Written by
Ezra Pound |
No man hath dared to write this thing as yet,
And yet I know, how that the souls of all men great
At times pass athrough us,
And we are melted into them, and are not
Save reflexions of their souls.
Thus am I Dante for a space and am
One Francois Villon, ballad-lord and thief,
Or am such holy ones I may not write
Lest blasphemy be writ against my name;
This for an instant and the flame is gone.
'Tis as in midmost us there glows a sphere
Translucent, molten gold, that is the "I"
And into this some form projects itself:
Christus, or John, or eke the Florentine;
And as the clear space is not if a form's
Imposed thereon,
So cease we from all being for the time,
And these, the Masters of the Soul, live on.
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Written by
Oscar Wilde |
Oft have we trod the vales of Castaly
And heard sweet notes of sylvan music blown
From antique reeds to common folk unknown:
And often launched our bark upon that sea
Which the nine Muses hold in empery,
And ploughed free furrows through the wave and foam,
Nor spread reluctant sail for more safe home
Till we had freighted well our argosy.
Of which despoiled treasures these remain,
Sordello's passion, and the honeyed line
Of young Endymion, lordly Tamburlaine
Driving his pampered jades, and more than these,
The seven-fold vision of the Florentine,
And grave-browed Milton's solemn harmonies.
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Written by
John Berryman |
Henry Hankovitch, con guÃtar,
did a short Zen pray,
on his tatami in a relaxed lotos
fixin his mind on nuffin, rose-blue breasts,
and gave his parnel one French kiss;
enslaving himself he withdrew from his blue
Florentine leather case an Egyptian black
& flickt a zippo.
Henry & Phoebe happy as cockroaches
in the world-kitchen woofed, with all away.
The International flame, like despair, rose
or like the foolish Paks or Sudanese
Henry Hankovitch, con guÃtar,
did a praying mantis pray
who even more obviously than the increasingly fanatical Americans
cannot govern themselves. Swedes don't exist,
Scandanavians in general do not exist,
take it from there.
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Written by
Henry Wadsworth Longfellow |
THIS is the Arsenal. From floor to ceiling
Like a huge organ rise the burnished arms;
But from their silent pipes no anthem pealing
Startles the villages with strange alarms.
Ah! what a sound will rise how wild and dreary 5
When the death-angel touches those swift keys!
What loud lament and dismal Miserere
Will mingle with their awful symphonies!
I hear even now the infinite fierce chorus
The cries of agony the endless groan 10
Which through the ages that have gone before us
In long reverberations reach our own.
On helm and harness rings the Saxon hammer
Through Cimbric forest roars the Norseman's song
And loud amid the universal clamor 15
O'er distant deserts sounds the Tartar gong.
I hear the Florentine who from his palace
Wheels out his battle-bell with dreadful din
And Aztec priests upon their teocallis
Beat the wild war-drums made of serpent's skin; 20
The tumult of each sacked and burning village;
The shouts that every prayer for mercy drowns;
The soldiers' revels in the midst of pillage;
The wail of famine in beleaguered towns;
The bursting shell the gateway wrenched asunder 25
The rattling musketry the clashing blade;
And ever and anon in tones of thunder
The diapason of the cannonade.
Is it O man with such discordant noises
With such accursed instruments as these 30
Thou drownest Nature's sweet and kindly voices
And jarrest the celestial harmonies?
Were half the power that fills the world with terror
Were half the wealth bestowed on camps and courts
Given to redeem the human mind from error 35
There were no need of arsenals or forts:
The warrior's name would be a name abhorr¨¨d!
And every nation that should lift again
Its hand against a brother on its forehead
Would wear forevermore the curse of Cain! 40
Down the dark future through long generations
The echoing sounds grow fainter and then cease;
And like a bell with solemn sweet vibrations
I hear once more the voice of Christ say Peace!
Peace! and no longer from its brazen portals 45
The blast of War's great organ shakes the skies!
But beautiful as songs of the immortals
The holy melodies of love arise.
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Written by
Robert Browning |
I've a Friend, over the sea;
I like him, but he loves me.
It all grew out of the books I write;
They find such favour in his sight
That he slaughters you with savage looks
Because you don't admire my books.
He does himself though,---and if some vein
Were to snap to-night in this heavy brain,
To-morrow month, if I lived to try,
Round should I just turn quietly,
Or out of the bedclothes stretch my hand
Till I found him, come from his foreign land
To be my nurse in this poor place,
And make my broth and wash my face
And light my fire and, all the while,
Bear with his old good-humoured smile
That I told him ``Better have kept away
``Than come and kill me, night and day,
``With, worse than fever throbs and shoots,
``The creaking of his clumsy boots.''
I am as sure that this he would do
As that Saint Paul's is striking two.
And I think I rather ... woe is me!
---Yes, rather would see him than not see,
If lifting a hand could seat him there
Before me in the empty chair
To-night, when my head aches indeed,
And I can neither think nor read
Nor make these purple fingers hold
The pen; this garret's freezing cold!
And I've a Lady---there he wakes,
The laughing fiend and prince of snakes
Within me, at her name, to pray
Fate send some creature in the way
Of my love for her, to be down-torn,
Upthrust and outward-borne,
So I might prove myself that sea
Of passion which I needs must be!
Call my thoughts false and my fancies quaint
And my style infirm and its figures faint,
All the critics say, and more blame yet,
And not one angry word you get.
But, please you, wonder I would put
My cheek beneath that lady's foot
Rather than trample under mine
The laurels of the Florentine,
And you shall see how the devil spends
A fire God gave for other ends!
I tell you, I stride up and down
This garret, crowned with love's best crown,
And feasted with love's perfect feast,
To think I kill for her, at least,
Body and soul and peace and fame,
Alike youth's end and manhood's aim,
---So is my spirit, as flesh with sin,
Filled full, eaten out and in
With the face of her, the eyes of her,
The lips, the little chin, the stir
Of shadow round her month; and she
---I'll tell you,---calmly would decree
That I should roast at a slow fire,
If that would compass her desire
And make her one whom they invite
To the famous ball to-morrow night.
There may be heaven; there must be hell;
Meantime, there is our earth here---well!
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Written by
Emily Dickinson |
Her -- "last Poems" --
Poets -- ended --
Silver -- perished -- with her Tongue --
Not on Record -- bubbled other,
Flute -- or Woman --
So divine --
Not unto its Summer -- Morning
Robin -- uttered Half the Tune --
Gushed too free for the Adoring --
From the Anglo-Florentine --
Late -- the Praise --
'Tis dull -- conferring
On the Head too High to Crown --
Diadem -- or Ducal Showing --
Be its Grave -- sufficient sign --
Nought -- that We -- No Poet's Kinsman --
Suffocate -- with easy woe --
What, and if, Ourself a Bridegroom --
Put Her down -- in Italy?
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Written by
Anthony Hecht |
For William and Emily Maxwell
At this time of day
One could hear the caulking irons sound
Against the hulls in the dockyard.
Tar smoke rose between trees
And large oily patches floated on the water,
Undulating unevenly
In the purple sunlight
Like the surfaces of Florentine bronze.
At this time of day
Sounds carried clearly
Through hot silences of fading daylight.
The weedy fields lay drowned
In odors of creosote and salt.
Richer than double-colored taffeta,
Oil floated in the harbor,
Amoeboid, iridescent, limp.
It called to mind the slender limbs
Of Donatello's David.
It was lovely and she was in love.
They had taken a covered boat to one of the islands.
The city sounds were faint in the distance:
Rattling of carriages, tumult of voices,
Yelping of dogs on the decks of barges.
At this time of day
Sunlight empurpled the world.
The poplars darkened in ranks
Like imperial servants.
Water lapped and lisped
In its native and quiet tongue.
Oakum was in the air and the scent of grasses.
There would be fried smelts and cherries and cream.
Nothing designed by Italian artisans
Would match this evening's perfection.
The puddled oil was a miracle of colors.
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Written by
Robert William Service |
"I'll do the old dump in a day,"
He told me in his brittle way.
"Two more, I guess, I'll give to Rome
Before I hit the trail for home;
But while I'm there I kindo' hope
To have an audience with the Pope."
We stood upon the terraced height
With sunny Florence in our sight.
I gazed and gazed, too moved to speak
Until he queried: "What's that creek?"
"The Arno, sir," I said surprised;
He stared at it with empty eyes.
"It is," said I, "the storied stream
Where Dante used to pace and dream,
And wait for Beatrice to pass."
(Oh how I felt a silly ass
Explaining this.) With eyes remote
He asked: "Was Beatrice a boat?"
Then tranced by far Fiesole
Softly I sought to steal away;
But his adhesiveness was grim,
I could not pry apart from him:
And so in our hotel-ward walk
Meekly I listened to his talk.
"Bologna! Say, the lunch was swell;
Them wops know how to feed you well.
Verona! There I met a blonde"
Oh how that baby could respond!
Siena! That's the old burg where
We soused on Asti in the square.
"Antiquity! Why, that's the bunk -
Statues and all that mouldy junk
Will never get you anywhere . . .
My line is ladies' underware,
And better than a dozen Dantes
Is something cute in female scanties. . . .
"One day in Florence is too small
You think, maybe, to see it all.
Well, it don't matter what you've seen -
The thing is: you can say you've been."
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