Written by
John Davidson |
'A letter from my love to-day!
Oh, unexpected, dear appeal!'
She struck a happy tear away,
And broke the crimson seal.
'My love, there is no help on earth,
No help in heaven; the dead-man's bell
Must toll our wedding; our first hearth
Must be the well-paved floor of hell.'
The colour died from out her face,
Her eyes like ghostly candles shone;
She cast dread looks about the place,
Then clenched her teeth and read right on.
'I may not pass the prison door;
Here must I rot from day to day,
Unless I wed whom I abhor,
My cousin, Blanche of Valencay.
'At midnight with my dagger keen,
I'll take my life; it must be so.
Meet me in hell to-night, my queen,
For weal and woe.'
She laughed although her face was wan,
She girded on her golden belt,
She took her jewelled ivory fan,
And at her glowing missal knelt.
Then rose, 'And am I mad?' she said:
She broke her fan, her belt untied;
With leather girt herself instead,
And stuck a dagger at her side.
She waited, shuddering in her room,
Till sleep had fallen on all the house.
She never flinched; she faced her doom:
They two must sin to keep their vows.
Then out into the night she went,
And, stooping, crept by hedge and tree;
Her rose-bush flung a snare of scent,
And caught a happy memory.
She fell, and lay a minute's space;
She tore the sward in her distress;
The dewy grass refreshed her face;
She rose and ran with lifted dress.
She started like a morn-caught ghost
Once when the moon came out and stood
To watch; the naked road she crossed,
And dived into the murmuring wood.
The branches snatched her streaming cloak;
A live thing shrieked; she made no stay!
She hurried to the trysting-oak—
Right well she knew the way.
Without a pause she bared her breast,
And drove her dagger home and fell,
And lay like one that takes her rest,
And died and wakened up in hell.
She bathed her spirit in the flame,
And near the centre took her post;
From all sides to her ears there came
The dreary anguish of the lost.
The devil started at her side,
Comely, and tall, and black as jet.
'I am young Malespina's bride;
Has he come hither yet?'
'My poppet, welcome to your bed.'
'Is Malespina here?'
'Not he! To-morrow he must wed
His cousin Blanche, my dear!'
'You lie, he died with me to-night.'
'Not he! it was a plot' ... 'You lie.'
'My dear, I never lie outright.'
'We died at midnight, he and I.'
The devil went. Without a groan
She, gathered up in one fierce prayer,
Took root in hell's midst all alone,
And waited for him there.
She dared to make herself at home
Amidst the wail, the uneasy stir.
The blood-stained flame that filled the dome,
Scentless and silent, shrouded her.
How long she stayed I cannot tell;
But when she felt his perfidy,
She marched across the floor of hell;
And all the damned stood up to see.
The devil stopped her at the brink:
She shook him off; she cried, 'Away!'
'My dear, you have gone mad, I think.'
'I was betrayed: I will not stay.'
Across the weltering deep she ran;
A stranger thing was never seen:
The damned stood silent to a man;
They saw the great gulf set between.
To her it seemed a meadow fair;
And flowers sprang up about her feet
She entered heaven; she climbed the stair
And knelt down at the mercy-seat.
Seraphs and saints with one great voice
Welcomed that soul that knew not fear.
Amazed to find it could rejoice,
Hell raised a hoarse, half-human cheer.
|
Written by
Marilyn Hacker |
It is the boy in me who's looking out
the window, while someone across the street
mends a pillowcase, clouds shift, the gutter spout
pours rain, someone else lights a cigarette?
(Because he flinched, because he didn't whirl
around, face them, because he didn't hurl
the challenge back—"Fascists?"—not "Faggots"—Swine!
he briefly wonders—if he were a girl . . .)
He writes a line. He crosses out a line.
I'll never be a man, but there's a boy
crossing out words: the rain, the linen-mender,
are all the homework he will do today.
The absence and the priviledge of gender
confound in him, soprano, clumsy, frail.
Not neuter—neutral human, and unmarked,
the younger brother in the fairy tale
except, boys shouted "Jew!" across the park
at him when he was coming home from school.
The book that he just read, about the war,
the partisans, is less a terrible
and thrilling story, more a warning, more
a code, and he must puzzle out the code.
He has short hair, a red sweatshirt. They know
something about him—that he should be proud
of? That's shameful if it shows?
That got you killed in 1942.
In his story, do the partisans
have sons? Have grandparents? Is he a Jew
more than he is a boy, who'll be a man
someday? Someone who'll never be a man
looks out the window at the rain he thought
might stop. He reads the sentence he began.
He writes down something that he crosses out.
|
Written by
James Wright |
Beautiful natural blossoms,
Pure delicate body,
You stand without trembling.
Little mist of fallen starlight,
Perfect, beyond my reach,
How I envy you.
For if you could only listen,
I would tell you something,
Something human.
An old man
Appeared to me once
In the unendurable snow.
He had a singe of white
Beard on his face.
He paused on a street in Minneapolis
And stroked my face.
Give it to me, he begged.
I'll pay you anything.
I flinched. Both terrified,
We slunk away,
Each in his own way dodging
The cruel darts of the cold.
Beautiful natural blossoms,
How could you possibly
Worry or bother or care
About the ashamed, hopeless
Old man? He was so near death
He was willing to take
Any love he could get,
Even at the risk
Of some mocking policeman
Or some cute young wiseacre
Smashing his dentures,
Perhaps leading him on
To a dark place and there
Kicking him in his dead groin
Just for the fun of it.
Young tree, unburdened
By anything but your beautiful natural blossoms
And dew, the dark
Blood in my body drags me
Down with my brother.
|
Written by
Barry Tebb |
You were the one I wanted most to know
So like yet unlike, like fire and snow,
The casual voice, the sharp invective,
The barbed wit, the lapsed Irish Protestant
Who never gave a ****, crossed the palms
Of the great and good with coins hot with contempt
For the fakers and the tricksters whose poetry
Deftly bent to fashion’s latest slant.
You wrote from the heart, feelings on your sleeve,
But feelings are all a master poet needs:
You broke all the taboos, whores and fags and booze,
While I sighed over books and began to snooze
Until your voice broke through the haze
Of a quarter century’s sleep. “Wake up you git
And bloody write!” I did and never stopped
And like you told the truth about how bad poetry
Rots the soul and slapped a New Gen face or two
And kicked some arses in painful places,
And so like you, got omitted from the posh anthologies
Where Penguin and Picador fill the pages
With the boring poetasters you went for in your rages,
Ex-friends like Harrison who missed you out.
You never could see the envy in their enmity.
Longley was the worst, a hypocrite to boot,
All you said about him never did come out;
I’ve tried myself to nail others of that ilk
Hither and thither they slide and slither
And crawl out of the muck white as brides’
Fat with OBE’s, sinecures and sighs
And Collected Poems no one buys.
Yet ‘Mainstrem’, your last but one collection,
I had to wait months for, the last borrower
Kept it for two years and likely I’ll do the same
Your poetry’s like no other, no one could tame
Your roaring fury or your searing pain.
You bared your soul in a most unfashionable way
But everything in me says your verse will stay,
Your love for your fourth and final wife,
The last chance marriage that went right
The children you loved so much but knew
You wouldn’t live to see grown up, so caught
Their growing pains and joys with a painter’s eye
And lyric skill as fine as Wordsworth’s best
they drank her welcome to his heritage
of grey, grey-green, wet earth and shapes of stone.
Who weds a landscape will not die alone.
Those you castigated never forgave.
Omitted you as casually as passing an unmarked grave,
Armitage, I name you, a blackguard and a knave,
Who knows no more of poetry than McGonagall the brave,
Yet tops the list of Faber’s ‘Best Poets of Our Age’.
Longley gave you just ten lines in ‘Irish Poets Now’
Most missed you out entirely for the troubles you gave
Accusing like Zola those poetic whores
Who sold themselves to fashion when time after time
Your passions brought you to your knees, lashing
At those poetasters when their puffed-up slime
Won the medals and the prizes time after time
And got them all the limelight while your books
Were quietly ignored, the better you wrote,
The fewer got bought.
Belatedly I found a poem of yours ‘Leeds 2’
In ‘Flashpoint’, a paint-stained worn out
School anthology from 1962. Out of the blue
I wrote to you but the letter came back ‘Gone away
N.F.A.’ then I tried again and had a marvellous letter back
Full of stories of the great and good and all their private sins,
You knew where the bodies were buried.
Who put the knife in, who slept with who
For what reward. They never could shut you up
Or put you in a pen or pay you off and then came
Morley, Hulse and Kennedy’s ‘New Poetry’
Which did more damage to the course of poetry
Than anything I’ve read - poets unembarrassed
By the need to know more than what’s politically
White as snow. Constantine and Jackie Kay
And Hoffman with the right connections.
Sweeney and O’Brien bleeding in all the politically
Sensitive places, Peter Reading lifting
Horror headlines from the Sun to make a splash.
Sansom and Maxwell, Jamie and Greenlaw.
Proving lack of talent is no barrier to fame
If you lick the right arses and say how nice they taste.
Crawling up the ladder, declaring **** is grace.
A talented drunken public servant
Has the world’s ear and hates me.
He ought to be in prison for misuse
Of public funds and bigotry;
But there’s some sparkle in his poetry.
You never flinched in the attack
But gave the devils their due:
The ‘Honest Ulsterman’ you founded
Lost its honesty the day you withdrew
But floundered on, publicly sighed and
Ungraciously expired as soon as you died.
You went with fallen women, smoked and sang and boozed,
Loved your many children, wrote poetry
As good as Yeats but the ignominy you had to bear
Bred an immortality impossible to share.
You showed us your own peccadilloes,
Your early lust for fame, but you learned
The cost of suffering, love and talent winning through,
Your best books your last, just two, like the letters
You wrote before your life was through.
The meeting you wanted could never happen:
I didn’t know about the stroke
That stilled your tongue and pen
But if you passed your mantle on to me
I’ll try and take up where you left off,
Give praise where praise is due
And blast the living daylights from those writers who
Betray the sacred art of making poetry true
To suffering and love, to passion and remorse
And try to steer a flimsy world upon a saner course.
|
Written by
William Topaz McGonagall |
Richard Pigott, the forger, was a very bad man,
And to gainsay it there's nobody can,
Because for fifty years he pursued a career of deceit,
And as a forger few men with him could compete.
For by forged letters he tried to accuse Parnell
For the Phoenix Park murders, but mark what befell.
When his conscience smote him he confessed to the fraud,
And the thought thereof no doubt drove him mad.
Then he fled from London without delay,
Knowing he wouldn't be safe there night nor day,
And embarked on board a ship bound for Spain,
Thinking he would escape detection there, but 'twas all in vain.
Because while staying at a hotel in Spain
He appeared to the landlord to be a little insane.
And he noticed he was always seemingly in dread,
Like a person that had committed a murder and afterwards fled.
And when arrested in the hotel he seemed very cool,
Just like an innocent schoolboy going to school.
And he said to the detectives, "Wait until my portmanteau I've got."
And while going for his portmanteau, himself he shot.
So perished Richard Pigott, a forger bold,
Who tried to swear Parnell's life away for the sake of gold,
But the vengeance of God overtook him,
And Parnell's life has been saved, which I consider no sin.
Because he was a man that was very fond of gold,
Not altogether of the miser's craving, I've been told,
But a craving desire after good meat and drink,
And to obtain good things by foul means he never did shrink.
He could eat and drink more than two ordinary men,
And to keep up his high living by foul means we must him condemn,
Because his heart's desire in life was to fare well,
And to keep up his good living he tried to betray Parnell.
Yes, the villain tried hard to swear his life away,
But God protected him by night and by day,
And during his long trial in London, without dismay,
The noble patriot never flinched nor tried to run away.
Richard Pigott was a man that was blinded by his own conceit.
And would have robbed his dearest friend all for good meat,
To satisfy his gluttony and his own sensual indulgence,
Which the inhuman monster considered no great offence.
But now in that undiscovered country he's getting his reward,
And I'm sure few people have for him little regard,
Because he was a villain of the deepest dye,
And but few people for him will heave a sigh.
When I think of such a monster my blood runs cold,
He was like Monteith, that betrayed Wallace for English gold;
But I hope Parnell will prosper for many a day
In despite of his enemies that fried to swear his life away.
Oh! think of his sufferings and how manfully he did stand.
During his long trial in London, to me it seems grand.
To see him standing at the bar, innocent and upright,
Quite cool and defiant, a most beautiful sight.
And to the noble patriot, honour be it said,
He never was the least afraid
To speak on behalf of Home Rule for Ireland,
But like a true patriot nobly he did take his stand.
And may he go on conquering and conquer to the end,
And hoping that God will the right defend,
And protect him always by night and by day,
At home and abroad when far away.
And now since he's set free, Ireland's sons should rejoice
And applaud him to the skies, all with one voice,
For he's their patriot, true and bold,
And an honest, true-hearted gentleman be it told.
|
Written by
Siegfried Sassoon |
We’d gained our first objective hours before
While dawn broke like a face with blinking eyes,
Pallid, unshaved and thirsty, blind with smoke.
Things seemed all right at first. We held their line,
With bombers posted, Lewis guns well placed,
And clink of shovels deepening the shallow trench.
The place was rotten with dead; green clumsy legs
High-booted, sprawled and grovelled along the saps
And trunks, face downward, in the sucking mud,
Wallowed like trodden sand-bags loosely filled;
And naked sodden buttocks, mats of hair,
Bulged, clotted heads slept in the plastering slime.
And then the rain began,—the jolly old rain!
A yawning soldier knelt against the bank,
Staring across the morning blear with fog;
He wondered when the Allemands would get busy;
And then, of course, they started with five-nines
Traversing, sure as fate, and never a dud.
Mute in the clamour of shells he watched them burst
Spouting dark earth and wire with gusts from hell,
While posturing giants dissolved in drifts of smoke.
He crouched and flinched, dizzy with galloping fear,
Sick for escape,—loathing the strangled horror
And butchered, frantic gestures of the dead.
An officer came blundering down the trench:
‘Stand-to and man the fire-step!’ On he went...
Gasping and bawling, ‘Fire-step ... counter-attack!’
Then the haze lifted. Bombing on the right
Down the old sap: machine-guns on the left;
And stumbling figures looming out in front.
‘O Christ, they’re coming at us!’ Bullets spat,
And he remembered his rifle ... rapid fire...
And started blazing wildly ... then a bang
Crumpled and spun him sideways, knocked him out
To grunt and wriggle: none heeded him; he choked
And fought the flapping veils of smothering gloom,
Lost in a blurred confusion of yells and groans...
Down, and down, and down, he sank and drowned,
Bleeding to death. The counter-attack had failed.
|
Written by
Rudyard Kipling |
I have been given my charge to keep--
Well have I kept the same!
Playing with strife for the most of my life,
But this is a different game.
I'11 not fight against swords unseen,
Or spears that I cannot view--
Hand him the keys of the place on your knees--
'Tis the Dreamer whose dreams come true!
Ask him his terms and accept them at once.
Quick, ere we anger him, go!
Never before have I flinched from the guns,
But this is a different show.
I'11 not fight with the Herald of God
(I know what his Master can do!)
Open the gate, he must enter in state,
'Tis the Dreamer whose dreams come true!
I'd not give way for an Emperor,
I'd hold my road for a King--
To the Triple Crown I would not bow down--
But this is a different thing.
I'11 not fight with the Powers of Air,
Sentry, pass him through!
Drawbridge let fall, 'tis the Lord of us all,
The Dreamer whose dreams come true!
|
Written by
William Topaz McGonagall |
'Twas in the year of 1874, and on New Year's Day,
The British Army landed at Elmina without dismay,
And numbering in all, 1400 bayonets strong,
And all along the Cape Coast they fearlessly marched along,
Under the command of Sir Garnet Wolseley, a hero bold,
And an honour to his King and country, be it told.
And between them and Coomassie, lay a wilderness of jungle,
But they marched on boldly without making a stumble,
And under a tropical sun, upwards of an hundred miles,
While their bayonets shone bright as they marched on in files.
Coomassie had to be reached and King Coffee's power destroyed,
And, before that was done the British were greatly annoyed,
Lieutenant Lord Gifford, with his men gained the Crest of the Adenisi Hills,
And when they gained the top, with joy their hearts fills.
Sir John McLeod was appointed General of the Black Brigade;
And a great slaughter of the enemy they made,
And took possession of an Ashantee village,
And fought like lions in a fearful rage.
While the British troops most firmly stood,
And advanced against a savage horde concealed in a wood,
Yet the men never flinched, but entered the wood fearlessly,
And all at once the silence was broken by a roar of musketry.
And now the fight began in real earnest,
And the Black Watch men resolved to do their best,
While the enemy were ambushed in the midst of the wood,
Yet the Highlanders their ground firmly stood.
And the roar of the musketry spread through the jungle,
Still the men crept on without making a stumble,
And many of the Black Watch fell wounded and dead,
And Major Macpherson was wounded, but he rallied his men without dread.
The battle raged for five hours, but the Highlanders were gaining ground,
Until the bagpipes struck up their wild clarion sound,
Then the dusky warriors fled in amazement profound,
Because their comrades were falling on every side around.
Sir Archibald Alison led on the Highland Brigade,
And great havoc amongst the enemy they made,
And village after village they captured and destroyed,
Until King Coffee lost heart and felt greatly annoyed.
Sir John McLeod took the command of his own regiment,
And with a swinging pace into the jaws of death they went,
Fearlessly firing by companies in rotation,
Add dashed into a double Zone of Fire without hesitation.
And in that manner the Black Watch pressed onward,
And the enemy were powerless their progress to retard,
Because their glittering bayonets were brought into play,
And panic stricken the savage warriors fled in great dismay.
Then Sir Garnet Wolseley with his men entered Coomassie at night,
Supported by half the rifles and Highlanders- a most beautiful sight,
And King Coffee and his army had fled,
And thousands of his men on the field were left dead.
And King Coffee, he was crushed at last,
And the poor King felt very downcast,
And his sorrow was really profound,
When he heard that Coomassie was burned to the ground.
Then the British embarked for England without delay,
And with joy their hearts felt gay,
And by the end of March they reached England,
And the reception they received was very grand.
|
Written by
Andrew Barton Paterson |
You talk of riders on the flat, of nerve and pluck and pace --
Not one in fifty has the nerve to ride a steeplechase.
It's right enough, while horses pull and take their faces strong,
To rush a flier to the front and bring the field along;
Bur what about the last half-mile, with horses blown and beat --
When every jump means all you know to keep him on his feet.
When any slip means sudden death -- with wife and child to keep --
It needs some nerve to draw the whip and flog him at the leap --
But Corrigan would ride them out, by danger undismayed,
He never flinched at fence or wall, he never was afraid;
With easy seat and nerve of steel, light hand and smiling face,
He held the rushing horses back, and made the sluggards race.
He gave the shirkers extra heart, he steadied down the rash,
He rode great clumsy boring brutes, and chanced a fatal smash;
He got the rushing Wymlet home that never jumped at all --
But clambered over every fence and clouted every wall.
You should have heard the cheers, my boys, that shook the members' stand
Whenever Tommy Corrigan weighed out to ride Lone Hand.
They were, indeed, a glorious pair -- the great upstanding horse,
The gamest jockey on his back that ever faced a course.
Though weight was big and pace was hot and fences stiff and tall,
"You follow Tommy Corrigan" was passed to one and all.
And every man on Ballarat raised all he could command
To put on Tommy Corrigan when riding old Lone Hand.
But now we'll keep his memory green while horsemen come and go;
We may not see his like again where silks and satins glow.
We'll drink to him in silence, boys -- he's followed down the track
Where many a good man went before, but never one came back.
Amd, let us hope, in that far land where the shades of brave men reign,
The gallant Tommy Corrigan will ride Lone Hand again.
|
Written by
Andrew Barton Paterson |
Now this was what Macpherson told
While waiting in the stand;
A reckless rider, over-bold,
The only man with hands to hold
The rushing Rio Grande.
He said, “This day I bid good-bye
To bit and bridle rein,
To ditches deep and fences high,
For I have dreamed a dream, and I
Shall never ride again.
“I dreamt last night I rode this race
That I today must ride,
And cantering down to take my place
I saw full many an old friend’s face
Come stealing to my side.
“Dead men on horses long since dead,
They clustered on the track;
The champions of the days long fled,
They moved around with noiseless tread—
Bay, chestnut, brown, and black.
“And one man on a big grey steed
Rode up and waved his hand;
Said he, ‘We help a friend in need,
And we have come to give a lead
To you and Rio Grande.
“‘For you must give the field the slip;
So never draw the rein,
But keep him moving with the whip,
And, if he falter, set your lip
And rouse him up again.
“‘But when you reach the big stone wall
Put down your bridle-hand
And let him sail-he cannot fall,
But don’t you interfere at all;
You trust old Rio Grande.’
“We started, and in front we showed,
The big horse running free:
Right fearlessly and game he strode,
And by my side those dead men rode
Whom no one else could see.
“As silently as flies a bird,
They rode on either hand;
At every fence I plainly heard
The phantom leader give the word,
‘Make room for Rio Grande!’
“I spurred him on to get the lead,
n I chanced full many a fall;
But swifter still each phantom steed
Kept with me, and at racing speed
We reached the big stone wall.
“And there the phantoms on each side
Drew in and blocked his leap;
‘Make room! make room!’ I loudly cried,
But right in front they seemed to ride—
I cursed them in my sleep.
“He never flinched, he faced it game,
He struck it with his chest,
And every stone burst out in flame—
And Rio Grande and I became
Phantoms among the rest.
“And then I woke, and for a space
All nerveless did I seem;
For I have ridden many a race
But never one at such a pace
As in that fearful dream.
“And I am sure as man can be
That out upon the track
Those phantoms that men cannot see
Are waiting now to ride with me;
And I shall not come back.
“For I must ride the dead men’s race,
And follow their command;
’Twere worse than death, the foul disgrace
If I should fear to take my place
Today on Rio Grande.”
He mounted, and a jest he threw,
With never sign of gloom;
But all who heard the story knew
That Jack Macpherson, brave and true,
Was going to his doom.
They started, and the big black steed
Came flashing past the stand;
All single-handed in the lead
He strode along at racing speed,
The mighty Rio Grande.
But on his ribs the whalebone stung—
A madness, sure, it seemed—
And soon it rose on every tongue
That Jack Macpherson rode among
The creatures he had dreamed.
He looked to left, and looked to right,
As though men rode beside;
And Rio Grande, with foam-flecks white,
Raced at his jumps in headlong flight
And cleared them in his stride.
But when they reached the big stone wall,
Down went the bridle-hand,
And loud we heard Macpherson call
“Make room, or half the field will fall!
Make room for Rio Grande!”
“He’s down! he’s down!” And horse and man
Lay quiet side by side!
No need the pallid face to scan,
We knew with Rio Grande he ran
The race the dead men ride.
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