Written by
John Betjeman |
At the end of a long-walled garden in a red provincial town,
A brick path led to a mulberry- scanty grass at its feet.
I lay under blackening branches where the mulberry leaves hung down
Sheltering ruby fruit globes from a Sunday-tea-time heat.
Apple and plum espaliers basked upon bricks of brown;
The air was swimming with insects, and children played in the street.
Out of this bright intentness into the mulberry shade
Musca domestica (housefly) swung from the August light
Slap into slithery rigging by the waiting spider made
Which spun the lithe elastic till the fly was shrouded tight.
Down came the hairy talons and horrible poison blade
And none of the garden noticed that fizzing, hopeless fight.
Say in what Cottage Hospital whose pale green walls resound
With the tap upon polished parquet of inflexible nurses' feet
Shall I myself by lying when they range the screens around?
And say shall I groan in dying, as I twist the sweaty sheet?
Or gasp for breath uncrying, as I feel my senses drown'd
While the air is swimming with insects and children play in the street?
|
Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes.
.
.
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together--
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.
'
She will not turn to him--will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,--my husband drowned.
He was always sickly, soon depressed.
.
.
'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,--
And hate of her whom he had loved too well.
.
.
She lowers her eyes, demurely prods a shell.
'Yes.
We might do an act together.
That would be very nice.
'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
|
Written by
Rudyard Kipling |
Through the Plagues of Egyp' we was chasin' Arabi,
Gettin' down an' shovin' in the sun;
An' you might 'ave called us dirty, an' you might ha' called us dry,
An' you might 'ave 'eard us talkin' at the gun.
But the Captain 'ad 'is jacket, an' the jacket it was new --
('Orse Gunners, listen to my song!)
An' the wettin' of the jacket is the proper thing to do,
Nor we didn't keep 'im waitin' very long.
One day they gave us orders for to shell a sand redoubt,
Loadin' down the axle-arms with case;
But the Captain knew 'is dooty, an' he took the crackers out
An' he put some proper liquor in its place.
An' the Captain saw the shrapnel, which is six-an'-thirty clear.
('Orse Gunners, listen to my song!)
"Will you draw the weight," sez 'e, "or will you draw the beer?"
An' we didn't keep 'im waitin' very long.
For the Captain, etc.
Then we trotted gentle, not to break the bloomin' glass,
Though the Arabites 'ad all their ranges marked;
But we dursn't 'ardly gallop, for the most was bottled Bass,
An' we'd dreamed of it since we was disembarked:
So we fired economic with the shells we 'ad in 'and,
('Orse Gunners, listen to my song!)
But the beggars under cover 'ad the impidence to stand,
An' we couldn't keep 'em waitin' very long.
And the Captain, etc.
So we finished 'arf the liquor (an' the Captain took champagne),
An' the Arabites was shootin' all the while;
An' we left our wounded 'appy with the empties on the plain,
An' we used the bloomin' guns for pro-jec-tile!
We limbered up an' galloped -- there were nothin' else to do --
('Orse Gunners, listen to my song!)
An' the Battery came a-boundin' like a boundin' kangaroo,
But they didn't watch us comin' very long.
As the Captain, etc.
We was goin' most extended -- we was drivin' very fine,
An' the Arabites were loosin' 'igh an' wide,
Till the Captain took the glassy with a rattlin' right incline,
An' we dropped upon their 'eads the other side.
Then we give 'em quarter -- such as 'adn't up and cut,
('Orse Gunners, listen to my song!)
An' the Captain stood a limberful of fizzy -- somethin' Brutt,
But we didn't leave it fizzing very long.
For the Captain, etc.
We might ha' been court-martialled, but it all come out all right
When they signalled us to join the main command.
There was every round expended, there was every gunner tight,
An' the Captain waved a corkscrew in 'is 'and.
But the Captain 'ad 'is jacket, etc.
|
Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes.
.
.
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together—
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.
'
She will not turn to him—will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,—my husband drowned.
He was always sickly, soon depressed.
.
.
'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,—
And hate of her whom he had loved too well.
.
.
She lowers her eyes, demurely prods a shell.
'Yes.
We might do an act together.
That would be very nice.
'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
|