Written by
Erica Jong |
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the dirty ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day.
.
.
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.
I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.
Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.
The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.
I look forward and see myself looking back.
|
Written by
Margaret Atwood |
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps.
Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh.
Incandescent.
|
Written by
John Montague |
My love, while we talked
They removed the roof.
Then
They started on the walls,
Panes of glass uprooting
From timber, like teeth.
But you spoke calmly on,
Your example of courtesy
Compelling me to reply.
When we reached the last
Syllable, nearly accepting
Our positions, I saw that
The floorboards were gone:
It was clay we stood upon.
|
Written by
Barry Tebb |
Desks are straining on all fours, flanks
Heaving to hurl the hunched riders
Down crack and cranny, buck
Finger-snapping lids, consume
Scrap and scribble between tongue and teeth.
The blackboard is cleaning itself behind me,
Making my neck prick as it scatters dust
Like seed, empties its clogged pores of clich?,
Anoints its carved channels and cavities
With infinite black ooze and sap.
And I don’t trust that corner cupboard!
Opening its dark doors like the jaws of
Cerberus, shelving its stacks to heave
At my head, ready to snap its quick lock
Round my wrist like a crab.
I watch the windows wink and blink,
Tug at their catches, tempt my fingers
With their openings, crack flying cords
To noose my neck; they eye the bulging roof
Beams, bent like a bow above me.
This whole room has rushed to the world’s edge,
My fingers tip its tottering walls
Braced to hold definition, floorboards
Knotted tight against infinity’s axe, doors
Bolted to contain time and place in time and place together.
I cry ‘help’ as my world whirls,
Is loosed at the single eye of heaven.
|
Written by
Geoffrey Hill |
Gasholders, russet among fields.
Milldams, marlpools that lay
unstirring.
Eel-swarms.
Coagulations of frogs: once, with branches and
half-bricks, he battered a ditchful; then sidled away from the stillness
and silence.
Ceolred was his friend and remained so, even after the day of the lost
fighter: a biplane, already obsolete and irreplaceable, two inches of
heavy snub silver.
Ceolred let it spin through a hole in the
classroom-floorboards, softly, into the rat-droppings and coins.
After school he lured Ceolred, who was sniggering with fright, down to
the old quarries, and flayed him.
Then, leaving Ceolred, he journeyed
for hours, calm and alone, in his private derelict sandlorry named
Albion.
|
Written by
Jane Kenyon |
I scrub the long floorboards
in the kitchen, repeating
the motions of other women
who have lived in this house.
And when I find a long gray hair
floating in the pail,
I feel my life added to theirs.
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