vision clear, I saw Hell's empire, vast and grim, Spread on each Indian river's shore, Each realm of Asia covering o'er.
There the weak, trampled by the strong, Live but to suffer­hopeless die; There pagan-priests, whose creed is Wrong, Extortion, Lust, and Cruelty, Crush our lost race­and brimming fill The bitter cup of human ill; And I­who have the healing creed, The faith benign of Mary's Son; Shall I behold my brother's need And selfishly to aid him shun ? I­who upon my mother's knees, In childhood, read Christ's written word, Received his legacy of peace, His holy rule of action heard; I­in whose heart the sacred sense Of Jesus' love was early felt; Of his pure full benevolence, His pitying tenderness for guilt; His shepherd-care for wandering sheep, For all weak, sorrowing, trembling things, His mercy vast, his passion deep Of anguish for man's sufferings; I­schooled from childhood in such lore­ Dared I draw back or hesitate, When called to heal the sickness sore Of those far off and desolate ? Dark, in the realm and shades of Death, Nations and tribes and empires lie, But even to them the light of Faith Is breaking on their sombre sky: And be it mine to bid them raise Their drooped heads to the kindling scene, And know and hail the sunrise blaze Which heralds Christ the Nazarene.
I know how Hell the veil will spread Over their brows and filmy eyes, And earthward crush the lifted head That would look up and seek the skies; I know what war the fiend will wage Against that soldier of the cross, Who comes to dare his demon-rage, And work his kingdom shame and loss.
Yes, hard and terrible the toil Of him who steps on foreign soil, Resolved to plant the gospel vine, Where tyrants rule and slaves repine; Eager to lift Religion's light Where thickest shades of mental night Screen the false god and fiendish rite; Reckless that missionary blood, Shed in wild wilderness and wood, Has left, upon the unblest air, The man's deep moan­the martyr's prayer.
I know my lot­I only ask Power to fulfil the glorious task; Willing the spirit, may the flesh Strength for the day receive afresh.
May burning sun or deadly wind Prevail not o'er an earnest mind; May torments strange or direst death Nor trample truth, nor baffle faith.
Though such blood-drops should fall from me As fell in old Gethsemane, Welcome the anguish, so it gave More strength to work­more skill to save.
And, oh ! if brief must be my time, If hostile hand or fatal clime Cut short my course­still o'er my grave, Lord, may thy harvest whitening wave.
So I the culture may begin, Let others thrust the sickle in; If but the seed will faster grow, May my blood water what I sow ! What ! have I ever trembling stood, And feared to give to God that blood ? What ! has the coward love of life Made me shrink from the righteous strife ? Have human passions, human fears Severed me from those Pioneers, Whose task is to march first, and trace Paths for the progress of our race ? It has been so; but grant me, Lord, Now to stand steadfast by thy word ! Protected by salvation's helm, Shielded by faith­with truth begirt, To smile when trials seek to whelm And stand 'mid testing fires unhurt ! Hurling hell's strongest bulwarks down, Even when the last pang thrills my breast, When Death bestows the Martyr's crown, And calls me into Jesus' rest.
Then for my ultimate reward­ Then for the world-rejoicing word­ The voice from Father­Spirit­Son: " Servant of God, well hast thou done !"
Written by Allen Ginsberg | Create an image from this poem

A Supermarket in California

What thoughts I have of you tonight, Walt Whit- 
man, for I walked down the sidestreets under the trees 
with a headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcia Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors close in an hour.
Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.
) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
Written by Mary Darby Robinson | Create an image from this poem

The Alien Boy

 'Twas on a Mountain, near the Western Main
An ALIEN dwelt.
A solitary Hut Built on a jutting crag, o'erhung with weeds, Mark'd the poor Exile's home.
Full ten long years The melancholy wretch had liv'd unseen By all, save HENRY, a lov'd, little Son The partner of his sorrows.
On the day When Persecution, in the sainted guise Of Liberty, spread wide its venom'd pow'r, The brave, Saint HUBERT, fled his Lordly home, And, with his baby Son, the mountain sought.
Resolv'd to cherish in his bleeding breast The secret of his birth, Ah! birth too high For his now humbled state, from infancy He taught him, labour's task: He bade him chear The dreary day of cold adversity By patience and by toil.
The Summer morn Shone on the pillow of his rushy bed; The noontide, sultry hour, he fearless past On the shagg'd eminence; while the young Kid Skipp'd, to the cadence of his minstrelsy.
At night young HENRY trimm'd the ****** fire While oft, Saint HUBERT, wove the ample net To snare the finny victim.
Oft they sang And talk'd, while sullenly the waves would sound Dashing the sandy shore.
Saint HUBERT'S eyes Would swim in tears of fondness, mix'd with joy, When he observ'd the op'ning harvest rich Of promis'd intellect, which HENRY'S soul, Whate'er the subject of their talk, display'd.
Oft, the bold Youth, in question intricate, Would seek to know the story of his birth; Oft ask, who bore him: and with curious skill Enquire, why he, and only one beside, Peopled the desart mountain ? Still his Sire Was slow of answer, and, in words obscure, Varied the conversation.
Still the mind Of HENRY ponder'd; for, in their lone hut, A daily journal would Saint HUBERT make Of his long banishment: and sometimes speak Of Friends forsaken, Kindred, massacred;-- Proud mansions, rich domains, and joyous scenes For ever faded,--lost! One winter time, 'Twas on the Eve of Christmas, the shrill blast Swept o'er the stormy main.
The boiling foam Rose to an altitude so fierce and strong That their low hovel totter'd.
Oft they stole To the rock's margin, and with fearful eyes Mark'd the vex'd deep, as the slow rising moon Gleam'd on the world of waters.
'Twas a scene Would make a Stoic shudder! For, amid The wavy mountains, they beheld, alone , A LITTLE BOAT, now scarcely visible; And now not seen at all; or, like a buoy, Bounding, and buffetting, to reach the shore! Now the full Moon, in crimson lustre shone Upon the outstretch'd Ocean.
The black clouds Flew stiffly on, the wild blast following, And, as they flew, dimming the angry main With shadows horrible ! Still, the small boat Struggled amid the waves, a sombre speck Upon the wide domain of howling Death! Saint HUBERT sigh'd ! while HENRY'S speaking eye Alternately the stormy scene survey'd And his low hovel's safety.
So past on The hour of midnight,--and, since first they knew The solitary scene, no midnight hour E'er seem'd so long and weary.
While they stood, Their hands fast link'd together, and their eyes Fix'd on the troublous Ocean, suddenly The breakers, bounding on the rocky shore, Left the small wreck; and crawling on the side Of the rude crag,--a HUMAN FORM was seen! And now he climb'd the foam-wash'd precipice, And now the slip'ry weeds gave way, while he Descended to the sands: The moon rose high-- The wild blast paus'd, and the poor shipwreck'd Man Look'd round aghast, when on the frowning steep He marked the lonely exiles.
Now he call'd But he was feeble, and his voice was lost Amid the din of mingling sounds that rose From the wild scene of clamour.
Down the steep Saint HUBRET hurried, boldly venturous, Catching the slimy weeds, from point to point, And unappall'd by peril.
At the foot Of the rude rock, the fainting mariner Seiz'd on his outstretch'd arm; impatient, wild, With transport exquisite ! But ere they heard The blest exchange of sounds articulate, A furious billow, rolling on the steep, Engulph'd them in Oblivion! On the rock Young HENRY stood; with palpitating heart, And fear-struck, e'en to madness ! Now he call'd, Louder and louder, as the shrill blast blew; But, mid the elemental strife of sounds, No human voice gave answer ! The clear moon No longer quiver'd on the curling main, But, mist-encircled, shed a blunted light, Enough to shew all things that mov'd around, Dreadful, but indistinctly ! The black weeds Wav'd, as the night-blast swept them; and along The rocky shore the breakers, sounding low Seem'd like the whisp'ring of a million souls Beneath the green-deep mourning.
Four long hours The lorn Boy listen'd ! four long tedious hours Pass'd wearily away, when, in the East The grey beam coldly glimmer'd.
All alone Young HENRY stood aghast : his Eye wide fix'd; While his dark locks, uplifted by the storm Uncover'd met its fury.
On his cheek Despair sate terrible ! For, mid the woes, Of poverty and toil, he had not known, Till then, the horror-giving chearless hour Of TOTAL SOLITUDE! He spoke--he groan'd, But no responsive voice, no kindred tone Broke the dread pause: For now the storm had ceas'd, And the bright Sun-beams glitter'd on the breast Of the green placid Ocean.
To his Hut The lorn Boy hasten'd; there the rushy couch, The pillow still indented, met his gaze And fix'd his eye in madness.
--From that hour A maniac wild, the Alien Boy has been; His garb with sea-weeds fring'd, and his wan cheek The tablet of his mind, disorder'd, chang'd, Fading, and worn with care.
And if, by chance, A Sea-beat wand'rer from the outstretch'd main Views the lone Exile, and with gen'rous zeal Hastes to the sandy beach, he suddenly Darts 'mid the cavern'd cliffs, and leaves pursuit To track him, where no footsteps but his own, Have e'er been known to venture ! YET HE LIVES A melancholy proof that Man may bear All the rude storms of Fate, and still suspire By the wide world forgotten!

Book: Shattered Sighs