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Best Famous Flipping Poems

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Written by David Berman | Create an image from this poem

Self-Portrait At 28

 I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.
It is a certain hill the one I imagine when I hear the word "hill" and if the apocalypse turns out to be a world-wide nervous breakdown if our five billion minds collapse at once well I'd call that a surprise ending and this hill would still be beautiful a place I wouldn't mind dying alone or with you.
I am trying to get at something and I want to talk very plainly to you so that we are both comforted by the honesty.
You see there is a window by my desk I stare out when I am stuck though the outdoors has rarely inspired me to write and I don't know why I keep staring at it.
My childhood hasn't made good material either mostly being a mulch of white minutes with a few stand out moments, popping tar bubbles on the driveway in the summer a certain amount of pride at school everytime they called it "our sun" and playing football when the only play was "go out long" are what stand out now.
If squeezed for more information I can remember old clock radios with flipping metal numbers and an entree called Surf and Turf.
As a way of getting in touch with my origins every night I set the alarm clock for the time I was born so that waking up becomes a historical reenactment and the first thing I do is take a reading of the day and try to flow with it like when you're riding a mechanical bull and you strain to learn the pattern quickly so you don't inadverantly resist it.
II two I can't remember being born and no one else can remember it either even the doctor who I met years later at a cocktail party.
It's one of the little disappointments that makes you think about getting away going to Holly Springs or Coral Gables and taking a room on the square with a landlady whose hands are scored by disinfectant, telling the people you meet that you are from Alaska, and listen to what they have to say about Alaska until you have learned much more about Alaska than you ever will about Holly Springs or Coral Gables.
Sometimes I am buying a newspaper in a strange city and think "I am about to learn what it's like to live here.
" Oftentimes there is a news item about the complaints of homeowners who live beside the airport and I realize that I read an article on this subject nearly once a year and always receive the same image.
I am in bed late at night in my house near the airport listening to the jets fly overhead a strange wife sleeping beside me.
In my mind, the bedroom is an amalgamation of various cold medicine commercial sets (there is always a box of tissue on the nightstand).
I know these recurring news articles are clues, flaws in the design though I haven't figured out how to string them together yet, but I've begun to notice that the same people are dying over and over again, for instance Minnie Pearl who died this year for the fourth time in four years.
III three Today is the first day of Lent and once again I'm not really sure what it is.
How many more years will I let pass before I take the trouble to ask someone? It reminds of this morning when you were getting ready for work.
I was sitting by the space heater numbly watching you dress and when you asked why I never wear a robe I had so many good reasons I didn't know where to begin.
If you were cool in high school you didn't ask too many questions.
You could tell who'd been to last night's big metal concert by the new t-shirts in the hallway.
You didn't have to ask and that's what cool was: the ability to deduct to know without asking.
And the pressure to simulate coolness means not asking when you don't know, which is why kids grow ever more stupid.
A yearbook's endpages, filled with promises to stay in touch, stand as proof of the uselessness of a teenager's promise.
Not like I'm dying for a letter from the class stoner ten years on but.
.
.
Do you remember the way the girls would call out "love you!" conveniently leaving out the "I" as if they didn't want to commit to their own declarations.
I agree that the "I" is a pretty heavy concept and hope you won't get uncomfortable if I should go into some deeper stuff here.
IV four There are things I've given up on like recording funny answering machine messages.
It's part of growing older and the human race as a group has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes I hope you won't be insulted if I say you're trying too hard.
Even sketches from the original Saturday Night Live seem slow-witted and obvious now.
It's just that our advances are irrepressible.
Nowadays little kids can't even set up lemonade stands.
It makes people too self-conscious about the past, though try explaining that to a kid.
I'm not saying it should be this way.
All this new technology will eventually give us new feelings that will never completely displace the old ones leaving everyone feeling quite nervous and split in two.
We will travel to Mars even as folks on Earth are still ripping open potato chip bags with their teeth.
Why? I don't have the time or intelligence to make all the connections like my friend Gordon (this is a true story) who grew up in Braintree Massachusetts and had never pictured a brain snagged in a tree until I brought it up.
He'd never broken the name down to its parts.
By then it was too late.
He had moved to Coral Gables.
V five The hill out my window is still looking beautiful suffused in a kind of gold national park light and it seems to say, I'm sorry the world could not possibly use another poem about Orpheus but I'm available if you're not working on a self-portrait or anything.
I'm watching my dog have nightmares, twitching and whining on the office floor and I try to imagine what beast has cornered him in the meadow where his dreams are set.
I'm just letting the day be what it is: a place for a large number of things to gather and interact -- not even a place but an occasion a reality for real things.
Friends warned me not to get too psychedelic or religious with this piece: "They won't accept it if it's too psychedelic or religious," but these are valid topics and I'm the one with the dog twitching on the floor possibly dreaming of me that part of me that would beat a dog for no good reason no reason that a dog could see.
I am trying to get at something so simple that I have to talk plainly so the words don't disfigure it and if it turns out that what I say is untrue then at least let it be harmless like a leaky boat in the reeds that is bothering no one.
VI six I can't trust the accuracy of my own memories, many of them having blended with sentimental telephone and margarine commercials plainly ruined by Madison Avenue though no one seems to call the advertising world "Madison Avenue" anymore.
Have they moved? Let's get an update on this.
But first I have some business to take care of.
I walked out to the hill behind our house which looks positively Alaskan today and it would be easier to explain this if I had a picture to show you but I was with our young dog and he was running through the tall grass like running through the tall grass is all of life together until a bird calls or he finds a beer can and that thing fills all the space in his head.
You see, his mind can only hold one thought at a time and when he finally hears me call his name he looks up and cocks his head and for a single moment my voice is everything: Self-portrait at 28.


Written by Johann Wolfgang von Goethe | Create an image from this poem

LILYS MENAGERIE

 [Goethe describes this much-admired Poem, which 
he wrote in honour of his love Lily, as being "designed to change 
his surrender of her into despair, by drolly-fretful images.
"] THERE'S no menagerie, I vow, Excels my Lily's at this minute; She keeps the strangest creatures in it, And catches them, she knows not how.
Oh, how they hop, and run, and rave, And their clipp'd pinions wildly wave,-- Poor princes, who must all endure The pangs of love that nought can cure.
What is the fairy's name?--Is't Lily?--Ask not me! Give thanks to Heaven if she's unknown to thee.
Oh what a cackling, what a shrieking, When near the door she takes her stand, With her food-basket in her hand! Oh what a croaking, what a squeaking! Alive all the trees and the bushes appear, While to her feet whole troops draw near; The very fish within, the water clear Splash with impatience and their heads protrude; And then she throws around the food With such a look!--the very gods delighting (To say nought of beasts).
There begins, then, a biting, A picking, a pecking, a sipping, And each o'er the legs of another is tripping, And pushing, and pressing, and flapping, And chasing, and fuming, and snapping, And all for one small piece of bread, To which, though dry, her fair hands give a taste, As though it in ambrosia had been plac'd.
And then her look! the tone With which she calls: Pipi! Pipi! Would draw Jove's eagle from his throne; Yes, Venus' turtle doves, I wean, And the vain peacock e'en, Would come, I swear, Soon as that tone had reach'd them through the air.
E'en from a forest dark had she Enticed a bear, unlick'd, ill-bred, And, by her wiles alluring, led To join the gentle company, Until as tame as they was he: (Up to a certain point, be't understood!) How fair, and, ah, how good She seem'd to be! I would have drain'd my blood To water e'en her flow'rets sweet.
"Thou sayest: I! Who? How? And where?"-- Well, to be plain, good Sirs--I am the bear; In a net-apron, caught, alas! Chain'd by a silk-thread at her feet.
But how this wonder came to pass I'll tell some day, if ye are curious; Just now, my temper's much too furious.
Ah, when I'm in the corner plac'd, And hear afar the creatures snapping, And see the flipping and the flapping, I turn around With growling sound, And backward run a step in haste, And look around With growling sound.
Then run again a step in haste, And to my former post go round.
But suddenly my anger grows, A mighty spirit fills my nose, My inward feelings all revolt.
A creature such as thou! a dolt! Pipi, a squirrel able nuts to crack! I bristle up my shaggy back Unused a slave to be.
I'm laughed at by each trim and upstart tree To scorn.
The bowling-green I fly, With neatly-mown and well-kept grass: The box makes faces as I pass,-- Into the darkest thicket hasten I, Hoping to 'scape from the ring, Over the palings to spring! Vainly I leap and climb; I feel a leaden spell.
That pinions me as well, And when I'm fully wearied out in time, I lay me down beside some mock-cascade, And roll myself half dead, and foam, and cry, And, ah! no Oreads hear my sigh, Excepting those of china made! But, ah, with sudden power In all my members blissful feelings reign! 'Tis she who singeth yonder in her bower! I hear that darling, darling voice again.
The air is warm, and teems with fragrance clear, Sings she perchance for me alone to hear? I haste, and trample down the shrubs amain; The trees make way, the bushes all retreat, And so--the beast is lying at her feet.
She looks at him: "The monster's droll enough! He's, for a bear, too mild, Yet, for a dog, too wild, So shaggy, clumsy, rough!" Upon his back she gently strokes her foot; He thinks himself in Paradise.
What feelings through his seven senses shoot! But she looks on with careless eyes.
I lick her soles, and kiss her shoes, As gently as a bear well may; Softly I rise, and with a clever ruse Leap on her knee.
--On a propitious day She suffers it; my ears then tickles she, And hits me a hard blow in wanton play; I growl with new-born ecstasy; Then speaks she in a sweet vain jest, I wot "Allons lout doux! eh! la menotte! Et faites serviteur Comme un joli seigneur.
" Thus she proceeds with sport and glee; Hope fills the oft-deluded beast; Yet if one moment he would lazy be, Her fondness all at once hath ceas'd.
She doth a flask of balsam-fire possess, Sweeter than honey bees can make, One drop of which she'll on her finger take, When soften'd by his love and faithfulness, Wherewith her monster's raging thirst to slake; Then leaves me to myself, and flies at last, And I, unbound, yet prison'd fast By magic, follow in her train, Seek for her, tremble, fly again.
The hapless creature thus tormenteth she, Regardless of his pleasure or his woe; Ha! oft half-open'd does she leave the door for me, And sideways looks to learn if I will fly or no.
And I--Oh gods! your hands alone Can end the spell that's o'er me thrown; Free me, and gratitude my heart will fill; And yet from heaven ye send me down no aid-- Not quite in vain doth life my limbs pervade: I feel it! Strength is left me still.
1775.

Book: Shattered Sighs