Written by
Les Murray |
We who travel between worlds
lose our muscle and bone.
I was wheeling a barrow of earth
when agony bayoneted me.
I could not sit, or lie down,
or stand, in Casualty.
Stomach-calming clay caked my lips,
I turned yellow as the moon
and slid inside a CAT-scan wheel
in a hospital where I met no one
so much was my liver now my dire
preoccupation. I was sped down a road.
of treetops and fishing-rod lightpoles
towards the three persons of God
and the three persons of John Hunter
Hospital. Who said We might lose this one.
Twenty days or to the heat-death
of the Universe have the same duration:
vaguely half a hour. I awoke
giggling over a joke
about Paul Kruger in Johannesburg
and missed the white court stockings
I half remembered from my prone
still voyage beyond flesh and bone.
I asked my friend who got new lungs
How long were you crazy, coming back?
Five days, he said. Violent and mad.
Fictive Afrikaner police were at him,
not unworldly Oom Paul Kruger.
Valerie, who had sat the twenty days
beside me, now gently told me tales
of my time-warp. The operative canyon
stretched, stapled, with dry roseate walls
down my belly. Seaweed gel
plugged views of my pluck and offal.
The only poet whose liver
damage hadn't been self-inflicted,
grinned my agent. A momentarily
holed bowel had released flora
who live in us and will eat us
when we stop feeding them the earth.
I had, it did seem, rehearsed
the private office of the grave,
ceased excreting, made corpse gases
all while liana'd in tubes
and overseen by cockpit instruments
that beeped or struck up Beethoven's
Fifth at behests of fluid.
I also hear when I lay lipless
and far away I was anointed
first by a mild metaphoric church
then by the Church of no metaphors.
Now I said, signing a Dutch contract
in a hand I couldn't recognise,
let's go and eat Chinese soup
and drive to Lake Macquarie. Was I
not renewed as we are in Heaven?
In fact I could hardly endure
Earth gravity, and stayed weak and cranky
till the soup came, squid and vegetables,
pure Yang. And was sane thereafter.
It seemed I'd also travelled
in a Spring-in-Winter love-barque of cards,
of flowers and phone calls and letters,
concern I'd never dreamed was there
when black kelp boiled in my head.
I'd awoken amid my State funeral,
nevermore to eat my liver
or feed it to the Black Dog, depression
which the three Johns Hunter seem
to have killed with their scalpels:
it hasn't found its way home,
where I now dodder and mend
in thanks for devotion, for the ambulance
this time, for the hospital fork lift,
for pethidine, and this face of deity:
not the foreknowledge of death
but the project of seeing conscious life
rescued from death defines and will
atone for the human.
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Written by
Wallace Stevens |
Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,
Madame, we are where we began. Allow,
Therefore, that in the planetary scene
Your disaffected flagellants, well-stuffed,
Smacking their muzzy bellies in parade,
Proud of such novelties of the sublime,
Such tink and tank and tunk-a-tunk-tunk,
May, merely may, madame, whip from themselves
A jovial hullabaloo among the spheres.
This will make widows wince. But fictive things
Wink as they will. Wink most when widows wince.
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Written by
Wallace Stevens |
Sister and mother and diviner love,
And of the sisterhood of the living dead
Most near, most clear, and of the clearest bloom,
And of the fragrant mothers the most dear
And queen, and of diviner love the day
And flame and summer and sweet fire, no thread
Of cloudy silver sprinkles in your gown
Its venom of renown, and on your head
No crown is simpler than the simple hair.
Now, of the music summoned by the birth
That separates us from the wind and sea,
Yet leaves us in them, until earth becomes,
By being so much of the things we are,
Gross effigy and simulacrum, none
Gives motion to perfection more serene
Than yours, out of our own imperfections wrought,
Most rare, or ever of more kindred air
In the laborious weaving that you wear.
For so retentive of themselves are men
That music is intensest which proclaims
The near, the clear, and vaunts the clearest bloom,
And of all the vigils musing the obscure,
That apprehends the most which sees and names,
As in your name, an image that is sure,
Among the arrant spices of the sun,
O bough and bush and scented vine, in whom
We give ourselves our likest issuance.
Yet not too like, yet not so like to be
Too near, too clear, saving a little to endow
Our feigning with the strange unlike, whence springs
The difference that heavenly pity brings.
For this, musician, in your girdle fixed
Bear other perfumes. On your pale head wear
A band entwining, set with fatal stones.
Unreal, give back to us what once you gave:
The imagination that we spurned and crave.
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Written by
Wallace Stevens |
Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,
Madame, we are where we began. Allow,
Therefore, that in the planetary scene
Your disaffected flagellants, well-stuffed,
Smacking their muzzy bellies in parade,
Proud of such novelties of the sublime,
Such tink and tank and tunk-a-tunk-tunk,
May, merely may, madame, whip from themselves
A jovial hullabaloo among the spheres.
This will make widows wince. But fictive things
Wink as they will. Wink most when widows wince.
|
Written by
Edwin Arlington Robinson |
Could he have made Priscilla share
The paradise that he had planned,
Llewellyn would have loved his wife
As well as any in the land.
Could he have made Priscilla cease
To goad him for what God left out,
Llewellyn would have been as mild
As any we have read about.
Could all have been as all was not,
Llewellyn would have had no story;
He would have stayed a quiet man
And gone his quiet way to glory.
But howsoever mild he was
Priscilla was implacable;
And whatsoever timid hopes
He built—she found them, and they fell.
And this went on, with intervals
Of labored harmony between
Resounding discords, till at last
Llewellyn turned—as will be seen.
Priscilla, warmer than her name,
And shriller than the sound of saws,
Pursued Llewellyn once too far,
Not knowing quite the man he was.
The more she said, the fiercer clung
The stinging garment of his wrath;
And this was all before the day
When Time tossed roses in his path.
Before the roses ever came
Llewellyn had already risen.
The roses may have ruined him,
They may have kept him out of prison.
And she who brought them, being Fate,
Made roses do the work of spears,—
Though many made no more of her
Than civet, coral, rouge, and years.
You ask us what Llewellyn saw,
But why ask what may not be given?
To some will come a time when change
Itself is beauty, if not heaven.
One afternoon Priscilla spoke,
And her shrill history was done;
At any rate, she never spoke
Like that again to anyone.
One gold October afternoon
Great fury smote the silent air;
And then Llewellyn leapt and fled
Like one with hornets in his hair.
Llewellyn left us, and he said
Forever, leaving few to doubt him;
And so, through frost and clicking leaves,
The Tilbury way went on without him.
And slowly, through the Tilbury mist,
The stillness of October gold
Went out like beauty from a face.
Priscilla watched it, and grew old.
He fled, still clutching in his flight
The roses that had been his fall;
The Scarlet One, as you surmise,
Fled with him, coral, rouge, and all.
Priscilla, waiting, saw the change
Of twenty slow October moons;
And then she vanished, in her turn
To be forgotten, like old tunes.
So they were gone—all three of them,
I should have said, and said no more,
Had not a face once on Broadway
Been one that I had seen before.
The face and hands and hair were old,
But neither time nor penury
Could quench within Llewellyn’s eyes
The shine of his one victory.
The roses, faded and gone by,
Left ruin where they once had reigned;
But on the wreck, as on old shells,
The color of the rose remained.
His fictive merchandise I bought
For him to keep and show again,
Then led him slowly from the crush
Of his cold-shouldered fellow men.
“And so, Llewellyn,” I began—
“Not so,” he said; “not so at all:
I’ve tried the world, and found it good,
For more than twenty years this fall.
“And what the world has left of me
Will go now in a little while.”
And what the world had left of him
Was partly an unholy guile.
“That I have paid for being calm
Is what you see, if you have eyes;
For let a man be calm too long,
He pays for much before he dies.
“Be calm when you are growing old
And you have nothing else to do;
Pour not the wine of life too thin
If water means the death of you.
“You say I might have learned at home
The truth in season to be strong?
Not so; I took the wine of life
Too thin, and I was calm too long.
“Like others who are strong too late,
For me there was no going back;
For I had found another speed,
And I was on the other track.
“God knows how far I might have gone
Or what there might have been to see;
But my speed had a sudden end,
And here you have the end of me.”
The end or not, it may be now
But little farther from the truth
To say those worn satiric eyes
Had something of immortal youth.
He may among the millions here
Be one; or he may, quite as well,
Be gone to find again the Tree
Of Knowledge, out of which he fell.
He may be near us, dreaming yet
Of unrepented rouge and coral;
Or in a grave without a name
May be as far off as a moral.
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