Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological...Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world....
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 ... Oaks: the organization of this tree is difficult. Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd. roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points. But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end. However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc.
But I shall study them further. It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry. What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe."
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Algernon Charles Swinburne |
By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.
By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.
And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.
And thy sons were dejected not any more, as then
When thou wast shamed;
When thy lovers went heavily without heart, as men
Whose life was maimed.
In the desolate distances, with a great desire,
For thy love's sake,
With our hearts going back to thee, they were filled with fire,
Were nigh to break.
It was said to us: "Verily ye are great of heart,
But ye shall bend;
Ye are bondmen and bondwomen, to be scourged and smart,
To toil and tend."
And with harrows men harrowed us, and subdued with spears,
And crushed with shame;
And the summer and winter was, and the length of years,
And no change came.
By the rivers of Italy, by the sacred streams,
By town, by tower,
There was feasting with revelling, there was sleep with dreams,
Until thine hour.
And they slept and they rioted on their rose-hung beds,
With mouths on flame,
And with love-locks vine-chapleted, and with rose-crowned heads
And robes of shame.
And they knew not their forefathers, nor the hills and streams
And words of power,
Nor the gods that were good to them, but with songs and dreams
Filled up their hour.
By the rivers of Italy, by the dry streams' beds,
When thy time came,
There was casting of crowns from them, from their young men's heads,
The crowns of shame.
By the horn of Eridanus, by the Tiber mouth,
As thy day rose,
They arose up and girded them to the north and south,
By seas, by snows.
As a water in January the frost confines,
Thy kings bound thee;
As a water in April is, in the new-blown vines,
Thy sons made free.
And thy lovers that looked for thee, and that mourned from far,
For thy sake dead,
We rejoiced in the light of thee, in the signal star
Above thine head.
In thy grief had we followed thee, in thy passion loved,
Loved in thy loss;
In thy shame we stood fast to thee, with thy pangs were moved,
Clung to thy cross.
By the hillside of Calvary we beheld thy blood,
Thy bloodred tears,
As a mother's in bitterness, an unebbing flood,
Years upon years.
And the north was Gethsemane, without leaf or bloom,
A garden sealed;
And the south was Aceldama, for a sanguine fume
Hid all the field.
By the stone of the sepulchre we returned to weep,
From far, from prison;
And the guards by it keeping it we beheld asleep,
But thou wast risen.
And an angel's similitude by the unsealed grave,
And by the stone:
And the voice was angelical, to whose words God gave
Strength like his own.
"Lo, the graveclothes of Italy that are folded up
In the grave's gloom!
And the guards as men wrought upon with a charmed cup,
By the open tomb.
"And her body most beautiful, and her shining head,
These are not here;
For your mother, for Italy, is not surely dead:
Have ye no fear.
"As of old time she spake to you, and you hardly heard,
Hardly took heed,
So now also she saith to you, yet another word,
Who is risen indeed.
"By my saying she saith to you, in your ears she saith,
Who hear these things,
Put no trust in men's royalties, nor in great men's breath,
Nor words of kings.
"For the life of them vanishes and is no more seen,
Nor no more known;
Nor shall any remember him if a crown hath been,
Or where a throne.
"Unto each man his handiwork, unto each his crown,
The just Fate gives;
Whoso takes the world's life on him and his own lays down,
He, dying so, lives.
"Whoso bears the whole heaviness of the wronged world's weight
And puts it by,
It is well with him suffering, though he face man's fate;
How should he die?
"Seeing death has no part in him any more, no power
Upon his head;
He has bought his eternity with a little hour,
And is not dead.
"For an hour, if ye look for him, he is no more found,
For one hour's space;
Then ye lift up your eyes to him and behold him crowned,
A deathless face.
"On the mountains of memory, by the world's wellsprings,
In all men's eyes,
Where the light of the life of him is on all past things,
Death only dies.
"Not the light that was quenched for us, nor the deeds that were,
Nor the ancient days,
Nor the sorrows not sorrowful, nor the face most fair
Of perfect praise."
So the angel of Italy's resurrection said,
So yet he saith;
So the son of her suffering, that from breasts nigh dead
Drew life, not death.
That the pavement of Golgotha should be white as snow,
Not red, but white;
That the waters of Babylon should no longer flow,
And men see light.
|
Written by
George William Russell |
HER mist of primroses within her breast
Twilight hath folded up, and o’er the west,
Seeking remoter valleys long hath gone,
Not yet hath come her sister of the dawn.
Silence and coolness now the earth enfold,
Jewels of glittering green, long mists of gold,
Hazes of nebulous silver veil the height,
And shake in tremors through the shadowy night.
Heard through the stillness, as in whispered words,
The wandering God-guided wings of birds
Ruffle the dark. The little lives that lie
Deep hid in grass join in a long-drawn sigh
More softly still; and unheard through the blue
The falling of innumerable dew,
Lifts with grey fingers all the leaves that lay
Burned in the heat of the consuming day.
The lawns and lakes lie in this night of love,
Admitted to the majesty above.
Earth with the starry company hath part;
The waters hold all heaven within their heart,
And glimmer o’er with wave-lips everywhere
Lifted to meet the angel lips of air.
The many homes of men shine near and far,
Peace-laden as the tender evening star,
The late home-coming folk anticipate
Their rest beyond the passing of the gate,
And tread with sleep-filled hearts and drowsy feet.
Oh, far away and wonderful and sweet
All this, all this. But far too many things
Obscuring, as a cloud of seraph wings
Blinding the seeker for the Lord behind,
I fall away in weariness of mind.
And think how far apart are I and you,
Beloved, from those spirit children who
Felt but one single Being long ago,
Whispering in gentleness and leaning low
Out of its majesty, as child to child.
I think upon it all with heart grown wild.
Hearing no voice, howe’er my spirit broods,
No whisper from the dense infinitudes,
This world of myriad things whose distance awes.
Ah me; how innocent our childhood was!
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