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Best Famous Festoons Poems

Here is a collection of the all-time best famous Festoons poems. This is a select list of the best famous Festoons poetry. Reading, writing, and enjoying famous Festoons poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of festoons poems.

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Written by Walt Whitman | Create an image from this poem

A Broadway Pageant

 1
OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan. 

Libertad!
I do not know whether others behold what I behold, 
In the procession, along with the nobles of Asia, the errand-bearers, 
Bringing up the rear, hovering above, around, or in the ranks marching; 
But I will sing you a song of what I behold, Libertad. 

2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love; 
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; 
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
 delicate thin haze; 
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
 colors;

When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows; 
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
 densest;

When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
 thousands
 at a time; 
When the guests from the islands advance—when the pageant moves forward, visible; 
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
 them.


3
Superb-faced Manhattan! 
Comrade Americanos!—to us, then, at last, the Orient comes. 

To us, my city, 
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
 between,
To-day our Antipodes comes. 

The Originatress comes, 
The nest of languages, the bequeather of poems, the race of eld, 
Florid with blood, pensive, rapt with musings, hot with passion, 
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes, 
The race of Brahma comes! 

4
See, my cantabile! these, and more, are flashing to us from the procession; 
As it moves, changing, a kaleidoscope divine it moves, changing, before us. 

For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
 dead, 
The murky night morning of wonder and fable, inscrutable, 
The envelop’d mysteries, the old and unknown hive-bees, 
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, 
Vast desolated cities—the gliding Present—all of these, and more, are in the
 pageant-procession.

Geography, the world, is in it; 
The Great Sea, the brood of islands, Polynesia, the coast beyond; 
The coast you, henceforth, are facing—you Libertad! from your Western golden shores 
The countries there, with their populations—the millions en-masse, are curiously here; 
The swarming market places—the temples, with idols ranged along the sides, or at the
 end—bonze,
 brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman; 
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, 
Confucius himself—the great poets and heroes—the warriors, the castes, all, 
Trooping up, crowding from all directions—from the Altay mountains, 
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia; 
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, 
And I am seiz’d by them, and friendlily held by them, 
Till, as here, them all I chant, Libertad! for themselves and for you. 

5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant; 
I chant the world on my Western Sea; 
I chant, copious, the islands beyond, thick as stars in the sky; 
I chant the new empire, grander than any before—As in a vision it comes to me; 
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
 sea-islands; 
I chant my sail-ships and steam-ships threading the archipelagoes; 
I chant my stars and stripes fluttering in the wind; 
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;

Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
 be,
Commencing from this day, surrounded by the world. 

6
And you, Libertad of the world! 
You shall sit in the middle, well-pois’d, thousands of years; 
As to-day, from one side, the nobles of Asia come to you; 
As to-morrow, from the other side, the Queen of England sends her eldest son to you.

7
The sign is reversing, the orb is enclosed, 
The ring is circled, the journey is done; 
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
 whole
 box. 

8
Young Libertad! 
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all; 
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
 to
 you; 
Bend your proud neck low for once, young Libertad. 

9
Were the children straying westward so long? so wide the tramping? 
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
 reasons? 

They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
 travel toward you thence; 
They shall now also march obediently eastward, for your sake, Libertad.


Written by Amy Clampitt | Create an image from this poem

Nothing Stays Put

 In memory of Father Flye, 1884-1985


The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?

The exotic is everywhere, it comes to us
before there is a yen or a need for it. The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons. But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's

a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.

But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put. The world is a wheel.
All that we know, that we're 
made of, is motion.
Written by Carl Sandburg | Create an image from this poem

Balloon Faces

 THE BALLOONS hang on wires in the Marigold Gardens.
They spot their yellow and gold, they juggle their blue and red, they float their faces on the face of the sky.
Balloon face eaters sit by hundreds reading the eat cards, asking, “What shall we eat?”—and the waiters, “Have you ordered?” they are sixty ballon faces sifting white over the tuxedoes.
Poets, lawyers, ad men, mason contractors, smartalecks discussing “educated jackasses,” here they put crabs into their balloon faces.
Here sit the heavy balloon face women lifting crimson lobsters into their crimson faces, lobsters out of Sargossa sea bottoms.
Here sits a man cross-examining a woman, “Where were you last night? What do you do with all your money? Who’s buying your shoes now, anyhow?”
So they sit eating whitefish, two balloon faces swept on God’s night wind.
And all the time the balloon spots on the wires, a little mile of festoons, they play their own silence play of film yellow and film gold, bubble blue and bubble red.
The wind crosses the town, the wind from the west side comes to the banks of marigolds boxed in the Marigold Gardens.
Night moths fly and fix their feet in the leaves and eat and are seen by the eaters.
The jazz outfit sweats and the drums and the saxophones reach for the ears of the eaters.
The chorus brought from Broadway works at the fun and the slouch of their shoulders, the kick of their ankles, reach for the eyes of the eaters.
These girls from Kokomo and Peoria, these hungry girls, since they are paid-for, let us look on and listen, let us get their number.

Why do I go again to the balloons on the wires, something for nothing, kin women of the half-moon, dream women?
And the half-moon swinging on the wind crossing the town—these two, the half-moon and the wind—this will be about all, this will be about all.

Eaters, go to it; your mazuma pays for it all; it’s a knockout, a classy knockout—and payday always comes.
The moths in the marigolds will do for me, the half-moon, the wishing wind and the little mile of balloon spots on wires—this will be about all, this will be about all.
Written by William Topaz McGonagall | Create an image from this poem

The Funeral of the German Emperor

 Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led;
He was a man beloved by his subjects all,
Because he never tried them to enthral. 

The people of Germany have cause now to mourn,
The loss of their hero, who to them will ne'er return;
But his soul I hope to Heaven has fled away,
To the realms of endless bliss for ever and aye. 

He was much respected throughout Europe by the high and the low,
And all over Germany people's hearts are full of woe;
For in the battlefield he was a hero bold,
Nevertheless, a lover of peace, to his credit be it told. 

'Twas in the year of 1888, and on March the 16th day,
That the peaceful William's remains were conveyed away
To the royal mausoleum of Charlottenburg, their last resting-place,
The God-fearing man that never did his country disgrace. 

The funeral service was conducted in the cathedral by the court chaplain, Dr. Kogel,
Which touched the hearts of his hearers, as from his lips it fell,
And in conclusion he recited the Lord's Prayer
In the presence of kings, princes, dukes, and counts assembled there. 

And at the end of the service the infantry outside fired volley after volley,
While the people inside the cathedral felt melancholy,
As the sound of the musketry smote upon the ear,
In honour of the illustrous William, whom they loved most dear. 

Then there was a solemn pause as the kings and princes took their places,
Whilst the hot tears are trickling down their faces,
And the mourners from shedding tears couldn't refrain;
And in respect of the good man, above the gateway glared a bituminous flame. 

Then the coffin was placed on the funeral car,
By the kings and princes that came from afar;
And the Crown Prince William heads the procession alone,
While behind him are the four heirs-apparent to the throne. 

Then followed the three Kings of Saxony, and the King of the Belgians also,
Together with the Prince of Wales, with their hearts full of woe,
Besides the Prince of Naples and Prince Rudolph of Austria were there,
Also the Czarevitch, and other princes in their order I do declare. 

And as the procession passes the palace the blinds are drawn completely,
And every house is half hidden with the sable drapery;
And along the line of march expansive arches were erected,
While the spectators standing by seemed very dejected. 

And through the Central Avenue, to make the decorations complete,
There were pedestals erected, rising fourteen to fifteen feet,
And at the foot and top of each pedestal were hung decorations of green bay,
Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground;
And as the people gazed on the weird-like scene, their silence was profound;
And the shopkeepers closed their shops, and hotel-keepers closed in the doorways,
And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin,
To decorate with crape the beautiful city of Berlin;
Therefore Berlin I declare was a city of crape,
Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard,
And his great love for them nothing could it retard;
Then followed a squadron of the hussars with their band,
Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best,
Especially when the cavalry hove in sight, riding four abreast;
Men and officers with their swords drawn, a magnificent sight to see
In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread,
Playing the "Dead March in Saul," most appropriate for the dead;
And behind them followed the artillery, with four guns abreast,
Also the ministers and court officials dressed in their best. 

The whole distance to the grave was covered over with laurel and bay,
So that the body should be borne along smoothly all the way;
And the thousands of banners in the procession were beautiful to view,
Because they were composed of cream-coloured silk and light blue. 

There were thousands of thousands of men and women gathered there,
And standing ankle deep in snow, and seemingly didn't care
So as they got a glimpse of the funeral car,
Especially the poor souls that came from afar. 

And when the funeral car appeared there was a general hush,
And the spectators in their anxiety to see began to crush;
And when they saw the funeral car by the Emperor's charger led,
Every hat and cap was lifted reverently from off each head. 

And as the procession moved on to the royal mausoleum,
The spectators remained bareheaded and seemingly quite dumb;
And as the coffin was borne into its last resting-place,
Sorrow seemed depicted in each one's face. 

And after the burial service the mourners took a last farewell
Of the noble-hearted William they loved so well;
Then rich and poor dispersed quietly that were assembled there,
While two batteries of field-guns fired a salute which did rend the air
In honour of the immortal hero they loved so dear,
The founder of the Fatherland Germany, that he did revere.
Written by Rg Gregory | Create an image from this poem

images of snow - february 1996

 snow is a thousand flowers
the chinese probably said
hundreds and thousands this morning
drop their garlands on my head
last night the festoons started
long before we went to bed

snow is a white-furred rabbit
the chinese probably wrote
hedgerows and fields this morning
wear a similar fluffy coat
last night the winter danced back
with a white fur round its throat

snow is a treacherous fox-face
the chinese probably thought
it lurks in wait this morning
for the weak and overwrought
last night it laughed its head off
loving the fear it's brought


Written by Carl Sandburg | Create an image from this poem

Picnic Boat

 SUNDAY night and the park policemen tell each other it
is dark as a stack of black cats on Lake Michigan.
A big picnic boat comes home to Chicago from the peach
farms of Saugatuck.
Hundreds of electric bulbs break the night's darkness, a
flock of red and yellow birds with wings at a standstill.
Running along the deck railings are festoons and leaping
in curves are loops of light from prow and stern
to the tall smokestacks.
Over the hoarse crunch of waves at my pier comes a
hoarse answer in the rhythmic oompa of the brasses
playing a Polish folk-song for the home-comers.
Written by Herman Melville | Create an image from this poem

Chattanooga

 (November, 1863)

A kindling impulse seized the host
Inspired by heaven's elastic air;
Their hearts outran their General's plan,
Though Grant commanded there - 
Grant, who without reserve can dare;
And, "Well, go on and do your will,"
He said, and measured the mountain then:
So master-riders fling the rein - 
But you must know your men.

On yester-morn in grayish mist,
Armies like ghosts on hills had fought,
And rolled from the cloud their thunders loud
The Cumberlands far had caught:
Today the sunlit steeps are sought.
Grant stood on cliffs whence all was plain,
And smoked as one who feels no cares;
But mastered nervousness intense,
Alone such calmness wears.

The summit-cannon plunge their flame
Sheer down the primal wall,
But up and up each linking troop
In stretching festoons crawl - 
Nor fire a shot. Such men appal
The foe, though brave. He, from the brink,
Looks far along the breadth of slope,
And sees two miles of dark dots creep,
And knows they mean the cope.

He sees them creep. Yet here and there
Half hid 'mid leafless groves they go;
As men who ply through traceries high
Of turreted marbles show - 
So dwindle these to eyes below.
But fronting shot and flanking shell
Sliver and rive the inwoven ways;
High tops of oaks and high hearts fall,
But never the climbing stays.

Near and more near; till now the flags
Run like a catching flame;
And one flares highest, to peril nighest - 
He means to make a name:
Salvos! they give him his fame.
The staff is caught, and next the rush,
And then the leap where death has led;
Flag answered flag along the crest,
And swarms of rebels fled.

But some who gained the envied Alp,
And -eager, ardent, earnest there - 
Dropped into Death's wide-open arms,
Quelled on the wing like eagles struck in air - 
Forever they slumber young and fair,
The smile upon them as they died;
Their end attained, that end a height:
Life was to these a dream fulfilled,
And death a starry night.

Book: Reflection on the Important Things