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Best Famous Folios Poems

Here is a collection of the all-time best famous Folios poems. This is a select list of the best famous Folios poetry. Reading, writing, and enjoying famous Folios poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of folios poems.

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Nuremberg

IN the valley of the Pegnitz, where across broad meadowlands 
Rise the blue Franconian mountains, Nuremberg, the ancient, stands. 

Quaint old town of toil and traffic, quaint old town of art and song, 
Memories haunt thy pointed gables, like the rooks that round them throng: 

Memories of the Middle Ages, when the emperors, rough and bold, 5 
Had their dwelling in thy castle, time-defying, centuries old; 

And thy brave and thrifty burghers boasted, in their uncouth rhyme, 
That their great imperial city stretched its hand through every clime. 

In the court-yard of the castle, bound with many an iron band, 
Stands the mighty linden planted by Queen Cunigunde's hand; 10 

On the square the oriel window, where in old heroic days 
Sat the poet Melchior singing Kaiser Maximilian's praise. 

Everywhere I see around me rise the wondrous world of Art: 
Fountains wrought with richest sculpture standing in the common mart; 

And above cathedral doorways saints and bishops carved in stone, 15 
By a former age commissioned as apostles to our own. 

In the church of sainted Sebald sleeps enshrined his holy dust, 
And in bronze the Twelve Apostles guard from age to age their trust; 

In the church of sainted Lawrence stands a pix of sculpture rare, 
Like the foamy sheaf of fountains, rising through the painted air. 20 

Here, when Art was still religion, with a simple, reverent heart, 
Lived and labored Albrecht D¨¹rer, the Evangelist of Art; 

Hence in silence and in sorrow, toiling still with busy hand, 
Like an emigrant he wandered, seeking for the Better Land. 

Emigravit is the inscription on the tombstone where he lies; 25 
Dead he is not, but departed,¡ªfor the artist never dies. 

Fairer seems the ancient city, and the sunshine seems more fair, 
That he once has trod its pavement, that he once has breathed its air! 

Through these streets so broad and stately, these obscure and dismal lanes, 
Walked of yore the Mastersingers, chanting rude poetic strains. 30 

From remote and sunless suburbs came they to the friendly guild, 
Building nests in Fame's great temple, as in spouts the swallows build. 

As the weaver plied the shuttle, wove he too the mystic rhyme, 
And the smith his iron measures hammered to the anvil's chime; 

Thanking God, whose boundless wisdom makes the flowers of poesy bloom 35 
In the forge's dust and cinders, in the tissues of the loom. 

Here Hans Sachs, the cobbler-poet, laureate of the gentle craft, 
Wisest of the Twelve Wise Masters, in huge folios sang and laughed. 

But his house is now an ale-house, with a nicely sanded floor, 
And a garland in the window, and his face above the door; 40 

Painted by some humble artist, as in Adam Puschman's song, 
As the old man gray and dove-like, with his great beard white and long. 

And at night the swart mechanic comes to drown his cark and care, 
Quaffing ale from pewter tankards, in the master's antique chair. 

Vanished is the ancient splendor, and before my dreamy eye 45 
Wave these mingled shapes and figures, like a faded tapestry. 

Not thy Councils, not thy Kaisers, win for thee the world's regard; 
But thy painter, Albrecht D¨¹rer, and Hans Sachs, thy cobbler bard. 

Thus, O Nuremberg, a wanderer from a region far away, 
As he paced thy streets and court-yards, sang in thought his careless lay: 50 

Gathering from the pavement's crevice, as a floweret of the soil, 
The nobility of labor,¡ªthe long pedigree of toil.


Written by Eugene Field | Create an image from this poem

The stoddards

 When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--
The connoisseurs assure me it is worth its weight in gold;
And I, who've bought all kinds of clocks, 'twixt Denver and the Rhine,
Cast envious eyes upon that clock, and wish that it were mine.

But in the parlor. Oh, the gems on tables, walls, and floor--
Rare first editions, etchings, and old crockery galore.
Why, talk about the Indies and the wealth of Orient things--
They couldn't hold a candle to these quaint and sumptuous things;
In such profusion, too--Ah me! how dearly I recall
How I have sat and watched 'em and wished I had 'em all.

Now, Mr. Stoddard's study is on the second floor,
A wee blind dog barks at me as I enter through the door;
The Cerberus would fain begrudge what sights it cannot see,
The rapture of that visual feast it cannot share with me;
A miniature edition this--this most absurd of hounds--
A genuine unique, I'm sure, and one unknown to Lowndes.

Books--always books--are piled around; some musty, and all old;
Tall, solemn folios such as Lamb declared he loved to hold;
Large paper copies with their virgin margins white and wide,
And presentation volumes with the author's comps. inside;
I break the tenth commandment with a wild impassioned cry:
Oh, how came Stoddard by these things? Why Stoddard, and not I?

From yonder wall looks Thackeray upon his poet friend,
And underneath the genial face appear the lines he penned;
And here, gadzooks, ben honge ye prynte of marvaillous renowne
Yt shameth Chaucers gallaunt knyghtes in Canterbury towne;
And still more books and pictures. I'm dazed, bewildered, vexed;
Since I've broke the tenth commandment, why not break the eighth one next?

And, furthermore, in confidence inviolate be it said
Friend Stoddard owns a lock of hair that grew on Milton's head;
Now I have Gladstone axes and a lot of curious things,
Such as pimply Dresden teacups and old German wedding-rings;
But nothing like that saintly lock have I on wall or shelf,
And, being somewhat short of hair, I should like that lock myself.

But Stoddard has a soothing way, as though he grieved to see
Invidious torments prey upon a nice young chap like me.
He waves me to an easy chair and hands me out a weed
And pumps me full of that advice he seems to know I need;
So sweet the tap of his philosophy and knowledge flows
That I can't help wishing that I knew a half what Stoddard knows.

And so we sit for hours and hours, praising without restraint
The people who are thoroughbreds, and roasting the ones that ain't;
Happy, thrice happy, is the man we happen to admire,
But wretched, oh, how wretched he that hath provoked our ire;
For I speak emphatic English when I once get fairly r'iled,
And Stoddard's wrath's an Ossa upon a Pelion piled.

Out yonder, in the alcove, a lady sits and darns,
And interjects remarks that always serve to spice our yarns;
She's Mrs. Stoddard; there's a dame that's truly to my heart:
A tiny little woman, but so quaint, and good, and smart
That, if you asked me to suggest which one I should prefer
Of all the Stoddard treasures, I should promptly mention her.

O dear old man, how I should like to be with you this night,
Down in your home in Fifteenth street, where all is snug and bright;
Where the shaggy little Cerberus dreams in its cushioned place,
And the books and pictures all around smile in their old friend's face;
Where the dainty little sweetheart, whom you still were proud to woo,
Charms back the tender memories so dear to her and you.

Book: Reflection on the Important Things