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Best Famous Flop Poems

Here is a collection of the all-time best famous Flop poems. This is a select list of the best famous Flop poetry. Reading, writing, and enjoying famous Flop poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flop poems.

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Written by John Betjeman | Create an image from this poem

The Olympic Girl

 The sort of girl I like to see
Smiles down from her great height at me.
She stands in strong, athletic pose And wrinkles her retrouss? nose.
Is it distaste that makes her frown, So furious and freckled, down On an unhealthy worm like me? Or am I what she likes to see? I do not know, though much I care, xxxxxxxx.
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would I were (Forgive me, shade of Rupert Brooke) An object fit to claim her look.
Oh! would I were her racket press'd With hard excitement to her breast And swished into the sunlit air Arm-high above her tousled hair, And banged against the bounding ball "Oh! Plung!" my tauten'd strings would call, "Oh! Plung! my darling, break my strings For you I will do brilliant things.
" And when the match is over, I Would flop beside you, hear you sigh; And then with what supreme caress, You'd tuck me up into my press.
Fair tigress of the tennis courts, So short in sleeve and strong in shorts, Little, alas, to you I mean, For I am bald and old and green.


Written by Langston Hughes | Create an image from this poem

Advertisement For The Waldorf-Astoria

 Fine living .
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a la carte? Come to the Waldorf-Astoria! LISTEN HUNGRY ONES! Look! See what Vanity Fair says about the new Waldorf-Astoria: "All the luxuries of private home.
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" Now, won't that be charming when the last flop-house has turned you down this winter? Furthermore: "It is far beyond anything hitherto attempted in the hotel world.
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" It cost twenty-eight million dollars.
The fa- mous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef.
It will be a distinguished background for society.
So when you've no place else to go, homeless and hungry ones, choose the Waldorf as a background for your rags-- (Or do you still consider the subway after midnight good enough?) ROOMERS Take a room at the new Waldorf, you down-and-outers-- sleepers in charity's flop-houses where God pulls a long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria.
Look at the menu, will you: GUMBO CREOLE CRABMEAT IN CASSOLETTE BOILED BRISKET OF BEEF SMALL ONIONS IN CREAM WATERCRESS SALAD PEACH MELBA Have luncheon there this afternoon, all you jobless.
Why not? Dine with some of the men and women who got rich off of your labor, who clip coupons with clean white fingers because your hands dug coal, drilled stone, sewed gar- ments, poured steel to let other people draw dividends and live easy.
(Or haven't you had enough yet of the soup-lines and the bit- ter bread of charity?) Walk through Peacock Alley tonight before dinner, and get warm, anyway.
You've got nothing else to do.
Written by David Lehman | Create an image from this poem

December 25

 Christmas defeated Chanukah
once again last night
by a margin of three billion dollars
or so, but every time I hear
a Yiddish word like bupkes
in a movie (L.
A.
Confidential) or when Oleg Cassini in that new play Jackie calls a garment a shmatta, it's "good for the Jews," as our parents used to say.
Meanwhile some things have stayed the same; the drunken lout in the street is still somebody's father.
Hey, kid, how does it feel to have a pop that's a flop? And we had such good ideas for changing the mental universe, if only as a project in philosophy class, the one I still dream about failing when I have that dream everybody has, of being back in college and needing this one course to graduate, which I forgot to attend
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Growltigers Last Stand

 GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims, Rejoicing in his title of "The Terror of the Thames.
" His manners and appearance did not calculate to please; His coat was torn and seedy, he was baggy at the knees; One ear was somewhat missing, no need to tell you why, And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame, At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose, When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE! Woe to the weak canary, that fluttered from its cage; Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships, And woe to any Cat with whom Growltiger came to grips! But most to Cats of foreign race his hatred had been vowed; To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear-- Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play, The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide-- And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared, For to the Bell at Hampton he had gone to wet his beard; And his bosun, TUMBLEBRUTUS, he too had stol'n away- In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone, Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks-- As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone, And the Lady seemed enraptured by his manly baritone, Disposed to relaxation, and awaiting no surprise-- But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round, And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives-- For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde; With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks, They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered; I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned-- But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank; Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop, At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land; At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock, And a day of celebration was commanded in Bangkok.
Written by Dorothy Parker | Create an image from this poem

Coda

 There's little in taking or giving,
There's little in water or wine;
This living, this living, this living
Was never a project of mine.
Oh, hard is the struggle, and sparse is The gain of the one at the top, For art is a form of catharsis, And love is a permanent flop, And work is the province of cattle, And rest's for a clam in a shell, So I'm thinking of throwing the battle- Would you kindly direct me to hell?


Written by Judith Viorst | Create an image from this poem

Mother Doesn't Want a Dog

Mother doesn't want a dog.
Mother says they smell,
And never sit when you say sit,
Or even when you yell.
And when you come home late at night
And there is ice and snow,
You have to go back out because
The dumb dog has to go.

Mother doesn't want a dog.
Mother says they shed,
And always let the strangers in
And bark at friends instead,
And do disgraceful things on rugs,
And track mud on the floor,
And flop upon your bed at night
And snore their doggy snore.

Mother doesn't want a dog.
She's making a mistake.
Because, more than a dog, I think
She will not want this snake.
Written by Natasha Trethewey | Create an image from this poem

Flounder

 Here, she said, put this on your head.
She handed me a hat.
you 'bout as white as your dad, and you gone stay like that.
Aunt Sugar rolled her nylons down around each bony ankle, and I rolled down my white knee socks letting my thin legs dangle, circling them just above water and silver backs of minnows flitting here then there between the sun spots and the shadows.
This is how you hold the pole to cast the line out straight.
Now put that worm on your hook, throw it out and wait.
She sat spitting tobacco juice into a coffee cup.
Hunkered down when she felt the bite, jerked the pole straight up reeling and tugging hard at the fish that wriggled and tried to fight back.
A flounder, she said, and you can tell 'cause one of its sides is black.
The other is white, she said.
It landed with a thump.
I stood there watching that fish flip-flop, switch sides with every jump.
Written by Oliver Wendell Holmes | Create an image from this poem

My Aviary

 THROUGH my north window, in the wintry weather,--
My airy oriel on the river shore,--
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.
The gull, high floating, like a sloop unladen, Lets the loose water waft him as it will; The duck, round-breasted as a rustic maiden, Paddles and plunges, busy, busy still.
I see the solemn gulls in council sitting On some broad ice-floe pondering long and late, While overhead the home-bound ducks are flitting, And leave the tardy conclave in debate, Those weighty questions in their breasts revolving Whose deeper meaning science never learns, Till at some reverend elder's look dissolving, The speechless senate silently adjourns.
But when along the waves the shrill north-easter Shrieks through the laboring coaster's shrouds "Beware!" The pale bird, kindling like a Christmas feaster When some wild chorus shakes the vinous air, Flaps from the leaden wave in fierce rejoicing, Feels heaven's dumb lightning thrill his torpid nerves, Now on the blast his whistling plumage poising, Now wheeling, whirling in fantastic curves.
Such is our gull; a gentleman of leisure, Less fleshed than feathered; bagged you'll find him such; His virtue silence; his employment pleasure; Not bad to look at, and not good for much.
What of our duck? He has some high-bred cousins,-- His Grace the Canvas-back, My Lord the Brant,-- Anas and Anser,-- both served up by dozens, At Boston's Rocher, half-way to Nahant.
As for himself, he seems alert and thriving,-- Grubs up a living somehow-- what, who knows? Crabs? mussels? weeds? Look quick! there's one just diving! Flop! Splash! his white breast glistens-- down he goes! And while he's under-- just about a minute-- I take advantage of the fact to say His fishy carcase has no virtue in it The gunning idiot's wortless hire to pay.
He knows you! "sportsmen" from suburban alleys, Stretched under seaweed in the treacherous punt; Knows every lazy, shiftless lout that sallies Forth to waste powder-- as he says, to "hunt.
" I watch you with a patient satisfaction, Well pleased to discount your predestined luck; The float that figures in your sly transaction Will carry back a goose, but not a duck.
Shrewd is our bird; not easy to outwit him! Sharp is the outlook of those pin-head eyes; Still, he is mortal and a shot may hit him, One cannot always miss him if he tries.
Look! there's a young one, dreaming not of danger Sees a flat log come floating down the stream; Stares undismayed upon the harmless stranger; Ah! were all strangers harmless as they seem! Habet! a leaden shower his breast has shattered; Vainly he flutters, not again to rise; His soft white plumes along the waves are scattered; Helpless the wing that braved the tempest lies.
He sees his comrades high above him flying To seek their nests among the island reeds; Strong is their flight; all lonely he is lying Washed by the crimsoned water as he bleeds.
O Thou who carest for the falling sparrow, Canst Thou the sinless sufferer's pang forget? Or is thy dread account-book's page so narrow Its one long column scores thy creatures' debt? Poor gentle guest, by nature kindly cherished, A world grows dark with thee in blinding death; One little gasp-- thy universe has perished, Wrecked by the idle thief who stole thy breath! Is this the whole sad story of creation, Lived by its breathing myriads o'er and o'er,-- One glimpse of day, then black annhilation, A sunlit passage to a sunless shore? Give back our faith, ye mystery-solving lynxes! Robe us once more in heaven-aspiring creeds! Happier was dreaming Egypt with her sphinxes, The stony convent with its cross and beads! How often gazing where a bird reposes, Rocked on the wavelets, drifting with the tide, I lose myself in strange metempsychosis And float a sea-fowl at a sea-fowl's side; From rain, hail, snow in feathery mantle muffled, Clear-eyed, strong-limbed, with keenest sense to hear My mate soft murmuring, who, with plumes unruffled, Where'er I wander still is nestling near; The great blue hollow like a garment o'er me; Space all unmeasured, unrecorded time; While seen with inward eye moves on before me Thought's pictured train in wordless pantomime.
A voice recalls me.
-- From my window turning I find myself a plumeless biped still; No beak, no claws, no sign of wings discerning,-- In fact with nothing bird-like but my quill.
Written by Galway Kinnell | Create an image from this poem

The Cellist

 At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary.
" Her bow niggles at the string like a hand stroking skin it never wanted to touch.
Probably under her scorn she is sick that she can't do better by it.
As I am, at the dreary in me, such as the disparity between all the tenderness I've received and the amount I've given, and the way I used to shrug off the imbalance simply as how things are, as if the male were constituted like those coffeemakers that produce less black bitter than the quantity of sweet clear you poured in--forgetting about how much I spilled through unsteady walking, and that lot I threw on the ground in suspicion, and for fear I wasn't worthy, and all I poured out for reasons I don't understand yet.
"Break a leg!" somebody tells her.
Back in my seat, I can see she is nervous when she comes out; her hand shakes as she re-dog-ears the top corners of the big pages that look about to flop over on their own.
Now she raises the bow--its flat bundle of hair harvested from the rear ends of horses--like a whetted scimitar she is about to draw across a throat, and attacks.
In a back alley a cat opens her pink-ceilinged mouth, gets netted in full yowl, clubbed, bagged, bicycled off, haggled open, gutted, the gut squeezed down to its highest pitch, washed, sliced into cello strings, which bring an ancient screaming into this duet of hair and gut.
Now she is flying--tossing back the goblets of Saint-Amour standing empty, half-empty, or full on the tablecloth- like sheet music.
Her knees tighten and loosen around the big-hipped creature wailing and groaning between them as if in elemental amplexus.
The music seems to rise from the crater left when heaven was torn up and taken off the earth; more likely it comes up through her priest's dress, up from that clump of hair which by now may be so wet with its waters, like the waters the fishes multiplied in at Galilee, that each wick draws a portion all the way out to its tip and fattens a droplet on the bush of half notes now glittering in that dark.
At last she lifts off the bow and sits back.
Her face shines with the unselfconsciousness of a cat screaming at night and the teary radiance of one who gives everything no matter what has been given.
Written by Robert William Service | Create an image from this poem

While The Bannock Bakes

 Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side; The river is a-flop with fish, and ripples silver-clear; The midnight sunshine brims yon cleft -- we think it's the Divide; We'll get there in a month, maybe, or maybe in a year.
It doesn't matter, does it, pal? We're of that breed of men With whom the world of wine and cards and women disagree; Your trouble was a roofless game of poker now and then, And "raising up my elbow", that's what got away with me.
We're merely "Undesirables", artistic more or less; My horny hands are Chopin-wise; you quote your Browning well; And yet we're fooling round for gold in this damned wilderness: The joke is, if we found it, we would both go straight to hell.
Well, maybe we won't find it -- and at least we've got the "life".
We're both as brown as berries, and could wrestle with a bear: (That bannock's raising nicely, pal; just jab it with your knife.
) Fine specimens of manhood they would reckon us out there.
It's the tracking and the packing and the poling in the sun; It's the sleeping in the open, it's the rugged, unfaked food; It's the snow-shoe and the paddle, and the campfire and the gun, And when I think of what I was, I know that it is good.
Just think of how we've poled all day up this strange little stream; Since life began no eye of man has seen this place before; How fearless all the wild things are! the banks with goose-grass gleam, And there's a bronzy musk-rat sitting sniffing at his door.
A mother duck with brood of ten comes squattering along; The tawny, white-winged ptarmigan are flying all about; And in that swirly, golden pool, a restless, gleaming throng, The trout are waiting till we condescend to take them out.
Ah, yes, it's good! I'll bet that there's no doctor like the Wild: (Just turn that bannock over there; it's getting nicely brown.
) I might be in my grave by now, forgotten and reviled, Or rotting like a sickly cur in some far, foreign town.
I might be that vile thing I was, -- it all seems like a dream; I owed a man a grudge one time that only life could pay; And yet it's half-forgotten now -- how petty these things seem! (But that's "another story", pal; I'll tell it you some day.
) How strange two "irresponsibles" should chum away up here! But round the Arctic Circle friends are few and far between.
We've shared the same camp-fire and tent for nigh on seven year, And never had a word that wasn't cheering and serene.
We've halved the toil and split the spoil, and borne each other's packs; By all the Wild's freemasonry we're brothers, tried and true; We've swept on danger side by side, and fought it back to back, And you would die for me, old pal, and I would die for you.
Now there was that time I got lost in Rory Bory Land, (How quick the blizzards sweep on one across that Polar sea!) You formed a rescue crew of One, and saw a frozen hand That stuck out of a drift of snow -- and, partner, it was Me.
But I got even, did I not, that day the paddle broke? White water on the Coppermine -- a rock -- a split canoe -- Two fellows struggling in the foam (one couldn't swim a stroke): A half-drowned man I dragged ashore .
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and partner, it was You.
* * * * * In Rory Borealis Land the winter's long and black.
The silence seems a solid thing, shot through with wolfish woe; And rowelled by the eager stars the skies vault vastly back, And man seems but a little mite on that weird-lit plateau.
No thing to do but smoke and yarn of wild and misspent lives, Beside the camp-fire there we sat -- what tales you told to me Of love and hate, and chance and fate, and temporary wives! In Rory Borealis Land, beside the Arctic Sea.
One yarn you told me in those days I can remember still; It seemed as if I visioned it, so sharp you sketched it in; Bellona was the name, I think; a coast town in Brazil, Where nobody did anything but serenade and sin.
I saw it all -- the jewelled sea, the golden scythe of sand, The stately pillars of the palms, the feathery bamboo, The red-roofed houses and the swart, sun-dominated land, The people ever children, and the heavens ever blue.
You told me of that girl of yours, that blossom of old Spain, All glamour, grace and witchery, all passion, verve and glow.
How maddening she must have been! You made me see her plain, There by our little camp-fire, in the silence and the snow.
You loved her and she loved you.
She'd a husband, too, I think, A doctor chap, you told me, whom she treated like a dog, A white man living on the beach, a hopeless slave to drink -- (Just turn that bannock over there, that's propped against the log.
) That story seemed to strike me, pal -- it happens every day: You had to go away awhile, then somehow it befell The doctor chap discovered, gave her up, and disappeared; You came back, tired of her in time .
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there's nothing more to tell.
Hist! see those willows silvering where swamp and river meet! Just reach me up my rifle quick; that's Mister Moose, I know -- There now, I've got him dead to rights .
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but hell! we've lots to eat I don't believe in taking life -- we'll let the beggar go.
Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in.
The morning mist is coral-kissed, the morning sky is gold.
The camp-fire's a confessional -- what funny yarns we spin! It sort of made me think a bit, that story that you told.
The fig-leaf belt and Rory Bory are such odd extremes, Yet after all how very small this old world seems to be .
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Yes, that was quite a yarn, old pal, and yet to me it seems You missed the point: the point is that the "doctor chap" .
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was ME.
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Book: Reflection on the Important Things